DOCSLIB.ORG

Annunciation 1 Annunciation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Annunciation 1 Annunciation For other uses, see Annunciation (disambiguation). Annunciation by Paolo de Matteis, 1712. The white lily in the angel's hand is symbolic of [1] [2] Mary's purity in Marian art. A series of articles on Roman Catholic Mariology General articles • Mariology • Encyclicals • History • Popes • Saints • Societies • Veneration of the Blessed Virgin Devotions • Acts of Reparation • Consecration to Mary • First Saturdays • Hearts of Jesus and Mary Annunciation 2 • Immaculate Heart • Rosary • Scapular • Seven Joys • Seven Sorrows Dogmas and doctrines • Assumption • Co-Redemptrix • Immaculate Conception • Mediatrix • Mother of God • Mother of the Church • Perpetual virginity • Queen of Heaven Expressions of devotion • Art • Churches • Hymns • Music Key Marian apparitions • (approved or worthy of belief) • Banneux • Beauraing • Fátima • Guadalupe • La Salette • Laus • Lourdes • Miraculous Medal • Pontmain • v • t [3] • e The Annunciation (anglicised from the Latin Vulgate Luke 1:26-39 Annuntiatio nativitatis Christi), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady or Annunciation of the Lord, is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning "Saviour". Many Christians observe this event with the Feast of the Annunciation on 25 March, nine full months before Christmas, the ceremonial birthday of Jesus. According to Luke 1:26 [4], the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist.[5] Irenaeus (c.130-202) of Lyon regarded the conception of Jesus as 25 March coinciding with the Passion.[6] Approximating the northern vernal equinox, the date of the Annunciation also marked the New Year in many places, including England, where it is called Lady Day. Both the Roman Catholic and Eastern Orthodox Churches hold that the Annunciation took place at Nazareth, but differ as to the precise location. The Basilica of the Annunciation marks the site preferred by the former, while the Greek Orthodox Church of the Annunciation marks that preferred by the latter. Annunciation 3 The Annunciation has been a key topic in Christian art in general, as well as in Marian art in the Catholic Church, particularly during the Middle Ages and Renaissance. Biblical account In the Bible, the Annunciation is narrated in Luke 1:26-38 [7]: 26 And in the sixth month the angel Gabriel was sent from God unto a city of Galilee, named Nazareth, 27 To a virgin espoused to a man whose name was Joseph, of the house of David; and the virgin's name was Mary. 28 And the angel came in unto her, and said, Hail, thou that art highly favoured, the Lord is with thee: blessed art thou among women. 29 And when she saw him, she was troubled at his saying, and cast in her mind what manner of salutation this should be. 30 And the angel said unto her, Fear not, Mary: for thou hast found favour with God. 31 And, behold, thou shalt conceive in thy womb, and bring forth a son, and shalt call his name JESUS. 32 He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father Annunciation by El Greco David: 33 And he shall reign over the house of Jacob for ever; and of his kingdom there shall be no end. 34 Then said Mary unto the angel, How shall this be, seeing I know not a man? 35 And the angel answered and said unto her, The Holy Ghost shall come upon thee, and the power of the Highest shall overshadow thee: therefore also that holy thing which shall be born of thee shall be called the Son of God. 36 And, behold, thy cousin Elisabeth, she hath also conceived a son in her old age: and this is the sixth month with her, who was called barren. 37 For with God nothing shall be impossible. 38 And Mary said, Behold the handmaid of the Lord; be it unto me according to thy word. And the angel departed from her. A separate annunciation, which is more brief but in the same vein as the one in Luke, is given to Joseph in Matthew 1:18-21 [8]: 18 Now the birth of Jesus Christ was on this wise: When as his mother Mary was espoused to Joseph, before they came together, she was found with child of the Holy Ghost. 19 Then Joseph her husband, being a just man, and not willing to make her a publick example, was minded to put her away privily. 20 But while he thought on these things, behold, the angel of the Lord appeared unto him in a dream, saying, Joseph, thou son of David, fear not to take unto thee Mary thy wife: for that which is conceived in her is of the Holy Ghost. 21 And she shall bring forth a son, and thou shalt call his name JESUS: for he shall save his people from their sins. Annunciation 4 Manuscript 4Q246 Luke 1:32, 35 reads: He will be great, and will be called the Son of the Most High ... The power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. Dead Sea Scrolls manuscript 4Q246 reads: “[X] shall be great upon the earth. O king, all people shall make peace, and all shall serve him. He shall be called the son of the Great God, and by his name shall he be hailed as the Son of God, and they shall call him Son of the Most High.” (Dead Sea scrolls manuscript Q4Q246)[9] The similarity in content is such that "it is difficult to avoid the conclusion that Luke is dependent in some way, whether directly or indirectly, on this long lost text from Qumran".[10] Eastern traditions In Eastern Christianity Mary is referred to as Theotokos (Θεοτόκος="God-bearer"). The traditional Troparion (hymn for the day) of the Annunciation which goes back to Saint Athanasius of Alexandria is:[11] Today is the beginning of our salvation, And the revelation of the eternal mystery! The Son of God becomes the Son of the Virgin As Gabriel announces the coming of Grace. Together with him let us cry to the Theotokos: Greek Orthodox Church of the Annunciation, Nazareth. "Rejoice, O Full of Grace, the Lord is with you!" The Feast of the Annunciation, celebrated March 25, is one of the twelve Great Feasts of the church year, and is among the eight of them that are counted as feasts of the Lord. As the action initiating the Incarnation of Christ, Annunciation has such an important place in Orthodox Christian theology that the festal Divine Liturgy of St. John Chrysostom is always celebrated on the feast, even if it falls on Great and Holy Friday, the day when Christ's Crucifixion is remembered. Indeed, the Divine Liturgy is celebrated on Great and Holy Friday only when the latter coincides with the feast of the Annunciation. If the Annunciation falls on Pascha (Easter Sunday) itself, a coincidence which is called Kyriopascha [12], then it is celebrated jointly with the Resurrection, which is the focus of Easter. Due to these and similar rules, the rubrics surrounding the celebration of the feast are the most complex of all in Orthodox Christian liturgics. The Annunciation is called Euangelismos (Evangelism) in Greek, literally meaning "spreading the Good News". St. Ephraim the Syrian taught that the date of the conception of Jesus Christ fell on 10 Nisan on the Hebrew Calendar, the day in which the passover lamb was selected according to Exodus 12. Some years 10 Nisan falls on March 25, which is the traditional date for the Feast of the Annunciation and is an official holiday in Lebanon. Feast day Main article: Feast of the Annunciation The feast of the Annunciation is usually held on March 25; it is moved in the Catholic Church, Anglican and Lutheran liturgical calendars when that date falls during Holy Week or Easter Week or on a Sunday. The Eastern Orthodox Church, Oriental Orthodoxy and Eastern Catholic Churches do not move the feast, having special combined liturgies for those years when the Annunciation coincides with another feast; in fact in these churches a Divine Liturgy is celebrated on Good Friday when it coincides with the Annunciation. Annunciation 5 When the calendar system of Anno Domini was first introduced by Dionysius Exiguus in AD 525, he assigned the beginning of the new year to March 25 since, according to Catholic theology, the era of grace began with the Incarnation of Christ. The first certain mentions of the feast are in a canon, of the Council of Toledo (656), where it is described as celebrated throughout the church., and another of the Council of Constantinople "in Trullo" (692), forbidding the celebration of any festivals during Lent, excepting the Lord's Day (Sunday) and the Feast of the Annunciation. An earlier origin has been claimed for it on the ground that it is mentioned in various works of which the earliest surviving manuscripts are later and may have been added to. In the Qur'an Main articles: Mary in Islam and Jesus in Islam The Annunciation is described in the Qur'an, in Sura 003:045 [13] (Al-i-Imran – The Family of Imran) verses 45-51 (Yusuf Ali translation): 45Behold! the angels said: "O Mary! Allah giveth thee glad tidings of a Word from Him: his name will be Christ Jesus, the son of Mary, held in honour in this world and the Hereafter and of (the company of) those nearest to Allah;" And Sura 019:016 [14] (Maryam – Mary) verses 16-26 also refers to it.
Recommended publications
  • Mary, Blessed Virgin and World Mother John F

    Mary, Blessed Virgin and World Mother John F

    Winter 2010 Mary, Blessed Virgin and World Mother John F. Nash Summary not support the self-concept to which modern women aspire.1 his article examines the enigmatic figure Tof Mary, the mother of Jesus, in scripture, Esotericists also seem reluctant to discuss religious devotion and doctrine, and modern Mary. Of the 83 articles published in the first esoteric teachings. Medieval Christianity built four volumes of The Esoteric Quarterly, no the “Blessed Virgin,” pure in body and soul, more than two have been related, even indi- into a model of dutiful self-sacrifice and de- rectly, to this subject. Perhaps fearful of being clared her to be the “Mother of God.” Reac- relegated to the path of aspiration, esoteric stu- tion to the “cult of Mary” called her status into dents distance themselves from topics associ- question during and after the Reformation, but ated too closely with Christianity. Esoteric Mary’s exalted position continues to be af- teachers eagerly discuss the Jewish Shekinah, firmed in the Eastern Orthodox, Roman Catho- the Gnostic Sophia, and the Tara of Mahayana lic and Anglican traditions. Buddhism. But they rarely mention Mary, giv- ing the impression that the subject lies below Esotericists—those who do not ignore Mary the level of useful discourse. Meanwhile Mary altogether—also differ in their estimates. stubbornly refuses to go away. She continues However, Mary’s strongest supporters view to occupy a most conspicuous position in her as a manifestation of the World Mother, western spirituality. exalted not just through her association with Christ but in her own right.
  • Christian Themes in Art: the Resurrection in Art Transcript

    Christian Themes in Art: the Resurrection in Art Transcript

    Christian Themes in Art: The Resurrection in Art Transcript Date: Wednesday, 16 February 2011 - 1:00PM Location: Museum of London The Resurrection in Art The Rt Revd Lord Harries of Pentregarth Gresham Professor of Divinity Dura Europos, a town on the frontier of the Roman and Persian Empire where a synagogue and house church, the earliest known and dating from early 3rd century, have been discovered under the ruins. Murals on walls of both synagogue and church. The three women approach the tomb. The catacombs. No scene of the empty tomb or resurrection but faith expressed through raising of Lazarus. “I am the Resurrection and the Life” (John chapter 11) and the story of Jonah. Jesus raising Lazarus The story of Jonah The cross and the resurrection seen together as a unified victory. See previous lecture on the Passion in Art. 4th century sarcophagus. Four panels in British Museum dating from 420. The earliest depiction of Christ on the Cross, a unified passion scene of Christ carrying the cross, Pilate washing his hands and Peter denying Christ, plus these two witnessing to the Resurrection. Note the scenes on the door of the tomb. Profound reticence about showing resurrection of Christ itself. (Not described in Gospels) So women at empty tomb a favourite theme. The tomb in the shape of the rotunda built over the place where Christ was buried in Jerusalem seen by pilgrims. The fact that the place could be seen and depicted an important witness. From 8th century it tended to become a cave. Two women usually shown, and this became standard.
  • To Evangelize God?S People Beginning with the Gift of the Holy Eucharist

    To Evangelize God?S People Beginning with the Gift of the Holy Eucharist

    Our Mission Statement: To evangelize God?s people beginning with the gift of the Holy Eucharist. June 9, 2019 Pentecost Sunday (Page 321 in the Red Missal) Fr. Joseph Illo Pentecost (Page 667 in the Black Missal) Pastor Mission Appeal We wel- have been stillborn. For this reason most of Fr. Mark Taheny the Sundays of the liturgical year refer back to come Fr. Bernard Toha, Parochial Vicar this year?s mission Pentecost (as in the older form of the calen- preacher, this Sunday. Fr. dar). We call the vast stretch of Sundays from Fr. John Mary Chung Bernard joined the Oblates Pentecost to Advent (roughly 65% of the year) In Residence of St. Francis de Sales in ?Ordinary Time? since Vatican II, meaning his native Benin (West not ?ordinary/ho hum? but ?ordered to the Fr. Mathias Wambua Africa) where he works to- work of the Holy Spirit.? Before 1970 the Sun- In Residence day, building up the days from Pentecost to Advent were called Church and saving souls in obedience to the ?Sundays after Pentecost,? making it clearer Derek West Lord?s mandate to ?teach all nations every- that Catholics go through the year, building Operations Manager the Church and thing I told you, bap- Ellen Torkelson tizing them in the saving souls al- name of the Holy ways, motivated Payroll /Human Resources Trinity". Most of us do by the power and Thelma Queri not do missionary submissive to the Bookkeeper work outside of the guidance of the good old USA (al- Holy Spirit. You Mariella Zevallos though I will be doing can?t see the Holy Director of Communications a week of mission in Spirit, just as you and Development Nicaragua in August), can?t see the infer- but all of us must nal spirits, but you Lynn Kraehling support the missions.
  • This Month at Country Manor: St. Patrick's Day Celebration March

    This Month at Country Manor: St. Patrick's Day Celebration March

    March 2020 Country Manor Memory Care Name of your community * Address * Phone number * Fax number * Other information This Month at Country Manor: Celebrating March St. Patrick’s Day Irish American Heritage Month Celebration Women’s History Month March Birthday Party March 12 Movie & Popcorn March 6th & 20th St. Patrick’s Day March 17 Support Group March 23rd March 17th at 12pm The Fabulous Ones March 24th Please join us at noon Make Stress Balls for Corned Beef & Cabbage with March 31st a party at 2pm with music! March 2020 Mirthful Medicine Istanbul Not Constantinople March was declared International On March 28, 1930, the city of Constantinople, Mirth Month by self-proclaimed Turkey, changed its name to Istanbul, a “jollytologist” Allen Klein. Klein’s change famously celebrated by the Four interest in the healing power of Lads in their 1953 novelty song “Istanbul mirth came in 1974 when his young (Not Constantinople),” a song that enjoyed a wife died of liver disease. Despite resurgence in 1990 thanks to a cover by the her deteriorating health, Klein’s wife band They Might Be Giants. Why did Turkey kept her sense of humor to the end. She inspired change the name of its most important city? Klein to give up his career in the theater and In AD 330, the city, then called Byzantium, was become a crusader for the stress-relieving the world’s hub of culture and trade. Emperor benefits of humor. Constantine declared the city the capital of the Eastern Roman Empire and changed its name Whether facing sicknesses or enduring other to Constantinople.
  • The Scrovegni Chapel. Multidisciplinary Research and Environmental Protection

    The Scrovegni Chapel. Multidisciplinary Research and Environmental Protection

    Giuseppe Basile - Eugenio Mancinelli - Maurizio Marabelli - Paola Santopadre - Marcella Ioele - Vasco Fassina - Antonio G. Stevan - Roberto Cesareo - Alfredo Castellano The Scrovegni Chapel. Multidisciplinary Research and Environmental Protection Introduction physical evaluation relative to the study of the State of conser• vation and the causes of decay of the mural paintings and to the The restoration of the pictorial cycle of Gioito in the Scrovegni assessment of air quality and microclimate of their container. in Chapel has meant for the Central Institute of Restoration (ICR) addition to defining and realizing a number of interventions and former director at that time, Mr. Giovanni Urbani, the aiming at preventing the decay: the ultimate goal of the research opportunity to put together a proposal and experiment a radi- has been creating a technological ambient (named in Italian cally different approach to restoration from the traditional one, Corpo Tecnologico Attrezzato. acronym CTA) equipped with a which is based on a few. but fundamental principles: heating and chilling plant and an air filtering unit for the pre- 1. The first one consists in detecting. through a number of ventive conservation of the Chapel. investigations, tests and scientific analyses appropriately To better outline the development of the research and the tackling the issue. which were the causes of decay or dam- interventions applied to the environment. the building and the ages that were visible on the paintings with the purpose of mural paintings. a chronological order has been followed. removing them or at least reducing their kinetics. 2. The second one consists in implemenling target interven- tions ahead of time to reset the environment to suitable Research and interventions: conditions, i.e.
  • The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14Th-16Th Centuries

    The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14Th-16Th Centuries

    The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries: Images of Intergeneration Relationships By Welleda Muller The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries: Images of Intergeneration Relationships By Welleda Muller This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Welleda Muller All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9049-9 ISBN (13): 978-1-4438-9049-6 This book is dedicated to all of my colleagues and friends from MaxNetAging: Inês Campos-Rodrigues, Kristen Cyffka, Xuefei Gao, Isabel García-García, Heike Gruber, Julia Hoffman, Nicole Hudl, Göran Köber, Jana Kynast, Nora Mehl, and Ambaye Ogato. TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Acknowledgments .................................................................................... xiii Introduction ................................................................................................
  • Rethinking Savoldo's Magdalenes

    Rethinking Savoldo's Magdalenes

    Rethinking Savoldo’s Magdalenes: A “Muddle of the Maries”?1 Charlotte Nichols The luminously veiled women in Giovanni Gerolamo Savoldo’s four Magdalene paintings—one of which resides at the Getty Museum—have consistently been identified by scholars as Mary Magdalene near Christ’s tomb on Easter morning. Yet these physically and emotionally self- contained figures are atypical representations of her in the early Cinquecento, when she is most often seen either as an exuberant observer of the Resurrection in scenes of the Noli me tangere or as a worldly penitent in half-length. A reconsideration of the pictures in connection with myriad early Christian, Byzantine, and Italian accounts of the Passion and devotional imagery suggests that Savoldo responded in an inventive way to a millennium-old discussion about the roles of the Virgin Mary and Mary Magdalene as the first witnesses of the risen Christ. The design, color, and positioning of the veil, which dominates the painted surface of the respective Magdalenes, encode layers of meaning explicated by textual and visual comparison; taken together they allow an alternate Marian interpretation of the presumed Magdalene figure’s biblical identity. At the expense of iconic clarity, the painter whom Giorgio Vasari described as “capriccioso e sofistico” appears to have created a multivalent image precisely in order to communicate the conflicting accounts in sacred and hagiographic texts, as well as the intellectual appeal of deliberately ambiguous, at times aporetic subject matter to northern Italian patrons in the sixteenth century.2 The Magdalenes: description, provenance, and subject The format of Savoldo’s Magdalenes is arresting, dominated by a silken waterfall of fabric that communicates both protective enclosure and luxuriant tactility (Figs.
  • Liturgical Calendar for the Ordinariate of Our Lady of Walsingham

    Liturgical Calendar for the Ordinariate of Our Lady of Walsingham

    Liturgical Calendar for the Ordinariate of Our Lady of Walsingham Temporale The date of Easter being moveable, Sundays marked * are not needed in every annual cycle. Advent First Sunday of Advent Second Sunday of Advent Third Sunday of Advent From 17 December (O Sapientia) begin the eight days of prayer before Christmas Day Fourth Sunday of Advent Christmas Eve Christmas THE NATIVITY OF THE LORD (Christmas) Sunday within the Octave of the Nativity: The Holy Family of Jesus, Mary and Joseph (if there is no Sunday, 30 December) THE OCTAVE DAY OF CHRISTMAS: SOLEMNITY OF MARY, THE HOLY MOTHER OF GOD *Second Sunday after Christmas Epiphany THE EPIPHANY OF THE LORD (The Manifestation of Christ to the Gentiles) – (6 January or, as permitted or required by authority, the Sunday between 2 and 8 January) The Baptism of the Lord - Sunday after Epiphany (or, if the Epiphany is celebrated on Sunday 7 or 8 January, on Monday 8 or 9 January) Time after Epiphany Time after Epiphany begins usually with Monday of Week 1 on the day following the Baptism of the Lord. For the weekdays following the Baptism of the Lord, the propers for the Week after Epiphany (Week 1) are used. Even when the Baptism of the Lord is transferred to the Monday, the Sunday after the Baptism of the Lord is observed as the Second Sunday after Epiphany. For the purposes of the lectionary, this is Sunday 2 in Ordinary Time and the Sundays thereafter Sundays 3, 4, 5 &c. until Lent begins. Second Sunday after Epiphany * Third Sunday after Epiphany * Fourth Sunday after Epiphany * Fifth
  • Scrovegni Chapel 1 Scrovegni Chapel

    Scrovegni Chapel 1 Scrovegni Chapel

    Scrovegni Chapel 1 Scrovegni Chapel The Scrovegni Chapel, or Cappella degli Scrovegni, also known as the Arena Chapel, is a church in Padua, Veneto, Italy. It contains a fresco cycle by Giotto, completed about 1305, that is one of the most important masterpieces of Western art. The church was dedicated to Santa Maria della Carità at the Feast of the Annunciation, 1305. Giotto's fresco cycle focuses on the life of the Virgin Mary and celebrates her role in human salvation. The chapel is also known as the Arena Chapel because it was built on land purchased by Enrico Scrovegni that abutted the site of a Roman arena. This space is where an open-air procession and sacred representation of the Annunciation to the Virgin had been played out for a generation before the chapel was built. A motet by Marchetto da Padova appears to have been composed for the dedication on March 25, 1305.[1] The chapel was commissioned by Enrico Scrovegni, whose family fortune was made through the practice of usury, which at this time meant charging interest when loaning money, a sin so grave that it resulted in exclusion from the Christian sacraments.[2] Built on family estate, it is often suggested that Enrico built the chapel in penitence for his father's sins and for Capella degli Scrovegni absolution for his own. Enrico's father Reginaldo degli Scrovegni is the usurer encountered by Dante in the Seventh Circle of Hell. A recent study suggests that Enrico himself was involved in usurious practices and that the chapel was intended as restitution for his own sins.[3] Enrico's tomb is in the apse, and he is also portrayed in the Last Judgment presenting a model of the chapel to the Virgin.
  • The Restoration of Giotto's Wall Paintings in the Scrovegni Chapel

    The Restoration of Giotto's Wall Paintings in the Scrovegni Chapel

    Francesca Capanna, (I.C.R.) The restoration of Giotto’s Wall Paintings in the Scrovegni Chapel of Padua according to the principles of Cesare Brandi’s Theory The restoration of Giotto’s Wall Paintings in the Scrovegni Chapel of Padua according to the principles of Cesare Brandi’s Theory 1. Brief conservation history and some notes on preliminary studies for the recent restoration project 2. Notes on the main causes of deterioration and the principal areas affected by loss of pictorial text 2.1. abrasions 2.2. lacunae 3. How lacunae were reintegrated during previous restorations 4. Cesare Brandi’s Theory of Restoration and the reconstruction of the pictorial text during the latest restoration 1 1. Brief conservation history and some notes on preliminary studies for the recent restoration project 1. Brief conservation history and some notes on preliminary studies for the recent restoration project Padua, civic museum - Fioravanti Penuti: Scrovegni chapel and the Palace, incision from a drawing of Alessandro Buzzacarini 1842 2 1. Brief conservation history and some notes on preliminary studies for the recent restoration project Padua, civic library, iconografia padovana xxxvi 7385 - Padua, civic library, iconografia padovana xxxvi – AugustoGabriele Caratti Benvenisti e Leopoldo e Vincenzo Toniolo: Grassellidrawing of: drawing of Mary’s Wedding procession, 1871 the presbytery of the chepel 1. Brief conservation history and some notes on preliminary studies for the recent restoration project Padua, Scrovegni Chapel, inside, sandbags during the Second World War Leonetto Tintori 3 1. Brief conservation history and some notes on preliminary studies for the recent restoration project The cause of the alterations was certainly not due to the treatment itself, but more likely because of a lack of environmental control where the work was housed and the general conservation parameters.
  • Saints of the Week

    Saints of the Week

    Africa certainly faces a host of problems, from Saint Charles Lwanga and Companions’ Story endemic poverty and disease, to political One of 22 Ugandan martyrs, Charles Lwanga is corruption and civil wars to economic the patron of youth and Catholic action in instability, to the imposition of ideological most of tropical Africa. He protected his colonialism, to the crises of globalization and fellow pages, aged 13 to 30, from the exploitation of human and natural resources homosexual demands of the Bagandan ruler, and the bloody march of Islamists such as ISIS Mwanga, and encouraged and instructed and Boko Haram. them in the Catholic faith during their WEEKLY NEWSLETTER 31st MAY 2020 imprisonment for refusing the ruler’s Given those challenges it is easy to think of MASS INTENTIONS demands. Africa as a place where hope does not exist. Sun 31 11.30 am Yet, in fact, the continent is filled with the Charles first learned of Christ’s teachings from promise of a vibrant, young and dedicated two retainers in the court of Chief Catholic Church that continues to grow Matt McCusker Mawulugungu. While a catechumen, he exponentially — even as African Catholics are (Recently Deceased) entered the royal household as assistant to already helping to re-evangelize the West in Joseph Mukaso, head of the court pages. Phil Gough the face of secularism, the culture of death (Recently Deceased) and an amnesia regarding the primacy of God On the night of Mukaso’s martyrdom for and the centrality of the family. James Pearse Kilcullen encouraging the African youths to resist (Recently Deceased) Mwanga, Charles requested and received baptism.
  • Prayer & Pilgrimage

    Prayer & Pilgrimage

    Mary Prayer & Pilgrimage 0 1 In S1 we learned about the historical person of Mary who appears in the gospels. We saw how she is an amazing role model for us because of her faith, courage, determination, love and commitment to Jesus her son. Because of this Mary is very important to Christians – especially Catholics. In this unit you will learn… how she is honoured and celebrated by them how she is prayed to by Catholics how to pray the rosary how Catholics go on pilgrimage to places where Mary is believed to have appeared A reminder: Mary played a very important role in the life of Jesus. She was his mother and there at all the key moments And at the Wedding feast at Cana she speaks to Jesus to get him to help the young couple avoid embarrassment. Catholics believe that she still speaks to Jesus to get his help for those in need. 2 Can you remember Have a quick conversation with the people next to you and try to remember as much as you can from the course on Mary you did in S1. Create a mind map or a list of everything you can remember. Mary 3 Praying to Mary One of the most important things about Catholic Christianity is the fact that they pray to Mary a lot. Usually they will pray in front of a statue to help them focus their minds and thoughts. One prayer to Mary children learn to say very early on the Hail Mary. It starts by reminding us that Mary is blessed because her child Jesus is blessed.