DOCSLIB.ORG

Schedule Quickprint TKRN-FM

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Schedule Quickprint TKRN-FM Schedule QuickPrint TKRN-FM 5/1/2021 4AM through 5/1/2021 8AM s: AirTime s: Runtime Schedule: Description 04:00:00a 00:00 Saturday, May 01, 2021 4AM 04:00:00a 04:08 WHO LOVES YOU / FOUR SEASONS 04:04:08a 02:52 VEHICLE / IDES OF MARCH 04:07:00a 03:20 CARRY ON WAYWARD SON / KANSAS 04:10:20a 05:17 LEVON / ELTON JOHN 04:15:37a 03:07 COULDN'T GET IT RIGHT / CLIMAX BLUES BAND 04:18:44a 03:50 MY SWEET LORD / GEORGE HARRISON 04:22:34a 04:37 JUST THE WAY YOU ARE (ALBUM) / BILLY JOEL 04:27:11a 03:08 O-O-H CHILD / FIVE STAIRSTEPS 04:30:23a 03:30 STOP-SET 04:37:09a 02:51 IF I CAN'T HAVE YOU / YVONNE ELLIMAN 04:40:00a 03:15 DOES ANYBODY REALLY KNOW WHAT TIME IT IS? / CHICAGO 04:43:15a 04:08 EVIL WOMAN (ALBUM) / ELECTRIC LIGHT ORCHESTRA 04:47:23a 02:36 I CAN SEE CLEARLY NOW / JOHNNY NASH 04:49:59a 02:46 TEQUILA SUNRISE / EAGLES 04:52:45a 03:30 STOP-SET 05:00:00a 00:00 Saturday, May 01, 2021 5AM 05:00:00a 03:19 MOVIN' OUT (ANTHONY'S SONG) / BILLY JOEL 05:03:19a 03:55 YOUR SONG / ELTON JOHN 05:07:14a 02:49 SHINING STAR / EARTH, WIND & FIRE 05:10:03a 03:31 THE JOKER / STEVE MILLER BAND 05:13:34a 03:22 NIGHT FEVER / BEE GEES 05:16:56a 03:55 SIGNS / FIVE MAN ELECTRICAL BAND 05:20:51a 04:02 GIVE A LITTLE BIT / SUPERTRAMP 05:24:53a 02:51 LOTTA LOVE / NICOLETTE LARSON 05:27:48a 03:30 STOP-SET 05:34:34a 04:06 ALREADY GONE / EAGLES 05:38:40a 03:05 HI HI HI / PAUL MC CARTNEY & WINGS 05:41:45a 03:24 DECEMBER 1963 (OH WHAT A NIGHT) / FOUR SEASONS 05:45:09a 03:34 WILL IT GO ROUND IN CIRCLES / BILLY PRESTON 05:48:43a 04:02 WHEEL IN THE SKY / JOURNEY 05:52:45a 03:30 STOP-SET 06:00:00a 00:00 Saturday, May 01, 2021 6AM 06:00:00a 04:23 BORN TO RUN / BRUCE SPRINGSTEEN 06:04:23a 03:07 IT'S A SHAME / SPINNERS 06:07:30a 04:55 WE WILL ROCK YOU/WE ARE THE CHAMPIONS / QUEEN 06:12:25a 03:01 LOVE THE ONE YOU'RE WITH / STEPHEN STILLS 06:15:26a 04:14 RIGHT DOWN THE LINE / GERRY RAFFERTY 06:19:40a 03:30 SWEET HOME ALABAMA / LYNYRD SKYNYRD 06:23:10a 05:38 THAT'S THE WAY OF THE WORLD (ALBUM) / EARTH, WIND & FIRE 06:28:52a 03:30 STOP-SET 06:35:38a 05:02 LOWDOWN / BOZ SCAGGS 06:40:40a 03:12 DO YOU KNOW WHAT I MEAN / LEE MICHAELS 06:43:52a 03:49 FOLLOW YOU, FOLLOW ME / GENESIS 06:47:41a 02:50 YOU DON'T MESS AROUND WITH JIM / JIM CROCE 06:50:31a 02:18 RICH GIRL / HALL & OATES 06:52:49a 03:30 STOP-SET 4/13/2021 4:46:26 PM Page: 1 Schedule QuickPrint TKRN-FM 5/1/2021 4AM through 5/1/2021 8AM s: AirTime s: Runtime Schedule: Description 07:00:00a 00:00 Saturday, May 01, 2021 7AM 07:00:00a 03:45 STILL THE ONE / ORLEANS 07:03:45a 03:25 LADY / LITTLE RIVER BAND 07:07:10a 03:35 BEST OF MY LOVE / EMOTIONS 07:10:45a 04:22 BANG A GONG (GET IT ON) / T-REX 07:15:07a 04:28 PIANO MAN (SINGLE) / BILLY JOEL 07:19:35a 04:45 SATURDAY NIGHT'S ALRIGHT FOR FIGHTING / ELTON JOHN 07:24:20a 03:18 HEART OF GLASS / BLONDIE 07:27:38a 02:51 25 OR 6 TO 4 (EDIT) / CHICAGO 07:30:33a 03:30 STOP-SET 07:37:19a 02:56 HOT BLOODED / FOREIGNER 07:40:15a 03:15 SUAVECITO / MALO 07:43:30a 05:18 COME SAIL AWAY / STYX 07:48:48a 03:58 A HORSE WITH NO NAME / AMERICA 07:52:46a 03:30 STOP-SET 08:00:00a 00:00 Saturday, May 01, 2021 8AM 08:00:00a 03:00 MAGIC / PILOT 08:03:00a 03:30 GREEN-EYED LADY (EDIT) / SUGARLOAF 08:06:30a 03:11 STILL THE SAME / BOB SEGER & THE SILVER BULLET BAND 08:09:41a 03:58 JET / PAUL MC CARTNEY & WINGS 08:13:39a 04:33 ROCKET MAN / ELTON JOHN 08:18:12a 03:27 COME AND GET YOUR LOVE / REDBONE 08:21:39a 04:22 HEARTACHE TONIGHT / EAGLES 08:26:01a 02:36 I CAN SEE CLEARLY NOW / JOHNNY NASH 08:28:41a 03:30 STOP-SET 08:35:27a 04:00 DON'T BRING ME DOWN / ELECTRIC LIGHT ORCHESTRA 08:39:27a 02:50 I SAW THE LIGHT / TODD RUNDGREN 08:42:17a 04:32 MY LIFE (ALBUM) / BILLY JOEL 08:46:49a 02:28 LOOKIN' OUT MY BACK DOOR / CREEDENCE CLEARWATER REVIVAL 08:49:17a 03:28 TAKIN' IT TO THE STREETS / DOOBIE BROTHERS 08:52:45a 03:30 STOP-SET 4/13/2021 4:46:26 PM Page: 2.
Load more

Recommended publications
  • “Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
    “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights.
    [Show full text]
  • PDF (V. 73:27, May 4, 1972)
    Food Service &The Honor System The most desirable character­ of campus life. Because of this, Honor System, the BOC and the istic of the Honor System is that the Board is cautious when mc have looked at al ternatives it does not include a long list of contemplating policy changes, in which peer-group judgement rules and regulations -- it consists and every effort is made to will replace direct in tervention of a single simple principle: no accurately reflect the opinion of by the Master of Student Houses member of the Caltech com­ the students. As a result of a in many other matters. As a munity shall take unfair advan­ recent examination of the rela­ result of these discussions the tage of. another member of that tionship between food service BOC and IHC would like to community. As a result, situa­ and the Honor System, for propose the following mechan­ tions have arisen, particularly in example, the Board has decided ism: The mc will establish the student houses, in which the that the Canteen food service guidelines for enforcement of administration through the Mas­ will continue to fall under the regulations which currently fall ter of Student Houses has "outside company" policy in the under the jurisdiction of the handled the enforcement of Honor System booklet. Impor­ Master, and will be empowered regulations which do not pro­ tant factors in arriving at this to hear cases of misconduct perly fall under the Honor decision are that Canteen is which fall in these areas and System. The BOC and the IHC, engaged in making a profit from make recommendations to the therefore, have been seeking the students and that they are Master (in the same spirit as the alternative ways to restore the not bound by the Honor System BOC makes recommendations to process of peer-group judgement themselves.
    [Show full text]
  • A Shaman, a Sherpa, and a Healer: a Post-Intentional
    A SHAMAN, A SHERPA, AND A HEALER: A POST-INTENTIONAL PHENOMENOLOGY OF SONGWRITING by BRIAN E. KUMM (Under the Direction of Corey W. Johnson) ABSTRACT The purpose of this study was to explore the phenomenon of songwriting. Through a series of in depth interviews, three songwriters provided rich descriptions of their lived experiences with the phenomenon. Post-intentional phenomenology was used as the primary guiding theoretical framework for this study, which negotiated the tenets of both phenomenology and poststructuralism. Songwriting was described in terms of portaling, everesting, and gravitating-levitating and was revealed as a complex phenomenon of cathartic and transcendent experiences. The findings highlight the need for unstructured, expressive, and artistic leisure, which can be transformative in times of personal or social unrest. INDEX WORDS: Songwriting, Post-intentional phenomenology, Creativity, Leisure A SHAMAN, A SHERPA, AND A HEALER: A POST-INTENTIONAL PHENOMENOLOGY OF SONGWRITING by BRIAN E. KUMM B.S., University of West Georgia, 1999 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2011 © 2011 Brian E. Kumm All Rights Reserved A SHAMAN, A SHERPA, AND A HEALER: A POST-INTENTIONAL PHENOMENOLOGY OF SONGWRITING by BRIAN E. KUMM Major Professor: Corey W. Johnson Committee: Janette R. Hill Diane M. Samdahl Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia December 2011 iv DEDICATION This thesis is dedicated to the memory of Dianne Kendall Hickly (mom number 2). March 1, 1947 – July 23, 2011 v ACKNOWLEDGEMENTS I sincerely want to say thank you to everyone who contributed to the successful completion of this thesis.
    [Show full text]
  • From Zones of Conflict Comes Music for Peace
    From zones of conflict comes music for peace. What is Fambul Tok? Around a crackling bonfire in a remote village, the war finally ended. Seven years since the last bullet was fired, a decade of fighting in The artists on this album have added their voices to a high-energy, Sierra Leone found resolution as people stood and spoke. Some had urgent call for forgiveness and deep dialogue. They exemplify the perpetrated terrible crimes against former friends. Some had faced creative spirit that survives conflict, even war. From edgy DJs and horrible losses: loved ones murdered, limbs severed. But as they soulful singer-songwriters, from hard-hitting reggae outfits to told their stories, admitted their wrongs, forgave, danced, and sang transnational pop explorers, they have seen conflict and now sow together, true reconciliation began. This is the story of “Fambul Tok” peace. They believe in the power of ordinary people - entire com- (Krio for “family talk”), and it is a story the world needs to hear. munities ravaged by war - to work together to forge a lasting peace. They believe in Fambul Tok. Fambul Tok originated in the realization that peace can’t be imposed from the outside, or the top down. Nor does it need to be. The com- munity led and owned peacebuilding in Sierra Leone is teaching us that communities have within them the resources they need for their own healing. Join the fambul at WAN FAMBUL O N E FA M I LY FAMBULTOK.COM many voices ... Wi Na Wan Fambul BajaH + DRY EYE Crew The groundbreaking featuring Rosaline Strasser-King (LadY P) and Angie 4:59 grassroots peacebuilding of Nasle Man AbjeeZ 5:33 the people of Sierra Leone Say God Idan RaicHel Project has also been documented featuring VieuX Farka Toure 4:59 in the award-winning film Ba Kae Vusi MAHlasela 5:05 Fambul Tok, and in its Guttersnipe BHI BHiman 6:52 companion book, Fambul Shim El Yasmine 5:10 Tok.
    [Show full text]
  • Great Instrumental
    I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.
    [Show full text]
  • Wonderful! 152: Air Milk Published September 30Th, 2020 Listen on Themcelroy.Family
    Wonderful! 152: Air Milk Published September 30th, 2020 Listen on TheMcElroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: Hello, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: Just two autumnal sweethearts over here. Rachel: Aw, yeah! Griffin: Crispin‘ it up with a… this podcast episode‘s gonna be like a nice… cold apple cider… dumped… in your lap… and you're on a hay bale ride, and I spilled my whole cold apple cider right on your freaking lap. Rachel: Is that a thing people like? [laughs] Griffin: It‘s the official kick off to fall! I feel like it ain't fall until you've had somebody spill a cold apple cider on your lap on a hay bale ride. Am I wrong? Is that just me? Is that maybe an Appalachian thing? Rachel: I think you might be wrong. Griffin: Shoot. Wow. Rachel: I think you might be wrong. I mean, usually, this time of year, you serve it warm. Griffin: Yeah. Um, it may be because we've been watching a lot of PEN15. Which uh, is one of the best shows on television right now. Exceptional show. But I've been thinking about middle school a lot lately, and I have this very vivid memory of being on a hay bale ride with like, a sweetie, and listening to um… uh, Sugar Ray‘s ‗Fly‘ on the radio, in like, seventh grade. Rachel: [laughing] Griffin: I don't know why that is like, so ingrained in my mem—I guess it was like, a dope night.
    [Show full text]
  • July 2019 Main Auditorium, Glasgow Royal Concert Hall, Glasgow 28Th July 2019 Royal FesVal Hall, Southbank Centre, London
    (Header by Sven Kramer) Welcome to this month's new readers, from several different countries. Please join in! We would love to hear from you. Not long to go now before Russ appears with Trevor Horn. There are links for Hckets below. Just in case you haven't got round to finding the Estoril videos on TouTube, I have found one for you. A big favourite and thanks to Ian for the video. ANer a couple of months' break while we had all the "Experience" and Estoril pieces, Dave is back working his magic on the cover stories. Scroll down to the end and you will find Russ's friend from Portugal, Vania and her band, with a very beauHful song wriSen by Russ and Chris Winter. Dave's 'history' arHcle is about the song, I Surrender. So many covers of it! We have included six video previews with some very different versions but look for several other links in amongst them. For the most different version, have a listen to Sue Ellen. And, guess who Russ has been meeHng up with....read on! Sue THIS MONTH FROM RUSS "Chris'an sent ‘It’s Good To Be Here’ to be mastered, which I’m glad to say, it now is. However, three weeks ago, while listening to song ideas from last year that I recorded on my phone, there was one chorus I par'cularly liked, (just piano & voice). Believe it or not, I decided to finish the song and record it. Ian Ramage from BMG (my label) phoned to say he wanted to send the album to other countries, for them to plan the release.
    [Show full text]
  • Song Title Artist Genre
    Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles
    [Show full text]
  • Schedule Quickprint TKRN-FM
    Schedule QuickPrint TKRN-FM 7/25/2020 4AM through 7/25/2020 8AM s: AirTime s: Runtime Schedule: Description 04:00:00a 00:00 Saturday, July 25, 2020 4AM 04:00:00a 05:39 SULTANS OF SWING / DIRE STRAITS 04:05:39a 03:24 I'LL BE GOOD TO YOU / BROTHERS JOHNSON 04:09:03a 02:46 TEQUILA SUNRISE / EAGLES 04:11:49a 02:28 LOOKIN' OUT MY BACK DOOR / CREEDENCE CLEARWATER REVIVAL 04:14:17a 03:09 MORE THAN A WOMAN / BEE GEES 04:17:26a 03:49 YOU AIN'T SEEN NOTHING YET / BACHMAN-TURNER OVERDRIVE 04:21:15a 03:42 LAY DOWN SALLY / ERIC CLAPTON 04:24:57a 03:58 A HORSE WITH NO NAME / AMERICA 04:28:59a 03:30 STOP-SET 04:35:45a 03:05 DON'T STOP / FLEETWOOD MAC 04:38:50a 02:41 DRAGGIN' THE LINE / TOMMY JAMES 04:41:31a 05:25 MAGIC MAN (ALBUM) / HEART 04:46:56a 02:55 I FEEL THE EARTH MOVE / CAROLE KING 04:49:51a 02:55 KILLER QUEEN / QUEEN 04:52:46a 03:30 STOP-SET 05:00:00a 00:00 Saturday, July 25, 2020 5AM 05:00:00a 03:19 MOVIN' OUT (ANTHONY'S SONG) / BILLY JOEL 05:03:19a 02:27 EVERLASTING LOVE / CARL CARLTON 05:05:46a 03:11 STILL THE SAME / BOB SEGER & THE SILVER BULLET BAND 05:08:57a 04:24 ME AND BOBBY MCGEE / JANIS JOPLIN 05:13:21a 03:01 LIVE AND LET DIE / PAUL MC CARTNEY & WINGS 05:16:22a 04:07 FEELIN' STRONGER EVERY DAY / CHICAGO 05:20:29a 03:59 THE LOGICAL SONG / SUPERTRAMP 05:24:28a 03:31 BABY BLUE / BADFINGER 05:28:03a 03:30 STOP-SET 05:34:49a 06:16 LYIN' EYES (ALBUM) / EAGLES 05:41:05a 04:10 THE LETTER / JOE COCKER 05:45:15a 03:27 YOU MAKE LOVIN' FUN / FLEETWOOD MAC 05:48:42a 04:02 RIKKI DON'T LOSE THAT NUMBER / STEELY DAN 05:52:44a 03:30 STOP-SET 06:00:00a
    [Show full text]
  • Richard Brautigan Mungo Jerry? "- Small Faces" Growing by Leon Pero That Saves the Material from Mungo Jerry
    THE TECH TUESDAY, OCTOBER 13, 1970 PAGE 5 entertainment - :Tuesday, October 13, 1970 recordings: concert: Richard Brautigan Mungo Jerry? "- Small Faces" Growing By Leon Pero that saves the material from Mungo Jerry. good margin .Following LISTENING TO 'RICHARD being entombed in the polyester There's a little Mungo Jerry By Rob Hunter by a BRA UTIGAN Harvest ST-424 is the fact that Brautigan doesn't in Rod Stewart and Ron Wood Beck's near-fatal accident in everybody. It's not anything though, the group dis- Richard Brautigan is thee write poetry: his work is almost normal. It's the - two carryovers from the old 1967, part of you that bandeed and remained largely in- grandson of a minor Washington entirely anecdotal, consisting doesn't listen to anybody else. Jeff Beck group ' led the re- bande mystic, who, in 1911, predicted mostly of stories made poetic juvenated Small Faces into the active for a year-long period. It's foot-stomping, . beer- ally, Beck's bass player the exact date on which World entirely by the richness of their drinking, and kazoo playing. It's Tea Party for a three-night set. (WFin War I would begin. Richard imagery and rhythm. Brautigan just that indicated the parity of this (Wo 1)and Stewart - re-formed plain enjoying yourself. ' with the remnants of the Brautigan's grandmother was a writes stories; what is better, Pretty much the same mood band with the best name groups dFaesu bootlegger during the Depression Brautigan is a storyteller. At first around. The five-man group has be:t group.
    [Show full text]
  • Lee Michaels 5Th Mp3, Flac, Wma
    Lee Michaels 5th mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 5th Country: US Released: 1971 Style: Classic Rock MP3 version RAR size: 1897 mb FLAC version RAR size: 1873 mb WMA version RAR size: 1465 mb Rating: 4.3 Votes: 661 Other Formats: AU ADX FLAC RA DMF MP2 WAV Tracklist Hide Credits Keep The Circle Turning A1 2:41 Backing Vocals – Merry ClaytonWritten-By – Joel Christie A2 You Are What You Do 2:58 Willie & The Hand Jive A3 3:02 Written-By – Johnny Otis A4 Didn't Have To Happen 2:32 Rock Me Baby A5 2:28 Written-By – Riley King*, Joe Josea B1 Do You Know What I Mean 3:11 Ya Ya B2 2:19 Written-By – Clarence Lewis, Morris Levy Can I Get A Witness B3 3:02 Written-By – Brian Holland-Lamont Dozier-Eddie Holland* B4 Oak Fire 2:53 B5 I Don't Want Her 2:25 Companies, etc. Published By – Irving Music Published By – Circle Publishing Published By – La Brea Music Published By – Sattwa Music Published By – Eldorado Music Published By – Modern Music Publishing Co., Inc. Published By – Frost Music Corp. Published By – Jobete Music Co., Inc. Credits Art Direction – Roland Young Engineer – Henry Lewy, Norm Kinney, Richard Madrid Percussion – Joel Larson Photography By – Jim McCrary Producer – Lee Michaels Saxophone – Jackie Kelso Written-By – Lee Michaels (tracks: A2, A4, B1, B4, B5) Notes White label promotional pressing -- "Promotion Copy Not for Sale" on record labels. Barcode and Other Identifiers Matrix / Runout (Side A Record Label): SP-4503 Matrix / Runout (Side B Record Label): SP-4504 Rights Society: BMI Rights Society:
    [Show full text]
  • Back of Beyond Music Credits
    Music Composed by Mark Moffatt Wayne Goodwin "Hard Love" Performed by Vika & Linda, Mushroom Records Pty Ltd Written by Paul Kelly © Mushroom Music Pty Ltd "Sweet Inspiration" Performed by The Black Sorrows Courtesy Sony Music Licensing J Camilleri/L Polec © Rondor Music (Aust) Pty Ltd, © Warner/Chappell Music Australia Pty Ltd Used by permission "Drift Away" Performed by Dobie Gray Courtesy MCA Records Mentor Williams © Almo Music USA Used by permission Rondor Music (Aust) Pty Ltd "Do You Know What I Mean" Performed by Lee Michaels The Original Sound Recording of "Do You Know What I Mean" Licensed from Lee Michaels © Le Brea Music/almo Music USA Used by permission Rondor Music (Aust) Pty Ltd "I Don't Want to be with Nobody But You" Performed by Dorothy Moore Courtesy of Malaco Records Eddie Floyd © East Memphis Music/Irving Music USA Used by permission Rondor Music (Aust) Pty Ltd "Thorn in My Saddle" Performed by Richard Clapton Courtesy of Festival Records Richard Clapton © Gypsy Music Used by permission Rondor Music (Aust) Pty Ltd "Dreams" Performed by The Cranberries Island Music Inc through PolyGram Pty Limited Australia Written by Dolores O'Riordan/Noel Hogan © Island Music Ltd Music Supervisor John Hopkins Music Licensing Screensong Pty Ltd Music in the film: A jukebox in the service station kicks in to action every so often when the generator is made to work, and provides the source for the songs heard in the film: Lyrics: The Cranberries’ song Dreams runs over the tail credits. The twist ending involves Tom and Charlie at water’s edge by a billabong.
    [Show full text]