To Evangelize God?S People Beginning with the Gift of the Holy Eucharist

Total Page:16

File Type:pdf, Size:1020Kb

To Evangelize God?S People Beginning with the Gift of the Holy Eucharist Our Mission Statement: To evangelize God?s people beginning with the gift of the Holy Eucharist. June 9, 2019 Pentecost Sunday (Page 321 in the Red Missal) Fr. Joseph Illo Pentecost (Page 667 in the Black Missal) Pastor Mission Appeal We wel- have been stillborn. For this reason most of Fr. Mark Taheny the Sundays of the liturgical year refer back to come Fr. Bernard Toha, Parochial Vicar this year?s mission Pentecost (as in the older form of the calen- preacher, this Sunday. Fr. dar). We call the vast stretch of Sundays from Fr. John Mary Chung Bernard joined the Oblates Pentecost to Advent (roughly 65% of the year) In Residence of St. Francis de Sales in ?Ordinary Time? since Vatican II, meaning his native Benin (West not ?ordinary/ho hum? but ?ordered to the Fr. Mathias Wambua Africa) where he works to- work of the Holy Spirit.? Before 1970 the Sun- In Residence day, building up the days from Pentecost to Advent were called Church and saving souls in obedience to the ?Sundays after Pentecost,? making it clearer Derek West Lord?s mandate to ?teach all nations every- that Catholics go through the year, building Operations Manager the Church and thing I told you, bap- Ellen Torkelson tizing them in the saving souls al- name of the Holy ways, motivated Payroll /Human Resources Trinity". Most of us do by the power and Thelma Queri not do missionary submissive to the Bookkeeper work outside of the guidance of the good old USA (al- Holy Spirit. You Mariella Zevallos though I will be doing can?t see the Holy Director of Communications a week of mission in Spirit, just as you and Development Nicaragua in August), can?t see the infer- but all of us must nal spirits, but you Lynn Kraehling support the missions. can see the effects Director of Music This is our annual (the ?fruits?) of Ed Tobin both good and evil chance to do so. Pen- Sacristan tecost Today is ar- spirits. ?For our guably the most im- struggle,? writes St. David Gallagher portant feast of the Mom lighting a candle at my home parish Paul again in Ephesians School Principal Christian year. Most of us during my visit home last week. 6, "is not against flesh Jacqueline Paras think of Christmas and and blood, but against Easter as the great holy days, and certainly the the powers of the air"? . The struggle for the Director of Pre-school liturgical year revolves on these two feasts. Catholic Church we see unfolding in our time is a largely unseen contest between the Holy Ryan Sebers The mystery of Christmas began our Redemp- Pastoral Council Chair tion (?And the Word became flesh and dwelt Spirit and Spirit of this Age. How many of us among us?), and the mystery of Easter com- Catholics have gradually allied ourselves with Matthew Kain pleted our Redemption (Jesus cried out from the spirits of this world, of this ?present dark- Finance Council Chair the Cross ?It is completed? and proved it by ness,? without knowing it? To purify ourselves gloriously rising on the Third Day). Pentecost, and our Church, we must pray earnestly to the Star of the Sea Church however, actualizes the Redemption through- Holy Spirit: ?Come O Holy Spirit, fill the hearts of thy faithful? .? Latin Mass Class I 4420 Geary Blvd. out the year, powering the Church throughout San Francisco, CA 94118 history. We live in the age of the Holy Spirit, will be teaching two one-hour classes on the (415) 751-0450 between the First and Second Comings of the history and structure of the Latin Mass on www.starparish.com Messiah. ?No one can say Jesus is Lord except June 14 at 6pm, and June 15 at 1pm, both in Office Hours: M-F in the Holy Spirit?, St. Paul declares in 1 Cor the rectory. Fr. Joseph Illo 8:30am-4:00pm. 12:3, and without Pentecost the Church would www.frilloblog.com Closed 12:00-1:00pm Daily Masses Weekend Masses Holy Day Masses Confessions 15 Minutes before Monday to Friday Sat Vigil 4:30pm, Sun 8am, 7:30am (Latin) 12 Noon, 5:30pm, every Mass, Saturday 3:15- 7:30am (Latin) 12 Noon 9:30am, 11:30 am (Latin), 7:30pm 6:30pm (Latin with choir) 4:15pm or by appointment Saturday 8:30am Devotions to Jesus Devotions to Mary of Eucharistic Adoration Social Events Sacred Heart First Friday Perpetual Help Wednesday after Mon. 8:30am till Saturday Coffee & Donuts After Sunday Masses, after Noon Mass, Divine Noon Mass. Fatima First Satur- 4:30pm. After 6pm use Young Adults Tuesdays 8pm Mercy Saturday at 3pm day after 8:30am Mass passcode. 1 N EW S Worldwide Marriage Encounter Sunday, June 23rd, 2019 Bulletin An unforgettable ?break? for your marriage! Want something more lasting than a weekend vacation in Bahamas, Bermuda or the Mountains? Give your marriage the ?best vacation break? by making a Worldwide Marriage Encounter Weekend. The next Marriage Encounter Did you know that California requires sex education in public Weekends include: Aug 9-11, 2019 in San and charter schools - and that the recommended curriculum include pornographic content including graphic instruction Francisco, CA and Nov 8-10, 2019 in Menlo Park, and aggressive promotion of morally objectionable concepts CA. For more information and/or to register for a of human sexuality? Much of it is already taught in Bay Area public schools, but there is now a big push to bring more Weekend, visit our website at: sanjosewwme.org or graphic content to all grades, including K-6. contact Ken & Claranne at What can we do to protect our children? [email protected] or 408-782-1413. Join a panel of experts to learn more and share your thoughts. Speakers: Raym ond Burnell: California Cat holic UNBOUND Healing and Deliverance Conference Ministry Ed Hopfner, Archdiocese of San Francisco Through prayer and forgiveness, UNBOUND can help Sr. Maria Concepcion MC, Missionaries of heal the wounds of the past. Renouncing the lies Charit y we?ve come to believe about ourselves can break the unhealthy pattern of thinking we?ve been Aileen Blachow ski, Inform ed Parent s of California accustomed to. UNBOUND can help you forgive and renounce, and experience freedom through God?s St . Bruno Church| 555 San Bruno Ave W, San transforming love. Sign up for a confidential session Bruno, CA 94066 at 5keystofreedom.com. w w sfarch.org/ m yfam ilyright s lifeanddignit [email protected] REMEMBER STAR IN YOUR WILL For further information about Planned Giving please contact Mariella Zevallos at the parish office (415)751-0450 or [email protected] 2 PRAYER EV EN T S The Sunday Scriptures Perpetual Adoration: Monday 8:30am through Saturday by Fr. Joseph Illo Pentecost (Acts 2: 1-11, Romans 8: 8-17, 12-13, John 4:30pm, then Sunday starting at 9:00pm. 14: 15-16, 23b-26) Our Pentecost readings bring Eastertide to its Vespers: Monday - Friday nights @ 5:45 to 6pm fitting conclusion with the Lord's words "Peace be with you" as He breathes the Holy Spirit upon them. Above all, the Christian must Sunday, June 9, Holy Rosary Sodality Pray the Rosary be marked by the peaceful joy, the joyful peace, of knowing Jesus as after the 8am Mass in the Church. Lord. Only in the Holy Spirit can we know, not just about Jesus, but Jesus himself as Lord and personal Savior. At the end of Mass today Tuesday, June 11, 7pm - 8pm Holy Hour & Benediction the priest will (hopefully) add the double Alleluia to the "Go in (Confessions every Tuesday during Holy Hour) peace." The congregation concludes Eastertide by singing the double Allelulia back to the priest, and to God: May His Holy Spirit Tuesday, June 11, Bible Study at 3:30pm in the rectory. fill the Church with unending Alleluias! Contact Mary Ann Eiler (650) 660-4546 Wednesday, June 12, Devotions to Our Lady of Time Intention Perpetual Help after the Noon Mass. Sat 6/08 8:30am + Chitat Sim (Anniversary) Thursday, June 13, Pro-Life Group at 7pm prays outside 4:30pm + Pierre Ausquy Planned Parenthood at 1650 Valencia Street. Sun 6/09 8am People of the Parish Friday, June 14, Sacred Heart Devotion immediately following the 12 Noon Mass. 9:30am Int. of Fr. Greg Bonfligio + Pierre Ausquy Saturday, June 15, Legion of Mary 9:30am in the Parish office. 11:30am Int. of Angel Leonardo Gamez Saturday, June 15, Divine Mercy Devotion at 3pm at the 7:30pm + Jaime Ines (Birthday) Church followed by Rosary/Novena. We are praying for the healing of Nora Uyeda, Sharon Moore & Carmen Mon 6/10 7:30am Int. of Samuel Anyanwu Smith. + Souls in Purgatory 12Noon + Augustina Ruiz Saturday, June 15, Star Mothers' Group Held in the + Jose and Sofia Llanes Rectory after the 8:30 Mass. + Ronnie and Eva Lind Diokno Saturday, June 15, Star Outreach Cooking for the Tue 6/11 7:30am Int. of Michael Arnaldo (Birthday) homeless. + Dottie Reed 12Noon + Enore and Christopher Beltrame Wednesday, June 19, Star of the Sea Book Club will meet in the parish office to discuss "Leisure the Basis of Culture" Wed 6/12 7:30am Int. of Keoni Miguel (Birthday) by Josef Pieper. + Sandy Corbett 12Noon + Miguel Dayoan Friday, June 21 Vespers with Archbishop Cordileone 5:45pm. Followed by reception at Steins for Young Adults. Thu 6/13 7:30am Int. of Eduardo Sierra and Family + Pedro Lopez Saturday, June 29, AAA "One Percent" Appreciation 12Noon In Thanksgiving to St. Anthony Dinner will be held after the 4:30pm Mass.
Recommended publications
  • Christian Themes in Art: the Resurrection in Art Transcript
    Christian Themes in Art: The Resurrection in Art Transcript Date: Wednesday, 16 February 2011 - 1:00PM Location: Museum of London The Resurrection in Art The Rt Revd Lord Harries of Pentregarth Gresham Professor of Divinity Dura Europos, a town on the frontier of the Roman and Persian Empire where a synagogue and house church, the earliest known and dating from early 3rd century, have been discovered under the ruins. Murals on walls of both synagogue and church. The three women approach the tomb. The catacombs. No scene of the empty tomb or resurrection but faith expressed through raising of Lazarus. “I am the Resurrection and the Life” (John chapter 11) and the story of Jonah. Jesus raising Lazarus The story of Jonah The cross and the resurrection seen together as a unified victory. See previous lecture on the Passion in Art. 4th century sarcophagus. Four panels in British Museum dating from 420. The earliest depiction of Christ on the Cross, a unified passion scene of Christ carrying the cross, Pilate washing his hands and Peter denying Christ, plus these two witnessing to the Resurrection. Note the scenes on the door of the tomb. Profound reticence about showing resurrection of Christ itself. (Not described in Gospels) So women at empty tomb a favourite theme. The tomb in the shape of the rotunda built over the place where Christ was buried in Jerusalem seen by pilgrims. The fact that the place could be seen and depicted an important witness. From 8th century it tended to become a cave. Two women usually shown, and this became standard.
    [Show full text]
  • The Scrovegni Chapel. Multidisciplinary Research and Environmental Protection
    Giuseppe Basile - Eugenio Mancinelli - Maurizio Marabelli - Paola Santopadre - Marcella Ioele - Vasco Fassina - Antonio G. Stevan - Roberto Cesareo - Alfredo Castellano The Scrovegni Chapel. Multidisciplinary Research and Environmental Protection Introduction physical evaluation relative to the study of the State of conser• vation and the causes of decay of the mural paintings and to the The restoration of the pictorial cycle of Gioito in the Scrovegni assessment of air quality and microclimate of their container. in Chapel has meant for the Central Institute of Restoration (ICR) addition to defining and realizing a number of interventions and former director at that time, Mr. Giovanni Urbani, the aiming at preventing the decay: the ultimate goal of the research opportunity to put together a proposal and experiment a radi- has been creating a technological ambient (named in Italian cally different approach to restoration from the traditional one, Corpo Tecnologico Attrezzato. acronym CTA) equipped with a which is based on a few. but fundamental principles: heating and chilling plant and an air filtering unit for the pre- 1. The first one consists in detecting. through a number of ventive conservation of the Chapel. investigations, tests and scientific analyses appropriately To better outline the development of the research and the tackling the issue. which were the causes of decay or dam- interventions applied to the environment. the building and the ages that were visible on the paintings with the purpose of mural paintings. a chronological order has been followed. removing them or at least reducing their kinetics. 2. The second one consists in implemenling target interven- tions ahead of time to reset the environment to suitable Research and interventions: conditions, i.e.
    [Show full text]
  • The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14Th-16Th Centuries
    The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries: Images of Intergeneration Relationships By Welleda Muller The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries: Images of Intergeneration Relationships By Welleda Muller This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Welleda Muller All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9049-9 ISBN (13): 978-1-4438-9049-6 This book is dedicated to all of my colleagues and friends from MaxNetAging: Inês Campos-Rodrigues, Kristen Cyffka, Xuefei Gao, Isabel García-García, Heike Gruber, Julia Hoffman, Nicole Hudl, Göran Köber, Jana Kynast, Nora Mehl, and Ambaye Ogato. TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Acknowledgments .................................................................................... xiii Introduction ................................................................................................
    [Show full text]
  • Rethinking Savoldo's Magdalenes
    Rethinking Savoldo’s Magdalenes: A “Muddle of the Maries”?1 Charlotte Nichols The luminously veiled women in Giovanni Gerolamo Savoldo’s four Magdalene paintings—one of which resides at the Getty Museum—have consistently been identified by scholars as Mary Magdalene near Christ’s tomb on Easter morning. Yet these physically and emotionally self- contained figures are atypical representations of her in the early Cinquecento, when she is most often seen either as an exuberant observer of the Resurrection in scenes of the Noli me tangere or as a worldly penitent in half-length. A reconsideration of the pictures in connection with myriad early Christian, Byzantine, and Italian accounts of the Passion and devotional imagery suggests that Savoldo responded in an inventive way to a millennium-old discussion about the roles of the Virgin Mary and Mary Magdalene as the first witnesses of the risen Christ. The design, color, and positioning of the veil, which dominates the painted surface of the respective Magdalenes, encode layers of meaning explicated by textual and visual comparison; taken together they allow an alternate Marian interpretation of the presumed Magdalene figure’s biblical identity. At the expense of iconic clarity, the painter whom Giorgio Vasari described as “capriccioso e sofistico” appears to have created a multivalent image precisely in order to communicate the conflicting accounts in sacred and hagiographic texts, as well as the intellectual appeal of deliberately ambiguous, at times aporetic subject matter to northern Italian patrons in the sixteenth century.2 The Magdalenes: description, provenance, and subject The format of Savoldo’s Magdalenes is arresting, dominated by a silken waterfall of fabric that communicates both protective enclosure and luxuriant tactility (Figs.
    [Show full text]
  • Scrovegni Chapel 1 Scrovegni Chapel
    Scrovegni Chapel 1 Scrovegni Chapel The Scrovegni Chapel, or Cappella degli Scrovegni, also known as the Arena Chapel, is a church in Padua, Veneto, Italy. It contains a fresco cycle by Giotto, completed about 1305, that is one of the most important masterpieces of Western art. The church was dedicated to Santa Maria della Carità at the Feast of the Annunciation, 1305. Giotto's fresco cycle focuses on the life of the Virgin Mary and celebrates her role in human salvation. The chapel is also known as the Arena Chapel because it was built on land purchased by Enrico Scrovegni that abutted the site of a Roman arena. This space is where an open-air procession and sacred representation of the Annunciation to the Virgin had been played out for a generation before the chapel was built. A motet by Marchetto da Padova appears to have been composed for the dedication on March 25, 1305.[1] The chapel was commissioned by Enrico Scrovegni, whose family fortune was made through the practice of usury, which at this time meant charging interest when loaning money, a sin so grave that it resulted in exclusion from the Christian sacraments.[2] Built on family estate, it is often suggested that Enrico built the chapel in penitence for his father's sins and for Capella degli Scrovegni absolution for his own. Enrico's father Reginaldo degli Scrovegni is the usurer encountered by Dante in the Seventh Circle of Hell. A recent study suggests that Enrico himself was involved in usurious practices and that the chapel was intended as restitution for his own sins.[3] Enrico's tomb is in the apse, and he is also portrayed in the Last Judgment presenting a model of the chapel to the Virgin.
    [Show full text]
  • The Restoration of Giotto's Wall Paintings in the Scrovegni Chapel
    Francesca Capanna, (I.C.R.) The restoration of Giotto’s Wall Paintings in the Scrovegni Chapel of Padua according to the principles of Cesare Brandi’s Theory The restoration of Giotto’s Wall Paintings in the Scrovegni Chapel of Padua according to the principles of Cesare Brandi’s Theory 1. Brief conservation history and some notes on preliminary studies for the recent restoration project 2. Notes on the main causes of deterioration and the principal areas affected by loss of pictorial text 2.1. abrasions 2.2. lacunae 3. How lacunae were reintegrated during previous restorations 4. Cesare Brandi’s Theory of Restoration and the reconstruction of the pictorial text during the latest restoration 1 1. Brief conservation history and some notes on preliminary studies for the recent restoration project 1. Brief conservation history and some notes on preliminary studies for the recent restoration project Padua, civic museum - Fioravanti Penuti: Scrovegni chapel and the Palace, incision from a drawing of Alessandro Buzzacarini 1842 2 1. Brief conservation history and some notes on preliminary studies for the recent restoration project Padua, civic library, iconografia padovana xxxvi 7385 - Padua, civic library, iconografia padovana xxxvi – AugustoGabriele Caratti Benvenisti e Leopoldo e Vincenzo Toniolo: Grassellidrawing of: drawing of Mary’s Wedding procession, 1871 the presbytery of the chepel 1. Brief conservation history and some notes on preliminary studies for the recent restoration project Padua, Scrovegni Chapel, inside, sandbags during the Second World War Leonetto Tintori 3 1. Brief conservation history and some notes on preliminary studies for the recent restoration project The cause of the alterations was certainly not due to the treatment itself, but more likely because of a lack of environmental control where the work was housed and the general conservation parameters.
    [Show full text]
  • Saints of the Week
    Africa certainly faces a host of problems, from Saint Charles Lwanga and Companions’ Story endemic poverty and disease, to political One of 22 Ugandan martyrs, Charles Lwanga is corruption and civil wars to economic the patron of youth and Catholic action in instability, to the imposition of ideological most of tropical Africa. He protected his colonialism, to the crises of globalization and fellow pages, aged 13 to 30, from the exploitation of human and natural resources homosexual demands of the Bagandan ruler, and the bloody march of Islamists such as ISIS Mwanga, and encouraged and instructed and Boko Haram. them in the Catholic faith during their WEEKLY NEWSLETTER 31st MAY 2020 imprisonment for refusing the ruler’s Given those challenges it is easy to think of MASS INTENTIONS demands. Africa as a place where hope does not exist. Sun 31 11.30 am Yet, in fact, the continent is filled with the Charles first learned of Christ’s teachings from promise of a vibrant, young and dedicated two retainers in the court of Chief Catholic Church that continues to grow Matt McCusker Mawulugungu. While a catechumen, he exponentially — even as African Catholics are (Recently Deceased) entered the royal household as assistant to already helping to re-evangelize the West in Joseph Mukaso, head of the court pages. Phil Gough the face of secularism, the culture of death (Recently Deceased) and an amnesia regarding the primacy of God On the night of Mukaso’s martyrdom for and the centrality of the family. James Pearse Kilcullen encouraging the African youths to resist (Recently Deceased) Mwanga, Charles requested and received baptism.
    [Show full text]
  • Christ Crucified Giotto 1310 Scrovegni Chapel, Padua, Italy This Picture Is
    Christ Crucified Giotto 1310 Scrovegni Chapel, Padua, Italy This picture is one of many that depicts the story of Jesus Christ along the walls of the Scrovegni chapel in Padua Italy. This picture is a rather busy crucifixion scene but rich in symbolism that shows a deeper meaning often overlooked. In this picture we see the main subject is the crucifixion of Jesus Christ. Jesus is hung on the cross low enough that Giotto could also paint Mary Magdalene kissing his feet. This alludes to the passage in the Gospel of Luke where a sinful women showed up where Jesus was dining, stood at his feet and wept because of her sins. She then bathed his feet with her tears and wiped them with her hair, kissed them, and anointed them. (Lk 7: 36-50) Although the woman’s name is not mentioned, early tradition has her as Mary Magdalene. Giotto places her at the foot of the cross once again kissing the feet of Jesus with her tears. Off to the left is Mary, the mother of Jesus, who is distraught while St. John and another woman named Mary are consoling her. Notice the angel directly above St. John looks toward Mary with a concerned face, as if thinking, “is she going to be alright?” It’s hard to see the Mother of Jesus as she blends in with the blue sky. One would think Giotto would have picked a different color for her. However, that would have gone against tradition as Mary, in this time period, was only shown in blue.
    [Show full text]
  • Stabat Mater
    in five movements for quintet for in five movements stabat mater in five movements for quintet Gianmario Liuni 1 if faith gives your life meaning and music is your Sequentia vocation, sooner or later your heart will encoura- (in Festo Septem ge you to express both of these indispensable ele- Dolorum B.M.V.) ments of your daily life through your music. Just as it comes naturally to each musician to Text: dedicate a piece to his wife or children because Attributed there is nothing more marvelous in life, which is to Jacopone da Todi something i've done as well, i spontaneously de- cided, albeit with trepidation and reverence, to ho- nor the virgin mary, our mother, with my music. but how does one honor the virgin mary? What does it truly mean to pay homage to her? my first sincere intent is to give her "something beautiful", just as one offers a lit candle or a flo- wer. but there is more. the mother of God is the Co-redemptrix who renews our faith through Christ and indicates the path to reach him. therefore, paying homage to the virgin mary through music means speaking of her so that she speaks to us about her son Jesus. it means writing music that uplifts us, revealing the unique mystery of the son and mother's holiness that allows us to comprehend in the gazes of the mother and son the "sanctity of suffering seen in the mirror and recognized as the same" (J.m. ibañes Langlois). this was not the first time thati had worked on a sacred piece.
    [Show full text]
  • Celebrations EN.Pdf
    Project Number: 2017-1-IT02-KA201-036784 Table of Contents 1. Eastern Catholicism ............................................................................................................................. 3 1.1. Introduction ................................................................................................................................. 3 1.2. The Holy Theophany of our Lord, God and Saviour Jesus Christ ................................................. 3 1.3. Dormition of the Mother of God ................................................................................................. 5 1.4. Feast of the Holy, Glorious, and Praiseworthy Chiefs of the Apostles, Peter and Paul ............... 7 2. Judaism ............................................................................................................................................... 9 2.1. Introduction ................................................................................................................................. 9 2.2. Pesach .......................................................................................................................................... 9 2.3. Yom Kippur ................................................................................................................................. 12 2.4. Chanukkah.................................................................................................................................. 14 3. Roman Catholicism ..........................................................................................................................
    [Show full text]
  • Giotto in Holy Land
    In 1300, year of Jubilee and Universal Indulgence, the Padua and surroundings Padua and surroundings also reveal ancient civitily and unmistakable humanity. Giotto rich merchant Enrico Scrovegni bought from Manfredo Giotto’s Message Giotto’s Message portrayed life as not opposing violence, but rising towards Dalesmanini the ruins of the old Roman arena in Padua, the Claudio Bellinati Padua and its province are among the liveliest and most dynamic areas in Padua and its province are among the liveliest and most dynamic areas in Claudio Bellinati the immaterial blue of spirituality, recaling interior life and annexed buildings, orchard and vineyard for 4,000 Lire. It North-East Italy. The city of Padua is one of the most charming and vital cities North-East Italy. The city of Padua is one of the most charming and vital cities meaning that trascend human existence. in Italy. Its historical centre boasts a wealth of fine medieval, renaissance in Italy. Its historical centre boasts a wealth of fine medieval, renaissance was a small parcel of land with no church. Enrico asked the 3) Scenes taken from the history of mankind (wall base). and modern architecture; here a fascinating mix of historic and new, of and modern architecture; here a fascinating mix of historic and new, of Giotto’s blue (partially deteriorated over the centuries) bishop Ottobono de’ Razzi for the authorisation to have one The cycle starts with the scene of the Rejection of Joachim’s centuries-old traditions combined with metropolitan rhythms creates a unique centuries-old traditions combined with metropolitan rhythms creates a unique in In 1300, year of Jubilee and Universal Indulgence, the lifts “towards the infinite distances of the spirit” (J.
    [Show full text]
  • Jesus' Birth in Luke's Gospel
    Notes from Fr. Nick Jesus’ Birth in Luke’s Gospel Each Gospel recounts our Messiah’s early years in radically different ways. The Gospel of Matthew spends much time listing Jesus’ ancestors, and is the only one that includes the Flight into Egypt. The Gospel of Mark skips Jesus’ birth altogether and begins with the baptism of Jesus. The Gospel of John opens with an elegant theological hymn. Only Luke, the Gospel featured in this year’s Lectionary cycle, gives Jesus’ birth extended treatment. Everything from predictions of his birth through the Christ’s adolescence is covered in this Gospel. What is distinctive about Luke’s description of Jesus’ birth? Luke’s Gospel was apparently intended for a Gentile audience. This may explain why he spends so much time devel- oping the birth story. Jewish audiences would have been already familiar with Hebrew customs and wouldn’t need the explanations Luke includes. In addition, Luke is at pains to The Flight into Egypt by Giotto di Bondone (1304-06), show that salvation is extended to all who Scrovegni Chapel, Padua, Italy. embrace Christ’s love and are baptized. In the Jerusalem Bible, the birth narrative of the Gospel of Luke is only five pages long (it com- prises the first part of Chapter 2.) As we draw close to the great feast, maybe it would be a good idea to sit down and read this chapter with your family. This activity would preserve the sanctity of Advent, and help you and your family to anticipate Christmas. “Thank you to all parishioners at St Mary Magdalen.
    [Show full text]