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MusicalMosaicPlaylist 61521 Name Artist Album John Barleycorn Traffic John Barleycorn Must Die Donkey Jaw America America This Flight Tonight Joni Mitchell Blue Bluebird (Remastered Version) Bonnie Raitt Bonnie Raitt (Remastered Version) Me and Bobby McGee Janis Joplin Pearl Caravan Van Morrison Moondance (Expanded Edition) Proud Mary Ike & Tina Turner Proud Mary: The Best of Ike and Tina Turner Brown Sugar The Rolling Stones Sticky Fingers When I Paint My Masterpiece The Band Cahoots Old Man Neil Young Harvest Box of Rain Grateful Dead American Beauty Rock Me On The Water Jackson Browne Saturate Before Using Bangla Desh George Harrison Concert for Bangladesh Ohio (Live) Crosby, Stills, Nash & Young 4 Way Street Ain't No Sunshine Bill Withers Just As I Am I'll Take You There The Staple Singers The Best of the Staple Singers Inner City Blues (Make Me Wanna Holler) Marvin Gaye What's Going On Superstition Stevie Wonder Talking Book Trouble No More (Live at the Fillmore East, 1971) The Allman Brothers Band At Fillmore East (Deluxe Edition) [Live] When the Levee Breaks Led Zeppelin Led Zeppelin IV (Remastered) Walk On The Wild Side Lou Reed 20 Feet From Stardom - Music From The Motion Picture Tiny Dancer Elton John Madman Across the Water It's Too Late Carole King The Essential Carole King, Vol. 1: The Singer You've Got a Friend (2019 Remaster) James Taylor Mud Slide Slim and the Blue Horizon (2019 Remaster) Imagine (Remastered) John Lennon 1971: The Year That Music Changed Everything 1.

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Sir John Barley-Come and Sir Richard Rum (And Captain Whiskey)
The Transit of 'Small^ Merjy ' Anglo-American Culture: Sir John Barley-Come and Sir Richard Rum (and Captain Whiskey) JOEL BERNARD As the ideas and feelings embodied in the old unwritten ballads brought over the sea grew dim and remote, these same ballads absorbed by degrees, and with no more change than was necessary, a flavor of America. (Edward Eggleston, The Transit of Civilization from England to America in the Seventeenth Century) ISTORIANS of books and their readers in early America have recently begun to sort out many ofthe complexities H in the common stereotypes about colonial reading. They have focused on the role of mediators such as ministers, writers, and printers in creating, enforcing, and testing authority; they have quantified colonial literacy and book imports; and they have investigated imprints, inventories, and booksellers' stocks to find out what people actually read. Much recent scholarship has fo- cused on the relative isolation of colonial American readers from For help in the preparation of this essay, the author would like to thank Robert Gross, David Hall, John Hench, Jane Hunter, David Lubin, Sheila McAvey, and Elizabeth Reilly. Joel Bemard is also the author of'Authority, Autonomy, and Radical Commitment: Stephen and Abby Kelley Foster,' in these Proceedings i)it (lyHo): 347-S6. Copyright © 1 yyu by American Antiquarian Society 82 American Antiquarian Society all but a carefully defined, largely religious, body of print. Accord- ingly, this suggests that colonial readers—even in highly Hterate New England —lived in a culture of scarce print. In New England, from which the vast majority of early American imprints derive, these limitations are said to have reflected the religious dominance of Puritanism; in other colonies, they were the natural concomi- tants of social and economic underdevelopment.
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*Holiday Special
december 2005 issue 278 free jazz now in our 31st year www.jazz-blues.com &blues report Christmas 2005 On CD Also... 31st Annual Holiday Gift Guide PART II December 2005 – January 2006 • Holiday Special • Issue 278 Published by Martin Wahl Communications Editor & Founder Bill Wahl Christmas Layout & Design Bill Wahl Operations Jim Martin 2005 Pilar Martin Contributors Michael Braxton, Mark Cole, On CD Chris Hovan, Nancy Ann Lee, Peanuts, Mark Smith, Duane one somewhat lesser-known song in- Verh and Ron Weinstock. cluded is her version of Irving Berlin’s “Count Your Blessings Instead Of Check out our new, updated web Sheep.” Krall, accompanying herself on page. Now you can search for CD piano, is heard with either Anthony Wil- Reviews by artists, Titles, Record liams or Russell Malone on guitar, either Labels or JBR Writers. Twelve years John Clayton or Ben Wolfe on bass and of reviews are up and we’ll be going Jeff Hamilton on drums, plus the all the way back to 1974! Clayton-Hamilton Jazz Orchestra for most tracks. Address all Correspondence to.... Jane Monheit, who is now on a ma- Jazz & Blues Report jor label with Epic Records, has also re- 19885 Detroit Road # 320 leased a sweet set of holiday songs. Rocky River, Ohio 44116 Other than “Have Yourself A Merry Little Main Office ...... 216.651.0626 Christmas,” “Santa Claus Is Coming To Editor's Desk ... 440.331.1930 DIANA KRALL Town” and “Sleigh Ride,” she picked a [email protected] different set of songs for her offering. The Web .................
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Peter Price | [email protected] | +44 208 929 8434
For more than fve decades, Steve Winwood Winwood’s solo career has yielded a rich catalog of popular has remained a primary fgure in rock ‘n’ roll, songs including “Back In The High Life,” “When You See a respected innovator who has helped to A Chance,” “Valerie,” and “Higher Love”. His most recent create some of the genre’s most celebrated solo album, About Time, has continued that success, earning achievements. Winwood one of his highest Billboard chart entries. Winwood burst into prominence in 1963 with Winwood has since renewed his creative partnership with the Spencer Davis Group and since that time Eric Clapton. Their expansive CD and DVD Live At Madison his celebrated skills as a composer, vocalist, Square Garden was nominated for two Grammy Awards and multi-instrumentalist have developed an and rewarded their many fans with some of the impressive catalog of popular music. most exciting performances of their careers. Subsequent tours of the United States That extraordinary portfolio of music began at the and Japan make clear the lasting age of ffteen as the driving force of the Spencer appreciation fans have for their Davis Group. The group enjoyed a string of unique talents. chart success by way of such enduring classics as “Keep On Running” “Gimme Some Lovin’” Winwood continues to perform and “I’m A Man”. The international success of throughout the world and these singles bolstered Winwood’s confdence record new music, furthering and strengthened his resolve to seek out new his impressive legacy. rhythmic possibilities. In addition to his many achievements as a solo In 1967, Winwood left the Spencer Davis Group artist, Winwood remains and co-founded Traffc.
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DSL92203.Pdf
1 1. John Barleycorn Anonymous 2. In a Garden so Green Anonymous 3. Mr. Dowland’s Midnight John Dowland (1563-1626) 4. Fortune my Foe John Dowland 5. My Lady Hunsdon’s Puffe John Dowland 6. Come Again John Dowland 7. Henry Martyn Anonymous 8. Lully lulle Anonymous 9. Solus cum Sola John Dowland 10. M. George Whitehead, His Almand John Dowland 11. Twa Corbies Anonymous 12. Woods so Wild William Byrd (1543-1623) 13. Ddoi di dai Anonymous Tracks 2, 7, 8, 11, 13 & 14 arranged by Brian Kay Tracks 3, 4, 5, 9 & 10 arranged by Ray Nurse and Ronn McFarlane 14. Nottamun Town Anonymous Track 6 arranged by Brian Kay, Ronn McFarlane and Ray Nurse Tracks 1 & 12 arranged by Ronn McFarlane. 2 What is folk music, what is art (with the happy and fervent partic- have come back to the comfort music; is there some difference? ipation by the “art” composers, level of the late Renaissance. This is an idea that has been like Sibelius). Where would our There may have been some debated (fruitlessly, it could be own American musical life be distinction, but there was no argued) over the centuries. had not Charles Seeger taken his discomfort in arranging a popular wife and his baby Pete (and that ditty of the day in any way that Some see the so-called rise of car and proto-trailer hitch) on struck a composers’ fancy. interest in folk music to be a a journey to the Southlands to We could ask, to what extent product of the nationalism of the “bring music to the people?” As Romantic era.
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Traffic's 'John Barleycorn' LP Still a Rock Classic
The Daily Collegian Wednesday, December 15, 1976 'John Barleycorn' LP still a rock classic Traffic's • • • • .f .. ••• • n • . ',.;.. .S 'PP° th,..1 0 . Winwood. • • ), . e a between Wood and by On "Stranger to I t al ►I I 4 , .. • 1 t •,, .• By GEORGE OSGOOD with mild jam cuts wt. U' .1 ••• ► . • •• • •• 11, • 4. .. ri r r . •, • .•• , w ' • •• , • y "Every Mother's Son," . Capaldi midwaythrough. Himself" and • . Collegian Staff Writer ~.., t EITMEE through ......,:, ;:.: 3 ,i ,14 what may be the Winwood, overdubbing, plays , "Glad" spirals into , .. ~ 4/ • a ... .... , ( t'ditor's note: This is the first'in series . : 4;, •l•• . r ft• of• f • -•• •• drums) ' '••• song on an album of great ones. all instruments (except and MEE= • .' • • best • 0 . • N . 5 r of .. E "• occasionally of reviews appearing ' 111 •••.. • •••• .„„,.... ~ 11 , , 1?1•10: .0 • 11 •r a . a as songs are .• ,••' begins with stun- provides vocals well. Both . 1• •.....d "Freedom . ~ 4 ~ out- Rider" 110. , .- • ~,,, •,.e, "classic" record albums those 1 .§!..„ . , , , • ' , ' • 4 ,°•• • , the former is slightly 4. .... ~ ir sax cer- .• i ning electric piece by Wood, good but better ' -. —:,.. .o• ' remain viable . ... standing records that • • IS •• woodwind than the latter, a on which the • 5; and through changing tainly the finest rock player cut in- "; ' . through time ; • . .:' ::• 17 ." L don't quite mesh as they • . moves on the where 1 • to flute, struments r• -ever. Wood - • *musical trends. • L'• I=l • In January, 1969, after two successful he is no less, outstanding and Winwood, should. - • -- . _• No• 01. • •.1,• piano organ, song a .44 1131. moving between and title is traditional English • split up and its four The • , • .
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October 2017 Newsletter Pdfdownloadable Attachment
Suite 404 BROWARD COUNTY INTERGROUP, INC. Oakland Commerce Center 3317 NW 10th Terrace, Suite 404 Fort Lauderdale, FL 33309 Phone 954-462-7202, 954-462-0265; www.aabroward.org VOLUME 10 OCTOBER 2017 INSIDE THIS ISSUE Step Ten — “Continued to take personal inven- tory and when we were wrong promptly admitted it.” Tradition Ten 2 Volunteer Opportunities 3 Wrong Turn Local Readers Share 6 The first question I had about Step Ten was: How soon do I have to admit when I am wrong? "Promptly" seemed so vague. Anniversaries 5 The answer from an AA old-timer was: "How long you been sober?" Annoyed, I asked back: "What has that got to do with Word Puzzles 6 it?" The answer was: "The longer you are sober, the shorter the Meeting Changes 8 'promptly' gets!" The next thing I had to learn about Step Ten is that it doesn't Upcoming Events 8 say anything about being "sorry." When I was drinking I had a constant stream of "Sorrys." Now that I have been free of the booze for a few thousand days, I rarely have to say I'm sorry, but 42nd annual I often have to say that I was wrong. There is a big difference. intergroup I've been taught that if I say "I'm sorry" and then leave it like that, it means that I am leaving a lot unsaid that should be said. picnic HAS A I am really asking for forgiveness or some sort of "general absol- ution." But that's not what this alcoholic usually needs.
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Nate Jones Song List C/O CLE Music Group
Nate Jones Song List c/o CLE Music Group PRIVATE EVENT SONG LIST Alicia Keys “No One” Allman Brothers Band “Midnight Rider” America “Horse with No Name” “Ventura Highway” Amos Lee “Sweet Pea” “Keep It Loose, Keep It Tight” ”Windows are Rolled Down” Arlo Guthrie ”City of New Orleans” “Coming into Los Angeles” “Darkest Hour” Art Garfunkel “All I Know” “A Heart In New York” Badfinger “Day After Day” “No Matter What” The Band “Ophelia” “The Weight” “The Night They Drove Old Dixie Down” The Beatles “Yesterday” “In My Life” “Here, There and Everywhere” “When I’m Sixty-Four” “Strawberry Fields Forever” “Blackbird” “Dear Prudence” “Julia” “Rocky Raccoon” “I Will” “While My Guitar Gently Weeps” “Mother Nature’s Son” “Revolution No. 1” “Honey Pie” “Hey Jude” “Let It Be” “Get Back” “The Long and Winding Road” “Come Together” “Something” “Maxwell’s Silver Hammer” “Oh! Darling” “Here Comes The Sun” Bill Withers “Lean On Me” “Ain’t No Sunshine” “Use Me” Billy Joel “Piano Man” “Only the Good Die Young” “Movin’ Out” “Just the Way You Are” “She’s Always a Woman” “My Life” “She’s Got A Way” “Miami 2017 (Seen The Lights Go Out on Broadway)” “Honesty” “Everybody Loves You Now” “Don’t Ask Me Why” “You’re My Home” “Through the Long Night” “An Innocent Man” “The Longest Time” The Black Keys “Tighten Up” Blind Faith “Can’t Find My Way Home” “Presence of the Lord” Blues Traveler “Run-Around” “Hook” Bob Dylan “Don't Think Twice (It’s Alright)” “I Shall Be Released” “Mr. Tambourine Man” “Like a Rolling Stone” “Tangled Up in Blue” “Shelter From the Storm” Bob Seger “Turn the Page” “Still The Same” Bonnie Raitt “Something to Talk About” Bread “Everything I Own” “The Guitar Man” Buffalo Springfield “For What It’s Worth” “Mr.
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Steve Winwood – De Tidlige År (Indtil 1963)
Steve Winwood – de tidlige år (indtil 1963) Oplæg udarbejdet af Flemming Vestergard – Steve Winwood er født i 1948 og voksede op i Birmingham. Hans far var semiprof. musiker og spillede tenorsaxofon og klarinet i et swing-jazz orkester – Hans bror Mervin, kaldet Muff, var 5 år ældre. Han spillede guitar og klaver fra tidlig alder. Steve og han sang i kirkekor. Steve spillede også fra tidlig alder guitar, klaver og trommer – Begge brødre interesserede sig også for jazz. Muff starter et 8-mands jazzorkester som Steve deltager i. – Efterhånden koncentrerer Steve sig om sang og klaver samt orgel. Han begynder at spille med mange forskellige musikere i Birmingham området, samt sammen med gæstende musikere (f.eks Muddy Waters). Han er meget inspireret af Ray Charles. Spencer Davis Group (1963 – 67) – Dannet 1963 af waliseren Spencer Davis (f. 1939). Han mødte Steve og Muff en aften de spillede med deres jazz-orkester. Davis var meget interesseret i soul, blues, jazz og R'n'B. – Davis (sang, guit,mundharm), Muff (bas), Steve (orgel, sang). Peter Yorke (trom) – Repertoiret var fra start især covers fra Motown og blues og R'n'B -standards, men Winwood skrev også numre til gruppen allerede fra starten – Spillede lokalt de første år. Fik pladekontrakt i 1964 og udgav singlen 'Dimples' – Med deres 2. plade fik de deres helt egen stil og hittede med Keep on Runnin'. Senere var det numre som 'Gimme some lovin' og 'I'm a Man' der solgte stort – Steve og Muff forlader Spencer Davis Group i 1967. Muff bliver pladeproducer. Gruppen fortsætter nogle år med ny besætning.
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KKUP-2019-Gifts-Ver-14-06-13-19
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1001 Cars to Dream of Driving Before You Die Free
FREE 1001 CARS TO DREAM OF DRIVING BEFORE YOU DIE PDF Cassell Illustrated,Simon Heptinsall | 960 pages | 01 Oct 2012 | Octopus Publishing Group | 9781844037247 | English | London, United Kingdom dreams | sheila goloborotko Il consiste en une liste d'albums sortis entre et Menu de navigation Espaces de noms Article Discussion. In the Wee Small Hours. Tragic Songs of Life. Ellington at Newport. Songs for Swingin' Lovers! The "Chirping" Crickets. The Atomic Mr. Here's Little Richard. Ramblin' Jack Elliott. Jack Takes the Floor. The Genius of Ray Charles. Gunfighter Ballads and Trail Songs. A Date with the Everly Brothers. Back at the Chicken Shack. Sunday at the Village Vanguard. Modern Sounds in Country and Western Music. Booker T. The Freewheelin' Bob Dylan. Live at the Harlem Square Club, The Black Saint and the Sinner Lady. Live at the Apollo. The Rolling Stones. I've Got a Tiger By the Tail. Live at the Star Club, Hamburg. Bringing It All Back Home. The Beach Boys Today! Tambourine Man. Highway 1001 Cars to Dream of Driving Before You Die Revisited. Face to Face. The Mamas and the Papas. Paul Revere and the Raiders. The Mothers of Invention. Parsley, Sage, Rosemary and Thyme. The Psychedelic Sounds of the 13th Floor Elevators. Blues Breakers with Eric Clapton. Wild Is the Wind. Pepper's Lonely Hearts Club Band. Electric Music for the Mind and Body. Buffalo Springfield Again. The Piper at the Gates of Dawn. The Velvet Underground. The Velvet Underground and Nico. Younger Than Yesterday. Something Else by the Kinks. Sunshine Superman. I'm a Lonesome Fugitive.
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AIR PGV Song List.Pages
POP SONGS ARRANGED FOR FLUTE/VIOLIN, GUITAR AND CELLO A CHILD IS BORN Classic Jazz ballad ACROSS THE UNIVERSE AIR THAT I BREATHE (Hollies) ALL I WANT IS YOU ( U2 ) ALL YOU NEED IS LOVE ALWAYS A WOMAN TO ME (Billy Joel) AMERICA (Simon and Garfunkel) AMERICAN TUNE (Paul Simon) AND I LOVE HER ANGEL (Sarah McLaughlan) ANTONIOʼS SONG (Michael Franks) BABY I LOVE YOUR WAY (Peter Frampton) BABY, NOW THAT IʼVE FOUND YOU (redone by Allison Krause/ Union Station) BECAUSE BEHIND BLUE EYES / PINBALL WIZARD medley (Who) BLACKBIRD BOTH SIDES NOW (Judy Collins/Joni Mitchell) (the) BOXER ( Simon & Garfunkle) CAN YOU FEEL THE LOVE TONIGHT (Elton John) CANʼT FIND MY WAY BACK HOME (Blind Faith-Stevie Winwood/ Eric Clapton) CANʼT HELP FALLING IN LOVE WITH YOU (Elvis) CANʼT SMILE WITHOUT YOU (Barry Manilow) CANDLE IN THE WIND (Elton John) CHANGE THE WORLD (Eric Clapton) CHERISH (The Association) COME AWAY WITH ME (Norah Jones) CREEPINʼ (Stevie Wonder) CRAZY LOVE (Van Morrison) DANCE WITH ME (Orleans) DANIEL (Elton John) DAY AFTER DAY (Badﬁnger) DEAR PRUDENCE DESPERADO (Eagles/Linda Ronstadt) DONʼT CRY FOR ME ARGENTINA (from Evita) DONʼT KNOW WHY (Norah Jones) DONʼT LET THE SUN GO DOWN ON ME (Elton John) DONʼT WALK AWAY RENEE DONʼT WORRY BABY (Beach Boys) DUST IN THE WIND (Kansas) EL CONDOR PASA (Simon & Garfunkel) ELEANOR RIGBY ENDLESS LOVE (Lionel Richie/Diana Ross) EVERY BREATH YOU TAKE (Police) EVERYTHING I DO, I DO IT FOR YOU (Bryan Adams) FERRY CROSS THE MERSEY ( Gerry and the Pacemakers) FIELDS OF GOLD (Sting) FIRE AND RAIN (James Taylor) FORREST GUMP THEME (The Feather Theme) FREE FALLINʼ (Tom Petty) FROM THE BEGINNING (Emerson, Lake and Palmer) GIRL GIRL FROM IPANEMA (Astrid Gilberto) GIVE A LITTLE BIT (Supertramp) GOT TO GET YOU INTO MY LIFE HAVE A LITTLE FAITH IN ME (John Hiatt) HAVE I TOLD YOU LATELY THAT I LOVE YOU (Van Morrison/Rod Stewart) HAVE YOU EVER REALLY LOVED A WOMAN (Bryan Adams) HELPLESSLY HOPING (Crosby, Stills and Nash) HERE COMES THE SUN HERE, THERE, EVERYWHERE HOME (Michael Buble) HONEY PIE HOOKED ON A FEELING ( B.
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Faculty Recital: ISU Faculty Jazz Ensemble
Illinois State University ISU ReD: Research and eData School of Music Programs Music Fall 10-23-2018 Faculty Recital: ISU Faculty Jazz Ensemble Paul Nolen, Saxophone Illinois State University Kevin Hart, Piano Illinois State University Bill Koehler, Bass Illinois State University Tom Marko, Drums Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Nolen,, Paul Saxophone; Hart,, Kevin Piano; Koehler,, Bill Bass; and Marko,, Tom Drums, "Faculty Recital: ISU Faculty Jazz Ensemble" (2018). School of Music Programs. 3747. https://ir.library.illinoisstate.edu/somp/3747 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music Charles W. Bolen Faculty Recital Series Illinois State University Faculty Jazz Ensemble Paul Nolen, Saxophone l(evin Hart,Piano Bill Koehler, Bass Tom Jvlarko, Drums Kemp Recital Hall October 23, 2018 Tuesday Evening 8:00p.m. This is the twenty-fourth program of the 2018-2019 season. Program Please tum off all electronics for the duration of the concert. Thank you. Program will be selected from the following: 0 Let's Stay Together Mitchell/ Green/] ackson Based on Eric Alexander's version Released by Al Green, 1972 transcribed
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