Massachusetts Art Commission

Total Page:16

File Type:pdf, Size:1020Kb

Massachusetts Art Commission Massachusetts State House Art Collection Index of Subjects and Titles *Note: Due to on-going building renovations, not all objects may be on display at all times. Please contact our office for updates if necessary. SUBJECT/TITLE OBJECT TYPE * LOCATION ~A ADAMS, John Bust - bronze Nurses Hall John Adams, Samuel Adams, and James Bowdoin Drafting the Constitution of 1780 Mural - House Chamber ADAMS, John G. B Portrait – oil Room 27 ADAMS, Samuel Portrait – oil Governor’s Council Chamber ALLEN, Frank Portrait – oil Floor 3 Corridor AMES, Oliver Bust – marble Memorial Hall Portrait – oil Floor 3 Corridor ANDREW, John Statue - marble Doric Hall Portrait – oil Governor’s Council Chamber ANDREW, Richard Plaque – bronze Main Stair Hall – 3 ANDREWS, Esther Portrait – oil Room 189 ANDROS, Edmund Portrait – oil Floor 2 Corridor Revolt against Autocratic Government in Massachusetts: Arrest of Governor Andros Mural - House Chamber ARMENIAN Citizens Plaque –bronze Main Stair Hall -2 ARMY NURSES Memorial Statue – bronze Nurses Hall AVERY, John Portrait – oil Room 116 ~B BACON, Gaspar Portrait – oil Senate Reading Room BANKS, Nathaniel Portrait – oil Floor 3 Corridor BARTLETT, William F. Statue – bronze Bartlett Hall BARTON, Clara Plaque – bronze Nurses Hall BATES, John L. Portrait – oil Floor 3 Corridor Battle at Concord Bridge Mural Memorial Hall Massachusetts State House Art Collection: Index of Subjects and Titles BEACON HILL Monument Statue - bronze/granite Grounds --Ashburton Park Plaques, four – slate Grounds – Ashburton Park Plaque – bronze Grounds – Ashburton Park BELCHER, Jonathan Portrait – oil Floor 2 Corridor BELLINGHAM, Richard Portrait – oil Floor 2 Corridor BENTON, Josiah Portrait – oil Storage BERNARD, Francis Portrait – oil Floor 2 Corridor BIRMINGHAM, Thomas Portrait – oil Senate Reading Room Boston Tea Party Mural Nurses Hall BOUTWELL, George Bust-marble Storage Portrait – oil Floor 3 Corridor BOWDOIN, James Portrait – oil Floor 3 Corridor BRACKETT, John Portrait – oil Floor 3 Corridor BRADFORD, Robert Portrait – oil Floor 3 Corridor BRADSTREET, Simon Portrait – oil Floor 2 Corridor BRANDEIS, Louis Bust-bronze Main Stair Hall - 3 BRIGGS, George Portrait – oil Floor 3 Corridor BROOKS, John Portrait – oil Floor 3 Corridor BULFINCH, Charles Plaque - bronze Doric Hall BULGER, William Portrait – oil Senate Reading Room BULLOCK, Alexander Portrait – oil Floor 3 Corridor BURLINGAME. Anson Portrait – oil Room 272 BURNET, William Portrait – oil Floor 2 Corridor BUTLER, Benjamin F. Portrait – oil Floor 3 Corridor ~C CELLUCCI, Argeo Paul Portrait – oil Lt. Governor’s Office CHILDS, Henry Portrait – oil Room 373 CHAPLAINS’ Memorial Plaque - bronze Floor 3 Corridor CICERO Bust - plaster State Library CLAFLIN, William Portrait – oil Floor 3 Corridor CLIFFORD, John Portrait – oil Floor 3 Corridor COBB, David Portrait – oil Room 222 COD – “Sacred” Cod Sculpture – wood/polychrome House Chamber COFFIN, Charles C. Portrait – oil State Library – Room 341 COHEN, Edward /Massachusetts Labor History Plaque - bronze Floor 3 Corridor Columbia Knighting her War Disabled Mural Floor 3 Corridor COOK, Frederick Portrait – oil Room 116 Plaque - bronze Storage Massachusetts State House Art Collection: Index of Subjects and Titles COOTE, Richard Portrait – oil Floor 2 Corridor COX, Channing H. Portrait – oil Floor 3 Corridor CRANE, Winthrop M Portrait – oil Floor 3 Corridor Creation Statuette-bronze Doric Hall CRONIN, Edward Plaque - bronze Storage CURLEY, James M Portrait – oil Floor 3 Corridor ~D David and Goliath (Passaga Memorial) statuette - bronze Doric Hall DAVIS, John Portrait – oil Floor 3 Corridor Plaque - marble Storage DeBERDT, Denys Portrait - pastel Storage DECLARATION of Independence Plaque – bronze State Library – Room 341 Decoration of the Colors of the 104th Infantry Mural Main Stair Hall - 3 DEEDY, John J. Plaque – bronze House Chamber DERNE Street Plaque – slate Grounds - rear DEVER, Paul A. Portrait – oil Floor 3 Corridor DONAHUE, Frank J. Portrait – oil Room 337 DONAHUE, Maurice Portrait – oil Senate Reading Room DORIC DAMES Founders Plaque – bronze Doric Hall DOUGLAS, William L. Portrait – oil Floor 3 Corridor DOWSE, Edmund Portrait – oil Room 373 DRAPER, Eben S. Portrait – oil Floor 3 Corridor DUDLEY, Joseph Portrait – oil Floor 2 Corridor DUDLEY, Thomas Plaque – bronze Doric Hall DUKAKIS, Michael S. Portrait – oil Governor’s Reception Room DUMMER, William Portrait – oil Floor 2 Corridor DYER, Mary Statue - bronze Grounds – front ~E ELY, Joseph B. Portrait – oil Floor 3 Corridor EIGHTH Air Force Plaque – bronze Hooker Entrance John Eliot Preaching to the Indians Mural Memorial Hall ENDECOTT, John Portrait – oil (original) Floor 2 Corridor Portrait – oil (copy) Floor 2 Corridor ENDICOTT, Henry B. Plaque – bronze Nurses Hall ENGLISH HIGH SCHOOL Plaque - bronze Grounds - rear EUSTIS, William Portrait – oil Floor 3 Corridor Massachusetts State House Art Collection: Index of Subjects and Titles EVERETT, Edward Portrait – oil Floor 3 Corridor ~F FINGOLD, George Plaque – bronze State Library entrance FOSS, Eugene N. Portrait – oil Floor 3 Corridor FRANKLIN, Benjamin Bust-marble Senate Chamber FULLER, Alvan T. Portrait – oil Floor 3 Corridor FULLER, Arthur B. Bust - plaster State Library FURCOLO, Foster Portrait – oil Governor’s Reception ~G GAGE, Thomas Portrait – pastel Doric Hall GARDNER, Henry Portrait – oil Floor 3 Corridor GASTON, William Portrait – oil Floor 3 Corridor GERRY, Elbridge Portrait – oil Floor 3 Corridor GORE, Christopher Portrait – oil Floor 3 Corridor GRAND ARMY of the Republic Plaque - bronze Grounds - front GREAT HALL Plaque– bronze Great Hall GREENHALGE, Frederic T Bust-marble Memorial Hall Portrait – oil Floor 3 Corridor GUILD, Curtis, Jr Plaque - marble Main Stair Hall - 2 . Portrait – oil Floor 3 Corridor ~H HANCOCK, John Portrait – oil Floor 3 Corridor Plaque - bronze Doric Hall John Hancock Proposing the Bill of Rights to the Federal Constitution Mural- House Chamber HANCOCK HOUSE Plaque – bronze Grounds - front HARRINGTON, Kevin Portrait – oil Senate Reading Room HEAR US: Massachusetts Women’s Leadership Memorial Mixed media Installation Floor 2 Corridor Plaque – bronze (donors) Floor 2 Corridor HERTER, Christian Portrait – oil Floor 3 Corridor HOAR, George F. Bust - marble State Library – Room 341 HOLT, Charles Portrait – oil House Reading Room HOOKER, Joseph Statue - bronze Grounds - front HORTON, Edward Portrait – oil Room 27 HURLEY, Charles F. Portrait – oil Floor 3 Corridor HUTCHINSON, Anne Statue - bronze Grounds - front Plaque – bronze Grounds - front HUTCHINSON, Thomas Portrait – oil Floor 2 Corridor Massachusetts State House Art Collection: Index of Subjects and Titles ~J ~K JAY, Pierre Plaque – bronze Hooker Entrance KENNEDY, John F. Statue - bronze Grounds - front Maquette-plaster Storage Plaque – slate (rostrum) House Chamber Plaque – bronze (donors) Grounds - front KING, Edward Portrait – oil Governor’s Reception Room KUHN, Jacob Portrait – oil Storage ~L LAFAYETTE, Marquis de Lafayette Bust-marble Senate Chamber LAFAYETTE Memorial Day Plaque – bronze Doric Hall LANDING SHIP TANK Memorial Plaque – bronze Hooker Entrance LAWRENCE, Myron Portrait – oil Room 222 LEVERETT, John Portrait – oil Floor 2 Corridor LIBERTY ELM Tree Plaque – bronze Grounds – front LINCOLN, Abraham Portrait – oil Doric Hall LINCOLN, Abraham/Gettysburg Address Plaque – bronze Doric Hall LINCOLN, Levi, Jr. Portrait – oil Governor’s Council Chamber LODGE, Henry C., Sr Statue – bronze Grounds - front . Bust - bronze Bartlett Hall LODGE, Henry C., Jr Bust - bronze Bartlett Hall LOGAN, John A. Plaque – bronze Floor 3 Corridor LONG, John D. Bust - plaster State Library Portrait – oil Floor 3 Corridor ~M MANN, Horace statue - bronze Grounds – front Portrait – oil Senate Reading Room Massachusetts Ex-POW Memorial Plaque – bronze Nurses Hall Massachusetts Fallen Firefighters Mem. Statue – bronze Grounds- Ashburton Park Massachusetts Law Enforcement Mem. Relief – bronze Grounds - Ashburton Park MC CALL, Samuel Bust - marble Nurses Hall Portrait – oil Floor 3 Corridor Medal of Honor – Civil/Spanish Wars Plaque – bronze Main Stair Hall - 3 Medal of Honor – WWI - Valor Plaque – bronze Main Stair Hall - 3 Medal of Honor – WWII/Korea Plaque – bronze Main Stair Hall - 3 Medal of Honor – Viet Nam Plaque – granite Main Stair Hall - 3 MILES, Nelson Plaque – bronze Bartlett Hall MORTON, Marcus Portrait – oil Floor 3 Corridor MURRAY, Therese Portrait – oil Senate Reading Room ~N ~ O ~ P Ninety-Fourth Infantry Division Memorial Mural Main Stair Hall - 4 NURSES Hall Plaque - bronze Nurses Hall Massachusetts State House Art Collection: Index of Subjects and Titles O’BRIEN, Jeremiah Plaque - bronze Nurses Hall James Otis Arguing the Writs of Assistance in the Old Towne House Mural Nurses Hall PARKER, Frank H. Plaque – bronze Nurses Hall PARKER, John F. Portrait – oil Senate Reading Room PATRICK, Deval L. Portrait – oil Governor’s Reception Room PEABODY, Endicott Portrait – oil Governor’s Reception Room PEDRICK, Thomas Portrait – oil Room 189 PHIPS, Spencer Portrait – oil Floor 2 Corridor PHIPS, William Portrait – oil Floor 2 Corridor PICKMAN, Benjamin Portrait – oil Senate Reading Room Pilgrims on the Mayflower Mural Memorial Hall PRINCE, Norman Plaque - bronze Nurses Hall POLISH Citizens Plaque – bronze Main Stair Hall POWNALL, Thomas Portrait – oil Floor 2 Corridor ~R Return of the Colors to the Custody of the Commonwealth Mural Memorial Hall REMINGTON, David Portrait – oil Room 189 Paul Revere’s Ride Mural Nurses Hall RICE, Alexander Portrait
Recommended publications
  • Myth and Memory: the Legacy of the John Hancock House
    MYTH AND MEMORY: THE LEGACY OF THE JOHN HANCOCK HOUSE by Rebecca J. Bertrand A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in American Material Culture Spring 2010 Copyright 2010 Rebecca J. Bertrand All Rights Reserved MYTH AND MEMORY: THE LEGACY OF THE JOHN HANCOCK HOUSE by Rebecca J. Bertrand Approved: __________________________________________________________ Brock Jobe, M.A. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ J. Ritchie Garrison, Ph.D. Director of the Winterthur Program in American Material Culture Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Debra Hess Norris, M.S. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS Every Massachusetts schoolchild walks Boston’s Freedom Trail and learns the story of the Hancock house. Its demolition served as a rallying cry for early preservationists and students of historic preservation study its importance. Having been both a Massachusetts schoolchild and student of historic preservation, this project has inspired and challenged me for the past nine months. To begin, I must thank those who came before me who studied the objects and legacy of the Hancock house. I am greatly indebted to the research efforts of Henry Ayling Phillips (1852- 1926) and Harriette Merrifield Forbes (1856-1951). Their research notes, at the American Antiquarian Society in Worcester, Massachusetts served as the launching point for this project. This thesis would not have been possible without the assistance and guidance of my thesis adviser, Brock Jobe.
    [Show full text]
  • Construction of the Massachusetts Constitution
    Construction of the Massachusetts Constitution ROBERT J. TAYLOR J. HI s YEAR marks tbe 200tb anniversary of tbe Massacbu- setts Constitution, the oldest written organic law still in oper- ation anywhere in the world; and, despite its 113 amendments, its basic structure is largely intact. The constitution of the Commonwealth is, of course, more tban just long-lived. It in- fluenced the efforts at constitution-making of otber states, usu- ally on their second try, and it contributed to tbe shaping of tbe United States Constitution. Tbe Massachusetts experience was important in two major respects. It was decided tbat an organic law should have tbe approval of two-tbirds of tbe state's free male inbabitants twenty-one years old and older; and tbat it sbould be drafted by a convention specially called and chosen for tbat sole purpose. To use the words of a scholar as far back as 1914, Massachusetts gave us 'the fully developed convention.'^ Some of tbe provisions of the resulting constitu- tion were original, but tbe framers borrowed heavily as well. Altbough a number of historians have written at length about this constitution, notably Prof. Samuel Eliot Morison in sev- eral essays, none bas discussed its construction in detail.^ This paper in a slightly different form was read at the annual meeting of the American Antiquarian Society on October IS, 1980. ' Andrew C. McLaughlin, 'American History and American Democracy,' American Historical Review 20(January 1915):26*-65. 2 'The Struggle over the Adoption of the Constitution of Massachusetts, 1780," Proceedings of the Massachusetts Historical Society 50 ( 1916-17 ) : 353-4 W; A History of the Constitution of Massachusetts (Boston, 1917); 'The Formation of the Massachusetts Constitution,' Massachusetts Law Quarterly 40(December 1955):1-17.
    [Show full text]
  • James Bowdoin: Patriot and Man of the Enlightenment (Pamphlet)
    JAMES BOWDOIN N COLLEGE May 2 8 — September i 2 1976 Digitized by the Internet Archive in 2015 https://archive.org/details/jannesbowdoinpatrOObowd_0 JAMES BOWDOIN Patriot and Man of The Enlightenment JAMES Bowdoin's role in the American Revolution has never re- ceived frofer fublic recognition. Bowdoin^s friendship with Franklin, Washington, Revere and others fut him in the midst of the struggle for Independence; at the same time his social position and family ties gave him entree to British leaders and officials. In lyyo, his own brother-in-law was Colonial Secretary for the Gover- nor, yet Bowdoin wrote the tract on the Boston Massacre, which clearly blamed the British for the incident and sent Boston down the road toward Revolution. This exhibition seeks not only to reveal Bowdoin^s importance in the Revolution, but also his contributions in the field of finance, science, literature and the arts. He was as well educated as any American in the eighteenth century and subscribed to the principles of The Enlightenment, which encouraged iyivestigation into the nat- ural world and practice of the graces of life. To accomplish these goals, the Museum commissioned the frst major biography of Bowdoin in the form of a catalogue which will be published on July 4, igy6. We are most grateful to Professor Gordon E. Kershaw, author of The Kennebeck Proprietors, 1749- 1775, and specialist on James Bowdoin, for writing the catalogue. The Museum has also attempted to tell the Bowdoin story purely with objects of art. Like books, objects contain data and ideas. Their stories can be ^Wead^^ if only one examines the object and asks certain questions such as: what kind of society is needed to produce such a work? What traditional or European motifs are used, which motifs are rejected and what new ones are introduced? What was the use or function of the object? Beyond this, the exhibition is intended to show that James Bowdoin expressed an interest in art not only in commissions for painting and silver but also in the execution of a bank note or scientific instrument.
    [Show full text]
  • John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: a Reappraisal.”
    The Historical Journal of Massachusetts “John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: A Reappraisal.” Author: Arthur Scherr Source: Historical Journal of Massachusetts, Volume 46, No. 1, Winter 2018, pp. 114-159. Published by: Institute for Massachusetts Studies and Westfield State University You may use content in this archive for your personal, non-commercial use. Please contact the Historical Journal of Massachusetts regarding any further use of this work: [email protected] Funding for digitization of issues was provided through a generous grant from MassHumanities. Some digitized versions of the articles have been reformatted from their original, published appearance. When citing, please give the original print source (volume/number/date) but add "retrieved from HJM's online archive at http://www.westfield.ma.edu/historical-journal/. 114 Historical Journal of Massachusetts • Winter 2018 John Adams Portrait by Gilbert Stuart, c. 1815 115 John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: A Reappraisal ARTHUR SCHERR Editor's Introduction: The history of religious freedom in Massachusetts is long and contentious. In 1833, Massachusetts was the last state in the nation to “disestablish” taxation and state support for churches.1 What, if any, impact did John Adams have on this process of liberalization? What were Adams’ views on religious freedom and how did they change over time? In this intriguing article Dr. Arthur Scherr traces the evolution, or lack thereof, in Adams’ views on religious freedom from the writing of the original 1780 Massachusetts Constitution to its revision in 1820. He carefully examines contradictory primary and secondary sources and seeks to set the record straight, arguing that there are many unsupported myths and misconceptions about Adams’ role at the 1820 convention.
    [Show full text]
  • Descriptive Catalogue of the Paintings, Sculpture and Drawings and of the Walker Collection
    Bowdoin College Bowdoin Digital Commons Museum of Art Collection Catalogues Museum of Art 1930 Descriptive Catalogue of the Paintings, Sculpture and Drawings and of the Walker Collection Bowdoin College. Museum of Art Follow this and additional works at: https://digitalcommons.bowdoin.edu/art-museum-collection- catalogs Recommended Citation Bowdoin College. Museum of Art, "Descriptive Catalogue of the Paintings, Sculpture and Drawings and of the Walker Collection" (1930). Museum of Art Collection Catalogues. 4. https://digitalcommons.bowdoin.edu/art-museum-collection-catalogs/4 This Book is brought to you for free and open access by the Museum of Art at Bowdoin Digital Commons. It has been accepted for inclusion in Museum of Art Collection Catalogues by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. Digitized by the Internet Archive in 2015 https://archive.org/details/descriptivecatal00bowd_2 BOWDOIN MUSEUM OF FINE ARTS WALKER ART BUILDING DESCRIPTIVE CATALOGUE OF THE PAINTINGS, SCULPTURE and DRAWINGS and of the WALKER COLLECTION FOURTH EDITION Price Fifty Cents BRUNSWICK, MAINE 1930 THE RECORD PRES5 BRUNSWICK, MAINE TABLE OF CONTENTS PAGE List of Illustrations 3 Prefatory Note 4 Historical Introduction 8 The Walker Art Building 13 Sculpture Hall 17 The Sophia Walker Gallery 27 The Bowdoin Gallery 53 The Boyd Gallery 96 Base:.:ent 107 The Assyrian Room 107 Corridor 108 Class Room 109 King Chapel iio List of Photographic Reproductions 113 Index ...115 Finding List of Numbers 117 LIST OF ILLUSTRATIONS FACING PAGE Walker Art Building — Frontispiece Athens, by John La Farge 17 Venice, by Kenyon Cox 18 Rome, by Elihu Vcdder 19 Florence, hy Abbott Thayer 20 Alexandrian Relief Sculpture, SH-S 5 ..
    [Show full text]
  • The Federal Constitution and Massachusetts Ratification : A
    , 11l""t,... \e ,--.· ', Ir \" ,:> � c.'�. ,., Go'.l[f"r•r•r-,,y 'i!i • h,. I. ,...,,"'P�r"'T'" ""J> \S'o ·� � C ..., ,' l v'I THE FEDERAL CONSTlTUTlON \\j\'\ .. '-1',. ANV /JASSACHUSETTS RATlFlCATlON \\r,-,\\5v -------------------------------------- . > .i . JUN 9 � 1988 V) \'\..J•, ''"'•• . ,-· �. J ,,.._..)i.�v\,\ ·::- (;J)''J -�·. '-,;I\ . � '" - V'-'� -- - V) A TEACHING KIT PREPAREV BY � -r THE COIJMOMVEALTH M,(SEUM ANV THE /JASSACHUSETTS ARCHIVES AT COLUM.BIA POINf ]') � ' I � Re6outee Matetial6 6ot Edueatot6 and {I · -f\ 066ieial& 6ot the Bieentennial 06 the v-1 U.S. Con&titution, with an empha6i& on Ma&&aehu&ett6 Rati6ieation, eontaining: -- *Ma66aehu6ett& Timeline *Atehival Voeument6 on Ma&&aehu&ett& Rati6ieation Convention 1. Govetnot Haneoek'6 Me&6age. �����4Y:t4���� 2. Genetal Coutt Re6olve& te C.U-- · .....1. *. Choo6ing Velegate& 6ot I\) Rati6ieation Convention. 0- 0) 3. Town6 &end Velegate Name&. 0) C 4. Li6t 06 Velegate& by County. CJ) 0 CJ> c.u-- l> S. Haneoek Eleeted Pte6ident. --..J s:: 6. Lettet 6tom Elbtidge Getty. � _:r 7. Chatge6 06 Velegate Btibety. --..J C/)::0 . ' & & • o- 8 Hane oe k Pt op o 6e d Amen dme nt CX) - -j � 9. Final Vote on Con&titution --- and Ptopo6ed Amenwnent6. Published by the --..J-=--- * *Clue6 to Loeal Hi&toty Officeof the Massachusetts Secretary of State *Teaehing Matetial6 Michaelj, Connolly, Secretary 9/17/87 < COMMONWEALTH OF MASSACHUSETTS !f1Rl!j OFFICE OF THE SECRETARY OF STATE CONSTITUTtON Michael J. Connolly, Secretary The Commonwealth Museum and the Massachusetts Columbia Point RATIFICATION OF THE U.S. CONSTITUTION MASSACHUSETTS TIME LINE 1778 Constitution establishing the "State of �assachusetts Bay" is overwhelmingly rejected by the voters, in part because it lacks a bill of rights.
    [Show full text]
  • Open PDF File, 134.33 KB, for Paintings
    Massachusetts State House Art and Artifact Collections Paintings SUBJECT ARTIST LOCATION ~A John G. B. Adams Darius Cobb Room 27 Samuel Adams Walter G. Page Governor’s Council Chamber Frank Allen John C. Johansen Floor 3 Corridor Oliver Ames Charles A. Whipple Floor 3 Corridor John Andrew Darius Cobb Governor’s Council Chamber Esther Andrews Jacob Binder Room 189 Edmund Andros Frederick E. Wallace Floor 2 Corridor John Avery John Sanborn Room 116 ~B Gaspar Bacon Jacob Binder Senate Reading Room Nathaniel Banks Daniel Strain Floor 3 Corridor John L. Bates William W. Churchill Floor 3 Corridor Jonathan Belcher Frederick E. Wallace Floor 2 Corridor Richard Bellingham Agnes E. Fletcher Floor 2 Corridor Josiah Benton Walter G. Page Storage Francis Bernard Giovanni B. Troccoli Floor 2 Corridor Thomas Birmingham George Nick Senate Reading Room George Boutwell Frederic P. Vinton Floor 3 Corridor James Bowdoin Edmund C. Tarbell Floor 3 Corridor John Brackett Walter G. Page Floor 3 Corridor Robert Bradford Elmer W. Greene Floor 3 Corridor Simon Bradstreet Unknown artist Floor 2 Corridor George Briggs Walter M. Brackett Floor 3 Corridor Massachusetts State House Art Collection: Inventory of Paintings by Subject John Brooks Jacob Wagner Floor 3 Corridor William M. Bulger Warren and Lucia Prosperi Senate Reading Room Alexander Bullock Horace R. Burdick Floor 3 Corridor Anson Burlingame Unknown artist Room 272 William Burnet John Watson Floor 2 Corridor Benjamin F. Butler Walter Gilman Page Floor 3 Corridor ~C Argeo Paul Cellucci Ronald Sherr Lt. Governor’s Office Henry Childs Moses Wight Room 373 William Claflin James Harvey Young Floor 3 Corridor John Clifford Benoni Irwin Floor 3 Corridor David Cobb Edgar Parker Room 222 Charles C.
    [Show full text]
  • COMMENCEMENT Saturday,N May 25, 2019
    n COMMENCEMENT Saturday,N May 25, 2019 Bowdoin College BOWDOIN COLLEGE COMMENCEMENT Saturday, May 25, 2019 n QVOD BONVM FELIX FAVSTVMQUE SIT INLVSTRISSIMAE JANET MILLS GVBERNATORI CONSILIARIIS ET SENATORIBUS QVI LITTERIS REI PVBLICAE MAINENSIS PROPRIE PRAESVNT SOCIISQVE CVRANTIBVS COLLEGI BOWDOINENSIS HONORANDIS ATQVE REVERENDIS CLARISSIMO CLAYTON ROSE PRAESIDI TOTI SENATVI ACADEMICO ECCLESIARVM PASTORIBVS VENERANDIS CVNCTIS DENIQVE VBIQVE GENTIVM HVMANITATIS FAVTORIBVS HASCE EXERCITATIONES IVVENES IN ARTIBVS INITIATI HVMILLIMI DEDICANT N HABITAS IN COMITIIS COLLEGI BOWDOINENSIS BRVNSVICI IN RE PVBLICA MAINENSI ANTE DIEM VIII KAL IUN ANNO SALUTIS MMMXVIX RERUMQUE PUBLICARUM FOEDERATARUM AMERICAE POTESTATIS CCXLIII 1 DEGREES This ancient formula is used by the President B in conferring degrees: The Latin text quoted on the preceding page has introduced Bowdoin’s Candidati pro gradu baccalaureali, assurgite. Commencement Program since August 21, 1822. The names of Femina honoranda, hosce iuvenes, quos censeo idoneos primum ad the twenty-four graduates of the Class of 1822 were, for the most gradum in artibus, nunc tibi offero, ut a te instructus, eos ad gradum part, also translated into Latin for the program. In the early years of istum admittam. Placetne? (Placet.) the College, each graduating senior was required to deliver a Commencement “part,” an oration on ancient or modern topics, Pro auctoritate mihi commissa, admitto vos ad primum gradum in which was frequently given in one of the classical languages, Latin, artibus, et dono et concedo omnia iura, privilegia, honores atque Greek, or Hebrew. The final Latin oration was given in 1893, but dignitates, ad gradum istum pertinentia. the tradition of Latin survives in the language used to dedicate the Commencement Exercises and to confer the bachelor of arts degree.
    [Show full text]
  • Walker Sisters and Collecting in Victorian Boston, on View from of Poses" Appears in an Inscription in the Rotunda Floor
    + The Walker Sisters and Collecting in Victorian Banister Hall, in memory of his mother. Sophia THE WALKER SISTERS Boston celebrates the renovation and expansion Wheeler Walker. This room was the College's AND COLLECTING in of the Bowdoin College Museum of Art's Walker first formal art gallery. Walker, however, found Art Building by honoring the vision and patron- the cramped second-floor space unsatisfactory VICTORIAN BOSTON age of the building's original benefactors. Maiy for the exhibition of paintings. Bowdoin officials Sophia Walker (1839-1904) and Harriet Sarah observed that Walker, during visits to the cam- Walker (1844—1898) (figures 1 and 2) commis- pus, formed an "unfavorable opinion" about the LAURA FECYCH SPRACUE sioned the Walker Art Building (figure 3) in care and exhibition of the pictures.- Walker Consulting Curator of Decorative Arts memory of their uncle, Theophilus Wheeler spoke of "providing a permanent home for the Bowdoin College Museum of Art Walker (1813—1890). He had held a deep, life- works of Art " but died in April 1890 before any long interest in the Old Master paintings, prints, plans were made.^ Within a year of his death, and drawings collected during the eighteenth however, Mary Sophia and Harriet Sarah Walker, century by James Bowdoin 111. the College's his heirs, announced they would fulfdl their founding patron. ' Walker first became involved uncle's intentions to build a new picture gallery. with the art collection in 1850 when his close The Walker sisters commissioned one of friend and cousin, the Beverend Leonard Woods, America's finest architects. Charles Follen Jr., college president from 18^9 to 1866, sought McKim of the New York firm McKim, Mead, and funds for the construction of a new chapel, White, for the design of a building "entirely On the cover and figure i designed by Bichard Upjohn in the German devoted to objects of art.""' Surviving correspon- Robert Gordon Hardie.
    [Show full text]
  • Shays Rebellion
    ssahtrch07c06.fm Page 75 Friday, January 13, 2006 2:40 PM Name ___________________________ Date___________________ Class _____________ Creating the Constitution Primary Source Chapter and Section Chapter and James Bowdoin’s Account of Shays’ Rebellion James Bowdoin was governor of Massachusetts during Shays’ Rebellion. In this document, he recounted the event and its significance. Support Directions: Read the excerpt and answer the questions that follow. The rebels, under Daniel Shays, Luke Day, and Eli Parsons, soon gathered a force in that vicinity [of Springfield], of 2000 men, and on the 25th of January advanced in a menacing manner towards the arsenal [warehouse]. Gen. Shepard sent an aid-de- camp [officer] to inquire the design of the movement, and to warn Shays of his danger. The answer was, that they would have possession of the barracks [warehouse]; and they immediately marched to within 250 yards of the arsenal. They were again warned that if they approached nearer, they would be fired on; still they advanced. He then ordered the artillery to be pointed at the centre of their column [group]. The cry of murder then arose from the rear of the insurgents, and the whole were struck with panic and confusion. Shays lost all control over them, and they fled . 10 miles, leaving 3 dead and 1 wounded. Good frequently springs from evil. Shays’s Rebellion served to impress on the public mind a belief of the necessity of a new form of National Government. It may be doubted, whether the present United States Constitution would have been adopted, if that rebellion had not predisposed the minds of the people in favor of an energetic [powerful] government.
    [Show full text]
  • Academic-Handbook-2019-2020.Pdf
    Religion .............................................................................................. 315 TABLE OF CONTENTS Romance Languages and Literatures ............................................. 323 Home ............................................................................................................. 2 Russian .............................................................................................. 337 General Information ..................................................................................... 3 Sociology ........................................................................................... 343 College Calendar .......................................................................................... 4 Theater and Dance ........................................................................... 350 The Offer of the College .............................................................................. 6 Educational Resources and Facilities .................................................... 364 Admission and Financial Aid ...................................................................... 7 Student Affairs ......................................................................................... 369 Expenses .................................................................................................... 13 Prizes ........................................................................................................ 370 A Liberal Education at Bowdoin College .................................................
    [Show full text]
  • Founding Families Project
    Number 95 / Fall 8 MHS Miscellany FOUNDING FAMILIES PROJECT If you happen to own the more than 40 volumes of Virginia Press, three years of almost full-time of Adams Papers printed editions, published by dedication by the Publications staff allowed the Harvard University Press, then you know the MHS to launch most of the anticipated content value of this remarkable resource: the five sub- online last July. series presenting gold-standard transcriptions of The Adams Papers as presented on the web- some 15,000 Adams documents as well as the site currently include transcriptions of more than introductions and annotations that place each 15,000 documents (each diary entry is counted as document in its general and specific context. The a single document), the rough total of the pieces actual books, however, require some heavy lifting included in the five original subseries:Diary and to use: searching for a document or series of let- Autobiography of John Adams, Adams Family Cor- ters means pulling volume after weighty volume respondence, Papers of John Adams, Legal Papers from the shelf as you try to follow a thread of of John Adams, Diary of John Quincy Adams, history. As invaluable a resource as this series of and Diary of Charles Francis Adams. Most of the documentary editions is, it could be more acces- materials now available come from the 1770s sible and agile—and it has just become so. and 1780s and constitute a major research tool All of the content of these volumes is now for study of the Revolutionary and early national available online as Founding Families: Digital periods.
    [Show full text]