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January 1 – December 31 | $3 Online Processing Fee Individual
JAZZ JAMBALAYA | CALENDAR 19 March 4th Monday Della Reese Tribute 6:30pm ADMISSION 19 February $10 Members “Jazz Legacies” $15 Guests $12 Students/ Military w/ID Karmilla Ali $1 Door Prize Tickets Bernheim Hall Gulf City Lodge 2018 MEMBERSHIP January 1 – December 31 | $3 online processing fee Individual . $35 | Family . $ 55 Cedric Brook | Keyboards . Nyabinghi Djehutti | Guitar Chris Snowden | Bass Partners . Contact us Carlos Vizoso | Alto . Roland Cobb | Tenor PRESENT CURRENT MOJO MEMBERSHIP CARD FOR DISCOUNTS! Jackson Willis | Trombone . Mark Craig | Drums A & M Peanut Shop Cammie’s Old Dutch Ice Cream Keisha McAlpine & Shelley Brown | Wonderous 209 Dauphin Street . Mobile, AL 2511 Old Shell Road . Mobile, AL 251.438.9374 251.471.1710 Monday . 22 January 2018 JAZZ CONNECTIONS Bernheim Hall . Ben May Main [email protected] Mobile Public Library facebook.com/Mystic-Order-of-the-Jazz-Obsessed LIKE . SHARE . DONATE Mobile, AL . USA PARTNERS AZZ JAMBALAYA AZZ J PO Box 748 . Mobile, AL . 36601-0748 . USA 501(c)(3) THANKS mojojazz.org The Drowsy Poet | Joe Occhipinti | Gulf City Lodge | Mobile Public Library facebook.com/Mystic-Order-of-the-Jazz-Obsessed LIKE . SHARE . DONATE JANUARY 2018 BIRTHDAYS Joe Camp David Oliver Stevland Hardaway Denise Hines David Carroll Joe Plastaras (nee Judkins) Morris Kevin Lee Theresa Davidson Susan Sass Cyndy Lewis May 13, 1950 Dana Fleming E. J. Wright Saginaw, Michigan Monday, 2.5.18, 6:30pm Jazz Pensacola Jazz Jam Horizen Restaurant, 3103 E. Strong St., Pensacola, FL We all have ability. The difference is how we use it. $10 members/guests | $12 non-members | $5 students ~Stevie Wonder w/ID | performing musicians, free This pop icon is also a gifted jazz musician. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Jazzflits 01 09 2003 - 01 09 2021
1 19de JAARGANG, NR. 361 16 AUGUSTUS 2021 IN DIT NUMMER: 1 BERICHTEN 5 JAZZ OP DE PLAAT Eve Beuvens, Steve Cole, Flat Earth Society Orchestra, Ben van de Dungen, Gerry Gibbs e.a. EN VERDER (ONDER MEER): 10 Lee Morgan (Erik Marcel Frans) 16 Europe Jazz Media Chart Augustus 18 J AAR JAZZFLITS 01 09 2003 - 01 09 2021 NR. 362 KOMT 13 SEPT. UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 BERICHTEN CORONA-EDITIE FESTIVAL GENT JAZZ TREKT 20.000 BEZOEKERS In de tien dagen dat Gent Jazz ‘Back to Live’ duurde (van 9 tot en met 18 juli), passeerden zo’n twintigdui- zend mensen de festivalkassa. Van- wege de coronacrisis was op het laatste moment een speciale editie van het jaarlijkse zomerfestival in elkaar gezet met veel Belgische mu- sici. Maar ook de pianisten Monty Alexander, Tigran Hamasyan en ac- cordeonist Richard Galliano kwamen naar Gent. Festivaldirecteur Ber- trand Flamang sprak na afloop van een succesvol evenement. Cassandra Wilson tijdens het North Sea Jazz Festival 2015. (Foto: Joke Schot) Flamang: “In mei leek het er nog op dat deze editie niet zou doorgaan. Maar op CASSANDRA WILSON, STANLEY CLARKE twee maanden tijd zijn we erin geslaagd EN BILLY HART BENOEMD TOT NEA JAZZ MASTER om een coronaveilig evenement op po- ten te zetten.” Bezoekers konden zich Drummer Billy Hart, Bassist Stanley Clarke en zangeres niet vrij bewegen. Ze zaten per bubbel Cassandra Wilson zijn Benoemd tot NEA Jazz Master aan stoelen en tafels onder een giganti- 2022. Saxofonist Donald Harrison ontvangt de A.B. Spell- man NEA Jazz Masters Fellowship for Jazz Advocacy. -
Volume LVII Number 5 — North Carolina State
Technician ‘ North Carolina State University’s Student Newspaper Since 1920 Volume LVII Number 5 Wednesday, September 8, 1976 —_ H Lucas enthuSiastic Senate begins year by Lynne Griffin Sept. 27;however. this must be approved LUCAS ALSO SAID he intends to Assistant News Editor by the Senate. The purpose of these use his power to its fullest capacity in elections is to select the freshman and order to help the student body. “I will State's Student Senate will meet graduate student senators as well as those tonight for the first time this year to begin not definitely decided in last spring's strive to put forth a stronger influence getting organized for the coming year. election. over the Senate. I will try to exercise to The approval of certain committees and The Senate Standing Committees will the fullest those powers given me by the dates will be the primary points of also be reviewed and any changes will be Constitution and Statutes." business for the night. accepted at that time and the dates of the He explained that he hopes the Student Student Body President Lu Anne following meetings of the Senate will be Government officers can work closer Rogers and Student Body Treasurer Ann decided. together this year in order to benefit the Coates will give their reports on the Senate President Lucas explained to students. Roy Lucas, Student Senate President, is optimistic about the Senate's coming year. The I status of the University and the Senate at the Technician yesterday that the Senate meeting of the year tonight at 7:30 pm. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
BAM R&B Festival at Metrotech Returns with 10 Free Concerts, Jun 7
BAM R&B Festival at MetroTech returns with 10 free concerts, Jun 7—Aug 9 The stellar lineup includes Bernard Purdie, Bobbi Humphrey, Savion Glover, Terence Blanchard, Vivian Green, and Marcus Miller Forest City Ratner Companies is the Presenting Sponsor of BAM R&B Festival at MetroTech BAM R&B Festival at MetroTech Thursdays, noon—2pm, Jun 7—Aug 9 Free admission, MetroTech Commons at MetroTech Center Produced by Danny Kapilian Jun 7 Bernard Purdie’s All-Star Shuffle with guests Bobbi Humphrey and Quiana Lynell Jun 14 Savion Glover featuring Marcus Gilmore Jun 21 PJ Morton Jun 28 Vivian Green Jul 5 Delgres Jul 12 Amalgarhythm with Kris Davis and Terri Lyne Carrington Jul 19 Jupiter & Okwess Jul 26 Terence Blanchard featuring the E-Collective Aug 2 Ranky Tanky Aug 9 Marcus Miller May 3, 2018/Brooklyn, NY—BAM R&B Festival at MetroTech, Downtown Brooklyn’s best summer tradition, returns from June 7 to August 9 with 10 afternoons of jazz, soul, R&B, and some tap dancing. Now in its 24th year, the festival continues to feature music legends alongside groundbreaking emerging artists. Producer Danny Kapilian said, “It’s so great to bring dynamic artists every year to perform in Downtown Brooklyn. This is one of those adventurous years where we are stepping into some thrilling new musical territory. Four of our star artists this summer live where R&B and jazz combine to create something totally new. Legendary tap dancing star Savion Glover presents a duo performance with the brilliant young jazz drummer Marcus Gilmore. Terri Lyne Carrington is a three-time Grammy-winning drummer who’s bridged the music of Dianne Reeves, Esperanza Spalding, and Valerie Simpson. -
Blue Note: Still the Finest in Jazz Since 1939 Published on December 30, 2018 by Richard Havers
Blue Note: Still The Finest In Jazz Since 1939 Published on December 30, 2018 By Richard Havers Founded in 1939 by Alfred Lion, Blue Note is loved, respected and revered as one of the most important record labels in the history of music. Blue Note is loved, revered, respected and recognized as one of the most important record labels in the history of popular music. Founded in 1939 by Alfred Lion, who had only arrived in America a few years earlier having fled the oppressive Nazi regime in his native Germany, Blue Note has continually blazed a trail of innovation in both music and design. Its catalogue of great albums, long-playing records and even 78rpm and 45rpm records is for many the holy grail of jazz. Blue Note is loved, revered, respected and recognized as one of the most important record labels in the history of popular music. Founded in 1939 by Alfred Lion, who had only arrived in America a few years earlier having fled the oppressive Nazi regime in his native Germany, Blue Note has continually blazed a trail of innovation in both music and design. Its catalogue of great albums, long-playing records and even 78rpm and 45rpm records is for many the holy grail of jazz. It all began when Alfred Lion went to the ‘Spirituals to Swing’ concert at New York’s Carnegie Hall a few days before Christmas 1938. A week or so later he went to Café Society, a newly opened club, to talk to Albert Ammons and Meade Lux Lewis, who had seen them play at Carnegie Hall. -
Program Listings
WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSFEBRUARY 2013 SUPER DRAMA 00 : SUNDAY FEBRUARY 3 STARTING AT 1PM ON WXXI-TV/HD 1 MANY LOVERS OF JANE AUSTEN If watching the Super Bowl on Sunday, February 3 isn’t your cup of tea, WXXI has a smashing alternative. Enjoy an afternoon of sophisticated television that we like to call Super Drama Sunday! We’ll kick off the afternoon at 1 p.m. with Many Lovers 00 of Jane Austen, which follows Austen expert and University of London Professor : Amanda Vickery as she traces the rise in popularity of Jane Austen novels. At 2 p.m., discover, if you haven’t 2 LARK RISE TO CANDLEFORD already, the heart-warming drama series Lark Rise to Candleford. An adaptation of Flora Thompson’s magical memoir of her Oxfordshire childhood, the series chronicles the daily lives of those living in the English Countryside. Then at 3 p.m., WXXI-TV gives you a 00 second chance to see episodes from season : three of the Emmy-award winning episodes from series Downton Abbey! Enjoy the first five episodes back to back. 3 DOWNTON ABBEY CLIFFORD TURNS 50! JOIN WXXI AT THE STRONG FOR A CELEBRATION FEBRUARY 2 AND 3 DETAILS INSIDE>> ANDREW ALDEN ENSEMBLE FEBRUARY 7 AT 7 PM & FEBRUARY 9 AT 3 PM, LITTLE THEATRE DETAILS INSIDE>> THE POWERBROKER: BLACK WHITNEY Young’S FIGHT FOR CIVIL RIGHTS MONDAY, FEBRUARY 25 AT 7 P.M. AT THE LITTLE THEATRE SCREENING AND PANEL DISCUSSION ARE FREE AND OPEN TO THE PUBLIC. -
“The Jazz Problem”: How U.S. Composers Grappled with the Sounds of Blackness, 1917—1925 Stephanie Doktor Cumming, Georgia
“The Jazz Problem”: How U.S. Composers Grappled with the Sounds of Blackness, 1917—1925 Stephanie Doktor Cumming, Georgia Bachelor of Arts, Vocal Performance, University of North Georgia, 2003 Master of Arts, Musicology, University of Georgia, 2008 Master’s Certificate, Women’s Studies, University of Georgia, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia December, 2016 iv © Copyright by Stephanie DeLane Doktor All Rights Reserved December 2016 v For Hillary Clinton and Terry Allen, who both lost the race but the fight still rages on vi ABSTRACT My dissertation tracks the development of jazz-based classical music from 1917, when jazz began to circulate as a term, to 1925, when U.S. modernism was in full swing and jazz had become synonymous with America. I examine the music of four composers who used black popular music regularly: Edmund Jenkins, John Powell, William Grant Still, and Georgia Antheil. For each composer, whose collections I consulted, I analyze at least one of their jazz-based compositions, consider its reception, and put it in dialogue with writings about U.S. concert music after World War I. Taken together, these compositions contributed to what I call the Symphonic Jazz Era, and this music was integral to the formation of American modernism. I examine how these four composers grappled with the sounds of blackness during this time period, and I use “the Jazz Problem” as an analytic to do so. This phrase began to circulate in periodicals around 1923, and it captured anxieties about both the rise of mass entertainment and its rootedness in black cultural sounds in the Jim Crow era. -
The Jazz Lp Chart
CLUB REVIEW mmnmmnnnnnnnummmmnmmun Watsons and Bowers: THE JAZZ Tradition at the Line NEW YORK -Doc Watson (Pop- LP CHART py) has come a long way from the JULY 13, 1974 country picker "rediscovered" dur- By MICHAEL CUSCUNA ing the '60s revival. His sets 1. BODY HEAT folk One of this Spring's "New and Newer Music" QUINCY JONES-A&M SP 3617 are planned, his patter basically concerts at New York's Alice Tully Hall featured 2. HEADHUNTERS worked out in advance, and with jazz oriented music by such composers as Aaron HERBIE HANCOCK-Columbia KC 32731 the addition of his son Merle (and the 3. CROSSWINDS Copland and Darius Milhaud. The highlight of BILLY COBHAM-Atlantic SD 7300 a bass player) to full-time accom- affair was a spectacular performance by guest artist 4. STREET LADY panying status, his shows today are Keith Jarrett as soloist for a new Carla Bley compo- DONALD BYRD-Blue Note LA040-F (UA) slick cross -views of his and sition "3/4," an orchestral piece dealing with 3/4 5. WHIRLWINDS DEODATO-MCA 410 Merle's incredible artistic abilities. time in several variations. The piece will be recorded Noted 6. SCOTT JOPLIN: THE RED BACK BOOK primarily for his flat -pick- at a later date. GUNTHER SCHULLER-Angel S 36060 ing style, Doc Watson has estab- Jarrett, incidentally, has come up with an orches- (Capitol) lished a reputation as a guitarist 7. SPECTRUM tral collection of his own, "In The Light," on ECM Records. BILLY COBHAM-Atlantic SD 7268 that few would dare to challenge. -
300227405 NZSM 599 Master of Musical Arts
Timothy John Hopkins SID: 300227405 NZSM 599 Master of Musical Arts Exegesis: The bass-less trio 1 Jazz Thing – (Tim Hopkins) Jazz is an attitude an art form that spans Through culture, styles, from critics to fans Born in the melting pot of New Orleans Rhythms from Africans harmony from Europeans It started with the blues then it took to the air The jazz seed started spreading and it went on from there Dixieland swing bebop cool jazz and more Freeform and funk to orchestral scores Through every kind of change it reflected the sound Of whatever was there, of what was going down But you’d never find it selling to the highest bid It always stuck to its guns unlike some other did You say that times have changed and styles have too But have we lost our way in our search for something new Jazz per se may have gone but its ashes still flare In the spirit of the music in the notes on the air Jazz Thing Jazz was the popular music of its day You could turn on the radio and hear someone play a line, a phrase Something that got to you Lyrics that caught your ear A note that somehow rang true There was Basie Bird Duke Coltrane and Miles They were mixing it up, redefining styles Satchmo and Ella, Billie, Prez and Ron Herbie and Wayne, and the list goes on Such dedication to an art is rare these days Yet there are thousands of jazz musicians even today Young men and women working at their craft Most of them struggling helping redefine the art You say that “times have changed”, as it tends to do But have we lost our way in our search for something new Jazz per se may have gone but its ashes still flare In the spirit of the music in the notes on the air Jazz Thing 2 Table of Contents EXEGESIS: THE BASS-LESS TRIOJAZZ THING – (TIM HOPKINS) .....................................................................