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New Europe College Yearbook 2015-2016
New Europe College ûWHIDQ2GREOHMD Program Yearbook 2015-2016 Program Yearbook 2015-2016 Program Yearbook ûWHIDQ2GREOHMD 1>4B55151>E 75?B791>18E91> F1C9<5=9819?<1BE NEW EUROPE COLLEGE NEW EUROPE CRISTIANA PAPAHAGI VANEZIA PÂRLEA 9E<9EB1 9E 1>4B51CCD1=1D5D561> ISSN 1584-0298 D85?4?B5E<95B9EB?CD£C CRIS New Europe College Ştefan Odobleja Program Yearbook 2015-2016 This volume was published within the Human Resources Program – PN II, implemented with the support of the Ministry of National Education – The Executive Agency for Higher Education and Research Funding (MEN – UEFISCDI), project code PN–II– RU–BSO-2015 EDITORIAL BOARD Dr. Dr. h.c. mult. Andrei PLEŞU, President of the New Europe Foundation, Professor of Philosophy of Religion, Bucharest; former Minister of Culture and former Minister of Foreign Affairs of Romania Dr. Valentina SANDU-DEDIU, Rector, Professor of Musicology, National University of Music, Bucharest Dr. Anca OROVEANU, Academic Coordinator, Professor of Art History, National University of Arts, Bucharest Dr. Irina VAINOVSKI-MIHAI, Publications Coordinator, Professor of Arab Studies, “Dimitrie Cantemir” Christian University, Bucharest Copyright – New Europe College 2017 ISSN 1584-0298 New Europe College Str. Plantelor 21 023971 Bucharest Romania www.nec.ro; e-mail: [email protected] Tel. (+4) 021.307.99.10, Fax (+4) 021. 327.07.74 New Europe College Ştefan Odobleja Program Yearbook 2015-2016 ANDREEA EŞANU GEORGIANA HUIAN VASILE MIHAI OLARU CRISTIANA PAPAHAGI VANEZIA PÂRLEA IULIU RAŢIU ANDREAS STAMATE-ŞTEFAN THEODOR E. ULIERIU-ROSTÁS -
Teodor Mateoc Editor
TEODOR MATEOC editor ------------------------------------------------ Cultural Texts and Contexts in the English Speaking World (V) Teodor Mateoc editor CULTURAL TEXTS AND CONTEXTS IN THE ENGLISH SPEAKING WORLD (V) Editura Universităţii din Oradea 2017 Editor: TEODOR MATEOC Editorial Board: IOANA CISTELECAN MADALINA PANTEA GIULIA SUCIU EVA SZEKELY Advisory Board JOSE ANTONIO ALVAREZ AMOROS University of Alicante, Spaian ANDREI AVRAM University of Bucharest, Romania ROGER CRAIK University of Ohio, USA SILVIE CRINQUAND University of Bourgogne, France SEAN DARMODY Trinity College, Dublin, Ireland ANDRZEJ DOROBEK Instytut Neofilologii, Plock, Poland STANISLAV KOLAR University of Ostrava, Czech Republic ELISABETTA MARINO University Tor Vergata, Rome MIRCEA MIHAES Universitatea de Vest, Timisoara VIRGIL STANCIU Babes Bolyai University, Cluj-Napoca PAUL WILSON University of Lodz, Poland DANIELA FRANCESCA VIRDIS University of Cagliari, Italy INGRIDA ZINDZIUVIENE Vytautas Magnus University, Kaunas, Lithuania Publisher The Department of English Language and Literature Faculty of Letters University of Oradea ISSN 2067-5348 CONTENTS Introduction Cultural Texts and Contexts in the English Speaking World: The Fifth Edition ............................................................................. 9 I. BRITISH AND COMMONWEALTH LITERATURE Adela Dumitrescu, Physiognomy of Fashion in Fiction: Jane Austen ..... 17 Elisabetta Marino, “Unmaidenly” Maidens: Rhoda Broughton’s Controversial Heroines ................................................ 23 Alexandru -
1 Dalí Museum, Saint Petersburg, Florida
Dalí Museum, Saint Petersburg, Florida Integrated Curriculum Tour Form Education Department, 2015 TITLE: “Salvador Dalí: Elementary School Dalí Museum Collection, Paintings ” SUBJECT AREA: (VISUAL ART, LANGUAGE ARTS, SCIENCE, MATHEMATICS, SOCIAL STUDIES) Visual Art (Next Generation Sunshine State Standards listed at the end of this document) GRADE LEVEL(S): Grades: K-5 DURATION: (NUMBER OF SESSIONS, LENGTH OF SESSION) One session (30 to 45 minutes) Resources: (Books, Links, Films and Information) Books: • The Dalí Museum Collection: Oil Paintings, Objects and Works on Paper. • The Dalí Museum: Museum Guide. • The Dalí Museum: Building + Gardens Guide. • Ades, dawn, Dalí (World of Art), London, Thames and Hudson, 1995. • Dalí’s Optical Illusions, New Heaven and London, Wadsworth Atheneum Museum of Art in association with Yale University Press, 2000. • Dalí, Philadelphia Museum of Art, Rizzoli, 2005. • Anderson, Robert, Salvador Dalí, (Artists in Their Time), New York, Franklin Watts, Inc. Scholastic, (Ages 9-12). • Cook, Theodore Andrea, The Curves of Life, New York, Dover Publications, 1979. • D’Agnese, Joseph, Blockhead, the Life of Fibonacci, New York, henry Holt and Company, 2010. • Dalí, Salvador, The Secret life of Salvador Dalí, New York, Dover publications, 1993. 1 • Diary of a Genius, New York, Creation Publishing Group, 1998. • Fifty Secrets of Magic Craftsmanship, New York, Dover Publications, 1992. • Dalí, Salvador , and Phillipe Halsman, Dalí’s Moustache, New York, Flammarion, 1994. • Elsohn Ross, Michael, Salvador Dalí and the Surrealists: Their Lives and Ideas, 21 Activities, Chicago review Press, 2003 (Ages 9-12) • Ghyka, Matila, The Geometry of Art and Life, New York, Dover Publications, 1977. • Gibson, Ian, The Shameful Life of Salvador Dalí, New York, W.W. -
Salvador Dalí and Science, Beyond Mere Curiosity
Salvador Dalí and science, beyond mere curiosity Carme Ruiz Centre for Dalinian Studies Fundació Gala-Salvador Dalí, Figueres Pasaje a la Ciencia, no.13 (2010) What do Stephen Hawking, Ramon Llull, Albert Einstein, Sigmund Freud, "Cosmic Glue", Werner Heisenberg, Watson and Crick, Dennis Gabor and Erwin Schrödinger have in common? The answer is simple: Salvador Dalí, a genial artist, who evolved amidst a multitude of facets, a universal Catalan who remained firmly attached to his home region, the Empordà. Salvador Dalí’s relationship with science began during his adolescence, for Dalí began to read scientific articles at a very early age. The artist uses its vocabulary in situations which we might in principle classify as non-scientific. That passion, which lasted throughout his life, was a fruit of the historical times that fell to him to experience — among the most fertile in the history of science, with spectacular technological advances. The painter’s library clearly reflected that passion: it contains a hundred or so books (with notes and comments in the margins) on various scientific aspects: physics, quantum mechanics, the origins of life, evolution and mathematics, as well as the many science journals he subscribed to in order to keep up to date with all the science news. Thanks to this, we can confidently assert that by following the work of Salvador Dalí we traverse an important period in 20th-century science, at least in relation to the scientific advances that particularly affected him. Among the painter’s conceptual preferences his major interests lay in the world of mathematics and optics. -
Congressional Record-Senate April 27 Petitions, Etc
8262 CONGRESSIONAL RECORD-SENATE APRIL 27 PETITIONS, ETC. 1941. Also, petition of the Workers' Health Bureau of Amer Under clause 1 of Rule XXII, petitions and papers were laid ic~, located in New York City, favoring the passage of tlfe on the Clerk's de k and referred as follows : Fitzgerald bill (H. R. 487), providing workman's compensation 1922. Petition of 52 citizens of Lama1·, Barton County, 1\Io., to workers employed in the District of Columbia · to the Com- protesting against House bill 7479, migratory bird refuge bill; mittee on the District of Columbia. ' to the Committee on Agriculture. 1942. Also, petition of George Bird Grinnell, of 236 East Fif 1923. Petition of the Prote tant churches of the village ~f teenth Street, New York City, fa-voring the pa ao-e of the game Arcade, N. Y:., opposing any modification of the prohibition refuge and marshland bill ( S. 2607 and H. R. 7479) ; to the law; to the Committee on the Judiciary. Committee on Agriculture. 1924. By Mr. BIXLER: Petition of C. S. Crawford and other 1943. Also, petition of Miss Katherine W. Smith of New York re idents of Ridgway, Pa., protesting again t any change in City, favoring the pas age of the game refuge a~d mar bland the eighteenth amendment and the Volstead law; to the Com conservation bill (H. R. 7479) ; to the Committee on Agricul mittee on the Judiciary. ture. 1925. Also, petition of Rev. J. E. lams and other residents of 1944. Also, petition of the Merchants' A sociation of New Johnsonburg, Pa., protesting against any change in the eight York, !avoring the creation of a national police bureau; to the eenth amendment and Volstead law; to the Committee on the Committee on the Judiciary. -
Muzeul Universității
https://biblioteca-digitala.ro Universitatea „Alexandru Ioan Cuza” din Iași Muzeul Universității Historia Universitatis Iassiensis III/2012 EDITURA UNIVERSITĂȚII „ALEXANDRU IOAN CUZA” IAȘI https://biblioteca-digitala.ro CONSILIUL EDITORIAL: Stefan Albrecht (Römisch‐Germanisches‐Zentralmuseum, Mainz) Pieter Dhondt (University of Eastern Finland, Joensuu) Dorin Dobrincu (Institutul de Istorie „A. D. Xenopol” al Academiei Române, Iaşi) Gheorghe Iacob (Universitatea „Alexandru Ioan Cuza” din Iaşi) Vasile Ișan (Universitatea „Alexandru Ioan Cuza”, din Iaşi) Victor Karady (Central European University, Budapesta) Inge Knudsen (Coimbra Group Office, Brussels) Bogdan‐Petru Maleon (Universitatea „Alexandru Ioan Cuza” din Iaşi) Hans‐Christian Maner (Johannes Gutenberg‐Universität, Mainz) Andi Mihalache (Institutul de Istorie „A. D. Xenopol” al Academiei Române, Iaşi) Marina Mureșanu Ionescu (Université Jean Monnet, Saint Etienne) Lucian Nastasă (Institutul de Istorie „George Bariţ” al Academiei Române, Cluj‐Napoca) Vasile Puşcaş (Universitatea „Babeş‐Bolyai”, Cluj‐Napoca) Alexander Rubel (Deutsches Kulturzentrum, Iași, Institutul de Arheologie, Iași) Cornel Sigmirean (Universitatea „Petru Maior”, Târgu Mureş) László Szögi (Universitatea Eötvös Loránd, Budapesta) Ion Toderașcu (Universitatea „Alexandru Ioan Cuza” din Iaşi) Nicolae Ursulescu (Universitatea „Alexandru Ioan Cuza” din Iaşi) COLEGIUL DE REDACȚIE: Florea Ioncioaia, redactor șef (Universitatea „Alexandru Ioan Cuza” din Iaşi) Leonidas Rados, redactor șef adjunct (Institutul de Istorie „A. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find it good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper —■ left hand corner of a large sheet asd to continue photoing from !$ft to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
La Presse Allophone Dans Les Balkans De La Fin Du Xixe Siècle À La Seconde Guerre Mondiale
Cahiers balkaniques 47 | 2020 La presse allophone dans les Balkans De la fin du XIXe siècle à la Seconde Guerre mondiale Édition électronique URL : https://journals.openedition.org/ceb/15982 DOI : 10.4000/ceb.15982 ISSN : 2261-4184 Éditeur INALCO Édition imprimée ISBN : 9782858313693 ISSN : 0290-7402 Référence électronique Cahiers balkaniques, 47 | 2020, « La presse allophone dans les Balkans » [En ligne], mis en ligne le 21 août 2020, consulté le 06 juillet 2021. URL : https://journals.openedition.org/ceb/15982 ; DOI : https:// doi.org/10.4000/ceb.15982 Cahiers balkaniques est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International. Cahiers balkaniques Numéro 47 Centre de Recherche Europes-Eurasie Presses de l’Inalco Directeur de publication Jean-François Huchet Rédacteurs en chef Faruk Bilici, Joëlle Dalègre, Frosa Pejoska-Bouchereau Comité scientifique Faruk Bilici (Professeur Histoire de la Turquie ottomane et moderne, Inalco- Paris), Frosa Pejoska-Bouchereau (Macédonien, Inalco-Paris), Joëlle Dalègre (mcf-hdr, Civilisation de la Grèce moderne, Inalco-Paris), Cécile Folschweiller (MCF Inalco, langue, littérature et civilisation roumaine), Mehmet Hacislihoglu (Professeur d’histoire, Directeur du centre d’études balkaniques et de la mer Noire, Univ. Yildiz, Istanbul), Anna-Marina Katsigianni, (Professeur en littérature comparée, Univ. Patras, Grèce), Christina Koulouri (Professeur d’histoire grecque moderne, Univ. Panteion, Athènes), Blagovest Njagulov (Professor, -
Greek Antiquity and Inter-War Classicism in Greek
ELENA HAMALIDI Greek Antiquity and inter-war classicism in Greek Art: Modernism and tradition in the works and writings of Michalis Tombros and Nikos Hadjikyriakos-Ghika in the thirties A PPICTUREICTURE, TTHEYHEY SSAYAY, is worth more than a thousand in the editorial of the first issue of the avant-garde review words. Last Christmas a prominent position in a central ToTritoMati(‘the third eye’), namely, to ‘take a position Athens bookshop was occupied by a monograph on Mi- toward our weighty past’, to make the best use of surviv- chalis Tombros (fig. 1). Its cover was illustrated with one ing elements of Greek tradition, as well as of the potential of the sculptor’s classicizing figurative works of the inter- of the Greek ‘race’. Thus a theoretical approach as well as war period considered modern by most Greek art critics an acquaintance with modern art and its current tenden- at the time, as will be discussed in this paper. However, cies were to Ghika a significant precondition of moving the placing of the book between a volume on the ancient on to creating art.5 In his theoretical writings therefore the site of Vergina, and an album picturing ‘masterpieces’ of significance of the interlinking of his reception of certain ancient Greek artdeclares that the relationship of Tom- modernist movements of Western Europe with the quest bros’ sculpture to ancient Greek tradition remains more for Hellenicity (‘Greekness’),6 more or less prevalent in important in public consciousness. Greek art tendencies from the inter-war period to the But it is the work of the painter Nikos Hadjikyriakos- nineties, arises. -
ASQUITH, Raymond
Research Page 1 Name: Lieut Raymond ASQUITH 3rd Grenadier Guards Age Parents: Right Hon. Herbert Henry ASQUITH K.C., M.P., Prime Minister (born 12 Sep 1852 in Morley, YKS, ENG - died 15 Feb 1928) and Helen Kelsall MELLAND (born Dec Qu. 1854 in Rochdale, Lancashire - died in Dec 1891) 37 Life Range 6 Nov 1878- 15 Sep 1916 -26 12 Sep 1852 Birth of Father: Right Hon. Herbert Henry ASQUITH K.C., M.P., Prime Minister (born 12 Sep 1852 in Morley, YKS, ENG - died 15 Feb 1928). In Morley, YKS, ENG. -24 Dec Qu. 1854 Birth of Mother: Helen Kelsall MELLAND (born Dec Qu. 1854 in Rochdale, Lancashire - died in Dec 1891). In Rochdale, Lancashire. 0 6 Nov 1878 Birth: Hampstead, MDX, ENG. 3 1881 Census: Hampstead, MDX, ENG. At 12 John Street: Herbert Henry ASQUITH, 28, Barrister (in practice) BA Oxford, born Morley, Yorkshire Helen Kelsall, 26, born Rochdale, Lancashire Raymond, 2, born Hampstead, Middlesex Gilbert (Herbert?), under 1 month, born Hampstead, Middlesex [Plus a visitor (Nurse) & 3 servants] ~8 Abt 1886 Birth of Spouse: Katharine Frances HORNER (born about 1886 in London, ENG - died in 1976 in SOM, ENG). 13 1891 Mother: Dead. 13 1891 Census: Winkfield, Berkshire. At Lambrook School, Winkfield Row: Raymond ASQUITH, boarder, 12, pupil, born Hampstead Parents: 27 Mansfield Gardens, Hampstead Herbert H., 38, Barrister QC MP, born Morley, Yorkshire Helen K., 36, born Rochdale, Lancashire Herbert, 10, born Hampstead Arthur M., 7, born Hampstead Helen V., 3, born Hampstead Cyril, 1, born Hampstead (Plus a Governess & 4 Servants) 13 1891 School: Lambrook School. -
Aesthetical Issues of Leonardo Da Vinci's and Pablo Picasso's
heritage Article Aesthetical Issues of Leonardo Da Vinci’s and Pablo Picasso’s Paintings with Stochastic Evaluation G.-Fivos Sargentis * , Panayiotis Dimitriadis and Demetris Koutsoyiannis Laboratory of Hydrology and Water Resources Development, School of Civil Engineering, National Technical University of Athens, Heroon Polytechneiou 9, 157 80 Zographou, Greece; [email protected] (P.D.); [email protected] (D.K.) * Correspondence: fi[email protected] Received: 7 April 2020; Accepted: 21 April 2020; Published: 25 April 2020 Abstract: A physical process is characterized as complex when it is difficult to analyze or explain in a simple way. The complexity within an art painting is expected to be high, possibly comparable to that of nature. Therefore, constructions of artists (e.g., paintings, music, literature, etc.) are expected to be also of high complexity since they are produced by numerous human (e.g., logic, instinct, emotions, etc.) and non-human (e.g., quality of paints, paper, tools, etc.) processes interacting with each other in a complex manner. The result of the interaction among various processes is not a white-noise behavior, but one where clusters of high or low values of quantified attributes appear in a non-predictive manner, thus highly increasing the uncertainty and the variability. In this work, we analyze stochastic patterns in terms of the dependence structure of art paintings of Da Vinci and Picasso with a stochastic 2D tool and investigate the similarities or differences among the artworks. Keywords: aesthetic of art paintings; stochastic analysis of images; Leonardo Da Vinci; Pablo Picasso 1. Introduction The meaning of beauty is linked to the evolution of human civilization, and the analysis of the connection between the observer and the beauty in art and nature has always been of high interest in both philosophy and science. -
Matila Ghyka's Memoires and Gustave Le Bon's Concept Of
Roxana PATRAȘ Researcher „Alexandru Ioan Cuza” University of Iaşi Iaşi, Romania Matila Ghyka’s Memoires and Gustave Le Bon’s Concept of “Dematerialization” Abstract: The present essay analyzes to what extent Gustave le Bon’s theories on the dematerialization of matter influence Matila Ghyka’s own way of treating his biography (actual life and virtual “lives”) in both fictional and non-fictional works. What strikes the most in Matila Ghyka’s style is a technique of extensive self- quotation, which is not mere egocentrism. Whereas le Bon does not discriminate between Force and Matter and states that Matter is an infinite reservoir of intra-atomic energy, in the particular case of Matila’s writings, the degree in which textual matter (recollections, memories) dissociates or re-crystalizes indicates the actual force encapsulated in the point of departure (the object of recollection, experience as such). Textual series bring testimony to Ghyka’s strive to burn out variants to invariant (Happiness, the Golden Ratio), to drive meaning to a state of transparency. Keywords: Dematerialization, Matter, Ether, Dreams, Memories, Series Who is Matila Ghyka? Supposing the readers of this essay have never heard of Matila Ghyka, I shall start by enumerating a list of names: Paul Valery, Leon-Paul Fargue, Marcel Proust, Antoine de Saint-Exupery, Lucien Fabre, Henri Poincare, Claude Farrere, Salvador Dali, and Gustave le Bon. The list can be broadened but, for reasons of space, I will just resume myself to saying that Ghyka was a very close friend to all these famous people. 475 Langue, civilisation, religion, histoire Friendships let aside, Matila Ghyka himself is a fascinating figure of the Romanian diaspora of the 50’ and 60’, quite unknown to his fellow countrymen because of Communist censure and post-transition disregard.