DOCSLIB.ORG

Front Matter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Front Matter Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information EZRA POUND IN CONTEXT Long at the center of the modernist project, from editing Eliot’s The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound’s work, underlining the magnitude of his contribution and drawing on new archival, textual, and theoretical studies. Pound’s political and economic ideas also receive attention. With its concen- tration on the contexts of history, sociology, aesthetics, and politics, the volume will provide a portrait of Pound’s unusually international reach: an American-born, modern poet absorbing the cultures of Eng- land, France, Italy, and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism. ira b. nadel is Professor of English at the University of British Columbia. He is the author of The Cambridge Introduction to Ezra Pound (2007) and editor of The Cambridge Companion to Ezra Pound (1999). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information EZRA POUND IN CONTEXT edited by IRA B. NADEL University of British Columbia © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo, Delhi, Dubai, Tokyo, Mexico City Cambridge University Press The Edinburgh Building, Cambridge cb28ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521515078 c Cambridge University Press 2010 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2010 Printed in the United Kingdom at the University Press, Cambridge A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data Ezra Pound in context / edited by Ira B. Nadel. p. cm. Includes index. isbn 978-0-521-51507-8 (hardback) 1.Pound,Ezra,1885–1972 – Criticism and interpretation. I. Nadel, Ira Bruce. II. Title. ps3531.o82z625 2010 811 .52 –dc22 2010035126 isbn 978-0-521-51507-8 Hardback Cambridge University Press has no responsibility for the persistence or accuracy of urls for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information Contents Notes on contributors page ix Acknowledgements xvii Chronology xviii List of abbreviations and note on references to The Cantos xxviii Introduction 1 Ira B. Nadel part i biography and works 11 1 Prose criticism 13 Vincent Sherry 2 Poetics 23 Ellen Stauder 3 Translation 33 Steven G. Yao 4 Romance languages 43 David Ten Eyck 5 Letters 54 Demetres P. Tryphonopoulos 6 Editor, anthologist 65 John G. Nichols 7 Education 75 Matthew Hofer 8 Journalism 85 Eric Bulson v © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information vi Contents 9 Politics 96 Alec Marsh 10 Economics 106 Leon Surette 11 Radio broadcasts 115 Benjamin Friedlander 12 Law 125 Robert Spoo 13 Textual criticism 136 Mark Byron 14 Archives 148 Caterina Ricciardi 15 The Lives of Pound 159 Ira B. Nadel part ii historical and cultural context 169 16 The classics 171 Peter Liebregts 17 Provenc¸al and the troubadours 181 William D. Paden 18 Dante and early Italian poetry 192 Tim Redman 19 America 202 Emily Mitchell Wallace 20 Venice 221 John Gery 21 London 231 Peter Brooker 22 Paris 241 Patricia Cockram 23 Rapallo and Rome 250 Massimo Bacigalupo 24 Pisa 261 Ronald Bush © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information Contents vii 25 Imagism 274 Ethan Lewis 26 Vorticism 285 Miranda Hickman 27 Music 298 Margaret Fisher 28 Visual arts 313 Rebecca Beasley 29 Confucius 324 Feng Lan 30 The Orient 335 Zhaoming Qian 31 Little magazines 345 Craig Monk 32 Publishing and publishers 356 Gregory Barnhisel 33 Modernism 366 George Bornstein 34 Fascism 376 Serenella Zanotti 35 Anti-Semitism 391 Alex Houen 36 Gender and sexuality 402 Helen Dennis 37 Race 412 Michael Coyle 38 Travel 424 Daniel Katz part iii critical reception 435 39 Pound before Paris: 1908–1920 437 Barry Ahearn 40 Pound before Pisa: 1920–1945 447 John Xiros Cooper © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information viii Contents 41 Pound after Pisa: 1945–1972 457 Stephen Sicari 42 Influence 467 James Longenbach Further reading 478 Index 483 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information Notes on contributors barry ahearn is Professor of English at Tulane University, New Orleans. His publications include Zukofsky’s “A”: An Introduction (1983), William Carlos Williams and Alterity (1994), and The Correspondence of William Carlos Williams and Louis Zukofsky (2003). He has recently completed an edition of the selected letters of Zukofsky. massimo bacigalupo teaches American literature at the University of Genoa, Italy, and lives in Rapallo. His family has been associated with the Pounds for several generations. He is the author of The Form´ed Trace: The Later Poetry of Ezra Pound (1980), and of annotated Italian editions of Pound’s Hugh Selwyn Mauberley (1982), Homage to Sextus Propertius (1984), and Canti postumi (2001). In 2008 he co-edited the volume Ezra Pound, Language and Persona. He is an associate of the journals Poesia, Paideuma and Leviathan, and a member of the Ligurian Academy of Sciences and Letters. His translations of Pound, Wordsworth, Dickinson, Stevens, and many others won him the 2001 Italian National Translation Prize. gregory barnhisel is Associate Professor of English and the Director of first-year writing at Duquesne University in Pittsburgh, Pennsylvania. HeistheauthorofJames Laughlin, New Directions, and the Remaking of Ezra Pound (2005) and the textbook Media and Messages: Strategies and Readings in Public Rhetoric (2005), as well as articles in Paideuma, Papers of the Bibliographical Society of America,andModernism/Modernity.His current scholarly work focuses on the use of modernist art in the US cultural diplomacy program in the early Cold War. rebecca beasley is a Fellow and University Lecturer in English at The Queen’s College, Oxford. She is the author of Ezra Pound and the Visual Culture of Modernism (Cambridge University Press, 2007), and Theorists of Modernist Poetry: Ezra Pound, T.S. Eliot and T.E. Hulme (2007). She is ix © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51507-8 - Ezra Pound in Context Edited by Ira B. Nadel Frontmatter More information x Notes on contributors currently working on a study of the impact of Russian culture on British modernism. george bornstein is C. A. Patrides Professor of Literature Emeritus at the University of Michigan. He has written and edited over a dozen books on modernist literature, including most recently Material Modernism: The Politics of the Page (2001) and, with Richard J. Finneran, Early Essays by W. B. Yeats (2010). His new book The Colors of Zion: Blacks, Jews, And Irish a Century ago will appear shortly. peter brooker is Professorial Fellow at the Centre for Modernist Studies, University of Sussex. He has written widely on contemporary writing and theory and is the author of Bertolt Brecht: Dialectics, Poetry, Politics (1989), New York Fictions (1996), Modernity and Metropolis (2004), Bohemia in London (2004, 2007), and A Glossary of Cultural Theory (1999, 2003).With Andrew Thacker, he is editor of The Geographies of Modernism (2005), co-director of the Arts and Humanities Research Council-funded Modernist Magazine Project, and co-editor of Volume i of The Oxford Critical and Cultural History of Modernist Magazines (2009). He is also co-editor of Oxford Handbook of Modernisms (2010). eric bulson is the author of the Cambridge Introduction to James Joyce (2006)andNovels, Maps, Modernity: the Spatial Imagination, 1850–2000 (2009). He teaches at colleges in Geneva, NY. ronal bush, Drue Heinz Professor of American Literature at Oxford University, is the author of The Genesis of Ezra Pound’s Cantos (1976)and T.S. Eliot: A Study of Character and Style (1983). He has published widely on Pound, Eliot, Joyce, and other modernist topics and is at work on a two-volume genetic study and critical edition of the Pisan Cantos. mark byron is a member of the Department of English at the University of Sydney. He has taught at the University of Washington and at Cambridge University, where he completed his PhD in 2001. His two current projects include a digital variorum edition of Ezra Pound’s Cantos and a digital edition of Samuel Beckett’s novel Watt.
Load more

Recommended publications
  • Mythic Metamorphosis: Re-Shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis Submitted to the Faculty of the Virgin
    Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Thomas Gardner, Chair Frederick M. D’Aguiar Paul Sorrentino April 13, 2007 Blacksburg, Virginia Keywords: H.D., Imagism, Mythic Metamorphoses, Asklepios Copyright (Optional) Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Abstract In section fifteen of the poem The Walls Do Not Fall author Hilda Doolittle (H.D.) address her audience and articulates the purpose of the poet in the following lines: “we are the keepers of the secret,/ the carriers, the spinners/ of the rare intangible thread/ that binds all humanity/ to ancient wisdom,/ to antiquity;/…every concrete object/ has abstract value, is timeless/ in the dream parallel” (Trilogy 24). H.D. mined her own life for charged relationships which she then, through writing, connected to the mythic characters of antiquity whose tales embodied the same struggles she faced. Reading concrete objects as universal symbols which transcend time, her mind meshed the 20th century with previous cultures to create a nexus where the questions embedded in the human spirit are alive on multiple planes. The purpose of this research project is not to define her works as “successful” or “unsuccessful,” nor to weigh the works against each other in terms of “advancement.” Rather it is to describe the way she manipulates this most reliable of tools, mythic metamorphosis, in works stretching from her early Imagist poetry, through her long poem Trilogy, and finally into her last memoir End To Torment, taking note of the way she uses this tool to form beauty from harsh circumstances and help heal her shattered psyche.
    [Show full text]
  • Ezra Pound His Metric and Poetry Books by Ezra Pound
    EZRA POUND HIS METRIC AND POETRY BOOKS BY EZRA POUND PROVENÇA, being poems selected from Personae, Exultations, and Canzoniere. (Small, Maynard, Boston, 1910) THE SPIRIT OF ROMANCE: An attempt to define somewhat the charm of the pre-renaissance literature of Latin-Europe. (Dent, London, 1910; and Dutton, New York) THE SONNETS AND BALLATE OF GUIDO CAVALCANTI. (Small, Maynard, Boston, 1912) RIPOSTES. (Swift, London, 1912; and Mathews, London, 1913) DES IMAGISTES: An anthology of the Imagists, Ezra Pound, Aldington, Amy Lowell, Ford Maddox Hueffer, and others GAUDIER-BRZESKA: A memoir. (John Lane, London and New York, 1916) NOH: A study of the Classical Stage of Japan with Ernest Fenollosa. (Alfred A. Knopf, New York, 1917; and Macmillan, London, 1917) LUSTRA with Earlier Poems. (Alfred A. Knopf, New York, 1917) PAVANNES AHD DIVISIONS. (Prose. In preparation: Alfred A. Knopf, New York) EZRA POUND HIS METRIC AND POETRY I "All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in _Poetry_, "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned." This is a simple statement of fact. But though Mr. Pound is well known, even having been the victim of interviews for Sunday papers, it does not follow that his work is thoroughly known. There are twenty people who have their opinion of him for every one who has read his writings with any care.
    [Show full text]
  • [Jargon Society]
    OCCASIONAL LIST / BOSTON BOOK FAIR / NOV. 13-15, 2009 JAMES S. JAFFE RARE BOOKS 790 Madison Ave, Suite 605 New York, New York 10065 Tel 212-988-8042 Fax 212-988-8044 Email: [email protected] Please visit our website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers These and other books will be available in Booth 314. It is advisable to place any orders during the fair by calling us at 610-637-3531. All books and manuscripts are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. ALGREN, Nelson. Somebody in Boots. 8vo, original terracotta cloth, dust jacket. N.Y.: The Vanguard Press, (1935). First edition of Algren’s rare first book which served as the genesis for A Walk on the Wild Side (1956). Signed by Algren on the title page and additionally inscribed by him at a later date (1978) on the front free endpaper: “For Christine and Robert Liska from Nelson Algren June 1978”. Algren has incorporated a drawing of a cat in his inscription. Nelson Ahlgren Abraham was born in Detroit in 1909, and later adopted a modified form of his Swedish grandfather’s name. He grew up in Chicago, and earned a B.A. in Journalism from the University of Illinois Urbana-Champaign in 1931. In 1933, he moved to Texas to find work, and began his literary career living in a derelict gas station. A short story, “So Help Me”, was accepted by Story magazine and led to an advance of $100.00 for his first book.
    [Show full text]
  • A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997
    A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events.
    [Show full text]
  • Politics, Poetry and Ezra Pound Written by Revd David William Parry
    Politics, Poetry and Ezra Pound Written by Revd David William Parry This PDF is auto-generated for reference only. As such, it may contain some conversion errors and/or missing information. For all formal use please refer to the official version on the website, as linked below. Politics, Poetry and Ezra Pound https://www.e-ir.info/2019/06/19/politics-poetry-and-ezra-pound/ REVD DAVID WILLIAM PARRY, JUN 19 2019 Political concepts can be overwhelming. Often, they have an oceanic allure beyond themselves. Indeed, structural narratives surrounding ethical insights may easily transform into a siren song whereby incautious navigators are enticed to their own destruction.[1] All meaning, of course, even those arguments sandbagging the Modernist enterprise itself occasionally dam the languages of Identity and Time altogether. Unforeseen blockages, no doubt, albeit the type of reductive clotting which reduces social innovation, along with agreed cultural inheritance, into caricatures of themselves. Thence, with these wary caveats recognised, it remains fair to say Ezra Pound’s (1885–1972) haunted life and elative oeuvre still demand careful attention from poets and political scientists alike. Especially so, once Western democratic failure, otherwise known as the abattoirs of World Wars I and II, are honestly recollected.[2] Accompanied, as these almost unimaginable atrocities were, by the subsequent reactions of bewildered Youth across our Occidental world. Anyhow, it remains noteworthy that their tragic (but explicit) disenchantment with permissive ‘advancement’ led to an appropriation of distant cultures as a radical critique of ‘liberal’ ineptitude. A position Pound championed through a series of dazzling literary strategies, although this very discourse currently casts dark, ironic, shadows across the turbulent waters of his promethean originality.
    [Show full text]
  • "Ego, Scriptor Cantilenae": the Cantos and Ezra Pound
    University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 1991 "Ego, scriptor cantilenae": The Cantos and Ezra Pound Steven R. Gulick University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©1991 Steven R. Gulick Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Literature in English, North America Commons Recommended Citation Gulick, Steven R., ""Ego, scriptor cantilenae": The Cantos and Ezra Pound" (1991). Dissertations and Theses @ UNI. 753. https://scholarworks.uni.edu/etd/753 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. "EGO, SCRIPTOR CANTILENAE": THE CANTOS AND EZRA POUND An Abstract of a Thesis Submitted in Fulfillment of the Requirements for the Degree Master of Philosophy Steven R. Gulick University of Northern Iowa August 1991 ABSTRACT Can poetry "make new" the world? Ezra Pound thought so. In "Cantico del Sole" he said: "The thought of what America would be like/ If the Classics had a wide circulation/ Troubles me in my sleep" (Personae 183). He came to write an 815 page poem called The Cantos in which he presents "fragments" drawn from the literature and documents of the past in an attempt to build a new world, "a paradiso terreste" (The Cantos 802). This may be seen as either a noble gesture or sheer egotism. Pound once called The Cantos the "tale of the tribe" (Guide to Kulchur 194), and I believe this is so, particularly if one associates this statement with Allen Ginsberg's concerning The Cantos as a model of a mind, "like all our minds" (Ginsberg 14-16).
    [Show full text]
  • 'We Discharge Ourselves on Both Sides': Vorticism: New Perspectives
    ‘We discharge ourselves on both sides’: Vorticism: New Perspectives (A symposium convened October 29-30, 2010, at the Nasher Museum of Duke University, Durham, NC) ________ Michael Valdez Moses The Vorticists: Rebel Artists in London and New York, 1914-1918 , the only major exhibition of Vorticist art to be held in the United States since John Quinn and Ezra Pound organized the first American show of Vorticist art at the Penguin Club of New York in 1917, opened at the Nasher Museum of Art at Duke University on September 30. Curated by Mark Antliff (Professor of Art History at Duke University) and Vivien Greene (Curator of the Guggenheim Museum in New York City), this major exhibition of England’s only ‘home-grown’ avant-garde art movement brings together many of the works exhibited at the three exhibitions organized by the various members of the Vorticist movement during its brief existence: the first Vorticist exhibition at the Doré Gallery in London in 1915, the 1917 Penguin Club exhibition in New York City, and the exhibition of Alvin Langdon Coburn’s ‘Vortographs’ (Vorticist photographs) held at the London Camera Club in 1917. The Vorticists runs at the Nasher through to the 2 nd of January 2010 before moving to the Guggenheim in Venice and then to Tate Britain. The exhibition displays sculpture, paintings, watercolours, collages, prints, drawings, vortographs, books, and journals produced by a group of artists and writers, including Wyndham Lewis, Jacob Epstein, Henri Gaudier-Brzeska, David Bomberg, Lawrence Atkinson, Christopher Nevinson, Edward Wadsworth, Alvin Langdon Coburn, Helen Saunders, Frederick Etchells, Jessica Dismorr, Dorothy Shakespear, William Roberts, and Ezra Pound, who loosely comprised, or were closely associated with, the Vorticist movement that briefly flourished in London and (to a lesser extent) New York in the second decade of the past century.
    [Show full text]
  • Michael Alexander. What Ezra Pound Meant to Me
    MEMORIES ABOUT POUND UDC 821.111 DOI 10.22455/2541-7894-2019-7-186-201 Michael ALEXANDER WHAT EZRA POUND MEANT TO ME Abstract: The memoir about personal meetings with Ezra Pound in Rapallo in 1962 and 1963, at T. S. Eliot’s memorial service in London in 1965, and finally in Venice in the later 1960s, dwells also on the reception of the poet’s work in postwar Britain and in the USA. In the 1960s England largely forgot Pound; his role was historic, his name and his presence faded: in a version of literary history current in British universities in 1960, Ezra Pound figured as “the precursor of Eliot”. In the USA, on the contrary, his breakthrough in modernist poetry as well as his anti-Semitism and admiration for Italian Fascism were well recognized, thanks to the controversy over the award of the Bollingen Prize to Pound’s Pisan Cantos. The memoir shows how a name from literary history becomes a part of personal experience after meeting the man himself, and how it leads to a new understanding of the poet’s legacy – against wider historical, cultural, and literary background. The memoir also provides interesting facts that stimulate reflections on the literary canon, its constant change and flux despite its apparently stable nature. Keywords: memoir, Ezra Pound, T.S. Eliot, Olga Rudge. 2019 Michael Alexander (translator, poet, Professor Emeritus, University of St Andrews, Scotland) [email protected] 186 ВОСПОМИНАНИЯ О ПАУНДЕ УДК 821.111 DOI 10.22455/2541-7894-2019-7-186-201 Майкл АЛЕКСАНДЕР ЭЗРА ПАУНД В МОЕЙ ЖИЗНИ Аннотация: Публикация представляет собой мемуарный материал, в центре которого – личные воспоминания о встречах с Эзрой Паундом в Рапалло в 1962 и 1963 гг., на похоронах Т.С.
    [Show full text]
  • Ideas About Ezra Pound
    A Handful of Ideas about Ezra Pound Work in Progress Press Release Thursday 1 January 2015 Contemporary Literature Press The University of Bucharest Online publication A Handful of Ideas about Ezra Pound Work in Progress ISBN 978-606-8592-43-5 In 2015, Ezra Pound would have been 130 years old. When you are looking for the author of thoughts you want to understand, images can offer a handful of ideas. The graduate students of the University of Bucharest have done just that. They have started a research of their own, which opens one possible way into Ezra Pound’s thinking. This is no more than a Work in Progress. ISBN 978-606-8592-43-5 © Universitatea din Bucureşti © MTTLC IT Expertise: Simona Sămulescu Publicity: Violeta Baroană Acknowledgments This volume is the outcome of research done for didactic purposes by graduate students in the English Department of the University of Bucharest, the MA Programme for the Translation of the Contemporary Literary Text. All the images included in this book exist as such on the Internet. Work in Progress (Ezra Pound: ABC of Reading, Chapter Three, 1934) A Handful of Ideas About Ezra Pound. Work in Progress 1 Contents Late 1890s Thaddeus Pound, Ezra Pound’s grandfather. p. 10 30 October 1885 Birthpace of Ezra Pound. Hailey, Idaho. p. 11 1898 Ezra Pound with his mother. p. 12 Venice, June 1908 The first book of poetry published by Ezra p. 13 Pound. 1909 Portrait of Ezra Pound by Eugene Paul p. 14 Ullmann. 1910 Ezra Pound. p. 15 January 1910 Calendar card for Ezra Pound lecture series p.
    [Show full text]
  • Fall 2004 the Wallace Stevens Journal
    The Wallace Stevens Journal The Wallace The Wallace Stevens Journal Special Conference Issue, Part 1 Special Conference Vol. 28 No. 2Fall 2004 Vol. Special Conference Issue, Part 1 A Publication of The Wallace Stevens Society, Inc. Volume 28 Number 2 Fall 2004 The Wallace Stevens Journal Volume 28 Number 2 Fall 2004 Contents Special Conference Issue, Part I Celebrating Wallace Stevens: The Poet of Poets in Connecticut Edited by Glen MacLeod and Charles Mahoney Introduction —Glen MacLeod and Charles Mahoney 125 POETS ON STEVENS: INQUIRY AND INFLUENCE A Postcard Concerning the Nature of the Imagination —Mark Doty 129 Furious Calm —Susan Howe 133 Line-Endings in Wallace Stevens —James Longenbach 138 On Wallace Stevens —J. D. McClatchy 141 A Lifetime of Permissions —Ellen Bryant Voigt 146 NEW PERSPECTIVES ON STEVENS Planets on Tables: Stevens, Still Life, and the World —Bonnie Costello 150 Wallace Stevens and the Curious Case of British Resistance —George Lensing 158 Cross-Dressing as Stevens Cross-Dressing —Lisa M. Steinman 166 STEVENSIAN LANGUAGE “A Book Too Mad to Read”: Verbal and Erotic Excess in Harmonium —Charles Berger 175 Place-Names in Wallace Stevens —Eleanor Cook 182 Verbs of Mere Being: A Defense of Stevens’ Style —Roger Gilbert 191 WALLACE STEVENS AND HISTORICISM: PRO AND CON Stevens’ Soldier Poems and Historical Possibility —Milton J. Bates 203 What’s Historical About Historicism? —Alan Filreis 210 Wallace Stevens and Figurative Language: Pro and Con —James Longenbach 219 THE COLLECTED POEMS: THE NEXT FIFTY YEARS Prologues to Stevens Criticism in Fifty Years —John N. Serio 226 The Collected Poems: The Next Fifty Years —Susan Howe 231 Wallace Stevens and Two Types of Vanity —Massimo Bacigalupo 235 Position Paper: Wallace Stevens —Christian Wiman 240 Stevens’ Collected Poems in 2054 —Marjorie Perloff 242 KEYNOTE ADDRESS Wallace Stevens: Memory, Dead and Alive —Helen Vendler 247 THE WADSWORTH ATHENEUM Poets of Life and the Imagination: Wallace Stevens and Chick Austin —Eugene R.
    [Show full text]
  • Gained in Translation: Ezra Pound, Hu Shi, and Literary Revolution
    Gained in Translation: Ezra Pound, Hu Shi, and Literary Revolution Jenine HEATON* I. Introduction Hu Shi 胡適（ 1891-1962）, Chinese philosopher, essayist, and diplomat, is well-known for his advocacy of literary reform for modern China. His article, “A Preliminary Discussion of Literary Reform,” which appeared in Xin Qingnian 新青年（ The New Youth） magazine in January, 1917, proposed the radical idea of writing in vernacular Chinese rather than classical. Until Hu’s article was published, no reformers or revolutionaries had conceived of writing in anything other than classical Chinese. Hu’s literary revolution began with a poetic revolution, but quickly extended to literature in general, and then to expression of new ideas in all fi elds. Hu’s program offered a pragmatic means of improving communication, fostering social criticism, and reevaluating the importance of popular Chinese novels from past centuries. Hu Shi’s literary renaissance has been examined in great detail by many scholars; this paper traces the synergistic effect of ideas, people, and literary movements that informed Hu Shi’s successful literary and language revolu- tions. Hu Shi received a Boxer Indemnity grant to study agriculture at Cornell University in the United States in 1910. Two years later he changed his major to philosophy and literature, and after graduation, continued his education at Columbia University under John Dewey （1859-1952）. Hu remained in the United States until 1917. Hu’s sojourn in America coincided with a literary revolution in English-language poetry called the Imagist movement that occurred in England and the United States between 1908 and 1917. Hu’s diaries indicate that he was fully aware of this movement, and was inspired by it.
    [Show full text]
  • Guide to Pound Mss
    GUIDE TO POUND MSS. II Manuscripts Department Lilly Library Indiana University 1992 rev. 2003 POUND MSS. II The Pound mss. II, 1900-1973, consist primarily of letters sent to poet Ezra Loomis Pound, 1885-1972, and to his wife, Dorothy Shakespear Pound, 1886-1973. The majority of the correspondence, including drafts of Ezra or Dorothy Pound's responses, is dated between 1946 and 1958, or the years of Ezra's confinement in a federal mental institution, St. Elizabeths Hospital in Washington, D.C. The earlier correspondence is miscellaneous and fragmentary, both in the writers represented and in the continuity of the letters. Of the pre-1946 material only the correspondence of Basil Bunting would appear to be a complete, or nearly complete, file. There are a few early letters from T.S. Eliot, Viola (Baxter) Jordan, James Laughlin, and one from William Carlos Williams, but the greater number of all of their letters date during the St. Elizabeths period. Most of the early items are addressed to Dorothy Pound and include medical bills and receipts, some banking and passport application records, and letters from the head mistress of the school in England that Pound's son Omar attended as a child. There are a few letters written to Dorothy prior to her marriage and some that were sent to her mother, Olivia Shakespear. Most notable in both these instances are letters from William Butler Yeats. The St. Elizabeths correspondence is characterized by its diversity in writer and content, and by its bulk. Correspondents present in the files range from aspiring young poets seeking Pound's advice and counsel (e.g., Paul Blackburn, Robert Creeley, W.S.
    [Show full text]