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Khachaturian Nocturne from the Masquerade Piano Solo Sheet Music
Khachaturian Nocturne From The Masquerade Piano Solo Sheet Music Download khachaturian nocturne from the masquerade piano solo sheet music pdf now available in our library. We give you 2 pages partial preview of khachaturian nocturne from the masquerade piano solo sheet music that you can try for free. This music notes has been read 7701 times and last read at 2021-09-27 00:51:22. In order to continue read the entire sheet music of khachaturian nocturne from the masquerade piano solo you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Solo Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Masquerade Suite Aram Khachaturian Masquerade Suite Aram Khachaturian sheet music has been read 10264 times. Masquerade suite aram khachaturian arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-27 23:16:42. [ Read More ] Waltz From The Suite Masquerade By Aram Khachaturian For String Quartet Waltz From The Suite Masquerade By Aram Khachaturian For String Quartet sheet music has been read 6238 times. Waltz from the suite masquerade by aram khachaturian for string quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 20:02:58. [ Read More ] A Khachaturian Waltz From The Masquerade Brass Quintet Score And Parts A Khachaturian Waltz From The Masquerade Brass Quintet Score And Parts sheet music has been read 13960 times. A khachaturian waltz from the masquerade brass quintet score and parts arrangement is for Intermediate level. -
95.3 Fm 95.3 Fm
October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op. -
Carl Nielsen's Quintet for Winds, Op. 43: a Critical Edition
CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS Marcia L. Spence, B.M., M.M., M.B.A. APPROVED: Major Professor Minor rofessor Committee eiber Committee Member Dean of the College of Music Dean of the Robert B. Toulouse School of Graduate Studies ONA1If CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Marcia L. Spence, B.M., M.M., M.B.A. Denton, Texas December, 1995 Spence, Marcia Louise, Carl Nielsen's Quintet for Winds, Op. 43: A Critical Edition, A Lecture Recital, Together with Three Recitals of Selected Works for Horn by Atterberg, Ries, Mozart, Rosetti, Musgrave, Larsson, and Others. Doctor of Musical Arts (Performance), December, 1995, 143 pp., 14 examples, 3 appendices, bibliography, 29 titles. The purpose of this dissertation is to prepare and present a critical edition of Carl Nielsen's Quintet fbr Winds, Op. 43, a major work in the woodwind quintet repertoire. Written for the Copenhagen Wind Quintet in 1922, it is also considered a pivotal composition in Nielsen's artistic output. The only published edition of this piece, by Edition Wilhelm Hansen, is rife with errors, a consistent problem with many of Nielsen's compositions. -
Building Technical Facility in Tuba and Euphonium Players Through the Tuba-Euphonium Quartet
Building Technical Facility in Tuba and Euphonium Players through the Tuba-Euphonium Quartet Item Type text; Electronic Dissertation Authors McLean, Michael G. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 13:03:59 Link to Item http://hdl.handle.net/10150/620632 BUILDING TECHNICAL FACILITY IN TUBA AND EUPHONIUM PLAYERS THROUGH THE TUBA-EUPHONIUM QUARTET by Michael G. McLean ____________________________ A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2016 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Michael G. McLean, titled Building Technical Facility in Tuba and Euphonium Players Through the Tuba-Euphonium Quartet and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. __________________________________________________ Date: 7-20-2016 Matthew Tropman __________________________________________________ Date: 7-20-2016 Moisés Paiewonsky __________________________________________________ Date: 7-20-2016 Edward Reid Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
This Masquerade for Clarinet and Piano Video Sheet Music
This Masquerade For Clarinet And Piano Video Sheet Music Download this masquerade for clarinet and piano video sheet music pdf now available in our library. We give you 5 pages partial preview of this masquerade for clarinet and piano video sheet music that you can try for free. This music notes has been read 8548 times and last read at 2021-09-24 04:41:55. In order to continue read the entire sheet music of this masquerade for clarinet and piano video you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Clarinet, Piano Duet, Piano Accompaniment Ensemble: Woodwind Duet Level: Advanced [ Read Sheet Music ] Other Sheet Music This Masquerade For String Quartet This Masquerade For String Quartet sheet music has been read 10725 times. This masquerade for string quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-26 15:36:17. [ Read More ] This Masquerade For Cello And Piano With Improvisation Video This Masquerade For Cello And Piano With Improvisation Video sheet music has been read 9609 times. This masquerade for cello and piano with improvisation video arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-09-26 20:30:27. [ Read More ] This Masquerade For Viola And Piano With Improvisation Video This Masquerade For Viola And Piano With Improvisation Video sheet music has been read 9908 times. This masquerade for viola and piano with improvisation video arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-09-23 14:44:54. -
Senior Recital
Kennesaw State University College of the Arts School of Music presents Senior Recital Alexander Sifuentes, oboe Brenda Brent, piano Thursday, May 8, 2014 8:00 p.m. Music Building Recital Hall One Hundred Forty-fourth Concert of the 2013-14 Concert Season Program RICHARD STRAUSS (1864-1949) Concerto in D Major for Oboe and Small Orchestra I. Allegro moderato II. Andante III. Vivace- Allegro CARL NIELSEN (1865-1931) Wind Quintet I. Allegro ben moderato II. Menuetto III. Praeludium: Adagio. Tema con variazioni: Un poco andantino Dirk Stanfield, flute Alex Sifuentes, oboe Tyler Eisenbarth, clarinet Kristen Arvold, French horn FRANCIS POULENC (1899-1963) Trio for Oboe, Bassoon and Piano I. Presto II. Andante III. Rondo Jordan Alfredson, bassoon This recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Performance. Mr. Sifuentes studies oboe with Elizabeth Koch Tiscione. Program Notes Concerto in D Major for Oboe and Small Orchestra RICHARD STRAUSS Richard Georg Strauss was born in Munich, Bavaria, on June 11, 1864, and died in Garmisch, Germany, on September 8, 1949. He completed his Oboe Concerto on October 25, 1945, slightly revising the end on February 1, 1948. American oboist John de Lancie was in the U.S. Army unit which secured the area round the Bavarian town of Garmisch where Strauss's was living in April 1945, following WWII. As principal oboist of the Pittsburgh Orchestra in civilian life, he knew Strauss's orchestral writing for oboe thoroughly, visited the composer in his home, and in the course of a long conversation asked him if he had ever consid- ered writing an oboe concerto. -
Sven-David Sandstrã¶M╎s Five Pictures from the Bible
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Sven-David Sandström's Five Pictures from the Bible: Historical Precedents, Development, and Analysis Joshua Bronfman Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SVEN-DAVID SANDSTRÖM’S FIVE PICTURES FROM THE BIBLE: HISTORICAL PRECEDENTS, DEVELOPMENT, AND ANALYSIS By JOSHUA BRONFMAN A Dissertation submitted to the College Of Music in partial fulfillment of the requirements for the degree of Doctor Of Philosophy Degree Awarded: Summer Semester, 2010 The members of the committee approve the dissertation of Joshua Bronfman, defended on June 14, 2010. _________________________________________ André J. Thomas Professor Directing Dissertation _________________________________________ Evan Jones University Representative _________________________________________ Judy Bowers Committee Member _________________________________________ Kevin Fenton Committee Member The Graduate School has verified and approved the above-named committee members. ii To Niki, Lucia, and Leah. iii ACKNOWLEDGEMENTS I am very grateful to my supportive and helpful committee, including Dr. Andre Thomas, chair, and Drs. Judy Bowers, Kevin Fenton, and Evan Jones. I owe debt of gratitude to the administration, faculty, and staff at the University of North Dakota. Without their support and assistance, this document would never have happened. Specifically, Chris Gable, Mike Wittgraf, James Popejoy, Janice Hoffarth for transcription and cheerleading, and Dean Martha Potvin for encouraging me to continue. Thank you to Philip and Carolyn Brunelle, who opened up their home to me while I was researching this document. Additionally, Philip and the staff at VocalEssence were especially welcoming and accommodating, and made my visit to Minneapolis both fruitful and enjoyable. -
The Inception of Trumpet Performance in Brazil and Four Selected
THE INCEPTION OF TRUMPET PERFORMANCE IN BRAZIL AND FOUR SELECTED SOLOS FOR TRUMPET AND PIANO, INCLUDING MODERN PERFORMANCE EDITIONS: FANTASIA FOR TRUMPET (1854) BY HENRIQUE ALVES DE MESQUITA (1830-1906); VOCALISE-ETUDE (1929) BY HEITOR VILLA-LOBOS (1887-1959); INVOCATION AND POINT (1968) BY OSVALDO COSTA DE LACERDA (1927-2011); AND CONCERTO FOR TRUMPET AND PIANO (2004) BY EDMUNDO VILLANI-CÔRTES (B. 1930) A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Clayton Juliano Rodrigues Miranda In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Major Department: Music July 2016 Fargo, North Dakota North Dakota State University Graduate School Title THE INCEPTION OF TRUMPET PERFORMANCE IN BRAZIL AND FOUR SELECTED SOLOS FOR TRUMPET AND PIANO, INCLUDING MODERN PERFORMANCE EDITIONS: FANTASIA FOR TRUMPET (1854) BY HENRIQUE ALVES DE MESQUITA (1830-1906); VOCALISE- ETUDE (1929) BY HEITOR VILLA-LOBOS (1887-1959); INVOCATION AND POINT (1968) BY OSVALDO COSTA DE LACERDA (1927-2011); AND CONCERTO FOR TRUMPET AND PIANO (2004) BY EDMUNDO VILLANI-CÔRTES (B. 1930) By Clayton Juliano Rodrigues Miranda The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF MUSICAL ARTS SUPERVISORY COMMITTEE: Dr. Jeremy Brekke Chair Dr. Cassie Keogh Dr. Robert W. Groves Dr. Betsy Birmingham Approved: 6/13/2016 Dr. John Miller Date Department Chair ABSTRACT This disquisition provides a modern performance edition of four Brazilian compositions for trumpet and piano by Henrique Alves de Mesquita’ (1830–1906) Fantasia para Piston [Fantasy for trumpet, 1854], Heitor Villa-Lobos’s (1887–1959) Vocalise-Estudo [Vocalise-etude, 1929], Invocação e Ponto [Invocation and point] by Osvaldo Costa de Lacerda (1927-2011), and Edmundo Villani-Cortes’s (b. -
Tutti: Circus Oz with WASO in 2006, Benjamin Northey Has Rapidly Emerged As One of the Nation’S Leading Musical Figures
PROGRAM WASO On Stage VIOLIN VIOLA OBOE TROMBONE Semra Lee-Smith Benjamin Caddy Liz Chee Joshua Davis A/Assoc Concertmaster A/Assoc Principal Viola A/Principal Oboe Chair partnered by Kierstan Arkleysmith Dr Ken Evans and Graeme Norris Dr Glenda Campbell-Evans A/Assistant Concertmaster COR ANGLAIS Nik Babic Liam O’Malley Rebecca Glorie Alison Hall Leanne Glover A/Principal 1st Violin Chair partnered by Rachael Kirk Sam & Leanne Walsh BASS TROMBONE Zak Rowntree* Allan McLean Philip Holdsworth Tutti: Circus Oz Principal 2nd Violin Elliot O’Brien CLARINET Akiko Miyazawa TUBA Helen Tuckey Allan Meyer A/Assoc Principal Cameron Brook 2nd Violin with WASO CELLO EB CLARINET Chair partnered by Sarah Blackman Catherine Cahill^ Peter & Jean Stokes Fleur Challen Louise McKay Chair partnered by TIMPANI Stephanie Dean Penrhos College BASS CLARINET Chair partnered by Marc Shigeru Komatsu Alexander Millier Alex Timcke Geary & Nadia Chiang Fri 30 November 8pm & Beth Hebert Oliver McAslan BASSOON PERCUSSION Sat 1 December 2pm Alexandra Isted Fotis Skordas Jane Kircher-Lindner Brian Maloney Chair partnered by Stott Hoare Perth Concert Hall Jane Johnston° Tim South Chair partnered by Xiao Le Wu Sue & Ron Wooller Francois Combemorel Sunmi Jung Adam Mikulicz Assoc Principal Christina DOUBLE BASS Percussion & Timpani Katsimbardis CONTRABASSOON Andrew Sinclair* HARP Ellie Lawrence Louise Elaerts Chloe Turner Melanie Pearn Sarah Bowman Andrew Tait HORN Ken Peeler Mark Tooby David Evans PIANO / CELESTE Louise Sandercock Robert Gladstones Graeme Gilling^ Jolanta Schenk FLUTE Mary-Anne Blades Principal 3rd Horn Jane Serrangeli Julia Brooke Kathryn Shinnick PICCOLO *Instruments used by these Bao Di Tang TRUMPET musicians are on loan from Michael Waye Janet Holmes à Court AC. -
PROGRAM NOTES Masterworks V: Beethoven’S Fifth Symphony
Quad City Symphony Orchestra PROGRAM NOTES Masterworks V: Beethoven’s Fifth Symphony By Jacob Bancks Associate Professor of Music Augustana College “Glowing rays shoot through the deep night… and we sense giant shadows surging to and fro, closing in on us until they destroy us… Only with this pain of love, hope, joy—which consumes but does not destroy, which would burst asunder our breasts with a mightily impassioned chord—we live on, enchanted seers of the ghostly world!” —E.T.A. Hoffman From a review of Beethoven, Symphony No. 5 LUDWIG VAN BEETHOVEN (1770- is directly traceable to Beethoven, who 1827) loaded his works with an unprecedented Twelve German Dances level of gravity. In his symphonies in partic- ular, it can be difficult to listen in any other Instrumentation: Piccolo, 2 flutes, 2 oboes, 2 clar- way than to imagine the composer in the inets, 2 bassoons, 2 horns, 2 trumpets, timpani, limelight, calling all the shots and writing for percussion, and strings (no violas). posterity. It is thus important to remember Premiere: November 22, 1795. Redoutensaal, that, on several occasions, Beethoven wrote Hofburg Palace, Vienna. music intended to support other arts or so- QCSO Premiere. cial activities. It can be easy to forget that, aside from pro- This is the case with his early 12 German ducing immortal works of genius, compos- Dances, WoO 8. The “WoO” is important: it ers have occasionally proven themselves means “without opus number”; in other useful. Indeed, in many instances, the pri- words, a work that is outside of a com- mary work of a composer has been and con- poser’s essential catalogue, often un- tinues to be producing “background” music published during the composer’s lifetime. -
This Masquerade for Woodwind Quintet Sheet Music
This Masquerade For Woodwind Quintet Sheet Music Download this masquerade for woodwind quintet sheet music pdf now available in our library. We give you 5 pages partial preview of this masquerade for woodwind quintet sheet music that you can try for free. This music notes has been read 5270 times and last read at 2021-10-01 21:24:24. In order to continue read the entire sheet music of this masquerade for woodwind quintet you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Bassoon, Clarinet, Flute, Horn, Oboe Ensemble: Woodwind Quintet Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music This Masquerade For Woodwind Quartet This Masquerade For Woodwind Quartet sheet music has been read 3554 times. This masquerade for woodwind quartet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-29 01:28:49. [ Read More ] Brass Quintet This Masquerade Brass Quintet This Masquerade sheet music has been read 3719 times. Brass quintet this masquerade arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-30 10:03:15. [ Read More ] This Masquerade For Brass Quintet This Masquerade For Brass Quintet sheet music has been read 2982 times. This masquerade for brass quintet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-01 17:27:27. [ Read More ] A Khachaturian Waltz From The Masquerade Brass Quintet Score And Parts A Khachaturian Waltz From The Masquerade Brass Quintet Score And Parts sheet music has been read 14081 times. -
The Quintessential Quintet: Using the Woodwind Quintet to Improve Your Instrumental Music Program
The Quintessential Quintet: Using the Woodwind Quintet to Improve Your Instrumental Music Program The Montpelier Wind Quintet Beth Chandler, Flute Michele Kirkdorffer, Oboe Janice L. Minor, Clarinet Susan N. Barber, Bassoon Abigail Pack, Horn The Midwest Clinic An International Band and Orchestra Conference 57th Annual Conference December 17, 2003 Chicago, Illinois 2:30 p.m. School of MSC 7301 MUSIC Harrisonburg, VA 22807 540.568.6197 Phone 540.568.6714 Phone 540.568.7819 Fax CONTENTS Clinic Outline Suggested Repertoire for the Student Woodwind Quintet Standard Repertoire for the Woodwind Quintet Chamber Music Rehearsal Priorities Wind Quintet Rehearsal Guide A Guide to Woodwind Quintet Playing for the Developing Flutist by Beth E. Chandler Oboe Idiosyncrasies as Related to Wind Quintet Performance by Michele Kirkdorffer Clarinet Idiosyncrasies Related to the Woodwind Quintet by Janice L. Minor Bassoon Fundamentals: The Bassoonist’s Role in the Woodwind Quintet by Susan N. Barber Some Ideas on Playing Horn in a Wind Quintet by Abigail Pack Biographies The Quintessential Quintet: Using the Woodwind Quintet to Improve Your Instrumental Music Program CLINIC OUTLINE Introduction: Allegro con spirito from Divertimento No. 1 in B-flat Major, Haydn/Philadelphia Wind Quintet Repertoire: I. Transcriptions by grade level II. Collections of books III. Original compositions by grade level Polka from Five Easy Dances, Agay Ensemble Skills: I. Part Independence a. Leadership roles: solo vs. accompaniment Rumba from Five Easy Dances, Agay b. Sound/color/blend Pastorale, Beach c. Tuning concepts The Dawn from Suite of Old Lettish Dances, Jansons d. Balance/volume/intensity Saltarello from Early Hungarian Dances, Farkas II.