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“The Analysis of Figure of Speech in Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter)
“The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 “The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) A Thesis Submitted to Letters and Humanities Faculty In Partially Fulfillment of the Requirement For the Degree of Strata 1 (S1) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 ABSTRACT Achmad Rifai, The Analysis of figure of speech in Rage Against The Machine Songs Lyric (Bullet in the Head, No Shelter), Strata 1 Degree, Thesis: English Letters Department, Letters and Humanities Faculty, State Islamic University “Syarif Hidayatullah” Jakarta, 2010. The aim of this research is to find out the kinds of figure of speech and their meaning of figure of speech in two songs. The writer analyzes songs entitled Bullet in the Head, and No Shelter. In this research, the writer uses qualitative research with descriptive analysis as the method of the research. The writer analyzes the lyrics by reading them intensively and giving attention to each line. After that, the writer tries to explicate the songs by examining the figure of speech. From the two lyrics, the writer has found seven types of figure of speech; they are Simile, Metaphor, Personification, Metonymy, Symbol, Allegory, and Hyperbole. The two lyrics have a similar theme, railed against the corporate America. The first lyrics, Bullet in the Head is a lyric about the songwriter criticizes the TV Corporations and other news corporation distract people from the big issues of the world and influence them to be mass consumerism. -
Total Tracks Number: 1108 Total Tracks Length: 76:17:23 Total Tracks Size: 6.7 GB
Total tracks number: 1108 Total tracks length: 76:17:23 Total tracks size: 6.7 GB # Artist Title Length 01 00:00 02 2 Skinnee J's Riot Nrrrd 03:57 03 311 All Mixed Up 03:00 04 311 Amber 03:28 05 311 Beautiful Disaster 04:01 06 311 Come Original 03:42 07 311 Do You Right 04:17 08 311 Don't Stay Home 02:43 09 311 Down 02:52 10 311 Flowing 03:13 11 311 Transistor 03:02 12 311 You Wouldnt Believe 03:40 13 A New Found Glory Hit Or Miss 03:24 14 A Perfect Circle 3 Libras 03:35 15 A Perfect Circle Judith 04:03 16 A Perfect Circle The Hollow 02:55 17 AC/DC Back In Black 04:15 18 AC/DC What Do You Do for Money Honey 03:35 19 Acdc Back In Black 04:14 20 Acdc Highway To Hell 03:27 21 Acdc You Shook Me All Night Long 03:31 22 Adema Giving In 04:34 23 Adema The Way You Like It 03:39 24 Aerosmith Cryin' 05:08 25 Aerosmith Sweet Emotion 05:08 26 Aerosmith Walk This Way 03:39 27 Afi Days Of The Phoenix 03:27 28 Afroman Because I Got High 05:10 29 Alanis Morissette Ironic 03:49 30 Alanis Morissette You Learn 03:55 31 Alanis Morissette You Oughta Know 04:09 32 Alaniss Morrisete Hand In My Pocket 03:41 33 Alice Cooper School's Out 03:30 34 Alice In Chains Again 04:04 35 Alice In Chains Angry Chair 04:47 36 Alice In Chains Don't Follow 04:21 37 Alice In Chains Down In A Hole 05:37 38 Alice In Chains Got Me Wrong 04:11 39 Alice In Chains Grind 04:44 40 Alice In Chains Heaven Beside You 05:27 41 Alice In Chains I Stay Away 04:14 42 Alice In Chains Man In The Box 04:46 43 Alice In Chains No Excuses 04:15 44 Alice In Chains Nutshell 04:19 45 Alice In Chains Over Now 07:03 46 Alice In Chains Rooster 06:15 47 Alice In Chains Sea Of Sorrow 05:49 48 Alice In Chains Them Bones 02:29 49 Alice in Chains Would? 03:28 50 Alice In Chains Would 03:26 51 Alien Ant Farm Movies 03:15 52 Alien Ant Farm Smooth Criminal 03:41 53 American Hifi Flavor Of The Week 03:12 54 Andrew W.K. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
Rage Against the Machine: Stage Fighters Free
FREE RAGE AGAINST THE MACHINE: STAGE FIGHTERS PDF Paul Stenning | 208 pages | 04 Sep 2008 | John Blake Publishing Ltd | 9781906191078 | English | London, United Kingdom You are being redirected Born seemingly from the fire and rage of the L. Vocalist and rapper Zack de la Rocha, guitarist Tom Morello, bassist and backup vocalist Tim Commerford, and drummer Brad Wilk crafted an electrifying and unforgettable brand of politically charged rap-rock that launched them to instant commercial and critical success with their self-titled debut. It's incredibly Rage Against the Machine: Stage Fighters for any commercially successful artist to be able to remain true to their political ideals, but RATM somehow managed to Rage Against the Machine: Stage Fighters that incredibly thin tightrope with each new album until their breakup in It's not surprising that a band with controversial political views would encounter strife and challenges during their career. In fact, the personal tragedies and struggles of the band members had a heavy hand in directing their ideals. It's because of the long, hard road to finding their voices that songs like "Killing in the Name" and "Bulls on Parade" still resonate today. His father, Roberto "Beto" de la Rocha, was a muralist whose politically charged Chicano artworks with Los Four introduced the radical art style to the area. According to the L. Timesthe elder de la Rocha was part of a landmark Chicano art exhibition in Rage Against the Machine: Stage Fighters mid-'70s, but shortly afterward, he destroyed all his paintings and retreated from the art world for 20 years. -
112 Dance with Me 112 Peaches & Cream 213 Groupie Luv 311
112 DANCE WITH ME 112 PEACHES & CREAM 213 GROUPIE LUV 311 ALL MIXED UP 311 AMBER 311 BEAUTIFUL DISASTER 311 BEYOND THE GRAY SKY 311 CHAMPAGNE 311 CREATURES (FOR A WHILE) 311 DON'T STAY HOME 311 DON'T TREAD ON ME 311 DOWN 311 LOVE SONG 311 PURPOSE ? & THE MYSTERIANS 96 TEARS 1 PLUS 1 CHERRY BOMB 10 M POP MUZIK 10 YEARS WASTELAND 10,000 MANIACS BECAUSE THE NIGHT 10CC I'M NOT IN LOVE 10CC THE THINGS WE DO FOR LOVE 112 FT. SEAN PAUL NA NA NA NA 112 FT. SHYNE IT'S OVER NOW (RADIO EDIT) 12 VOLT SEX HOOK IT UP 1TYM WITHOUT YOU 2 IN A ROOM WIGGLE IT 2 LIVE CREW DAISY DUKES (NO SCHOOL PLAY) 2 LIVE CREW DIRTY NURSERY RHYMES (NO SCHOOL PLAY) 2 LIVE CREW FACE DOWN *** UP (NO SCHOOL PLAY) 2 LIVE CREW ME SO HORNY (NO SCHOOL PLAY) 2 LIVE CREW WE WANT SOME ***** (NO SCHOOL PLAY) 2 PAC 16 ON DEATH ROW 2 PAC 2 OF AMERIKAZ MOST WANTED 2 PAC ALL EYEZ ON ME 2 PAC AND, STILL I LOVE YOU 2 PAC AS THE WORLD TURNS 2 PAC BRENDA'S GOT A BABY 2 PAC CALIFORNIA LOVE (EXTENDED MIX) 2 PAC CALIFORNIA LOVE (NINETY EIGHT) 2 PAC CALIFORNIA LOVE (ORIGINAL VERSION) 2 PAC CAN'T C ME 2 PAC CHANGED MAN 2 PAC CONFESSIONS 2 PAC DEAR MAMA 2 PAC DEATH AROUND THE CORNER 2 PAC DESICATION 2 PAC DO FOR LOVE 2 PAC DON'T GET IT TWISTED 2 PAC GHETTO GOSPEL 2 PAC GHOST 2 PAC GOOD LIFE 2 PAC GOT MY MIND MADE UP 2 PAC HATE THE GAME 2 PAC HEARTZ OF MEN 2 PAC HIT EM UP FT. -
Anger Is a Gift: Propaganda, Performance E Documentário Nos Rage Against the Machine
ANGER IS A GIFT: PROPAGANDA, PERFORMANCE E DOCUMENTÁRIO NOS RAGE AGAINST THE MACHINE Luís Nogueira Resumo: Há cerca de 20 anos, e durante a década de 1990, os Rage Against the Machine não mudaram o mundo, mas esforçaram-se por provocar pequenos abalos estéticos (ao nível da criação musical) e éticos (ao nível da intervenção cívica). A produção visual que acompanhou a sua música apresentou-se tão ousada e invulgar quanto aquela: videoclips baseados em found footage e atuações ao vivo, filmes-concerto que procuraram captar a energia visceral da performance live e uma forte mensagem propagandística a atravessar quer a música quer as imagens que a acompanham parecem-nos aspetos dignos de nota e merecedores de reflexão. É disso mesmo que nos ocupamos neste artigo, de uma banda onde o cruzamento entre videoclip e documentário assume uma relevância nunca vista na indústria do entretenimento e na cultura musical contemporânea. Palavras-chave: Rage Against the Machine, documentário, videoclip, propaganda. Resumen: Desde hace unos 20 años, y en especial durante la década de 1990, el grupo Rage Against the Machine no ha cambiado el mundo, pero se ha esforzado en provocar pequeñas sacudidas estéticas (en lo que concierne a la creación musical) y éticas (en el ámbito de la intervención cívica). La producción visual que acompaña su música ha llegado a ser tan audaz e inusual como aquélla: videoclips basados en metraje encontrado y actuaciones en directo, películas-concierto que buscaban captar la energía visceral de las interpretaciones en vivo y un fuerte mensaje propagandístico que atraviesa tanto la música como las imágenes que la acompañan nos parecen aspectos dignos de nota y merecedores de reflexión. -
Feat. Eminen) (4:48) 77
01. 50 Cent - Intro (0:06) 75. Ace Of Base - Life Is A Flower (3:44) 02. 50 Cent - What Up Gangsta? (2:59) 76. Ace Of Base - C'est La Vie (3:27) 03. 50 Cent - Patiently Waiting (feat. Eminen) (4:48) 77. Ace Of Base - Lucky Love (Frankie Knuckles Mix) 04. 50 Cent - Many Men (Wish Death) (4:16) (3:42) 05. 50 Cent - In Da Club (3:13) 78. Ace Of Base - Beautiful Life (Junior Vasquez Mix) 06. 50 Cent - High All the Time (4:29) (8:24) 07. 50 Cent - Heat (4:14) 79. Acoustic Guitars - 5 Eiffel (5:12) 08. 50 Cent - If I Can't (3:16) 80. Acoustic Guitars - Stafet (4:22) 09. 50 Cent - Blood Hound (feat. Young Buc) (4:00) 81. Acoustic Guitars - Palosanto (5:16) 10. 50 Cent - Back Down (4:03) 82. Acoustic Guitars - Straits Of Gibraltar (5:11) 11. 50 Cent - P.I.M.P. (4:09) 83. Acoustic Guitars - Guinga (3:21) 12. 50 Cent - Like My Style (feat. Tony Yayo (3:13) 84. Acoustic Guitars - Arabesque (4:42) 13. 50 Cent - Poor Lil' Rich (3:19) 85. Acoustic Guitars - Radiator (2:37) 14. 50 Cent - 21 Questions (feat. Nate Dogg) (3:44) 86. Acoustic Guitars - Through The Mist (5:02) 15. 50 Cent - Don't Push Me (feat. Eminem) (4:08) 87. Acoustic Guitars - Lines Of Cause (5:57) 16. 50 Cent - Gotta Get (4:00) 88. Acoustic Guitars - Time Flourish (6:02) 17. 50 Cent - Wanksta (Bonus) (3:39) 89. Aerosmith - Walk on Water (4:55) 18. -
DOCTEUR DE L'université DE BORDEAUX Functionalization Of
THÈSE PRÉSENTÉE POUR OBTENIR LE GRADE DE DOCTEUR DE L’UNIVERSITÉ DE BORDEAUX ÉCOLE DOCTORALE DES SCIENCES CHIMIQUES SPÉCIALITÉ: Polymères Par Jérémie GRANGE Functionalization of Polyisoprene : Toward the mimic of Natural Rubber Fonctionnalisation de Polyisoprène : Vers un modèle du caoutchouc naturel Sous la direction de : Dr. Frédéric PERUCH et Pr. Stéphane GRELIER Co-encadrant : Dr. Rachid MATMOUR Soutenue le 23 janvier 2018 Membres du jury : Mme. PASETTO, Pamela Maître de conférences, Université du Maine Rapporteur M. CAILLOL, Sylvain Chargé de recherche CNRS, Université de Montpellier Rapporteur M. MATMOUR, Rachid Docteur, Michelin (MFPM) Examinateur M. BONFILS, Frédéric Chercheur, CIRAD Examinateur M. PERUCH, Frédéric Directeur de recherche CNRS, Université de Bordeaux Co-directeur M. GRELIER, Stéphane Professeur, Université de Bordeaux Co-directeur M. CARLOTTI, Stéphane Professeur, Bordeaux INP Président Pendant la rédaction de ce manuscrit, les titres suivants ont été écoutés: A Perfect Circle Chez Vous Flume Rose Le Père Never Be Like You Blue Charlie Foals Imagine L’Anticonformisme London Thunder Adham Shaikh Bon Iver Night Swimmers Water Prayer Holocene Albatross Air Skinny love Mountain At My Gates Alpha Beta Gaga Brigitte Inhaleur Sexy Boy Battez-vous Spanish Sahara Alanis Morissette Ma Benz’ Two Step Twice King Of Pain BRNS GoGo Penguin Alt-J Many Chances All Res Tessellate Interlude Hopopono Archive Slow Heart Branches Break Stay Tribal Bruce Springsteen Good Charlotte The False Foundation Streets of Philadelphia The Anthem -
Anti-Immigrant Housing Ordinances and Comprehensive Reform Daniel Edwardo Guzman
Cornell Journal of Law and Public Policy Volume 20 Article 7 Issue 2 Winter 2010 There Be No Shelter Here: Anti-Immigrant Housing Ordinances and Comprehensive Reform Daniel Edwardo Guzman Follow this and additional works at: http://scholarship.law.cornell.edu/cjlpp Part of the Law Commons Recommended Citation Guzman, Daniel Edwardo (2010) "There Be No Shelter Here: Anti-Immigrant Housing Ordinances and Comprehensive Reform," Cornell Journal of Law and Public Policy: Vol. 20: Iss. 2, Article 7. Available at: http://scholarship.law.cornell.edu/cjlpp/vol20/iss2/7 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell Journal of Law and Public Policy by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. NOTE "THERE BE NO SHELTER HERE"*: ANTI-IMMIGRANT HOUSING ORDINANCES AND COMPREHENSIVE REFORM Daniel Eduardo Guzmdn** This Note examines anti-immigrant housing ordinances (AIHOs) that explicitly single out immigrants andfacially-neutral AIHOs that lo- cal officials use to target immigrants. Lozano v. City of Hazleton (Lozano II) underscores how effective preemption-doctrine-basedchal- lenges can be against municipalities that have local ordinancessingling out immigrants. On the other hand, immigrant-rights groups have had little success bringing legal challenges against municipalities that use facially-neutral housing ordinances to target immigrants because such ordinances are enacted pursuant to traditional state powers, and ex- empted from regulation under the FairHousing Act. As a result, munici- palities will circumvent preemption-doctrine-basedchallenges to their ordinances by moving towards facially-neutral ordinances that target immigrant housing patterns just as effectively (either by tightening household occupancy restrictions or discriminatorilyenforcing the ordi- nances). -
Merrimack College at the Intersection of Rock and Rap Analyzing The
Merrimack College At the Intersection of Rock and Rap Analyzing the History of Fusions Dillon Cloonan Senior Capstone for Music Major Dr. Laura Pruett May 15, 2020 1 The start of a brand-new decade never fails to feel refreshing. It is a time to reflect on the ups and downs of the past ten years, and mentally wipe the slate clean as the fresh decade approaches. Preparing for what the future will bring is an exciting thought, and what will come next is inevitably unpredictable. The same is absolutely true for music. A decade is a fantastic lens for examining the changes in popular, live and underground music. Every single decade since the 1920’s has brought forth new changes in style, instrumentation, performance and delivery. Some of the most notable of these changes include the emergence of jazz in the 1920’s, the popularization of Big Band in the 40’s, the British invasion in the 60’s, the fight for the legitimacy of rap in the 80’s, and the domination of synths and computer music beginning in the 2000’s among dozens of other examples. However, the most interesting example throughout decades to analyze that was not mentioned is the fusion of rap and rock styles of music in the popular eye beginning in the mid 80’s and 90’s. The alliance of these two styles of music impacted our current landscape for music more dramatically than any other combination. The importance of this specific fusion stretches from the general public’s acceptance of hip-hop itself, and the gateway for other styles of music to be blended with rap, such as country, metal, jazz, and electronic music among others. -
'Empire' Records
The Pennsylvania State University The Graduate School The College of Communications ‘EMPIRE’ RECORDS: A STUDY OF RESISTANCE AND THE POLITICS OF CULTURAL PRODUCTION IN THE NETWORK AGE A Dissertation in Mass Communications by Douglas G. Tewksbury © 2010 Douglas G. Tewksbury Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 The dissertation of Douglas G. Tewksbury was reviewed and approved* by the following: C. Michael Elavsky Assistant Professor of Communication Dissertation Advisor Co-Chair of Committee John Nichols Professor of Communication Associate Dean of Graduate Studies and Research Co-Chair of Committee Matt Jordan Assistant Professor of Communication John Christman Associate Professor of Philosophy, Political Science, and Women's Studies *Signatures are on file with the Graduate School. ii ABSTRACT This dissertation explores the way in which the cultural politics of popular music function as a strategy of governance by examining two case studies: Rage Against the Machine and M.I.A. The shape of musical media using a politics of resistance has fundamentally changed in recent years due to the massive influence of the rise of the network society and digital distribution. Yet this resistance, I argue, is responding to an equal change in the way that dominant institutions exert their influence through these same means. In both cases, it is the new uses of media that shift the locus of power to the everyday lives of global citizens. I use Michel Foucault’s concept of biopolitical production as the primary strategy through which power is exercised as a mode of postmodern governance. -
Just a Dog: Understanding Animal Cruelty and Ourselves
Just a Dog In the series Animals, Culture, and Society, edited by Arnold Arluke and Clinton R. Sanders Just a Dog Understanding Animal Cruelty and Ourselves ARNOLD ARLUKE T EMPLE U NIVERSITY P RESS Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www.temple.edu/tempress Copyright © 2006 by Temple University All rights reserved Published 2006 Printed in the United States of America The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Library of Congress Cataloging-in-Publication Data Arluke, Arnold. Just a dog : understanding animal cruelty and ourselves / Arnold Arluke. p. cm. — (Animals, culture, and society) Includes bibliographical references and index. ISBN 1-59213-471-8 (cloth : alk. paper) — ISBN 1-59213-472-6 (pbk. : alk. paper) 1. Animal welfare. 2. Animal rights. 3. Human-animal relationship—Psychological aspects. I. Title. II. Series. HV4708.A756 2006 179'.3—dc22 2005055935 2 4 6 8 9 7 5 3 1 Contents Acknowledgments vii Introduction: Just a Dog 1 One Agents: Feigning Authority 21 Two Adolescents: Appropriating Adulthood 55 Three Hoarders: Shoring Up Self 85 Four Shelter Workers: Finding Authenticity 115 Five Marketers: Celebrating Community 147 Conclusion: Cruelty Is Good to Think 183 References 205 Index 217 v Acknowledgments THE GERALDINE R. DODGE FOUNDATION and the Massachusetts Society for the Prevention of Cruelty to Animals (MSPCA) paved the way for my research on animal cruelty. In what has now become a land- mark study (Arluke et al. 1999), the foundation and MSPCA enabled me to study the presumed “link” between animal cruelty and subsequent violent crimes toward humans.