A DSN Special Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Prettylittleliars: How Hashtags Drive the Social TV Phenomenon
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses Summer 6-2013 #PrettyLittleLiars: How Hashtags Drive The Social TV Phenomenon Melanie Brozek Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the American Popular Culture Commons, Film and Media Studies Commons, and the Television Commons Brozek, Melanie, "#PrettyLittleLiars: How Hashtags Drive The Social TV Phenomenon" (2013). Pell Scholars and Senior Theses. 93. https://digitalcommons.salve.edu/pell_theses/93 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. #PrettyLittleLiars: How Hashtags Drive The Social TV Phenomenon By Melanie Brozek Prepared for Dr. Esch English Department Salve Regina University May 10, 2013 Brozek 2 #PrettyLittleLiars: How Hashtags Drive The Social TV Phenomenon ABSTRACT: Twitter is used by many TV shows to promote discussion and encourage viewer loyalty. Most successfully, ABC Family uses Twitter to promote the teen drama Pretty Little Liars through the use of hashtags and celebrity interactions. This study analyzes Pretty Little Liars’ use of hashtags created by the network and by actors from the show. It examines how the Pretty Little Liars’ official accounts engage fans about their opinions on the show and encourage further discussion. Fans use the network- generated hashtags within their tweets to react to particular scenes and to hopefully be noticed by managers of official show accounts. -
Data Match Quest Couch Potatos
Who’s most like YOU at school? Your answers to the following questions will be matched with everyone else’s. And for way less than the cost of a few slices of pizza, you get two reports showing your best matches and help Make copies support a club or team at your school. for students. Couch Potatoes PLUS: You can even put your reports on AND you can WHITE PAPER Questionnaire created by Heritage High School see ALL your matches at your school at www.Data-Match.com. ONLY! Student Council Association, Leesburg, VA Choose one answer ONLY! 1 2 3 4 5 1. What personality type are you? Hopeless Romantic Heartbreaker Shy and Reserved Adventurous Social Buttery 2. What is your favorite Disney show? That’s So Raven Hannah Montana Suite Life of Zack & Cody Kim Possible Even Stevens 3. What is your future money plan? YOLO, Spend it Freely Rich & Successful Conservative, Save it Money Doesn’t Matter Hit the Lottery 4. What is your least favorite class? Algebra History Economics Biology PE 5. Favorite “style” of potato? Baked Potato French Fries Mashed Potatoes Potato Chips Couch Potato 6. What would you put into a time capsule? My Feelings for Chase Favorite Book Pictures of Family Favorite CD Letter to Myself 7. What is your preferred taste? Sweet Salty Sour Spicy Meat 8. Who would you call for advice? Mom/Dad Sibling Best Friend Coach Oprah 9. Favorite celebrity relationship? Kim/Kanye Taylor Swift/Current Muse Ashton/Mila Beyoncé/Jay-Z Mickey & Minnie 10. What type of person are you? Realistic Idealistic Pessimistic Optimistic Dreamer 11. -
"Eustace the Monk" and Compositional Techniques
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor Samuel Howard Stokes Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Stokes, Samuel Howard, "An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor" (2013). LSU Doctoral Dissertations. 1053. https://digitalcommons.lsu.edu/gradschool_dissertations/1053 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN ORIGINAL COMPOSITION, SYMPHONY NO. 1, "EUSTACE THE MONK" AND COMPOSITIONAL TECHNIQUES USED TO ELICIT MUSICAL HUMOR A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The School of Music by Samuel Stokes B.M., University of Central Missouri, 2002 M.A., University of Central Missouri, 2005 M.M., The Florida State University, 2006 May 2013 ACKNOWLEDGMENTS I would like to thank Dinos Constantinides for his valuable guidance and enthusiasm in my development as a composer. He has expanded my horizons by making me think outside of the box while leaving me enough room to find my own compositional voice. -
"WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
"WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday. -
Queer Identities and Glee
IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr. -
Library 3398 Songs, 7.2 Days, 12.30 GB
Library 3398 songs, 7.2 days, 12.30 GB Song Name Artist Album _Secret Agent - Guster Keep It Together – Celtic Twilight Loreena McKennitt '85 Radio Special Thank You They Might Be Giants Then: The Earlier Years (CD 1) 'Ama'ama Israel "IZ" Kamakawiwo'ole Facing Future 'Round Springfield (Medley) The Simpsons Songs In The Key Of Spring… 'S Wonderful Ella Fitzgerald The Best Of the Song Books 'Til Him The Producers "Badge OF Honor"- Jerry Goldsmith Jerry Goldsmith L.A. Confidential "Chief Wiggum, P.I." Main Title The Simpsons Go Simpsonic With The Sim… "Eye On Springfield" Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" End Credits Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" Main Title Theme The Simpsons Songs In The Key Of Spring… "Kamp Krusty" Theme Song The Simpsons Go Simpsonic With The Sim… "Krusty The Clown" Main Title The Simpsons Go Simpsonic With The Sim… "Oh, Streetcar!" (The Musical) The Simpsons Songs In The Key Of Spring… "Quimby" Campaign Commercial The Simpsons Go Simpsonic With The Sim… "Scorpio" End Credits The Simpsons Go Simpsonic With The Sim… "Simpsoncalifragilisticexpiala(Annoyed Grunt)Cio… The Simpsons Go Simpsonic With The Sim… "Skinner & The Superintendent" Theme The Simpsons Go Simpsonic With The Sim… "The Itchy & Scratchy & Poochie Show" Theme The Simpsons Go Simpsonic With The Sim… "The Love-Matic Grampa" Main Title The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme (Jazz Quartet -
The Potential of Informative Comedy Music As Supplementary Teaching Material
http://dx.doi.org/10.7592/EJHR2018.6.3.mckeague European Journal of Humour Research 6 (3) 30–49 www.europeanjournalofhumour.org Lyrical lessons: The potential of informative comedy music as supplementary teaching material Dr. Matthew McKeague Kutztown University of Pennsylvania [email protected] Abstract The comedic arts have provided opportunities for humourists to spread information to audiences, sometimes intentionally and other times as a side effect while trying to create laughter. Educators have also found success incorporating comedy into the classroom with humorous activities. While research regarding comedy as a tool to spread information or educate audiences has focused primarily on literature, broadcast media, and film, the area of informative comedy implemented through music remains relatively unexplored. In this paper, the researcher defines ‘informative comedy’ and takes a critical literacy approach analysing song samples of comedy musician “Weird Al” Yankovic—one of the notable comedic music artists in the 20th and 21st centuries—and discusses how his music could be used in a classroom setting. While comedy such as Yankovic’s is not designed to be an educational tool, the researcher suggests that his songs could be used as supplementary materials in the classroom to reinforce concepts specifically regarding cultural issues through commentary as well as lessons in science and grammar. A central aspect of this exploratory paper involves Yankovic’s mix of comedy and informative content focused on culture in the United States, using the popular music genre to convey ideas in ways that may be more palatable for wider audiences and that could be used to assist classroom instruction. -
Appendix: 15 Years of Queer Girls, 1998–2013
APPENDIX: 15 YEARS OF QUEER GIRLS, 1998–2013 1998 Show Me Love [Fucking Åmål]. (Sweden) Dir. Lukas Moodysson—set in a dull Swedish town, an unpopular girl falls in love with her popular schoolmate. Set Me Free [Emporte-moi]. (Canada/Switzerland/France) Dir. Léa Pool— follows a young tomboy struggling with her sexuality and the mental illness of her parents. 1999 But I’m a Cheerleader. (US) Dir. Jamie Babbit—satirical comedy about a popular cheerleader, sent to gay conversion camp. Memento Mori [Yeogo goedam II]. (Korea) Dir. Tae-Yong Kim & Kyu- Dong Min—horror fi lm about a relationship between two alienated high school girls. Revolutionary Girl Utena [Shôjo kakumei Utena: Adolescence mokushiroku]. (Japan) Dir. Kunihiko Ikuhar—anime fi lm adaptation of popular manga and anime series about two high school girls who attempt to change the world. © The Editor(s) (if applicable) and The Author(s) 2016 163 W. Monaghan, Queer Girls, Temporality and Screen Media, DOI 10.1057/978-1-137-55598-4 164 APPENDIX: 15 YEARS OF QUEER GIRLS, 1998–2013 2000 Buffy the Vampire Slayer. (US)—Television series that featured an ongoing relationship between young witches Willow (Alyson Hannigan) and Tara (Amber Benson) until 2002. Girls Can’t Swim [Les fi lles ne savent pas nager]. (France) Dir. Anne-Sophie Birot — two teenage girls live in opposite parts of France but spend their summer vacations together. 2001 Clara’s Summer [Clara, cet été là]. (France) Dir. Patrick Grandperret— summer camp is full of self-discovery for two friends. Lost and Delirious. (US) Dir. Léa Pool—new student at a boarding school discovers that her roommates are lovers. -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
Panda201401.Pdf
Puzzles for the Fun Side of the Brain January/February 2014 * $6 http://www.pandamagazine.com © 2013. P&A Magazine. All rights reserved. P&A is published on-line 6 times per year. Single issues are $6. In This Issue Drawing Conclusions From the Editor Issue 47 Winners Congratulations to our first 10 correct responses! Puzzle Boat 2 is right around the corner. Tickets go Dan Katz & Jackie Anderson on sale March 15th, and the Boat sets sail on Sunday Team Palindrome (Eric Berlin, Roger Wolff, Ange the 23rd. In addition, there will be several pre-release Strom-Weber, James McTeague, Dan Chall) puzzles the week before the launch. Demonic Stolen Cakes (Allen Petersen, Amy Swartz, Ata Gemini6Ice Gurpinar, Brie Frame, During the course of making this particular issue, I Deborah Kaplan, Denis Moskowitz, Julia Tenney, managed to develop Strep twice and get sick one other Matthew Morse) time. That, combined with the amont of work needed Jeremy Conner & Jeremiahs Johnson for Puzzle Boat 2, has led to a shorter warm-up section. Just for the Halibut (Avram Gottschlich, Kyle Keen, I apologize for the brevity of the issue (including the and Nathan Curtis) lack of completists). Mark Halpin Charles Steinhardt Once you know the answer to this issue’s metapuzzle, Team Phlogizote (Ben Smith, Kevin Wald, Joe let me know at [email protected]. The first Cabrera, Katie Hamill, Phillip Steindel) 5 solo solvers and first 5 team solvers will be listed as Rich Bragg winners in the next. Michael Sylvia Cheers! Foggy “Deathly Ill” Brume In Issue 48 Pieces of Bamboo • 3-6 I May Not Know Art... -
American Television, Drama by Nathan G
American Television, Drama by Nathan G. Tipton Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Despite a steady increase in the number of "big screen" queer characters and queerly-themed movies, the overt presence of gays and lesbians on the American small screen has been (and continues to be) far more limited. As Suzanna Danuta Walters has explained, while film has long dealt with gay subjects (albeit in often stereotyped or "tragic" ways), television's explicitly family-centric format appeared to mandate that glbtq persons were simply not a part of families that made up "typical" family audiences. After all, Walters continues, the intense intimacy and centrality of television in the personal space of family life provides a particular type of viewing experience that is fundamentally distinct from the relative anonymity of movie theaters. Not surprisingly, this family-centrism is displayed most prominently in programs shown by the five broadcast television networks, ABC, CBS, NBC, The CW, and Fox. These networks have historically been reticent about tackling homosexuality in its multifarious forms, preferring instead to leave these programming decisions to the proliferating number of cable networks. Still, long before the advent of cable, broadcast networks were tentatively exploring homosexuality by vicariously inserting into dramatic television series stereotypically gay characters. Â Early Representations From 1968 to 1974, as Edward Alwood has explained, homosexuals on television were recognizable in programs such as Kojak, M*A*S*H, Police Woman, and Hawaii Five-O because of their routine representation as limp-wristed, effeminate drag queens who walked with a swish and talked in high-pitched voices. -
Sit Down and Shut up Sit Down and Shut Up
Sit Down and Shut Up Sit Down and Shut Up Punk Rock Commentaries on Buddha, God, Truth, Sex, Death,and Dogen’s Treasury of the Right Dharma Eye Brad Warner New World Library Novato, California New World Library 14 Pamaron Way Novato, California 94949 Copyright © 2007 by Brad Warner All rights reserved. This book may not be reproduced in whole or in part, stored in a retrieval system, or transmitted in any form or by any means — electronic, mechanical, or other — without written permission from the publisher, except by a reviewer, who may quote brief passages in a review. Grateful acknowledgment to Alfred Publishing and Hal Leonard Publishing for use of the lyrics to “Hell Hole” by Spinal Tap on pages 155–56. Text design and typography by Tona Pearce Myers Library of Congress Cataloging-in-Publication Data Warner, Brad. Sit down and shut up : punk rock commentaries on Buddha, god, truth, sex, death, and Dogen’s Treasury of the right dharma eye / Brad Warner. p. cm. ISBN 978-1-57731-559-9 (pbk. : alk. paper) 1. Meditation—Zen Buddhism. 2. Dogen, 1200–1253. I. Title. BQ9288.W377 2007 294.3'85—dc22 2007002802 First printing, May 2007 ISBN-10: 1-57731-559-6 ISBN-13: 978-1-57731-559-9 Printed in Canada on acid-free, recycled paper New World Library is a proud member of the Green Press Initiative. 10 9 8 7 6 5 4 3 2 1 Dedicated to my mother, Sandra Sue Warner Contents 1. Why Dogen Matters 2. “Genjo Koan” 3. Proper Posture Required 4.