Postcolonial Women in Three Plays by Tess Onwueme Kimi D
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Peter Nasmyth's Georgia
PICTURE STORY Peter Nasmyth’s Georgia January 2009 Peter Nasmyth’s Georgia Today's Georgia can only be understood if it is seen in the light of the events of the past two decades. The very difficult transformation the country went through after it declared its independence in 1991, and the conflicts in Abkhazia and South Ossetia which plagued the country since then, still largely shape its present day policies. And nowhere is this better described than in Nasmyth's "Georgia" which is a collection of personal stories of the author and author's friends in Georgia over the years. In his words: I collected stories of people, very specific ones, through which I tell the bigger story of Georgia over time… I never wanted to write about the political forces here, rather the forces that make the politics. This will always give a book a longer life. [Interview with Peter Nasmyth, Tbilisi, October 2008] In the next few pages you will get a guided tour of this excellent book. It is written and it reads like a novel, yet it is full of facts that give a complete account of Georgia's modern day history. The descriptions are so colourful that reading this book is the next best thing to visiting Georgia yourself. What makes the book special is also that the author has updated the book and added new chapters two times after it was first published in 1998. Here we discuss the 2006 edition which covers the modern history of Georgia up to the events of the Rose Revolution. -
BATTLESTAR GALACTICA and PHILOSOPHY:Knowledge Here
BATTLESTAR GALACTICA AND PHILOSOPHY The Blackwell Philosophy and PopCulture Series Series editor William Irwin A spoonful of sugar helps the medicine go down, and a healthy help- ing of popular culture clears the cobwebs from Kant. Philosophy has had a public relations problem for a few centuries now. This series aims to change that, showing that philosophy is relevant to your life—and not just for answering the big questions like “To be or not to be?” but for answering the little questions: “To watch or not to watch South Park?” Thinking deeply about TV, movies, and music doesn’t make you a “complete idiot.” In fact it might make you a philosopher, someone who believes the unexamined life is not worth living and the unexamined cartoon is not worth watching. Edited by Robert Arp Edited by William Irwin Edited by J. Jeremy Wisnewski Edited by Jason Holt Edited by Sharon M. Kaye Edited by Jennifer Hart Weed, Richard Davis, and Ronald Weed BATTLESTAR GALACTICA AND PHILOSOPHY:Knowledge Here Begins Out There Edited by Jason T. Eberl Forthcoming the office and philosophy: scenes from the unexamined life Edited by J. Jeremy Wisnewski BATTLESTAR GA LACTICA AND PHILOSOPHY KNOWLEDGE HERE BEGINS OUT THERE EDITED BY JASON T. EBERL © 2008 by Blackwell Publishing Ltd blackwell publishing 350 Main Street, Malden, MA 02148–5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Jason T. Eberl to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. -
Battlestar Galactica
Institutionen för studier av samhällsutveckling och kultur – ISAK LiU Norrköping Battlestar Galactica - Ett mänskligt universum Oscar Larsson Kandidatuppsats från programmet Kultur, samhälle, mediegestaltning 2008 Linköpings Universitet, Campus Norrköping, 601 74 Norrköping ISAK-Instutionen för studier av samhällsutveckling och kultur ISRN LIU-ISAK/KSM-G -- 09/02 -- SE Handledare: Michael Godhe Nyckelord: Battlestar Galactica, Battlestar, BG, Science Fiction, SF, Sci-Fi, Sci Fi, det mänskliga, människan, religion. Sammanfattning: Science Fiction har sedan sin uppkomst gestaltat samhället och de samhällsfrågor som för sin tid är aktuella. Alltifrån ifall människans existens är kroppslig eller andlig, till vad som händer när livsformer från andra planeter kommer till Jorden, har diskuteras i Science Fiction. I tv- serien Battlestar Galactica gestaltas och problematiseras vår samtid. Genom att flytta mänskligheten från Jorden och ut i rymden, där de konfronteras med en mängd etiska och moraliska frågor – tvingade att se över vad de själva är och vad de håller på att bli. Undersökningen avser att besvara frågor kring hur BG gestaltar människan och hennes förhållande till etik, moral, politik och religion. 1. INLEDNING 1 2. SYFTE & FRÅGSTÄLLNINGAR 2 3. DISPOSITION 3 4. TEORETISKA OCH METODOLOGISKA PERSPEKTIV 4 4.1 Forskningsfält 4 4.2 Representationsbegreppet 5 4.3 Kritiska ingångar 6 4.4 Metod och urval 8 5. DET MÄNSKLIGA 10 6. SCIENCE FICTION 14 7. ANALYTISK DEL 1: BATTLESTAR GALACTICA SOM ETT NARRATIVT UNIVERSUM 18 7.1 Mänskliga huvudkaraktärer 18 7.2 Cylonska huvudkaraktärer 20 7.3 Miniserien 22 7.4 Säsong 1 23 7.5 Säsong 2 23 7.6 Säsong 3 24 7.7 Battlestar Galactica: Razor 25 7.8 Säsong 4 25 7.9 Generell analys 26 8. -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location. -
Battlestar Galactica: Season Three Checklist
Battlestar Galactica: Season Three Checklist Base Cards # Card Title [ ] 01 Title Card/Checklist [ ] 02 Title Card/Checklist [ ] 03 Title Card/Checklist [ ] 04 Occupation [ ] 05 Occupation [ ] 06 Occupation [ ] 07 Precipice [ ] 08 Precipice [ ] 09 Precipice [ ] 10 Exodus: Part 1 [ ] 11 Exodus: Part 1 [ ] 12 Exodus: Part 1 [ ] 13 Exodus: Part 2 [ ] 14 Exodus: Part 2 [ ] 15 Exodus: Part 2 [ ] 16 Collaborators [ ] 17 Collaborators [ ] 18 Collaborators [ ] 19 Torn [ ] 20 Torn [ ] 21 Torn [ ] 22 A Measure of Salvation [ ] 23 A Measure of Salvation [ ] 24 A Measure of Salvation [ ] 25 Hero [ ] 26 Hero [ ] 27 Hero [ ] 28 Unfinished Business [ ] 29 Unfinished Business [ ] 30 Unfinished Business [ ] 31 The Passage [ ] 32 The Passage [ ] 33 The Passage [ ] 34 The Eye of Jupiter [ ] 35 The Eye of Jupiter [ ] 36 The Eye of Jupiter [ ] 37 Rapture [ ] 38 Rapture [ ] 39 Rapture [ ] 40 Taking a Break from All Your Worries [ ] 41 Taking a Break from All Your Worries [ ] 42 Taking a Break from All Your Worries [ ] 43 The Woman King [ ] 44 The Woman King [ ] 45 The Woman King [ ] 46 A Day in the Life [ ] 47 A Day in the Life [ ] 48 A Day in the Life [ ] 49 Dirty Hands [ ] 50 Dirty Hands [ ] 51 Dirty Hands [ ] 52 Maelstrom [ ] 53 Maelstrom [ ] 54 Maelstrom [ ] 55 The Son Also Rises [ ] 56 The Son Also Rises [ ] 57 The Son Also Rises [ ] 58 Crossroads: Part 1 [ ] 59 Crossroads: Part 1 [ ] 60 Crossroads: Part 1 [ ] 61 Crossroads: Part 2 [ ] 62 Crossroads: Part 2 [ ] 63 Crossroads: Part 2 Significant Seven (1:8 Packs) # Card Title [ ] SS1 Brother Cavil [ ] -
Studies in Shamanism
SCRIPTA INSTITUTI DONNERIANI ABOENSIS I STUDIES IN SHAMANISM Based on Papers read at the Symposium on Shamanism held at Abo on the 6th-8th of September, 1962 Edited by CARL-MARTIN EDSMAN ALMQVIST & WIKSELL STOCKHOLM Studies in Shamanism Studies in Shamanism Based on Papers read at the Symposium on Shamanism held at Åbo on the 6th-8th of September, 1962 Edited by CARL-MARTIN EDSMAN ALMQVIST & WIKSELL STOCKHOLM Printed in Sweden by Almqvist & Wiksells Boktryckeri AB, Uppsala 1967 Contents Preface 7 HELMER RINGGREN The Donner Institute for Research in Religious and Cultural History GUSTAV RÄNK Shamanism as a Research Subject. Some Methodological View- points 15 ERIK HOLTVED Eskimo Shamanism 23 ÅKE HULTKRANTZ Spirit Lodge, a North American Shamanistic Seance 32 HALFDAN SIIGER Shamanistic Ecstasy and Supernatural Beings. A Study Based on Field-Work among the Kalash Kafirs of Chitral 69 TONI SCHMID Shamanistic Practice in Northern Nepal 8z ARVID S. KAPELRUD Shamanistic Features in the Old Testament go JENÖ FAZEKAS Hungarian Shamanism, Material and History of Research 97 CARL-MARTIN EDSMAN A Swedish Female Folk Healer from the Beginning of the 18th Century 120 ODD NORDLAND Shamanism as an Experiencing of "the Unreal" 166 Preface On the initiative of Dr. K. Rob. V. Wikman, Professor Emeritus at the Finland-Swedish University of Åbo, (Åbo Akademi), the Donner Institute for Research in Religious and Cultural History organized in Åbo from the 6th to the 8th of September, 196z, a symposium on shamanism. The In- stitute is described below in an introductory article by its former head, Dr. H. Ringgren, now Professor in Old Testament Exegetics at the University of Uppsala. -
Navigating Change in Battlestar Galactica
A SEARCH FOR HOME: NAVIGATING CHANGE IN BATTLESTAR GALACTICA KIMBERLY S. YOST A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August, 2012 Signature Page This is to certify that the Dissertation entitled: A SEARCH FOR HOME: NAVIGATING CHANGE IN BATTLESTAR GALACTICA prepared by Kimberly S. Yost Is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change. Approved by: Carolyn Kenny, Ph.D. date Chair Lize Booysen, D.B.L. date Committee Member Holly Baumgartner, Ph.D. date Committee Member Kristin Bezio, Ph.D. date External Reader Copyright 2012 Kimberly S. Yost All rights reserved Acknowledgements Many doctoral students comment that it takes a village to write a dissertation. I would like to thank my village. My committee chair, Carolyn Kenny, and the members of my committee, Lize Booysen, Holly Baumgartner, and Kristin Bezio, for their support, encouragement, insightfulness, and enthusiasm. They took extraordinary care in their comments and even took the time to watch the series. I hope you all had fun. I would also like to acknowledge my peers in Cohort 9 of the Antioch University Leadership and Change program, particularly my “study buddy” Tammy Stachowicz, as well as the entire faculty for their encouragement as I plowed ahead with a project that may have seemed a bit odd to some. I would also like to thank my family for their forbearance as I concentrated on my academic work these past few years. -
Battlestar Galactica Rewatch Plan
The "Tigh" Manuever Ep Per Week Episode Title Ep. # Series Timeline Week of April 6th 4 Mini-series Part 1 1 Mini-series Mini-series Part 2 2 Mini-series "33" 1 Season One "Water" 2 Season One Week of April 13th 3 "Bastille Day" 3 Season One "Act of Contrition" 4 Season One "You Can't Go Home Again" 5 Season One Week of April 20th 3 "Litmus" 6 Season One "Six Degrees of Separation" 7 Season One "Flesh and Bone 8 Season One Week of April 27th 3 "Tigh Me Up, Tigh Me Down" 9 Season One "The Hand of God" 10 Season One "Colonial Day" 11 Season One Week of May 4th 3 "Kobol's Last Gleaming" (Part 1) 12 Season One "Kobol's Last Gleaming" (Part 2) 13 Season One "Scattered" 1 Season Two Week of May 11th 3 "Valley of Darkness" 2 Season Two "Fragged" 3 Season Two "Resistance" 4 Season Two Week of May 18th 3 "The Farm" 5 Season Two "Home" (Part 1) 6 Season Two "Home" (Part 2) 7 Season Two Week of May 25th 2 "Final Cut" 8 Season Two "Flight of the Phoenix" 9 Season Two Week of June 1st 3 "Pegasus" 10 Season Two "Resurrection Ship" Part 1 11 Season Two "Resurrection Ship" Part 2 12 Season Two Week of June 8th 3 "Epiphanies" 13 Season Two "Black Market" 14 Season Two "Scar" 15 Season Two Week of June 15th 3 "Sacrifice" 16 Season Two "The Captain's Hand" 17 Season Two "Downloaded" 18 Season Two Week of June 22nd 2 "Lay Down Your Burdens" (Part 1) 19 Season Two "Lay Down Your Burdens" (Part 2) 20 Season Two The Resistance webisodes Optional Week of June 29th 2 "Occupation" 1 Season Three "Precipice" 2 Season Three Week of July 6th 3 "Exodus" (Part 1) 3 -
Female Genital Power in Religious Ritual and Political Resistance
Vol. 3, no. 2 (2013), 188-206 | URN:NBN:NL:UI:10-1-114481 Catachresis in Côte d’Ivoire: Female Genital Power in Religious Ritual and Political Resistance LAURA S. GRILLO* Abstract Ivoirian women vehemently protest the violence and calamity of civil war by deploying an embodied rhetoric of ritual, appealing to the traditional religious concept of “Female Genital Power.” I propose that their imagistic resistance to the postcolonial state represents a catachresis, with a few interesting twists. Most salient is that what women reinscribe onto the political scene is not as a feature of the imperial culture but the concept-metaphors of indigenous religion, and especially the image of Woman as the source of moral and spiritual power from which proceeds all political, religious, and juridical authority. Whereas the logo- centrism of the academy, and postcolonial theory in particular, leads to aporia, ritual remands scholars into the situation of the actual world, where women are actively engaged in self-representation that both defies projected depictions of them and rejects their absence from state conceptions of power. Keywords religion; ritual; gender; resistance; postcolonial (theory); Africa (women) Author affiliation Laura S. Grillo serves as Professor in the Mythological Studies program at Paci- fica Graduate Institute (USA). She earned her PhD in History of Religions from the University of Chicago, following an M.Div. from Union Theological Semi- nary and an A.B. in Religious Studies from Brown University. She has lived and worked in both Côte d’Ivoire and Kenya. For her earlier work on West African divination, she was awarded research grants from the National Endowment for * Correspondence: Laura S. -
Law, Technology and Science Fiction
Technical Legality: Law, Technology and Science Fiction Author Tranter, Kieran Published 2010 Thesis Type Thesis (PhD Doctorate) School Griffith Law School DOI https://doi.org/10.25904/1912/2422 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/366905 Griffith Research Online https://research-repository.griffith.edu.au Technical Legality: Law, Technology and Science Fiction Kieran Tranter Bachelor of Science (Griffith University) Bachelor of Laws (Hon 1) (Griffith University) Socio-Legal Research Centre, Griffith Law School, Griffith University, Queensland Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 11 May 2010 i For Sophia and Alexander ii Abstract This thesis concerns the intersections of law and technology, referred to here as ‘technical legality’. It argues that reflection on technical legality reveals the mythic of modernity. The starting point for the argument is that the orthodox framing of technology by law – the ‘law and technology enterprise’ – does not comprehend its own speculative jurisdiction – that is, it fails to realise its oracle orientation towards imagining the future. In this science fiction as the modern West’s mythform, as the repository for projections of technological futures, is recognised as both the law and technology enterprise’s wellspring and cipher. What is offered in this thesis is a more thorough exploration of technical legality through taking science fiction seriously. This seriousness results in two implications for the understanding of technical legality. The first implication is that the anxieties and fantasies that animate the calling forth of law by technology become clearer. -
Catastrophe, Collapse, and Decline in American Science Fiction
SHATTERED STATES CATASTROPHE, COLLAPSE, AND DECLINE IN AMERICAN SCIENCE FICTION By Richard Charles Mulligan A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY American Studies Program 2012 ABSTRACT SHATTERED STATES CATASTROPHE, COLLAPSE, AND DECLINE IN AMERICAN SCIENCE FICTION By Richard Charles Mulligan This dissertation investigates how science fiction portrays the collapse of American society and its failure to recover in the wake of large-scale cataclysmic events in elation to the discourse of post-Cold War American hegemony. Although apocalyptic themes are as old as the genre itself, the analysis of post-apocalyptic SF has largely been tied to the Cold War and nuclear fears, or more recently to a shaken post-9/11 American psyche. However, this subgenre has a greater continuity that links those produced during the Cold War to recent stories; this analysis is critical of the cultural assumptions of a post-national future predicated on American-style democracy and liberal humanist values—both typical of mainstream SF. In the aftermath of cataclysm, the United States does not always recover and core values of American civic culture are among the casualties, something that counters the myth of American exceptionalism and “New World Order” representations of global hegemony. The argument for SF as a reflection of political and social discourse is not new. In the context of postcataclysm, SF is a minority discourse that remains subversive in its ability to talk about the unthinkable, whether that means the end of the world or just the post- American world. -
Exploring Postcoloniality in Battlestar Galactica APPROVED BY
CORE Metadata, citation and similar papers at core.ac.uk Provided by UT Digital Repository The Thesis Committee for Allen Michael Lindig Certifies that this is the approved version of the following thesis: Subjugation, Occupation, and Transformation: Exploring Postcoloniality in Battlestar Galactica APPROVED BY SUPERVISING COMMITTEE: Supervisor: Shanti Kumar Michael Kackman Subjugation, Occupation, and Transformation: Exploring Postcoloniality in Battlestar Galactica by Allen Michael Lindig, B.A.; B.S. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2012 Dedication This thesis is dedicated to Scott Wendland, for whom I would never have begun, and Christopher Abdo, without whom I would most certainly never have finished. Acknowledgements I am deeply thankful for the tutelage and support afforded me through the years by my two advisors, Shanti Kumar and Michael Kackman. Without their influence, guidance, and willingness to work with me on this project under such unorthodox conditions, none of this would have been possible. A special thanks is also owed Stephanie Crouch, Charmarie Burke, and Mary Kearney for their seemingly endless supply of encouragement and advice. iv Abstract Subjugation, Occupation, and Transformation: Exploring Postcoloniality in Battlestar Galactica Allen Michael Lindig, M.A. The University of Texas at Austin, 2012 Supervisor: Shanti Kumar Battlestar Galactica (2003) is a textually rich cultural product with much to say about the ever-changing global dynamics and social relations of Earthly inhabitants. Through the familiar science fiction tropes of catastrophe, space travel, and cyborgs, this study aims to reveal the discursive frameworks that inform identity politics and knowledge production as they relate to self/Other.