Ezra Pound Say
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ideas About Ezra Pound
A Handful of Ideas about Ezra Pound Work in Progress Press Release Thursday 1 January 2015 Contemporary Literature Press The University of Bucharest Online publication A Handful of Ideas about Ezra Pound Work in Progress ISBN 978-606-8592-43-5 In 2015, Ezra Pound would have been 130 years old. When you are looking for the author of thoughts you want to understand, images can offer a handful of ideas. The graduate students of the University of Bucharest have done just that. They have started a research of their own, which opens one possible way into Ezra Pound’s thinking. This is no more than a Work in Progress. ISBN 978-606-8592-43-5 © Universitatea din Bucureşti © MTTLC IT Expertise: Simona Sămulescu Publicity: Violeta Baroană Acknowledgments This volume is the outcome of research done for didactic purposes by graduate students in the English Department of the University of Bucharest, the MA Programme for the Translation of the Contemporary Literary Text. All the images included in this book exist as such on the Internet. Work in Progress (Ezra Pound: ABC of Reading, Chapter Three, 1934) A Handful of Ideas About Ezra Pound. Work in Progress 1 Contents Late 1890s Thaddeus Pound, Ezra Pound’s grandfather. p. 10 30 October 1885 Birthpace of Ezra Pound. Hailey, Idaho. p. 11 1898 Ezra Pound with his mother. p. 12 Venice, June 1908 The first book of poetry published by Ezra p. 13 Pound. 1909 Portrait of Ezra Pound by Eugene Paul p. 14 Ullmann. 1910 Ezra Pound. p. 15 January 1910 Calendar card for Ezra Pound lecture series p. -
A CATHOLIC CRITICISM of E. E. CUMMINGS a Study of Form
UNIVERSITY D-OTTAWA ~ ECOLE DES GRADUES A CATHOLIC CRITICISM OF E. E. CUMMINGS c ', i- •J. f » ifX. • A Study of Form, Technique and Content in one of the Controversial Poets of Our Time from the Traditional Christian Viewpoint* By Stephen Breen Thesis presented to the Faculty of Arts of the University of Ottawa through the Department of English as partial fulfill ment of the requirements for the degree of Doctor of Philosophy. 6. fWf Ottawa, Canada, 1958 AjU*A^&->w( \J \ 5 «• Q~\^- UNIVERSITY OF OTTAWA - SCHOOL OF GRADUATE STUDIES UMI Number: DC53307 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53307 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITE D-OTTAWA ~ ECOLE DES GRADUES ACKNOWLEDGEMENTS This thesis topic was selected under the guidance of the Chairman of the English Department, Professor Emmett 0'Grady, and executed under the guidance of Dr. Paul Marcotte in its initial stages, with Dr. Brian Robinson directing its organization and conclusion. -
Olga Rudge & Ezra Pound: "What Thou Lovest Well..."
Olga Rudge and Ezra Pound Anne Conover Olga Rudge and Ezra Pound ‘‘What Thou Lovest Well . .’’ Yale University Press New Haven & London Excerpt from Shakespeare and Company, ∫ 1959 by Sylvia Beach and renewed 1987 by Frederic Beach Dennis, reprinted by permission of Harcourt, Inc. Excerpts from A Serious Character: The Life of Ezra Pound by Humphrey Carpenter, ∫ 1988 by Humphrey Carpenter, reprinted by permission of Houghton Mi∆in Company. Excerpts from Discretions by Mary de Rachewiltz, ∫ 1971, reprinted by permission of Little, Brown and Company. Copyright ∫ 2001 by Anne Conover Carson. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Rebecca Gibb. Set in Fournier type by Keystone Typesetting, Inc., Orwigsburg, Pennsylvania. Printed in the United States of America by R. R. Donnelley & Sons, Harrisonburg, Virginia. Library of Congress Cataloging-in-Publication Data Carson, Anne Conover, 1937– Olga Rudge and Ezra Pound : ‘‘What thou lovest well— ’’ / Anne Conover. p. cm. Includes bibliographical references (p. ) and index. isbn 0-300-08703-9 (alk. paper) 1. Rudge, Olga, 1895–1996. 2. Violinists—Biography. 3. Pound, Ezra, 1885–1972. I. Title. ml418.r83 c37 2001 811%.52–dc21 2001001527 A catalog record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. -
Front Matter
Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information EZRA POUND IN CONTEXT Long at the center of the modernist project, from editing Eliot’s The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound’s work, underlining the magnitude of his contribution and drawing on new archival, textual, and theoretical studies. Pound’s political and economic ideas also receive attention. With its concen- tration on the contexts of history, sociology, aesthetics, and politics, the volume will provide a portrait of Pound’s unusually international reach: an American-born, modern poet absorbing the cultures of Eng- land, France, Italy, and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism. ira b. nadel is Professor of English at the University of British Columbia. He is the author of The Cambridge Introduction to Ezra Pound (2007) and editor of The Cambridge Companion to Ezra Pound (1999). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information EZRA POUND IN CONTEXT edited by IRA B. NADEL University of British Columbia © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. -
E. E. Cummings: Intourist in the Unworld David Farley
E. E. Cummings: Intourist in the Unworld David Farley A difficult author—Mallarmé, Henry James, or Hopkins—would be no hero in Russia today. Indeed it should be self-evident that “difficulty” (that is, highly individualised expression) must be regarded not only as anti- popular, but, since useless for the purposes of propaganda, a sort of af- front like an idle man. —Wyndham Lewis, Letters 235 Russia was by then so remote behind its Chinese wall of exclusiveness and secretiveness, it was like thinking of Paradise, or, as it may seem to others, of Hell. —Rebecca West, Black Lamb and Grey Falcon 616 In a 1941 essay, “Augment of the Novel,” Ezra Pound described E.E. Cummings’ EIMI as “one of three books that any serious reader in 1960 will most certainly have to read if he wants to get any sort of idea of what happened in Europe between one of our large wars and another” (95).1 The other two books were James Joyce’s Ulysses and Wyndham Lewis’s The Apes of God. For Pound, these three “potwollopers,” as he referred to them, each described clearly and accurately a particular milieu: pre-war Dublin, Bloomsbury in the twenties, and Soviet Russia in 1930. Pound had grouped these works before, in essays and editorials throughout the thirties2 , but by the time of “Augment of the Novel” he had come to see EIMI as the most significant prose work of the interwar period, surpassing even Ulysses in its ability to describe the modern world. Pound saw EIMI as a work that registered the sensory data of every- day life with uncanny accuracy. -
Ezra Pound Papers, 1911-1949
http://oac.cdlib.org/findaid/ark:/13030/kt3v19p51x No online items Finding Aid for the Ezra Pound Papers, 1911-1949 Processed by Manuscripts Division staff; machine-readable finding aid created by Caroline Cubé UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 1999 The Regents of the University of California. All rights reserved. Finding Aid for the Ezra Pound 636 1 Papers, 1911-1949 Finding Aid for the Ezra Pound Papers, 1911-1949 Collection number: 636 UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Contact Information Manuscripts Division UCLA Library, Department of Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Manuscripts Division staff Encoded by: Caroline Cubé Online finding aid edited by: Josh Fiala, February 2003 © 1999 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Ezra Pound Papers, Date (inclusive): 1911-1949 Collection number: 636 Creator: Pound, Ezra, 1885-1972 Extent: 2 boxes (1.0 linear ft.) Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Abstract: Ezra Pound (1885-1972) was a poet, translator, and a representative for Poetry magazine, and The little review. His published works include A lume spento (1908), Homage to Sextus Propertius (1917), and Hugh Selwyn Mauberly (1920). -
Ezra Pound: Social Credit: an Impact - Stormfront
Ezra Pound: Social Credit: An Impact - Stormfront http://www.stormfront.org/forum/t468648/ User Name Remember Me? Stormfront > General > Poetry ShareThis Ezra Pound: Social Credit: An Impact Password Log in Forgot Password? Register Donate Register Blogs FAQ Community Calendar Today's Posts Search Poetry Inspiration and motivation. Expand your vocabulary and discover the secrets of our language. Complete Daily Schedule: Click Here! Mon-Fri 9-10am Eastern: Derek Black on WPBR 1340 AM Nightly 12am Eastern: Popup Windows Radio Player Here! Paul Fromm "For Our People" Truck Roy SF Radio Archives "From Babylon" SF Radio Drama Don and Derek Black Show live weekdays at 9:00am ET on WPBR 1340 AM || Archives of recent shows. LinkBack Thread Tools Display Modes 03-12-2008, 06:07 AM # 1 Kennewickman Ezra Pound: Social Credit: An Impact Account Disabled by Request Ezra Pound: Social Credit: An Impact The Forgotten Study FOREWORD for THE YEAR 2007 EDITION In the summer of 2003, I was shifting through dozens of books and a large quantity of information on Ezra Pound (1885-1972). It is clear by now that his mind has left a major Join Date: Nov 2004 mark on the universal human “kulchur” in general. His Cantos, letters, friendships and Location: People's Republic of California influence keep resonating in a growing and everlasting manner, slowly shifting into Posts: 6,723 timelessness while the works and names of his endless opponents and tormentors, dissolve and disappear into nothing. On amazon.com, the search for the name Ezra Pound will bring several thousand results and hundreds of different publications, even the little known musical items he has written and videos on him are available. -
6 X 10.Long New.P65
Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Index More information Index 391 241, 245, 246, 249, 319 Anti-Semitism 4, 5, 8, 31, 60, 62, 101, 113, 161, 164, 386, 391–400, 413, 414, 415, 430, 450, absolute metaphor 275 455 absolute rhythm 26, 275, 303, 305 Apollinaire, Guillaume 242 Ackroyd, Peter 164 Apuleius 178 Ezra Pound and His World 164 Golden Ass, The 178 Adams, Henry 86, 90 Aquinas, Thomas 29, 45, 197, 199, 262 Adams, John 2, 9, 96, 97, 102, 126, 204, 209, archives 7 382 Ardizzone, Maria Luiza 140, 158, 197, 201, 271 Adams, John Quincy 116 Aristotle 178, 262, 268, 271, 429 Adkins, Marius David 207 Arnold, Matthew 38, 42, 366 Aeneas 385 On Translating Homer 38, 42 Aeneid 178 Atheling, William 207, 305 Aestheticism 289–90, 314, 315, 447 Athenaeum 237, 238 Affirmations 18, 237, 317 Auden, W. H. 207, 216, 459 Africa 415, 419, 425 avant-garde 13 Agassiz, Louis 101–2, 364 avarice 198 Agenda 54, 364 Agresti, Olivia Rossetti 56–7, 258, 397, 412, 419, Bacigalupo, Massimo 146, 383, 386, 389 421 Badoglio, General 119 Aiken, Conrad 65, 161, 439, 444, 446, 459 Baldick, Chris 65 Alberti, Leon Battista 320 Balla, Giacomo 318 Aldington, Richard 28, 35, 69, 160, 161, 166, 221, Ballet M´ecanique 294, 307 274, 347, 366, 367, 370, 393, 438, 439 Barnard, Mary 312, 451 “Choricus” 69 Barney, Natalie 243, 407 Death of a Hero 166 Barnhisel, Gregory 2 Nobody’s Baby 166 Barry, Iris 178, 237 Ambrosiana Library 150, 428 Barthes, Roland 473, 477 America 2, 4, 5, 7, 8, 125, 227, 426–7 Bartok, Bela´ 92 American history 1, 5, 9 Baudelaire, Charles 9, 10 American Risorgimento 202 Beach, Sylvia 241, 244 Amprim, Frank Beardsley, Aubrey 17 Anderson, David 140, 157, 196, 201 Beasley, Rebecca 249 Anderson, Margaret 86, 133, 271, 346, 350, Beatrice 196, 200, 407 467 Bedford, Agnes 157, 232, 306, 311 Angleton, James 161, 217 Beerbohm, Max 15, 22, 231 Angold, J.P.