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Data Match Quest Couch Potatos
Who’s most like YOU at school? Your answers to the following questions will be matched with everyone else’s. And for way less than the cost of a few slices of pizza, you get two reports showing your best matches and help Make copies support a club or team at your school. for students. Couch Potatoes PLUS: You can even put your reports on AND you can WHITE PAPER Questionnaire created by Heritage High School see ALL your matches at your school at www.Data-Match.com. ONLY! Student Council Association, Leesburg, VA Choose one answer ONLY! 1 2 3 4 5 1. What personality type are you? Hopeless Romantic Heartbreaker Shy and Reserved Adventurous Social Buttery 2. What is your favorite Disney show? That’s So Raven Hannah Montana Suite Life of Zack & Cody Kim Possible Even Stevens 3. What is your future money plan? YOLO, Spend it Freely Rich & Successful Conservative, Save it Money Doesn’t Matter Hit the Lottery 4. What is your least favorite class? Algebra History Economics Biology PE 5. Favorite “style” of potato? Baked Potato French Fries Mashed Potatoes Potato Chips Couch Potato 6. What would you put into a time capsule? My Feelings for Chase Favorite Book Pictures of Family Favorite CD Letter to Myself 7. What is your preferred taste? Sweet Salty Sour Spicy Meat 8. Who would you call for advice? Mom/Dad Sibling Best Friend Coach Oprah 9. Favorite celebrity relationship? Kim/Kanye Taylor Swift/Current Muse Ashton/Mila Beyoncé/Jay-Z Mickey & Minnie 10. What type of person are you? Realistic Idealistic Pessimistic Optimistic Dreamer 11. -
"Eustace the Monk" and Compositional Techniques
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor Samuel Howard Stokes Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Stokes, Samuel Howard, "An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor" (2013). LSU Doctoral Dissertations. 1053. https://digitalcommons.lsu.edu/gradschool_dissertations/1053 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN ORIGINAL COMPOSITION, SYMPHONY NO. 1, "EUSTACE THE MONK" AND COMPOSITIONAL TECHNIQUES USED TO ELICIT MUSICAL HUMOR A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The School of Music by Samuel Stokes B.M., University of Central Missouri, 2002 M.A., University of Central Missouri, 2005 M.M., The Florida State University, 2006 May 2013 ACKNOWLEDGMENTS I would like to thank Dinos Constantinides for his valuable guidance and enthusiasm in my development as a composer. He has expanded my horizons by making me think outside of the box while leaving me enough room to find my own compositional voice. -
"WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
"WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
2020 Spring Adult Rights Guide
Incorporating Gregory & company Highlights London Book Fair 2020 Highlights Welcome to our 2020 International Book Rights Highlights For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Fiction Literary Fiction 4 to 11 Upmarket Fiction 12 to 17 Commercial Fiction 18 to 19 Crime and Thriller 20 to 31 Non-Fiction Politics, Current Affairs, International Relations 32 to 39 History and Philosophy 40 to 43 Nature and Science 44 to 47 Biography and Memoir 48 to 54 Practical, How-To and Self-Care 55 to 57 Upcoming Publications 58 to 59 Recent Highlights 60 Prizes 61 Film and TV News 62 to 64 DHA Co-Agents 65 Primary Agents US Rights: Veronique Baxter; Jemima Forrester; Georgia Glover; Anthony Goff (AG); Andrew Gordon (AMG); Jane Gregory; Lizzy Kremer; Harriet Moore; Caroline Walsh; Laura West; Jessica Woollard Film & TV Rights: Clare Israel; Penelope Killick; Nicky Lund; Georgina Ruffhead Translation Rights Alice Howe: [email protected] Direct: France; Germany Margaux Vialleron: [email protected] Direct: Denmark; Finland; Iceland; Italy, the Netherlands; Norway; Sweden Emma Jamison: [email protected] Direct: Brazil; Portugal; Spain and Latin America Co-agented: Poland Lucy Talbot: [email protected] Direct: Croatia; Estonia; Latvia; Lithuania; Slovenia Co-agented: China; Hungary, Japan; Korea; Russia; Taiwan; Turkey; Ukraine Imogen Bovill: [email protected] Direct: Arabic; Albania; Bulgaria; Greece; Israel; Italy; Macedonia, Vietnam, all other markets. Co-agented: Czech Republic; Indonesia; Romania; Serbia; Slovakia; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk General translation rights enquiries: Sam Norman: [email protected] THE PALE WITNESS Patricia Duncker A tour de force of historical fiction from the acclaimed novelist Patricia Duncker According to the Gospel of Matthew, the wife of Pontius Pilate interceded on Jesus’ behalf as Pilate was contemplating the prophet’s fate. -
L a COLLABORAZIONE FUNZIONA FOTO © DAVID EDWARDS 012 013 Copertina
L A COLLABORAZIONE FUNZIONA FOTO © DAVID EDWARDS © DAVID FOTO 012 013 copertina FRANZ FERDINAND SPARKS di Giuseppe Zevolli L A Lo sfzio di un supergruppo o il debutto di una band COLLABORAZIONE alle prime armi? Durante un incontro londinese i Franz Ferdinand FUNZIONA e gli SparkS ci raccontano il “rock con la r minuscola” di FFS. uando esordirono nei primi Russell Ron e io proviamo sempre a lanciarci in Duemila i Franz Ferdinand qualcosa che possa stupire innanzitutto noi stessi. sembravano determinati a spaz- Intendiamo ogni progetto come un’impresa rinvigo- zare via i lasciti del britpop più rente. Formare un gruppo con i Franz da una parte è statico e atteggione, pur rievo- una mossa “illogica”, rischiosa, dall’altra è logica per il candone i momenti danzerec- nostro modo di operare. ci, quelli che neanche i più scettici erano riusciti a Alex Per noi è lo stesso. Con FFS non c’è il minimo Qscampare. Complice l’accattivante crooning di Alex desiderio di dimostrare un’evoluzione “credibile” o ri- Kapranos, immagine semiseria e determinazione badire l’appartenenza al mondo rock. Quello che degli nel rianimare il pubblico indie rock inglese con con- Sparks ci ha sempre ispirato è la capacità di fregarsene tagiosa ritmicità funk, gli scozzesi vennero rinomi- dei generi e fare a modo loro. nati da John Peel “i salvatori del rock and roll” ancor prima del successo internazionale del brano Take Che cosa possono aspettarsi i fan? Perlustrando una Me Out (2004). Nelle prime session i Franz non si manciata di forum, scopro che alcuni ammiratori dei ispiravano di certo all’animo nascostamente emo di Franz Ferdinand, nell’attesa, si sono persi nei meandri Brett Anderson o dei Gallagher. -
Whiteness and Civility: White Racial Attitudes in the Concho Valley, 1869-1930
WHITENESS AND CIVILITY: WHITE RACIAL ATTITUDES IN THE CONCHO VALLEY, 1869-1930 A Thesis Presented to the Faculty of the College of Graduate Studies of Angelo State University In Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS by MATTHEW SCOTT JOHNSTON August 2015 Major: History WHITENESS AND CIVILITY: WHITE RACIAL ATTITUDES IN THE CONCHO VALLEY, 1869-1930 by MATTHEW SCOTT JOHNSTON APPROVED: Dr. Jason Pierce, Ph. D. Dr. Kenneth Heinemann, Ph. D. Dr. Kanisorn Wongsrichanalai, Ph.D. Dr. Cheryl Stenmark, Ph.D August 2015 APPROVED: Dr. Susan E. Keith Dean of the College of Graduate Studies ABSTRACT Implicit in the ideology of White Supremacy is the idea of moral supremacy over non-white peoples. However, in the late nineteenth and early twentieth century whites consistently crossed the blurry, racialized line that defined them by what they were not. In the west-central Texas region of the Concho Valley, breaching law and order and social mores condemned some whites to lose degrees of whiteness in the eyes of their peers. Some whites appeared hypocritical in their rebuke of racial terrorism. In the late nineteenth and early twentieth century many white West Texans became guilty of the very lawless and violent attributes they generally applied to those of a different skin color, thus exposing the schizophrenic and ambiguous nature of the notion of white supremacy. iii TABLE OF CONTENTS Page ABSTRACT……………………………………………………………………………….....iii TABLE OF CONTENTS…......................................................................................................iv INTRODUCTION….................................................................................................................1 CHAPTER I. AFTER JUNTEENTH: RACE AND WHITE SUPREMACY IN POSTBELLUM TEXAS………………………………………………………………………………………..7 II. WHITE SUPREMACY IN THE CONCHO COUNTRY, 1867-1900…................18 III. -
Don't Be a Jerk
DON’T BE A JERK Also by Brad Warner Hardcore Zen Sex, Sin, and Zen Sit Down and Shut Up There Is No God and He Is Always with You Zen Wrapped in Karma Dipped in Chocolate New World Library 14 Pamaron Way Novato, California 94949 Copyright © 2016 by Brad Warner All rights reserved. This book may not be reproduced in whole or in part, stored in a retrieval system, or transmitted in any form or by any means — electronic, mechanical, or other — without written permission from the publisher, except by a reviewer, who may quote brief passages in a review. Text design by Tona Pearce Myers Library of Congress Cataloging-in-Publication Data Names: Warner, Brad, author. Title: Don’t be a jerk and other practical advice from Dogen, Japan’s greatest Zen master : a radical but reverent paraphrasing of Dogen’s Treasury of the true dharma eye / Brad Warner. Description: Novato, CA : New World Library, 2016. Identifiers: LCCN 2015050026 | ISBN 9781608683888 Subjects: LCSH: Sōtōshū—Doctrines. | Dōgen, 1200–1253. Shōbō genzō. Classification: LCC BQ9449.D657 W37 2016 | DDC 294.3/85—dc23 LC record available at http://lccn.loc.gov/2015050026 First printing, April 2016 ISBN 978-1-60868-388-8 EISBN 978-1-60868-389-5 Printed in Canada on 100% postconsumer-waste recycled paper New World Library is proud to be a Gold Certified Environmentally Responsible Publisher. Publisher certification awarded by Green Press Initiative. www.greenpressinitiative.org 10 9 8 7 6 5 4 3 2 1 CONTENTS Introduction 1. Dōgen’s Zen FAQ (A Talk about Pursuing the Truth) 2. -
Reimagining TV Viewing Jack Davison, Executive Vice President, 3Vision
Reimagining TV Viewing Jack Davison, Executive Vice President, 3Vision CTAM Europe OTT Symposium 2019 CTAM Europe OTT Symposium 2019 Growing complexities Media Direct to SVOD Short Form & Content AVOD Consolidation Consumer Growth Social Market 2 CTAM Europe OTT Symposium 2019 Media Consolidation AT&T Walt Disney Discovery Comcast & Time Warner & 21st Century Fox & Scripps & Sky $85 billion $72 billion $15 billion $39 billion Mergers March 2019 March 2019 March 2018 October 2018 Discovery, ProSieben TF1, M6 BBC Studios TBS, TV Tokyo, & additional partners & France Television & ITV WOWOW & others 7TV Salto Britbox Paravi Alliances Launched but rebuilding Launch date tbc UK launch date tbc Launched April 2018 3 CTAM Europe OTT Symposium 2019 Direct to Consumer Disney+ Unnamed Shudder Disney NBCU AMC Launching globally US & UK & others tbc US, Canada, UK & Germany SVOD AVOD on Pay TV, SVOD OTT SVOD HBO Hayu Crackle WarnerMedia NBC Universal Sony US, ESP, Nordics & others UK, Nordics, US only SVOD Australia & Canada AVOD Starz Play Hulu Eurosport Starz/Lionsgate Disney, Comcast/NBCU, Discovery US, Canada, UK & Germany WarnerMedia Europe SVOD US SVOD & VMVPD SVOD Britbox Epix Now Zee5 BBC & ITV MGM Zee Ent. Enterprises US with UK coming US Global SVOD SVOD SVOD & linear channels 4 CTAM Europe OTT Symposium 2019 SVOD Global Growth Global SVOD Growth 600 50 546 520 490 451 450 38 405 Subscribers (Millions) Subscribers 344 (US$ Billions) Revenues 300 262 25 Revenues (US$B) 179 Subscribers (M) 150 121 13 82 54 27 35 '- 0 0 2010 2011 2012 2013 2014 -
DIGITAL ORIGINAL SERIES Global Demand Report
DIGITAL ORIGINAL SERIES Global Demand Report Trends in 2016 Copyright © 2017 Parrot Analytics. All rights reserved. Digital Original Series — Global Demand Report | Trends in 2016 Executive Summary } This year saw the release of several new, popular digital } The release of popular titles such as The Grand Tour originals. Three first-season titles — Stranger Things, and The Man in the High Castle caused demand Marvel’s Luke Cage, and Gilmore Girls: A Year in the for Amazon Video to grow by over six times in some Life — had the highest peak demand in 2016 in seven markets, such as the UK, Sweden, and Japan, in Q4 of out of the ten markets. All three ranked within the 2016, illustrating the importance of hit titles for SVOD top ten titles by peak demand in nine out of the ten platforms. markets. } Drama series had the most total demand over the } As a percentage of all demand for digital original series year in these markets, indicating both the number and this year, Netflix had the highest share in Brazil and popularity of titles in this genre. third-highest share in Mexico, suggesting that the other platforms have yet to appeal to Latin American } However, some markets had preferences for other markets. genres. Science fiction was especially popular in Brazil, while France, Mexico, and Sweden had strong } Non-Netflix platforms had the highest share in Japan, demand for comedy-dramas. where Hulu and Amazon Video (as well as Netflix) have been available since 2015. Digital Original Series with Highest Peak Demand in 2016 Orange Is Marvels Stranger Things Gilmore Girls Club De Cuervos The New Black Luke Cage United Kingdom France United States Germany Mexico Brazil Sweden Russia Australia Japan 2 Copyright © 2017 Parrot Analytics. -
History Newsletter
NEWSLETTER FOR ALUMNI AND FRIENDS, DEPARTMENT OF HISTORY, UNIVERSITY OF ARKANSAS, FAYETTEVILLE HISTORY NEWSLETTER ISSUE NO. XXXV, 2006-2007 tle, but also came to us since forgiven Dr. Pierce and promises very well fitted to teach to send him to the Ivory Coast just as labor history. Pierce soon as it can. earned his Ph.D. at the With the expertise he has devel- Ohio State University in oped in Arkansas history, Mike Pierce 1999, having written a seems poised to finally make good on dissertation on industrial David Y. Thomas’s call in the very first labor and American issue of the Arkansas Historical Quarterly Populism. That work has (1942) for “research in the history of developed into a meaty labor” in the state. He has already em- manuscript, “The Plow barked on a fascinating project centered and Hammer: Organized on Fort Smith. But even more than Labor, Farmers, and the that, colleagues look forward to Dr. Populist Party in Ohio,” Pierce and Tricia Starks doing the currently under consid- Sonny and Cher thing at department eration by a major schol- meetings. “Babe…..” arly press. He has pub- lished essays in Labor THE NEW TEAM History and Agricultural History, and in History of Dan Sutherland has an elaborate Law in Ohio (2004), ed- baseball analogy for what’s going on in Michael C. Pierce ited by Michael Les the History Department. It measures Benedict and John Winkler. Pierce co- various aspects of our professional lives edited, with Warren Van Tine, Builders of WE LIKE MIKE to the third decimal point, arriving Ohio: A Biographical History (2003), and co- ultimately at such statistics as Esoteric authored, with Van Tine, C.J. -
Tracing the Rhetoric of Contemporary Zen
RACING THE HETORIC OF ONTEMPORARY EN T R C Z DOGEN SANGHA AND THE MODERNIZATION OF JAPANESE ZEN BUDDHISM IN THE LIGHT OF A RHETORICAL ANALYSIS OF A WEBLOG Johannes Cairns Bachelor of Arts Thesis University of Helsinki Faculty of Arts Department of World Cultures East Asian Studies February 2011 CONTENTS 1. Introduction ...................................................................................................................... 3 2. Rhetorical Analysis in Religious Studies ........................................................................ 4 3. Modernization of Japanese Zen Buddhism ................................................................... 6 3.1 The Meiji New Buddhist Movement ............................................................................ 6 3.2 Sanbōkyōdan and Modern Zen Refashioned .............................................................. 10 3.3 Zen as a Marketing Device ......................................................................................... 13 4. Dogen Sangha Rhetoric ................................................................................................. 15 4.1 Origins and Organization of Dogen Sangha ............................................................... 15 4.2 Rhetorical Analysis of Dogen Sangha Finland Blog ................................................. 17 4.3 Reframing the Contemporary Understanding of Zen ................................................. 23 4.4 Dogen Sangha as the New Wave of Zen ...................................................................