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Philadelphia and the Southern Elite: Class, Kinship, and Culture in Antebellum America
PHILADELPHIA AND THE SOUTHERN ELITE: CLASS, KINSHIP, AND CULTURE IN ANTEBELLUM AMERICA BY DANIEL KILBRIDE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1997 ACKNOWLEDGMENTS In seeing this dissertation to completion I have accumulated a host of debts and obligation it is now my privilege to acknowledge. In Philadelphia I must thank the staff of the American Philosophical Society library for patiently walking out box after box of Society archives and miscellaneous manuscripts. In particular I must thank Beth Carroll- Horrocks and Rita Dockery in the manuscript room. Roy Goodman in the Library’s reference room provided invaluable assistance in tracking down secondary material and biographical information. Roy is also a matchless authority on college football nicknames. From the Society’s historian, Whitfield Bell, Jr., I received encouragement, suggestions, and great leads. At the Library Company of Philadelphia, Jim Green and Phil Lapansky deserve special thanks for the suggestions and support. Most of the research for this study took place in southern archives where the region’s traditions of hospitality still live on. The staff of the Mississippi Department of Archives and History provided cheerful assistance in my first stages of manuscript research. The staffs of the Filson Club Historical Library in Louisville and the Special Collections room at the Medical College of Virginia in Richmond were also accommodating. Special thanks go out to the men and women at the three repositories at which the bulk of my research was conducted: the Special Collections Library at Duke University, the Southern Historical Collection of the University of North Carolina, Chapel Hill, and the Virginia Historical Society. -
Drowned in Sound Kort.Indd 1 19-06-2008 21:28:17 Zoppo & Avec-A Together with My School Friend Cees I Started a Band Called Zoppo
30-05-2008, Primavera Sound Festival, Barcelona 3rd Bridge Helix From Experimental Punk to Ancient Chinese Music & Universal Physical Laws of Consonance This article is a written excerpt of my lecture I gave at the Primavera Sound Festival in Barcelona about my self built musical instruments. I explained what kind of instruments I make, why I make them and for which bands. I showed the audience my own copies and played a little on those instruments. Additionally I gave a deeper explanation about one particular instrument I have created, the Moodswinger. After finishing this instrument I rediscovered this instrument is not only a musical instrument, but also a educational measurement instrument which shows a universal system of consonant values based on simple physical laws. I discovered all musical scaling systems all over the world are derived from this basical system, inclusive the worst inharmonic deviated tuning system of all these variations, our Western 12-tone logaritmic equal tempered scale. - Yuri Landman The Beginning I bought my first guitar and bass guitar when I was 18. I always had a fascination for direct and simple punk rock structures instead of highly practised virtuose guitar playing used in symphonic rock and hard rock. In line of this estethical rule I refused to take traditional guitar lessons from a jazz or blues guitar teacher. I took notice of some chords and know where to put my fingers for a C7 or minor D-chord, but I have never practised long enough to play them well. I cannot even play Nirvana’s Polly properly for instance. -
John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving. -
Creative Musical Instrument Design
CREATIVE MUSICAL INSTRUMENT DESIGN: A report on experimental approaches, unusual creations and new concepts in the world of musical and sound instruments. A thesis submitted to the SAE Institute, London, in fulfillment of the requirements for the degree in Recording Arts, awarded by Middlesex University. Author: Andrea Santini Student: 42792 Intake: RAD0503X Project Tutors: Christopher Hayne Darren Gash London, August 2004 c r e a t i v e m u s i c a l i n s t r u m e n t d e s i g n Abstract The following document presents the results of an investigation into the current reality of creative musical-instrument and sound-instrument design. The focus of this research is on acoustic and electro-acoustic devices only, sound sources involving oscillators, synthesis and sampling, be it analogue or digital, have therefore been excluded. Also, even though occasional reference will be made to historical and ‘ethnical’ instruments, they will not be treated as a core issue, the attention being primarily centered on contemporary creations. The study includes an overview of the most relevant “sonic creations” encountered in the research and chosen as representative examples to discuss the following aspects: o Interaction between body and instrument. o Sonic Space o Tuning and layout of pitches o Shapes, materials and elements o Sonic objects, noise and inharmonic sources o Aesthetics: sound instruments as art objects o Amplification and transducer technologies These where chosen to provide some degree of methodology during the research process and a coherent framework to the analysis of a subject which, due to its nature and to the scarcity of relevant studies, has unclear boundaries and a variety of possible interdisciplinary connections. -
Wff Mainfrnt Prg-Front
WOODSTOCK FILM FESTIVAL September 28 - October 2 2005 Fiercely Independent From Brooklyn, so you know they’re tough. Lights, Controls, Mounts & Kits for Imaging Professionals, from the World Leader in Location Lighting lowel.com 718 921-0600 800 334-3426 SHORTS THE GREAT IDEA BINTA AND THE GREAT IDEA BINTA AND THE GREAT IDEA (BINTA Y LA GRAN IDEA) Directed by Javier Fesser RIDE OF THE MERGANSERS SPAIN, SENEGAL / 2004 / 30 minutes In French with English subtitles A SONG FOR DANIEL SOUVENIR EAST COAST PREMIERE Binta is a seven-year old girl who lives in a small village on the Casamance river in 55 minutes southern Senegal. She goes to school. Her Fri.S ept.30, 5:00PM @ Upstate 2 cousin Soda, does not have the same good Sun.Oct.2, 2:45PM @ Bearsville fortune and is not allowed to learn about the things of the world. Meanwhile, Binta’s father (a humble fisherman) is concerned about the devel- opment of mankind and he determined to carry out his great idea. RIDE OF THE MERGANSERS A SONG FOR DANIEL SOUVENIR Directed by Jason DaSilva S Directed by Steve Furman Directed by Stephen Rose H O 2004 / USA / 11 minutes 2005 / IRAQ, USA / 9 minutes 2004 / USA / 5 minutes R T The Hooded Merganser is a rare and reclu- In English and Arabic S EAST COAST PREMIERE sive duck found only in North America. A Song For Daniel compares a routine day A shadowy fable unfolds from inside a sou- Every spring, in the Great Lakes region, the of two nine-year-old Iraqi boys: one living venir snow globe, in this unique film that wary hen lays and incubates her eggs in a in Baghdad and the other born and raised was shot entirely with a toy camera. -
Colby Alumnus Vol. 69, No. 1: Fall 1979
Colby College Digital Commons @ Colby Colby Alumnus Colby College Archives 1980 Colby Alumnus Vol. 69, No. 1: Fall 1979 Colby College Follow this and additional works at: https://digitalcommons.colby.edu/alumnus Part of the Higher Education Commons Recommended Citation Colby College, "Colby Alumnus Vol. 69, No. 1: Fall 1979" (1980). Colby Alumnus. 109. https://digitalcommons.colby.edu/alumnus/109 This Other is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Alumnus by an authorized administrator of Digital Commons @ Colby. LO A New Preside I o(o ( Respectful of the F ' C=J \ The Colby Alumnus (Co (USPS 120-860) lJu b Volume 69, Number 1 Fall 1979 ( I Published quarterly fall, winter, spring, summer by Colby College College editor Mark Shankland Editorial associate Richard Nye Dyer Design and production Donald E. Sanborn, Jr. Martha Freese Shattuck Photography Mark Shankland Letters and inquiries should be sent to the editor, change of address notification to the alumni office Second-class postage paid at Waterville, Maine Postmaster send form 3579 to The Colby Alumnus Colby College Waterville, Maine 04901 About This Alumnus Much of this issue is devoted to the inauguration of President Cotter.For those who could not attend, the inaugural program and complete texts of remarks made by the convo cation speakers-shown on the back cover-are available by writing to the college editor. After sharing "some points of my own educational philosophy" and reporting on "the state of our college as I perceiue it" in his inaugural address, President Cotter receiues an enthusiastic standing ouation. -
July/August 2013
c1-c4CAMja13_c1-c1CAMMA05 6/13/13 1:00 PM Page c1 July | August 2013 $6.00 Alumni Magazine CorneOWNED AND PUBLISHED BY THE CORNELL ALUMNI ASSOCIATION Glass Menagerie Film project brings sea creatures to life Inside: CU joins MOOC movement A doctor at the Boston Marathon cornellalumnimagazine.com c1-c4CAMja13_c1-c1CAMMA05 6/13/13 1:00 PM Page c2 c1-c4CAMja13_c1-c1CAMMA05 6/13/13 1:00 PM Page 1 02-03CAMja13toc_000-000CAMJF07currents 6/18/13 3:03 PM Page 2 July/August 2013 Volume 116 Number 1 In This Issue Corne Alumni Magazine 4 From David Skorton Regaining our faculties 6 The Big Picture Reunion 2013 8 Correspondence A wish for 2015 12 From the Hill The graduates 16 Sports Nation’s best laxer 20 Authors Playing by heart 96 32 22 Big Red Writers 40 Wines of the Finger Lakes 42 Forward Into the Past Silver Thread 2012 Dry Riesling JIM ROBERTS ’71 56 Classifieds & Cornellians in Business America has gone mad for MOOCs—the “massive open online courses” that prom- ise to bring higher education to all, regardless of finances or geography. This spring, 57 Alma Matters Cornell announced that it was jumping into the MOOC movement, joining a nonprofit founded by Harvard and MIT to create four initial courses. Despite the 60 Class Notes potential benefits, though, some on campus and elsewhere are wary—seeing 92 Alumni Deaths MOOCs as a possible threat to academic quality and professorial careers. CAM speaks to the architects of Cornell’s foray, offering MOOCs 101. 96 Cornelliana Fashion mavens Legacies 46 Beyond the Sea To see the list of under- graduate legacies who BETH SAULNIER Currents entered in fall 2012, go to cornellalumnimagazine.com Photographer David Brown ’83 was working at the Johnson Museum when he came across a collection of undersea creatures made entirely of glass. -
Profel Sound Advice on Gj the Most out of Coll< and Life
RUTH BADER GINSBURG '54 JOINS THE SUPREME COURT P.25 m Profel sound advice on gj the most out of coll< and life. CU in Phi lade) Join your classmates and Mends for these special events on Saturday, November 20 Many activities are being planned for Saturday. For more information about these events, call the contact person(s) at the phone number(s) listed. If your class is not listed, call Sue Phelps Day '60 at (203) 673-5958. Most events require prior reservations. Event Time Location Contact Person(s) Telephone Alumni Crew Race 8:00 - 9:30 am Schuylkίll River Dick Schwartz '60, '65 (703)461-8686 Penn boathouse Athletics Alumni Breakfast 8:30-10:00 am Kings Court-English House Georgian Leonard (607)255-3816 Penn Campus Cornell Rowing Assn. Brunch 10:00 am Embassy Suites Center City Georgian Leonard (607)255-3816 1776 Ben Franklin Pkwy. College of Agriculture & Life Sciences 6:30 - 8:30 pm Penn Faculty Club Tracy Keller Wiles (607) 255-7651 Dean-Alumni Get-Together; Dean David L. Call '54, speaker College of Human Ecology Reception 5:00-7:00 pm Lower Egyptian Gallery Rhonda Velazquez (800) 453-7703 University Museum Cornell University Gay and 7:00 pm 16th Street Bar &Grill Steven Sίegel '68 (212)722-8456 Lesbian Alumni Assn. Dinner 264 South 16th Street Adam Levy '85 (215)843-4306 DEKE Dinner 7:00 pm Union League Club Jack Krieger '49 (607) 255-8520 Broad Street Hotel School Reception/Dinner 6:00 pm Egyptian Museum Harry Keller (607) 255-3565 Penn Campus Library Campaign Committee Breakfast 8:00-9:15 am Lenape Room Vally Kovary (607) 255-9568 -
2018 ANNUAL REPORT a Letter of Introduction WELCOME!!!
Photo: Into the Forest by Alice Guareschi Photo: Into the Forest by ALLIED PRODUCTIONS, INC 2018 ANNUAL REPORT A letter of introduction WELCOME!!! Allied Productions,Inc.from was foundedJack in 1981 to facilitate& & support Peter people engaged in common artis- tic endeavors and pursuits. We never imagined it would survive and thrive this long! You may know Allied Productions, Inc. through our primary project Le Petit Versailles (LPV), the Greenthumb garden that fosters the cultural legacy of our home base on the Lower East Side of New York City. Be a gar- dener! Fill out the LPV membership Application Form. For almost 25 years, Le Petit Versailles had been powered by a single outlet from the Allied Home Of- fice three stories above. In 2014, a sudden fire at the home office threatened the home of our direc- tors, and the whole events season. The fire forced us to address some infrastructure updates to LPV, located in the lot adjacent to Allied’s office. On July 2018, after 4 years of research, fundraising, and acquiring permits from various agencies, we successfully connected to the CON ED grid, and are now powered independently! Special thanks for everyone who made the new electrical system possible! Thanks to contributors to our Garden Power Indiegogo campaign, service donations from New Moon Construction, A&S Electric, Inc., the office of NYC City Council Woman Carlina Rivera, and the NYC Dept of Parks, and the Greenthumb program. But all this infrastructural progress comes at a cost. Installing the hardware cost about $9K, the yearly insurance we must now purchase each year costs $3K, and the monthly electric bill will likely run about $500 per season. -
Annual Report of the Town of Middleborough, Massachusetts
ANNUAL REPORT OF THE TOWN OFFICERS OF Middleboro, Mass. mi FOR THE Year Ending December 31, 1924. H. L. Thatcher & Company, Middleboro, Mass. ANNUAL REPORT OF THE TOWN OFFICERS OF Middleboro, Mass. FOR THE Year Ending December 31, 1924. 3 TOWN OFFICERS 1924 TREASURER AND COLLECTOR WILLIAM W. BRACKETT Term expires 1925 TOWN CLERK WILLIAM W. BRACKETT SELECTMEN LYMAN P. THOMAS Term expires 1926 THEODORE N. WOOD Term expires 1926 ERNEST L. MAXIM Term expires 1925 CHESTER E. WESTON Term expires 1927 ALTON G. PRATT Term expires 1927 TOWN MANAGER HARRY J. GOOD ALE ASSESSORS JAMES F. GARDNER Term expires 1926 ERNEST S. PRATT Term expires 1925 BENJAMIN C. SHAW Term expires 1927 OVERSEERS OF THE POOR ADELAIDE K. THATCHER Term expires 1926 CHARLES S. CUMMINGS Term expires 1925 WILLIAM M. HASKINS Term expires 1927 SCHOOL COMMITTEE ALLAN R. THATCHER Term expires 1926 FOREST E. THOMAS Term expires 1926 MRS. ADELIA C. RICHARDS Term expires 1925 KENDRICK H. WASHBURN Term expires 1925 GEORGE W. STETSON Term expires 1927 LORENZO WOOD Term expires 1927 4 SUPERINTENDENT OF SCHOOLS CHARLES H. BATES HEALTH OFFICER JOHN H. WHEELER SUPERINTENDENT OF STREETS ICHABOD B. THOMAS Resigned July 1 HERBERT B. RAMSDELL Appointed July 1 REGISTRARS OF VOTERS WALTER M. CHI PM AN Term expires 1926 WILLIAM J. COUGHLIN Term expires 1925 MICHAEL J. CRONAN Term expires 1927 TRUSTEES OF PUBLIC LIBRARY WALTER L. BEALS Term expires 1926 WALTER SAMPSON Term expires 1926 NATHAN-WASHBURN Term expires 1926 ALLAN R. THATCHER Term expires 1925 THEODORE N. WOOD Term expires 1925 MARION K. PRATT Term expires 1925 HENRY W. -
James Tate from “Read the Great Poets” Viper Jazz, 1976
ROCK TRACKS TATE • SHIRT AS WEAPON • LUMUMBA LIVES• KIDS POEMS AS •SHIRT ROCK TRACKS TATE BOOG CITY A COMMUNITY NEWSPAPER FROM A GROUP OF ARTISTS AND WRITERS BASED IN AND AROUND NEW YORK CITY’S EAST VILLAGE ISSUE 7 MAY 6, 2002 FREE B It’s aby elladonna* at anunsungseries at sings Anne Waldman 308 Bowery (btwn Bleecker and Houston) Langston and his own poetry. “Langston Hughes has been www.bowerypoetry.com reincarnated and lives in Spanish Harlem. His name is tel: (212)614-0500 Willie Perdomo. Where a Nickel Costs a Dime is a price- less, precious package of poetry.”-Claude Brown, author of across the street from CBGB’s | F train 2nd Ave | 6 to Manchild in the Promised Land. Then our nighttime pro- Bleecker | 212-614-0505 gram brings on: A whole lotta brilliant squirm and genius Our Schedule: Everything Subject To Change! poetoids! One $7 ticket gets you: (Watch for Grand Opening of Coffee Shop, “Best Coffee on 8PM John S Hall: Spoken Word God the Block”) 9PM Bradford Reed & the Amazing Pencilina 10PM KING MiSSiLE III! Tuesday, April 23 BOOG CITY 7 PUBLICATION POET PARTY BANDS 7PM $6 Monday, April 29 Bob Hershon will read his sardonia melodia Brooklyn 7PM to midnite! $5 THE LITERARY KICKS “SOME- pigeon cucurucurus! Ed Berrigan survives another year! THING FOR PEACE” SPRING POETRY HAPPENING 9PM $7 THE MIKE, MUMS & BEAU SHOW: Are you Todd Colby. White Collar Crime. (I think that sounds good, ready? Mike Ladd, Mums da Schemer, Beau Sia bring what do you guys think?) acclaimed WOMEN OF WORD Hiphop Vaudeville to the Exxtremes’ Exxxtreme! Miss this series. -
ASCAP/BMI Comment
Stuart Rosen Senior Vice President General Counsel November 20, 2015 Chief, Litigation III Section Antitrust Division U.S. Department of Justice 450 5th Street NW, Suite 4000 Washington, DC 20001 Re: Justice Department Review of the BMI and ASCAP Consent Decrees To the Chief of the Litigation III Section: BMI recently alerted its community of affiliated songwriters, composers and publishers to the profound impact 100% licensing would have on their careers, both creatively and financially, if it were to be mandated by the U.S. Department of Justice. In a call to action, BMI provided a letter, one for songwriters and one for publishers, to which their signatures could be added. The response was overwhelming. BMI received nearly 13,000 signatures from writers, composers and publishers of all genres of music, at all levels in their careers. Some of the industry's most well- known songwriters added their names, including Stephen Stills, Cynthia Weil, Steve Cropper, Ester Dean, Dean Pitchford, Congressman John Hall, Trini Lopez, John Cafferty, Gunnar Nelson, Lori McKenna, Shannon Rubicam and Don Brewer, among many others. Enclosed you will find the letters, with signatures attached. On behalf of BMI, I strongly urge you to consider the voices of thousands of songwriters and copyright owners reflected here before making a decision that will adversely affect both the creators, and the ongoing creation of, one ofAmerica's most important cultural and economic resources. Vert truly yours, Stuart Rosen 7 World Trade Center, 250 Greenwich Street, New York, NY 10007-0030 (212) 220-3153 Fax: (212) 220-4482 E-Mail: [email protected] ® A Registered Trademark of Broadcast Music, Inc.