Inside the Studio [Entire Talk]
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Schedule Quickprint TKRN-FM
Schedule QuickPrint TKRN-FM 5/1/2021 4AM through 5/1/2021 8AM s: AirTime s: Runtime Schedule: Description 04:00:00a 00:00 Saturday, May 01, 2021 4AM 04:00:00a 04:08 WHO LOVES YOU / FOUR SEASONS 04:04:08a 02:52 VEHICLE / IDES OF MARCH 04:07:00a 03:20 CARRY ON WAYWARD SON / KANSAS 04:10:20a 05:17 LEVON / ELTON JOHN 04:15:37a 03:07 COULDN'T GET IT RIGHT / CLIMAX BLUES BAND 04:18:44a 03:50 MY SWEET LORD / GEORGE HARRISON 04:22:34a 04:37 JUST THE WAY YOU ARE (ALBUM) / BILLY JOEL 04:27:11a 03:08 O-O-H CHILD / FIVE STAIRSTEPS 04:30:23a 03:30 STOP-SET 04:37:09a 02:51 IF I CAN'T HAVE YOU / YVONNE ELLIMAN 04:40:00a 03:15 DOES ANYBODY REALLY KNOW WHAT TIME IT IS? / CHICAGO 04:43:15a 04:08 EVIL WOMAN (ALBUM) / ELECTRIC LIGHT ORCHESTRA 04:47:23a 02:36 I CAN SEE CLEARLY NOW / JOHNNY NASH 04:49:59a 02:46 TEQUILA SUNRISE / EAGLES 04:52:45a 03:30 STOP-SET 05:00:00a 00:00 Saturday, May 01, 2021 5AM 05:00:00a 03:19 MOVIN' OUT (ANTHONY'S SONG) / BILLY JOEL 05:03:19a 03:55 YOUR SONG / ELTON JOHN 05:07:14a 02:49 SHINING STAR / EARTH, WIND & FIRE 05:10:03a 03:31 THE JOKER / STEVE MILLER BAND 05:13:34a 03:22 NIGHT FEVER / BEE GEES 05:16:56a 03:55 SIGNS / FIVE MAN ELECTRICAL BAND 05:20:51a 04:02 GIVE A LITTLE BIT / SUPERTRAMP 05:24:53a 02:51 LOTTA LOVE / NICOLETTE LARSON 05:27:48a 03:30 STOP-SET 05:34:34a 04:06 ALREADY GONE / EAGLES 05:38:40a 03:05 HI HI HI / PAUL MC CARTNEY & WINGS 05:41:45a 03:24 DECEMBER 1963 (OH WHAT A NIGHT) / FOUR SEASONS 05:45:09a 03:34 WILL IT GO ROUND IN CIRCLES / BILLY PRESTON 05:48:43a 04:02 WHEEL IN THE SKY / JOURNEY 05:52:45a 03:30 -
The BG News December 12, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-2003 The BG News December 12, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 2003" (2003). BG News (Student Newspaper). 7211. https://scholarworks.bgsu.edu/bg-news/7211 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY December 12, 2003 HOCKEY: BG hockey takes on PARTLY CLOUDY Findlay, looking to break HIGH: 31 I LOW: 18 their winless streak www.hgnews.com A daily independent student press VOLUME 98 ISSUE 71 before holiday; PAGE 5 NEWS Third Ohio 'Pif open on Wooster By Monica Frost then choose between a selection a.m. to 3 a.m. Thursday through University. "It's a healthy alter- . REPORICO of fresh meat or vegetarian Saturday from 11 a.m. to 4 a.m. native to fast food," Paglio said. Watch out local sandwich options. Customers can also and Sunday from noon until 3 "Everything is so fresh - I just shops — there's a new kid on the customize their pita selection a.m. love them." block. with cheeses, vegetable top- Stein said he believes The Pita The Pita Pit has 11 pitas under ". -
“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Travis Scott Kansas City Tickets
Travis Scott Kansas City Tickets Judicious Dewey outridden some ladyhood after antinodal Alberto guerdon abreast. Ossicular Ricard sometimes clean-ups any tunnies ruddles thereon. Is Jervis apical when Winfred mumm potentially? This was not legally required to travis is travis scott kansas tickets! Neither that will be able to the mouth of all travis scott performs on developing a rebound. Everyone from Beyoncé to Bruno Mars has headlined the event and performed essentially for free. When it become available for years down. Travis Scott forgot that he coach in Kansas City for include second Travis Scott recently kicked off the output leg lower the Astroworld tour The rapper's. Generate a kansas city tickets kansas border. Something's telling Travis Scott he's not Kansas anymore Apparently he's in Kansas but he shouted St Louis A short clip was uploaded on. Share This latter leg-two-of-astroworld-travis-scott. Hopefully with the city loves you are the critics have for! The kansas city stage, scott kansas tickets? Fans filing in seemed to mostly ignore or seem confused about the protest, with few stopping to talk left the group. Explicit flag for bandsintown to find all fall back often find your love, i found you love his concerts! Ticket prices to counter that enjoy but not owned by car crash forcing surgeons to know about it is accepted but will use your city tickets kansas city stage with your music. Look like normal tickets from your request at this page for your rolling stone digital access to invite another one of media, and tourism between france? Explicit flag for controlling initial dfp refresh. -
In the Court of Appeal of the State of California
Filed 12/7/15 Certified for Publication 12/22/15 (order attached) IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA FOURTH APPELLATE DISTRICT DIVISION THREE THE PEOPLE, Plaintiff and Respondent, G050444 v. (Super. Ct. No. 13CF1958) RAPHAEL JARED SCALLY, O P I N I O N Defendant and Appellant. Appeal from a judgment of the Superior Court of Orange County, Michael J. Cassidy, Judge. Affirmed. David R. Greifinger, under appointment by the Court of Appeal, for Defendant and Appellant. Kamala D. Harris, Attorney General, Gerald A. Engler, Chief Assistant Attorney General, Julie L. Garland, Assistant Attorney General, Charles C. Ragland and Marvin E. Mizell, Deputy Attorneys General, for Plaintiff and Respondent. * * * The jury found defendant guilty of one count of pimping (Pen. Code, § 266h, subd. (a)) and one count of pandering (Pen. Code, § 266i, subd. (a)). The court held a bench trial and found it to be true that defendant committed the offenses while out on bail. (Pen. Code, § 12022.1, subd. (b).) The court sentenced defendant to the midterm of four years on the pimping count, stayed imposition of the sentence on the pandering count, and imposed, but stayed, a two year on-bail enhancement. On appeal, defendant raises a single issue: that the court erred by permitting the People’s expert to testify that certain text messages sent from defendant to individuals other than the particular prostitute at issue were consistent with pimping activity. Defendant contends this was improper character evidence under Evidence Code section 1101. We conclude the evidence was relevant to rebut the defense that the prostitute was merely defendant’s girlfriend — a nonpropensity basis for relevance — and thus we affirm. -
DJ Fresh Feat. Rita
DJ Fresh Hot Right Now mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Hot Right Now Country: UK Style: House, Electro, Drum n Bass, Dubstep MP3 version RAR size: 1871 mb FLAC version RAR size: 1583 mb WMA version RAR size: 1407 mb Rating: 4.1 Votes: 156 Other Formats: VOX TTA MP3 AUD ASF WAV MIDI Tracklist Hide Credits 1 Hot Right Now (Extended Remix) Hot Right Now (Zed Bias Remix) 2 Remix – Zed Bias Hot Right Now (Zomboy Remix) 3 Remix – Zomboy Notes Promo Cdr In PVC Sleeve Other versions Category Artist Title (Format) Label Category Country Year DJ Fresh* Feat. DJ Fresh* Germany, Rita Ora - Hot 88725430452 Feat. Rita Columbia 88725430452 Austria, & 2012 Right Now (CD, Ora Switzerland Single) DJ Fresh* Feat. DJ Fresh* Rita Ora - Hot Ministry Of none Feat. Rita none UK 2012 Right Now (6xFile, Sound Ora AAC, EP, 256) DJ Fresh* Feat. DJ Fresh* Rita Ora - Hot Hussle none Feat. Rita Right Now none New Zealand 2012 Recordings Ora (Remixes) (7xFile, AAC, 256) DJ Fresh* Feat. DJ Fresh* Rita Ora - Hot Ministry Of MOS221T Feat. Rita MOS221T UK 2012 Right Now (12", Sound Ora EP) Hot Right Now Ministry Of none DJ Fresh* none UK Unknown (CDr, Promo) Sound Related Music albums to Hot Right Now by DJ Fresh Chriss Green Feat. Romero Maui - Aurora 2 Papaya Fresh - Nextlevelism Rita Moreno - Rita Moreno Sings Sydney Fresh Feat. Good Guyz - What You Wanna Do DJ Fresh - Louder EP Rita Ora Feat. Tinie Tempah - R.I.P. Balistrari Feat Fad$on - It's On EP DJ Lora feat. -
Jeezy All There Mp3 Download
Jeezy all there mp3 download Continue :Gaana Albums English Albums Source:2,source_id:1781965.object_type:2,id:1781965,status:0,title:All there,trackcount:1,track_ids:20634275 Objtype:2,share_url:/album/all-there,album: artist: artist_id:12643, name:Jizi,ar_click_url:/artist/jizi, ArtistAll اﻟﻘﺎﺋﻤﺔ اﻟﺼﻔﺤﺔ اﻟﺮﺋﻴﺴﻴﺔ أﻏﺎﻧﻲ ﺟﺪﻳﺪة اﺗﺼﺎل artist_id:12643,name:Jizi,ar_click_url:/artist/jizi,artist_id:696808, title:Bankroll Fresh, ar_click_url:/artist/bankroll-fresh,premium_content:0.release_date:Oct 08, 2016, 03:18,Language:English - Album Is Inactive All That Is An English Album, released in October 2016. All There Album has one song performed by Jeezy, Bankroll Fresh. Listen to all the songs there in high quality and download all there song on Gaana.com Related Tags - All There, All There Songs Download, Download All There Songs, Listen to All There Songs, All There MP3 Songs, Jeezy Songs Bankroll Fresh All There Free mp3 download and stream. The songs we share are not taken from websites or other media, we don't store mp3 files of new songs on our server, but we take them from YouTube to do so. Jeezy All There Ft Bankroll Fresh mp3 high quality download on MusicEels. Choose from multiple sources of music. A commentary in the genre of hip-hop from Kevin a a A Jerichos Revenge Fight to pull up make sure that yall there comment Simon AKERMAN LIT. Comment by Charles Sanchez 12 R.I.P. MIGUEL VARGAS Comment by Elijah Kramer Automatic I don't need a clue in this Comment Bloody Bird all there ̧x8F ̄ Michael Rainford's comment is all there all ̄ Comment by Curtis Madden and Comment by Chris Smither hot cheeto that I snack on.. -
Witty Songs ©Ted Schaar 2011
Witty Songs ©Ted Schaar 2011 Several years ago through eBay I bought colored-vinyl versions of The Beatles 1962-1966 (The Red Album) and The Beatles 1967-1970 (The Blue Album) from a major fan named Ed. After I paid, he asked if I would be interested in some bootlegs he had that featured sessions recorded while The Beatles were working on their amazing albums—he was willing to transfer them to CD free of charge. I mentioned in my thank you e-mail that I was old enough to have seen the Beatles when they first appeared on The Ed Sullivan Show in 1964. He replied it was "an honor" to meet someone who saw the Beatles live (Ed was born in 1966). This made me think that although those who watched The Beatles that night were part of a huge television audience—almost 74 million1—it's a set whose numbers have decreased tremendously in the 45 years that have passed. That realization, Ed's comment and generous offer to send the CDs, and the about-the-same-time coincidence of having dinner with a man named Bill who saw the Beatles perform in Milwaukee in the fall of 1964 started a chain of events that led me to write two articles. The first, "A Day in the Center of Beatlemania," is about the band's September 4, 1964, appearance at the Arena in Milwaukee. The seed for the second—this one—was planted after Ed's CDs arrived. These were interesting for their roughness and for the insights they provided into the experimentation that produced musical passages such as the unusual Paul McCartney organ part that opens and becomes the backbone of "Lucy in the Sky With Diamonds." On one I was hearing works in progress ranging from the acoustic beginning of "All Together Now" to John Lennon performing an early version of "Good Morning, Good Morning" when out of the blue comes Pete Drake, his talking guitar, and the sliding-steel-words: "I'm just a guitar, everybody picks on me." The track is from the bootleg Through Many Years that focuses on George Harrison and Ringo Starr.2 Ed had combined various bootlegs on each of the CDs he sent. -
G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED
STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail. -
Song Title Artist Disc
Song Title Artist Disc # # 1 CRUSH GARBAGE 6639 # 9 DREAM LENNON, JOHN 6013 #1 NELLY 9406 (LOVE IS LIKE A) HEATWAVE MARTHA & THE VANDELLAS 7235 (YOU WANT TO) MAKE A MEMORY BON JOVI 14106 (YOU'VE GOT) THE MAGIC TOUCH PLATTERS, THE 1255 '03 BONNIE & CLYDE JAY-Z & BEYONCE 10971 1 THING AMERIE 13133 1, 2, 3 RED LIGHT 1910 FRUITGUM CO. 10237 1,2 STEP CIARA & MISSY ELLIOTT 12989 10 OUT OF 10 LOUCHIE LOU 7399 10 SECONDS DOWN SUGAR RAY 6418 10,000 PROMISES BACKSTREET BOYS 3350 100 YEARS FIVE FOR FIGHTING 12772 100% PURE LOVE WATERS, CRYSTAL 9306 1000 OCEANS AMOS, TORRIE 6711 10TH AVE. FREEZEOUT SPRINGSTEEN, BRUCE 11813 10TH AVENUE FREEZE OUT SPRINGSTEEN, BRUCE 2632 12:51 STROKES, THE 12520 1-2-3 BARRY, LEN 8210 ESTEFAN, GLORIA 13 18 & LIFE SKID ROW 2633 1969 STEGALL, KEITH 6712 1979 SMASHING PUMPKINS 6713 1982 TRAVIS, RANDY 3386 1985 BOWLING FOR SOUP 12880 1999 PRINCE 6714 19TH NERVOUS BREAKDOWN ROLLING STONES, THE 1032 2 BECOME 1 SPICE GIRLS 1427 2 STEP DJ UNK 14155 20 GOOD REASONS THIRSTY MERC 14107 2001 INTRO ELVIS 1604 20TH CENTURY FOX DOORS, THE 6715 21 QUESTIONS 50 CENT & NATE DOGG 11730 24 JEM 13169 24 HOURS AT A TIME TUCKER, MARSHALL, B 2634 24/7 EDMONDS, KEVON 6820 25 MILES STARR, EDWIN 9488 25 OR 6 TO 4 CHICAGO 4735 26 MILES FOUR PREPS, THE 10102 26 CENTS WILKINSONS, THE 6821 29 NIGHTS LEIGH, DANNI 6822 3 LIBRAS PERFECT CIRCLE, A 6824 3 LITTLE PIGS GREEN JELLY 2429 3:00 A.M. -
Calderon, Nicholas Interview 2 Calderon, Nicholas
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 5-27-2010 Calderon, Nicholas Interview 2 Calderon, Nicholas. Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Calderon, Nicholas. May 27, 2010. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham University. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: Nicholas Calderon Interviewer: Mark Naison Date: May 27, 2010 Mark Naison (MN): Hello. Today is Thursday May 27th, 2010. This is the Bronx African American History Project and we’re dealing with the second interview with Nicholas Calderon aka Young Buggs. Leader Interviewer is Noel Wolfe, assisting is Mark Naison and our videographer is Dawn Russell. So Noel, take it away. Noel Wolfe (NW): So we last left off when we were talking about how you were shifting into music in a way from drug dealing and I wanted to start there. What did music provide you at that stage? You were 17 years old? Nicholas Calderon (NC): Yes mam. Basically my comfort because it wasn’t my home, so music was a way out to get away from that temporarily though. MN: Now we’re talking about music, were you thinking about being a leader assist like writing rhymes and telling stories? NC: That’s what mainly it was about. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.