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January, 1919) Colby College
Colby College Digital Commons @ Colby The oC lbiana College Archives: Colbiana Collection 1-1919 The olC biana vol. 7 no. 1 (January, 1919) Colby College Follow this and additional works at: https://digitalcommons.colby.edu/thecolbiana Part of the Higher Education Commons Recommended Citation Colby College, "The oC lbiana vol. 7 no. 1 (January, 1919)" (1919). The Colbiana. 21. https://digitalcommons.colby.edu/thecolbiana/21 This Journal is brought to you for free and open access by the College Archives: Colbiana Collection at Digital Commons @ Colby. It has been accepted for inclusion in The oC lbiana by an authorized administrator of Digital Commons @ Colby. For more information, please contact [email protected]. / ? 'C The Colbiana January Number 1919 C^A , , - K A . "%'■ ’ V * -V * V * \ x v ':>• ’XX V C ; ’ ■ . fcV- ':■<;■ Vv/' '$ ^ r? , ■ : : * '■ '$ • '&-'£■ £ v **■ :-v, / | h,-'. s , ■ - .x. , ■ . f ; 3V -' ! 4 + ' > v :' - - x f . r v x v • .v J**?: .X-.CJ:.-- ■-' X ■ •. .. ‘ -jX. ’:, : •■. V x :x x x i x x .• '■■■ - - -.-‘v... ■ ■ x rf 'Vjfci ;v x - ' ‘ X . ■'x ‘ - -. I! • Table of Contents. The Spirit of France, Madge Tooker.................................... German Philosophy and the Present War. Belie Longley. The Home Stretch, Merle Davis............................................ Broke, Catherine Tuttle......................................................... Geefie Gofie, An Elderly Spinster.......................................... Tinta, Doris Gower................................................................. 7 -
The Spartacus Revolt January 1919
The Spartacus Revolt January 1919 The war was over, Kaiser Wilhelm had fled and revolutionaries were roaming the streets. The people of Germany now had to decide what kind of Republic the new Germany would be. Would Germany become a peaceful law-abiding democracy like Britain, with power shared between the upper, middle and working classes? Or would a violent revolution sweep away the past and create a communist country completely dominated by the workers? What were the options? The Social Democrats, led by Ebert, wanted Germany to become a law-abiding parliamentary democracy like Britain, where every German - rich or poor - would be entitled to a say in how the country was run, by voting in elections for a parliament (Reichstag) which would make the laws. The Spartacus League - (Spartacists aka communists) - on the other hand wanted Germany to become a communist country run by, and for, the workers; they wanted power and wealth to be taken away from the old ruling elite in a violent revolution and for Germany to then be run by Workers Councils - or Soviets. The Spartacists wanted a new kind of political system - communism, a system where the country would be run for and on behalf of the workers, with all wealth and power being removed from the previous rulers. Ebert of the SPD Spartacus League Freecorps Soldier . 1 After the Kaiser had gone… With revolutionary workers and armed ex-soldiers on the loose all over Germany, Ebert and the Social Democrats were scared. He wanted to make sure that the people of Germany understood what the Social Democrats would give them if they were in charge of Germany. -
Fitzgerald in the Late 1910S: War and Women Richard M
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Duquesne University: Digital Commons Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2009 Fitzgerald in the Late 1910s: War and Women Richard M. Clark Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Clark, R. (2009). Fitzgerald in the Late 1910s: War and Women (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/416 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. FITZGERALD IN THE LATE 1910s: WAR AND WOMEN A Dissertation Submitted to the McAnulty College and Graduate School Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Richard M. Clark August 2009 Copyright by Richard M. Clark 2009 FITZGERALD IN THE LATE 1910s: WAR AND WOMEN By Richard M. Clark Approved July 21, 2009 ________________________________ ________________________________ Linda Kinnahan, Ph.D. Greg Barnhisel, Ph.D. Professor of English Assistant Professor of English (Dissertation Director) (2nd Reader) ________________________________ ________________________________ Frederick Newberry, Ph.D. Magali Cornier Michael, Ph.D. Professor of English Professor of English (1st Reader) (Chair, Department of English) ________________________________ Christopher M. Duncan, Ph.D. Dean, McAnulty College and Graduate School of Liberal Arts iii ABSTRACT FITZGERALD IN THE LATE 1910s: WAR AND WOMEN By Richard M. Clark August 2009 Dissertation supervised by Professor Linda Kinnahan This dissertation analyzes historical and cultural factors that influenced F. -
November 1919, Also Carried Christmas Greetings. It Reached Ned Milburn Together Died on the Afternoon of 29 December 1919
Book Reviews to the splendid Lawrence Reynolds Historical Library in the Birmingham Medical Centre and the cordiality of its custodian, Mrs. Martha Lou Thomas. This volume traces the life of Osler through this refreshing and friendly corres- pondence. The first letter, when Osler was fifteen years of age, is dated 10 January 1865. It was written from Dundas to Milburn at Oakville because the Christmas vacation had separated them. The last, written from 13 Norham Gardens on 25 November 1919, also carried Christmas greetings. It reached Ned Milburn together with a cheque two or three days before Christmas-a fateful Christmas since Osler died on the afternoon of 29 December 1919. This lifetime span enables us to retread Osler's triumphant progress from Barrie Grammar School to Trinity College Grammar School, Weston, where he became head prefect and excelled in the school sports; to a Dickson Scholarship at Trinity College, Toronto in 1867; and thereafter to the Toronto Medical School for a short spell. He entered McGill in 1870, graduated in 1872, and joined the medical faculty in 1874, first as a lecturer and soon as professor. Then came letters in turn from 131 South 15th Street, Philadelphia, 1 West Franklin Street, Baltimore, and finally Norham Gardens, Oxford. The earliest Oxford letters came from 7 Norham Gardens, a temporary abode until the Oslers moved into No. 13, which became known as 'The Open Arms'. Along the road, there are holiday letters from Llandulas, North Wales, and picture postcards from Cairo, the Upper Nile and Sorrento. This is a treasure-house of Osleriana-his letters, examples of his handwriting and photographs of him-so there is something for everyone, whether he loves the aura or detests the myth surrounding this great personality. -
A Life Transformed: the 1910S
TWO A Life Transformed: The 1910s Not the least significant element of modem political history is contained in the constant growth of individual personality accompanied by the limitation of the State.! Georg Jellinek, 1892 FIRST TRIP TO CHINA AND THE JAPANESE COMMUNITY IN PEKING When Nakae grew bored with working for the South Manchurian Rail way Company, once again his benefactors came to his rescue and found something else for him. Around October 1914, his mother's former boarder, Ts'ao Ju-lin, managed to land him an offer. Ts'ao summoned Nakae to Peking with a one-year contract to work as secretary to Ariga Nagao (1860-1921). Ariga was a professor of international law at Waseda University and had been a friend of Ushikichi's father, although thei; political views diverged sharply. Apparently, years before, Mrs. Nakae out of concern for her wayward son's future had prevailed on the ever grateful Ts'ao to intercede on behalf of Ushikichi if necessary. Nakae received the handsome monthly salary of one hundred yuan for responsibilities neither especially demanding nor explicit. One suspects that he held this sinecure, which might otherwise not have existed, because of his mother's earlier appeal. We know, however, that Nakae spent a great deal of his time in China that year leading what he himself would later refer to as the life of a "profligate villain" (hi5ti5 burai).2 In 1914 Ariga accepted an invitation to serve as an advisor to the gov- "'-------------------- -- 28 A Life Transformed ernment of Yuan Shih-k'ai (1859-1916), which had taken power several years earlier in the young Republic of China. -
Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945
Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945. T939. 311 rolls. (~A complete list of rolls has been added.) Roll Volumes Dates 1 1-3 January-June, 1910 2 4-5 July-October, 1910 3 6-7 November, 1910-February, 1911 4 8-9 March-June, 1911 5 10-11 July-October, 1911 6 12-13 November, 1911-February, 1912 7 14-15 March-June, 1912 8 16-17 July-October, 1912 9 18-19 November, 1912-February, 1913 10 20-21 March-June, 1913 11 22-23 July-October, 1913 12 24-25 November, 1913-February, 1914 13 26 March-April, 1914 14 27 May-June, 1914 15 28-29 July-October, 1914 16 30-31 November, 1914-February, 1915 17 32 March-April, 1915 18 33 May-June, 1915 19 34-35 July-October, 1915 20 36-37 November, 1915-February, 1916 21 38-39 March-June, 1916 22 40-41 July-October, 1916 23 42-43 November, 1916-February, 1917 24 44 March-April, 1917 25 45 May-June, 1917 26 46 July-August, 1917 27 47 September-October, 1917 28 48 November-December, 1917 29 49-50 Jan. 1-Mar. 15, 1918 30 51-53 Mar. 16-Apr. 30, 1918 31 56-59 June 1-Aug. 15, 1918 32 60-64 Aug. 16-0ct. 31, 1918 33 65-69 Nov. 1', 1918-Jan. 15, 1919 34 70-73 Jan. 16-Mar. 31, 1919 35 74-77 April-May, 1919 36 78-79 June-July, 1919 37 80-81 August-September, 1919 38 82-83 October-November, 1919 39 84-85 December, 1919-January, 1920 40 86-87 February-March, 1920 41 88-89 April-May, 1920 42 90 June, 1920 43 91 July, 1920 44 92 August, 1920 45 93 September, 1920 46 94 October, 1920 47 95-96 November, 1920 48 97-98 December, 1920 49 99-100 Jan. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
MM Comprehensive Exam: Score Identification Portion Name
MOORES SCHOOL OF MUSIC MM Comprehensive Exam: Score Identification Portion Name: Score ID example no.: 1 2 3 4 (circle one) Genre of sample piece: Possible composer(s): Historical period: Approx. date(s) of composition: (date or range of dates) Using markings on the score and written comments in the spaces below, cite as many specific features of the score and musical style as possible to support the answers you provided above. Aspects of the score you might consider include melody, harmony, rhythm, texture, dynamics, form, orchestration, instrumentation, tempo markings, font, appearance of the music on the page, and names in the score (characters, etc.). If you need more space for any answer, feel free to continue writing on the back of this sheet. Please note that in order to receive credit for your response, you must include written comments on specific features of the score; simply filling in the information at the top of this form and circling features in the score (with no commentary) is not sufficient. 1. 2. 3. 4. 5. 6. 7. 8. Andrew Davis. rev. Nov 2009. General information on preparing for a comprehensive exam in music (geared especially toward answering questions in music theory and/or discussing unidentified scores): Comprehensive exams (especially music theory portions, and to some extent score identification portions, if applicable) ask you to focus on broad theoretical and/or stylistic topics that you're expected to know as a literate musician with a graduate degree in music. For example, in the course of the exam you might -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Aspects of Jazz and Classical Music in David N. Baker's Ethnic Variations
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini Heather Koren Pinson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Music Commons Recommended Citation Pinson, Heather Koren, "Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini" (2002). LSU Master's Theses. 2589. https://digitalcommons.lsu.edu/gradschool_theses/2589 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ASPECTS OF JAZZ AND CLASSICAL MUSIC IN DAVID N. BAKER’S ETHNIC VARIATIONS ON A THEME OF PAGANINI A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Music in The School of Music by Heather Koren Pinson B.A., Samford University, 1998 August 2002 Table of Contents ABSTRACT . .. iii INTRODUCTION . 1 CHAPTER 1. THE CONFLUENCE OF JAZZ AND CLASSICAL MUSIC 2 CHAPTER 2. ASPECTS OF MODELING . 15 CHAPTER 3. JAZZ INFLUENCES . 25 BIBLIOGRAPHY . 48 APPENDIX 1. CHORD SYMBOLS USED IN JAZZ ANALYSIS . 53 APPENDIX 2 . PERMISSION TO USE COPYRIGHTED MATERIAL . 54 VITA . 55 ii Abstract David Baker’s Ethnic Variations on a Theme of Paganini (1976) for violin and piano bring together stylistic elements of jazz and classical music, a synthesis for which Gunther Schuller in 1957 coined the term “third stream.” In regard to classical aspects, Baker’s work is modeled on Nicolò Paganini’s Twenty-fourth Caprice for Solo Violin, itself a theme and variations. -
The Decline and Fall of the European Film Industry: Sunk Costs, Market Size and Market Structure, 1890-1927
Working Paper No. 70/03 The Decline and Fall of the European Film Industry: Sunk Costs, Market Size and Market Structure, 1890-1927 Gerben Bakker © Gerben Bakker Department of Economic History London School of Economics February 2003 Department of Economic History London School of Economics Houghton Street London, WC2A 2AE Tel: +44 (0)20 7955 6482 Fax: +44 (0)20 7955 7730 Working Paper No. 70/03 The Decline and Fall of the European Film Industry: Sunk Costs, Market Size and Market Structure, 1890-1927 Gerben Bakker © Gerben Bakker Department of Economic History London School of Economics February 2003 Department of Economic History London School of Economics Houghton Street London, WC2A 2AE Tel: +44 (0)20 7955 6482 Fax: +44 (0)20 7955 7730 Table of Contents Acknowledgements_______________________________________________2 Abstract________________________________________________________3 1. Introduction___________________________________________________4 2. The puzzle____________________________________________________7 3. Theory______________________________________________________16 4. The mechanics of the escalation phase _____________________________21 4.1 The increase in sunk costs______________________________________21 4.2 The process of discovering the escalation parameter _________________29 4.3 Firm strategies_______________________________________________35 5. Market structure ______________________________________________47 6. The failure to catch up _________________________________________54 7. Conclusion __________________________________________________63 -
The Impact of the 1918-1919 Influenza Epidemic on Virginia Stephanie Forrest Barker
University of Richmond UR Scholarship Repository Master's Theses Student Research 2002 The impact of the 1918-1919 influenza epidemic on Virginia Stephanie Forrest Barker Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the History Commons Recommended Citation Barker, Stephanie Forrest, "The impact of the 1918-1919 influenza epidemic on Virginia" (2002). Master's Theses. Paper 1169. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. The Impact of the 1918-1919 Influenza Epidemic on Virginia By Stephanie Forrest Barker Master of Arts in History, University of Richmond, 2002 R. Barry Westin, Thesis Director In the fall of 1918 an unparalleled influenza pandemic spread throughout the world. More than a quarter of Americans became ill, and at least 600,000 died. For many Virginians, this was a time of acute crisis that only could be compared to the days of the Civil War. This thesis describes Spanish influenza's impact on Virginia, primarily focusing on the cities of Newport News, Richmond, and Roanoke. It details influenza's emergence in Virginia and explores how state and city officials dealt with this unprecedented epidemic. This study examines how the epidemic disrupted daily routines of life and overwhelmed the state's medical community. This thesis briefly discusses the effect that the segregation of races had on the spread of influenza and the role that women played in battling the epidemic.