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Public Broadcasting Service Participation in the NPACT Coverage of the Political Primaries and Thetwo and One Half National Conventions
DOCUMENT RESUME ED 072 623 EM 010 708 AUTHOR Stone, Robert R. -TITLE Public Broadcasting Service Participation in the NPACT Coverage of the Political Primaries and theTwo and One Half National Conventions. PUB DATE Nov 72 NOTE 9p.; Paper presented at the National Association of Educational Broadcasters Annual Convention (48th,Las Vegas, Nevada, October 29-November 1, 1972) EDRS PRICE MF -$0.65 HC-$3.29 DESCRIPTORS *Electronic Equipment; *Engineering; *Equipment Utilization; Public Affairs Education; *Public Television; *Video Equipment IDENTIFIERS National Public Affairs Center; *Public Broadcasting Service ABSTRACT Television coverage of the 1972 Presidential Conventions was a complicated, time consuming, exhausting andyet challenging task for the Public Broadcasting Service(PBS). Operating on limited funds and borrowed equipment, PBS had to literally throw together its operation in Miami Beach and still keep tabson'the candidates wandering around the country. The author,an engineering manager with KCET-TV in Los Angeles, outlines the engineering gymnastics that PBS had to go through to provide thecoverage necessary. The video equipment, telephone communications,power requirements, and remote set ups are described in careful technical detail. (MC) My presentation today is on the Public Broadcasting Service participation in the NPACTcoverage of the N1 political primaries and the two andone half national (NJ conventions. U.S. DEPARTMENT OF HEALTH. EDUCATION & WELFARE 4.0 RobertR. act-1e_, KcET, Los khReles OFFICE OF EDUCATION THIS DOCUMENT HAS SEEN REPRO. r\I National Public Affairs Center for television oucEoEXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIO- N.- requested PBS to assist them in their proposedcoverage 0 :IraSTATEDIATT 43TVII:EICE3SRS 21:: of the forthcoming Democratic and Republican National REPRESENT OFFICIAL OFFICE OF EOU L]. -
Why the Public Trustee Model of Broadcast Television Must Fail - Abandoned in the Wasteland: Children, Television, and the First Amendment by Newton N
Alabama Law Scholarly Commons Articles Faculty Scholarship 1996 The Inevitable Wasteland: Why the Public Trustee Model of Broadcast Television Must Fail - Abandoned in the Wasteland: Children, Television, and the First Amendment by Newton N. Minow and Craig LaMay 1997 Survey of Books Relating to the Law: Legal Regulation and Reform Ronald J. Krotoszynski Jr. University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Ronald J. Krotoszynski Jr., The Inevitable Wasteland: Why the Public Trustee Model of Broadcast Television Must Fail - Abandoned in the Wasteland: Children, Television, and the First Amendment by Newton N. Minow and Craig LaMay 1997 Survey of Books Relating to the Law: Legal Regulation and Reform, 95 Mich. L. Rev. 2101 (1996). Available at: https://scholarship.law.ua.edu/fac_articles/220 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. THE INEVITABLE WASTELAND: WHY THE PUBLIC TRUSTEE MODEL OF BROADCAST TELEVISION REGULATION MUST FAIL Ronald J. Krotoszynski, Jr.* ABANDONED IN THE WASTELAND: CHILDREN, TELEVISION, AND TBE FIRST A~mNDmEr. By Newton N. Minow and Craig LaMay. New York: Hill & Wang. 1995. Pp. xi, 237. $11. More than thirty years ago, Newton N. Minow,1 then Chairman of the Federal Communications Commission ("Commission"), scolded broadcasters for failing to meet their obligations to the gen- eral public and, in particular, to the nation's children.2 Minow chal- lenged broadcasters to "sit down in front of your television set when your station goes on the air and stay there.. -
Prohibition Premieres October 2, 3 & 4
Pl a nnerMichiana’s bi-monthly Guide to WNIT Public Television Issue No. 5 September — October 2011 A FILM BY KEN BURNS AND LYNN NOVICK PROHIBITION PREMIERES OCTOBER 2, 3 & 4 BrainGames continues September 29 and October 20 Board of Directors Mary’s Message Mary Pruess Chairman President and GM, WNIT Public Television Glenn E. Killoren Vice Chairmen David M. Findlay Rodney F. Ganey President Mary Pruess Treasurer Craig D. Sullivan Secretary Ida Reynolds Watson Directors Roger Benko Janet M. Botz WNIT Public Television is at the heart of the Michiana community. We work hard every Kathryn Demarais day to stay connected with the people of our area. One way we do this is to actively engage in Robert G. Douglass Irene E. Eskridge partnerships with businesses, clubs and organizations throughout our region. These groups, David D. Gibson in addition to the hundreds of Michiana businesses that help underwrite our programs, William A. Gitlin provide WNIT with constant and immediate contact to our viewers and to the general Tracy D. Graham Michiana community. Kreg Gruber Larry D. Harding WNIT maintains strong partnerships and active working relationship with, among others, James W. Hillman groups representing the performing arts – Arts Everywhere, Art Beat, the Fischoff National Najeeb A. Khan Chamber Music Association, the Notre Dame Shakespeare Festival, the Krasl Art Center in Evelyn Kirkwood Kevin J. Morrison St. Joseph, the Lubeznik Center for the Arts in Michigan City and the Southwest Michigan John T. Phair Symphony; civic and cultural organizations like the Center for History, Fernwood Botanical Richard J. Rice Garden and Nature Center and the Historic Preservation Commission; educational, social Jill Richardson and healthcare organizations such as WVPE National Public Radio, the St. -
Summer Virtual #Presstourpbs July 28, 29 and 30
Summer Virtual #PressTourPBS July 28, 29 and 30 (Final) Three half days, 1:00 – 5:00 pm ET (10:00 am – 2:00 pm PT) All times Eastern below PBS Registration: To all TCA members and PBS-confirmed press, please register in advance for this virtual event using this link to start: https://zoom.us/webinar/register/WN_2uRcyS-fRN68-kMCgGor2w After registering, you will receive a confirmation email with your unique access link and other details. The same, single link works for all of the PBS sessions. See the email from Phil Piga ([email protected]) for more details or send an email with any questions. Thank you! Tuesday, July 28 1:00–1:55 pm PBS Executive Session & 50TH ANNIVERSARY PANEL As PBS marks its 50th Anniversary – amid a global pandemic, polarized nation and strained economy – the mission of public media has never been more important. • Paula Kerger, PBS President & CEO • Ken Burns • Judy Woodruff • Dr. Henry Louis Gates, Jr. PR contact: Eleanor Hawkins, 205-276-5252; [email protected]; Jeremy Gaines, 703-739-5135; [email protected] 2:15–2:45 pm PBS NEWSHOUR • Judy Woodruff, anchor and managing editor • Amna Nawaz, senior national correspondent and primary substitute anchor • Yamiche Alcindor, White House correspondent • Lisa Desjardins, Capitol Hill correspondent • Sara Just, executive producer PR contact: Sydney Cameron, [email protected]; 954-478-0703 3:00–3:30 pm PBS Election & News Coverage • Robert Costa, WASHINGTON WEEK • Margaret Hoover, FIRING LINE WITH MARGARET HOOVER • Bernardo Ruiz, VOCES “Latino Vote: Dispatches from the -
Tzp Group Sells This Old House Ventures, Llc to Roku, Inc
New York, NY – March 19, 2021 TZP GROUP SELLS THIS OLD HOUSE VENTURES, LLC TO ROKU, INC. TZP Group LLC (“TZP”) today announced the realization of its investment in This Old House Ventures, LLC (“This Old House”), the leading multi-platform home enthusiast brand, with a sale to Roku, Inc. (NASDAQ: ROKU). Financial terms of the sale were not disclosed. This Old House invented the home improvement television genre in 1979, and now reaches more than 20 million house-proud consumers each month with trusted information and expert advice through its Emmy® award-winning television shows, digital properties, and magazine. This Old House and Ask This Old House remain the two highest-rated home improvement shows on television, and have earned 19 Emmy® Awards and 102 nominations. The company provides brand-safe content for a roster of top advertisers across TV, web, OTT, social, podcast and print platforms. “TZP is proud to have been the steward of this wonderful brand over the last five years. It’s been a joy to work with Dan Suratt, Eric Thorkilsen and the rest of the outstanding This Old House management team to transform the business into a true, multi-media powerhouse that reaches consumers everywhere,” said Bill Hunscher, Partner at TZP. “We want to thank the team, the talent and the rest of the supporting cast for their excellent work and unwavering commitment in moving the brand forward.” “TZP provided great support in helping us make such a storied brand even more powerful and attractive to consumers and partners,” said Dan Suratt, CEO, This Old House. -
PBS and the Young Adult Viewer Tamara Cherisse John [email protected]
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-12-2012 PBS and the Young Adult Viewer Tamara Cherisse John [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation John, Tamara Cherisse, "PBS and the Young Adult Viewer" (2012). Research Papers. Paper 218. http://opensiuc.lib.siu.edu/gs_rp/218 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. PBS AND THE YOUNG ADULT VIEWER by Tamara John B.A., Radio-Television, Southern Illinois University, 2010 B.A., Spanish, Southern Illinois University, 2010 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Science Degree Department of Mass Communication and Media Arts in the Graduate School Southern Illinois University Carbondale May 2012 RESEARCH PAPER APPROVAL PBS AND THE YOUNG ADULT VIEWER By Tamara John A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in the field of Professional Media and Media Management Approved by: Dr. Paul Torre, Chair Dr. Beverly Love Graduate School Southern Illinois University Carbondale March 28, 2012 AN ABSTRACT OF THE RESEARCH PAPER OF Tamara John, for the Master of Science degree in Professional Media and Media Management, presented on March 28, 2012, at Southern Illinois University Carbondale. TITLE: PBS AND THE YOUNG ADULT VIEWER MAJOR PROFESSOR: Dr. Paul Torre Attracting and retaining teenage and young adult viewers has been a major challenge for most broadcasters. -
KCET/PBS Socal Merger
CONTACT: Ariel Carpenter for KCETLink Media Group [email protected] or 747-201-5243 Jennifer Vides for PBS SoCal [email protected] or 310-237-4516 KCETLINK MEDIA GROUP AND PBS SOCAL ANNOUNCE MERGER New Organization Will Advance PBS Flagship Station in Southern California and Expand Original Content Creation and Innovation for Public Media Locally, and Across the Nation LOS ANGELES, April 25, 2018 – KCETLink Media Group (KCET), a leading national independent broadcast and digital network, and PBS SoCal (KOCE), the flagship PBS organization for Southern California, today announced an agreement to merge the two companies. The merger of equals creates a center for public media innovation and creativity that serves the more than 18 million people living in the Southern California region. The name of the new organization will be announced with the closing of the merger, which is expected to be completed in the first half of 2018. Establishing a powerful PBS flagship organization on the West Coast, the historic union of these two storied institutions creates the opportunity to produce more original programs for multiple channels and platforms that address the diverse community in Southern California and the nation, and innovate new community engagement experiences that educate, inform, entertain, and empower. KCET Board of Directors Chairman Dick Cook will serve as Board Chair, and PBS SoCal President and CEO Andrew Russell will be President and CEO of the new entity, which will be governed by a 32-person Board of Trustees composed of the 14 members from each of the boards of KCETLink and PBS SoCal, as well as four new Board appointees. -
A Capitol Fourth Monday, July 4 at 8Pm on WOSU TV Details on Page 3 All Programs Are Subject to Change
July 2016 • wosu.org A Capitol Fourth Monday, July 4 at 8pm on WOSU TV details on page 3 All programs are subject to change. VOLUME 37 • NUMBER 7 Airfare (UPS 372670) is published except for June, July and August by: WOSU Public Media 2400 Olentangy River Road, Columbus, OH 43210 614.292.9678 Copyright 2016 by The Ohio State University. All rights reserved. No part of this magazine may be reproduced in any form or by any means without express written permission from the publisher. Subscription is by a Columbus on the Record celebrates a Milestone. minimum contribution of $60 to WOSU Public Media, of which $3.25 is allocated to Airfare. Periodicals postage paid at Columbus, Ohio. WOSU Politics – A Landmark Summer POSTMASTER: Send address changes to Airfare, 2400 Olentangy River Road, Columbus, OH 43210 This will be a special summer of political coverage on WOSU TV. Now in its eleventh season, Columbus on the Record will celebrate its 500th episode in July. When it debuted in January, WOSU Public Media 2006, Columbus on the Record was the only local political show on Columbus broadcast TV. General Manager Tom Rieland Hosted by Emmy® award-winning moderator Mike Thompson, Columbus on the Record has Director of Marketing Meredith Hart become must-watch TV for political junkies and civic leaders around Ohio. The show, with & Communications its diverse group of panelists, provides thoughtful and balanced analysis of central Ohio’s Membership Rob Walker top stories. “The key to the show is our panelists, all of them volunteers,” says Thompson Friends of WOSU Board who serves as WOSU’s Chief Content Director for News and Public Affairs. -
Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test
From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This month, WTTW is excited to premiere a new series for Chicago trivia buffs and Renée Crown Public Media Center curious explorers alike. On March 26, join us for The Great Chicago Quiz Show hosted by 5400 North Saint Louis Avenue Chicago, Illinois 60625 WTTW’s Geoffrey Baer, who each Friday night will welcome local contestants whose knowledge of trivia about our city will be put to the test. And on premiere night and after, visit Main Switchboard (773) 583-5000 wttw.com/quiz where you can play along at home. Turn to Member and Viewer Services page 4 for a behind-the-scenes interview with Geoffrey and (773) 509-1111 x 6 producer Eddie Griffin. We’ll also mark Women’s History Month with American Websites wttw.com Masters profiles of novelist Flannery O’Connor and wfmt.com choreographer Twyla Tharp; a POV documentary, And She Could Be Next, that explores a defiant movement of women of Publisher color transforming politics; and Not Done: Women Remaking Anne Gleason America, tracing the last five years of women’s fight for Art Director Tom Peth equality. On wttw.com, other Women’s History Month subjects include Emily Taft Douglas, WTTW Contributors a pioneering female Illinois politician, actress, and wife of Senator Paul Douglas who served Julia Maish in the U.S. House of Representatives; the past and present of Chicago’s Women’s Park and Lisa Tipton WFMT Contributors Gardens, designed by a team of female architects and featuring a statue by Louise Bourgeois; Andrea Lamoreaux and restaurateur Niquenya Collins and her newly launched Afro-Caribbean restaurant and catering business, Cocoa Chili. -
07 – Spinning the Record
VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo. -
FOR IMMEDIATE RELEASE CONTACT Mary Lugo 770
FOR IMMEDIATE RELEASE CONTACT Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Voleine Amilcar, ITVS 415-356-8383 x244 [email protected] Pressroom for more information and/or downloadable images: http://www.itvs.org/pressroom/ Program companion website: http://www.pbs.org/catsofmirikitani Independent Lens: THE CATS OF MIRIKITANI TO HAVE ITS TELEVISION PREMIERE ON PBS, TUESDAY, MAY 8 AT 10:30 PM (Check Local Listings) “THE CATS OF MIRIKITANI is, quite simply, breathtaking — one of the most surprising and unshakable documentaries I can recall.” — New York Sun (San Francisco, CA) — “Make art not war” is Jimmy Mirikitani's motto. The 80-year-old artist was born in Sacramento, California, raised in Hiroshima, Japan, traveled to the U.S. and even cooked for artist Jackson Pollock. But by 2001, Mirikitani was homeless, living on the streets of New York City. As tourists and shoppers hurried past, Mirikitani sat alone on a windy corner in New York’s SoHo, drawing pictures of whimsical cats, bleak internment camps and the angry red flames of the atomic bomb. When local filmmaker Linda Hattendorf stopped to ask about his art, a friendship—detailed in THE CATS OF MIRIKITANI—began that changed both their lives. THE CATS OF MIRIKITANI will have its television premiere on the Emmy® Award-winning PBS series Independent Lens, hosted by Terrence Howard, on Tuesday, May 8 at 10:30 PM (check local listings). In sunshine, rain and snow, Hattendorf returned to document Mirikitani’s drawings, trying to decipher the stories behind them. -
Bellini's Norma
Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation.