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A Feast of Carols
Mendelssohn Club of Philadelphia Alan Harler, Artistic Director John French, Associate Conductor A Feast of Carols honoring Composer-in-Residence Donald St. Pierre and featuring guest artist Karen Slack Program d Watchman, Tell Us of the Night ………………… Donald St. Pierre Mendelssohn Club commission and premiere Karen Slack, soprano d Personent hodie ……………………………………… Gustav Holst Shepherd ……………………………………………… Donald St. Pierre d While Shepherds Watched …………………… Este’s Psalter, 1592 Billings With Brass …………………………………… Donald St. Pierre 1. Judea 2. Bethlehem 3. Boston 4. Consolation 5. Jamaica d Joy to the World ……………………………… arr. Lowell Mason In the Company of Angels …………………………… Donald St. Pierre Erin Swanson, soprano Cory O’Niell Walker, tenor d Angels We Have Heard on High …………………traditional French O Holy Night ……………………………………………Adolphe Adam Karen Slack, soprano 2 Vesperæ Solennes de Confessore (selections) ……………… W. A. Mozart 1. Dixit Dominus 2. Laudate Dominum Karen Slack, soprano 3. Magnificat Ashley Elisabeth Alden, soprano Amber Johnson, alto John Leonard, tenor Tim Stopper, bass Gesù Bambino ………………………………………………… Pietro Yon Karen Slack, soprano d O Come, All Ye Faithful ……………………… John Francis Wade Lux Aurumque ……………………………………………Eric Whitacre Erin Swanson, soprano d The First Nowell ………………………………arr. David Willcocks Mary Had a Baby ……………………………… arr. William Dawson Karen Slack, soprano A Visit from St. Nicholas …………………………… Donald St. Pierre d Silent Night …………………………………… Franz Xaver Gruber Alan Harler, conductor Mendelssohn Club Chorus Michael Stairs, organ The Mendelssohn Brass d The audience is invited to join in the singing of these carols. Saturday, December 14, 2013 5:00 pm St. Paul’s Episcopal Church Chestnut Hill The use of recording or photographic equipment during this concert is strictly prohibited. -
Lord Mayor's Christmas Carols
LORD MAYOR’S CHRISTMAS CAROLS 5 DECEMBER 2020 SUPPORTING CHILDREN’S HOSPITAL FOUNDATION Presenting partner Charity partner Broadcast partner Working wonders for sick kids have a on moreton island Brisbetter Days Out CONTENTS LORD MAYOR’S MESSAGE 5 THE HOSTS 8 have a THE ARTISTS 10 CHILDREN’S CHRISTMAS SPECTACULAR 17 SING ALONG CHRISTMAS CAROLS 18 MEET THE CAROLS TEAM 22 on moreton island WELCOME The Lord Mayor’s Christmas Carols is a Brisbane tradition bringing together generations of families, friends and communities. We hope you enjoy this spectacular event as we bring you some Christmas cheer. This songbook features the lyrics to some well-known Christmas carols and songs, which we encourage you to join us in singing. It also includes the many outstanding artists, creatives and production crew who provide their talents, helping to bring the passion and joy of Christmas to the city. Christmas is a magical time for children and tonight we are raising funds to help our city’s most vulnerable with the Children’s Hospital Foundation. A donation can be made by purchasing merchandise from the Children’s Hospital Foundation tent or by purchasing the song Christmas in Killarney, recorded especially for this year’s festive season, and performed for the first time tonight by Murphy’s Pigs. To donate and download Christmas in Killarney by Murphy’s Pigs visit www.murphyspigs.com All funds raised tonight will help work wonders for sick kids. Brisbetter Days Out Have a wonderful festive season. 3 LORD MAYOR’S MESSAGE Welcome to the 2020 Lord Mayor’s Christmas Carols. -
CURRICULUM VITAE Walter C. White
CURRICULUM VITAE Walter C. White Home Address: 23271 Rosewood Oak Park, MI 48237 (917) 273-7498 e-mail: [email protected] Website: www.walterwhite.com EDUCATION Banff Centre of Fine Arts Summer Jazz Institute – Advanced study of jazz performance, improvisation, composition, and 1985-1988 arranging. Performances with Dave Holland. Cecil Taylor, Muhal Richard Abrahms, David Liebman, (July/August) Richie Beirach, Kenny Wheeler, Pat LaBarbara, Julian Priester, Steve Coleman, Marvin Smith. The University of Miami 1983-1986 Studio Music and Jazz, Concert Jazz Band, Monk/Mingus Ensemble, Bebop Ensemble, ECM Ensemble, Trumpet. The Juilliard School 1981-1983 Classical Trumpet, Orchestral Performance, Juilliard Orchestra. Interlochen Arts Academy (High School Grades 10-12) 1978-1981 Trumpet, Band, Orchestra, Studio Orchestra, Brass Ensemble, Choir. Interlochen Arts Camp (formerly National Music Camp) 8-weeks Summers, Junior Orchestra (principal trumpet), Intermediate Band (1st Chair), Intermediate Orchestra (principal), 1975- 1979, H.S. Jazz Band (lead trumpet), World Youth Symphony Orchestra (section 78-79, principal ’81) 1981 Henry Ford Community College Summer Jazz Institute Summer Classes in improvisation, arranging, small group, and big band performance. 1980 Ferndale, Michigan, Public Schools (Grades K-9) 1968-1977 TEACHING ACCOMPLISHMENTS Rutgers University, Artist-in-residence Duties included coaching jazz combos, trumpet master 2009-2010 classes, arranging classes, big band rehearsals and sectionals, private lessons, and five performances with the Jazz Ensemble, including performances with Conrad Herwig, Wynton Marsalis, Jon Faddis, Terrell Stafford, Sean Jones, Tom ‘Bones’ Malone, Mike Williams, and Paquito D’Rivera Newark, NY, High School Jazz Program Three day residency with duties including general music clinics and demonstrations for primary and secondary students, coaching of Wind Ensemble, Choir, Jan 2011 Jazz Vocal Ensemble, and two performances with the High School Jazz Ensemble. -
Recital Report
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 5-1975 Recital Report Robert Steven Call Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the Music Commons Recommended Citation Call, Robert Steven, "Recital Report" (1975). All Graduate Plan B and other Reports. 556. https://digitalcommons.usu.edu/gradreports/556 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. RECITAL REPORT by Robert Steven Call Report of a recital performed in partial fulfillment of the requirements for the degree of MASTER OP MUSIC in ~IUSIC UTAH STATE UNIVERSITY Logan, Utah 1975 ii ACKNOWLEDGMENTS I wish to expr ess appreciation to my private music teachers, Dr. Alvin Wardle, Professor Glen Fifield, and Mr. Earl Swenson, who through the past twelve years have helped me enormously in developing my musicianship. For professional encouragement and inspiration I would like to thank Dr. Max F. Dalby, Dr. Dean Madsen, and John Talcott. For considerable time and effort spent in preparation of this recital, thanks go to Jay Mauchley, my accompanist. To Elizabeth, my wife, I extend my gratitude for musical suggestions, understanding, and support. I wish to express appreciation to Pam Spencer for the preparation of illustrations and to John Talcott for preparation of musical examp l es. iii UTAH STATE UNIVERSITY Logan, Utah DEPARTMENT OF MUSIC 1972 - 73 Graduate Recital R. -
Westminster Abbey the WHITEHALL CAROL SERVICE
Westminster Abbey THE WHITEHALL CAROL SERVICE Wednesday 19th December 2012 6.30 pm CHRISTIANS IN GOVERNMENT UK Christians in Government UK is a staff network for Christians working in national Government departments and agencies in the UK. The network has been running the annual Whitehall Carol Service and other events for civil servants since 1999, having taken over the role of supporting Christians in the civil service from the Civil Service Christian Union. We have raised more than £27,000 for charity since 1999. For more information, including how to become involved in departmental Christian groups, please visit www.christiansingovernment.org.uk. ALPHA Christians in Government will be running an Alpha course on Wednesday lunchtimes in Methodist Central Hall Westminster, starting on 16th January 2013. The Alpha course is open to anyone interested in hearing more about the Christian faith. Please visit the above website or email [email protected] for more details. 2 Members of the congregation are kindly requested to refrain from using private cameras, video, or sound recording equipment. Please ensure that mobile phones, pagers, and other electronic devices are switched off. The Abbey is served by a hearing loop. Users should turn their hearing aid to the setting marked T. The service is conducted by The Very Reverend Dr John Hall, Dean of Westminster. The service is sung by the Westminster Abbey Special Service Choir, conducted by James O’Donnell, Organist and Master of the Choristers. The organ is played by Martin Ford, Assistant Organist. Fanfare Trumpeters from the Band of the Grenadier Guards are under the direction of Captain M Smith. -
The Composer's Guide to the Tuba
THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love. -
BYU-I Christmas Program 2020.Pdf
LITTLE DRUMMER BOY.................................... Katherine Davis PROGRAM Vocal Union with BYU-Idaho arr. Nori Brower Combined Choirs, Dancers, WEXFORD CAROL................................................... Irish carol and RixStix Drum Circle (2016) BYU-Idaho Collegiate Singers (2019 and 2020) arr. John Rutter Directed by Randall Kempton Directed by Randall Kempton TREPAK, FROM THE NUTCRACKER..................Pyotr Tchaikovsky HARK! THE HERALD ANGELS SING ................ Felix Mendelssohn Sonos Handbell Ensemble (2019) arr. Douglas E. Wagner BYU-Idaho Combined Choirs, arr. Dan Forrest Symphony Orchestra, and Dancers (2017) Directed by Robert Tueller WE THREE KINGS ................................. John Henry Hopkins, Jr. Vocal Union with BYU-Idaho arr. Darmon Meader Combined Choirs, Symphony Orchestra, from New York Voices MARY’S LITTLE BOY CHILD ............................... Jester Hairston and Dancers (2017) Vocal Union and Steel Drum Band arr. Nori Brower and Directed by Rebecca Lord with BYU-Idaho Combined Choirs David L. Taylor and Symphony Orchestra (2015) Directed by Robert Tueller ARISE, YOUR LIGHT HAS COME.......................... David Danner Sonos Handbell Ensemble with BYU-Idaho Combined Choirs, Symphony Orchestra, LOVE IS AN OPEN DOOR .................. Kristen Anderson-Lopez and and Rexburg Children’s Choir (2019) Santino Fontana and Lexi Walker Robert Lopez from Frozen Directed by Randall Kempton with BYU-Idaho Symphony Orchestra (2017) Directed by Robert Tueller SILENT NIGHT............................... Franz -
Gdbdicembre2017
Venerdì 8 DICEMBRE 2017 Anno LXVIII – n° 808 – € 2,70 Direzione e Amministrazione Via di Borgo, 2 - C.C.P. 1036775482 – Telefono: 0583.723.003 Fax: 0583.723.003 – E-mail: [email protected] Direttore responsabile Luca Galeotti – autorizzazione n° 38 Trib. di Lucca 6/6/49 – stampa San Marco Litotipo srl, Lucca – www.giornaledibarga.it Tariffa R.O.C.: Poste Italiane s.p.a. – Spedizione in Abbonamento Postale D.L. 353/2003 ( conv. in L. 27/02/2004 n° 46 ) art. 1, comma 1, C1/LU Buone Feste 2 ] DICEMBRE 2017 Il Giornale di BARGA Gli eventi del Natale 2017 Pagine a cura dell’ufficio cultura del Comune di Barga ARIA DI NATALE BARGA IN CIOCCOLATA MUSICA 16 DICEMBRE: alla Fondazione Ricci (ore 16) 17 DICEMBRE: Il comitato Amici dell’organo in programma ARIA DI NATALE, iniziativa in del Duomo di Barga organizza il CONCER- ricordo di Gualtiero Pia. Saranno trasmessi TO DI NATALE che si terrà domenica 17 di- alcuni documentari con argomento Natale, il cembre alle ore 21 nella chiesa di San Pietro Presepe vivente e la Befana da lui realizzati in Campo. Durante la serata si esibiranno negli anni ‘80 per l’emittente Tiesse. Patro- le Corali Polifoniche della zona e il ricavato cinano Comune, Fondazione Ricci, IStituto sarà devoluto per il restauro dell’organo del Storico, Associazione della Befana. Duomo di Barga, che versa in cattive condi- zioni. AL TEATRO DEI DIFFERENTI 22 DICEMBRE: Venerdì 22 dicembre presso 20 DICEMBRE: COME STELLE NEL BUIO, l’aula magna dell’ISI di Barga (ore 21,30) si mercoledì 20 dicembre, è la black come- terrà il CONCERTO PER SONIA, una speciale dy che vede protagoniste due delle migliori serata in musica organizzata dagli amici per interpreti del cinema e del teatro italiano, ricordare Sonia Gonnella di Barga, scompar- Isabella Ferrari e Iaia Forte, all’unisono tra 8, 9, 10 DICEMBRE: Praline, torte, cioccola- sa un anno fa. -
PROGRAM NOTES Quincy Symphony Orchestra & Choruses - December 1, 2018 Dr
PROGRAM NOTES Quincy Symphony Orchestra & Choruses - December 1, 2018 Dr. Paul Borg The December holiday season is filled with stories and the music that goes along with them. Sacred and secular stories reflect both serious and fun expectations that families have while anticipating the arrival of Hanukkah, Christmas, and the New Year. Familiar religious stories of the season are Hanukkah, the re-dedication of the Temple in Jerusalem and the lighting of the Menorah, as well as the Nativity of Jesus in Bethlehem. Other stories have developed over centuries, including the Christmas Eve journey of Santa Claus. HARK! arranged by William Camphouse In the arranger's words: “HARK! is joyful statement of celebration - in all respects it’s musically extroverted. Visions of angelic hosts, sturdy four bar phrases and similar harmonic rhythm patterns are common characteristics that link Felix Mendelssohn’s Hark, the Herald Angels Sing and Angels from the Realms of Glory from the British hymn tune Regent Square. Opening with a recurring fanfare motive, both tunes are stated independently, then developed and interwoven making the most of orchestral color and ensemble energy.” Ding, Dong, Merrily / Good King Wenceslas arranged by John Mindeman In the arranger's words: "Ding Dong Merrily / Good King Wenceslas is a lively blend of two traditional Christmas carols, though not always treated in traditional ways musically. “Ding Dong” is a straightforward, rhythmic, happy announcement of the joy of the season, with lots of interplay between the different sections of the orchestra. Good King Wenceslas, by contrast, is a quiet, reflective look at the compassion of King Wenceslas shown to the poor man in the story. -
Discovering Two New Solo Works for Trombone: a History, Summary, and Preparation of Frank Gulino’S Sonata No
The University of Southern Mississippi The Aquila Digital Community Doctoral Projects Spring 5-1-2021 Discovering Two New Solo Works for Trombone: A History, Summary, and Preparation of Frank Gulino’s Sonata No. 1: The Journey, and Joseph Buono’s Elegy for Trombone and Piano John Mark Whitfield Jr University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dnp_capstone Part of the Music Pedagogy Commons, Music Performance Commons, and the Music Practice Commons Recommended Citation Whitfield, John Mark Jr, "Discovering Two New Solo Works for Trombone: A History, Summary, and Preparation of Frank Gulino’s Sonata No. 1: The Journey, and Joseph Buono’s Elegy for Trombone and Piano" (2021). Doctoral Projects. 152. https://aquila.usm.edu/dnp_capstone/152 This Dissertation/Thesis is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Doctoral Projects by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. DISCOVERING TWO NEW SOLO WORKS FOR TROMBONE: A HISTORY, SUMMARY, AND PREPARATION OF FRANK GULINO’S SONATA NO. 1: THE JOURNEY, AND JOSEPH BUONO’S ELEGY FOR TROMBONE AND PIANO by John Mark Whitfield, Jr. A Doctoral Project Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Ben McIlwain, Committee Chair Joseph Brumbeloe Edward Hafer Larry Panella Richard Perry May 2021 COPYRIGHT BY John Mark Whitfield, Jr. -
A Curriculum for Tuba Performance in a Commercial Brass
A CURRICULUM FOR TUBA PERFORMANCE IN A COMMERCIAL BRASS QUINTET BY PAUL CARLSON Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music, Indiana University December, 2013 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Music. ___________________________________ Daniel Perantoni __________________________________ Kyle Adams __________________________________ Jeffrey Nelsen __________________________________ John Rommel ii Preface While a curriculum for any type of performance could be synthesized by theoretical reasoning based upon knowledge of how to learn any new genre or style of music, it is tradition that students turn to leaders in the field to gain insight and knowledge into the specific craft that they wish to pursue. While pure scholarship and study of a repertoire is an excellent way to gain insight into a performance arena, time spent in the field actually performing a certain style of music as a member of a professional ensemble gives a perspective that is intrinsically valuable to a project such as this. In addition to the sources listed in the bibliography and the extensive research done concerning this project, I have been a member of the Dallas Brass Quintet since September of 2010. I currently continue to serve as their tubist. Being a member of this ensemble, which is one of the most active touring commercial styled brass quintets in existence today, has greatly informed me concerning this project in terms of the demands of this type of performance. As I prepared to write this document, I took inventory of the skills and preparation that have allowed me to perform successfully in a commercial brass quintet. -
Band Arranging
Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 1937 Band Arranging Frederic Barker Follow this and additional works at: https://digitalcommons.butler.edu/grtheses Part of the Music Commons Recommended Citation Barker, Frederic, "Band Arranging" (1937). Graduate Thesis Collection. 246. https://digitalcommons.butler.edu/grtheses/246 This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. C' '" MND A.~WiGING By r iTIUERIC ;: A.1KER Thesis presented for the Degroo of Master of Music in l~ei: Education -) ')." f iS 7 The Arthur Jordan Coneervatory of BusiC Approved by: Miss Ada Bicking T14 £1:,.5 ~~lf t. l' 7R" ~ L[) 7a. ,8pc2h f.3rJl! B.t1.r UlliTf>rlih mJfdan Collele of Mulil PRE!'ACB It is the purpo~~ of this theGis to establish a plan of pro cedure .. hioh _y serve as an aid in assisting the student of ~re.ng ing to meet the required needs of the military hand. Two essential methods may he pursued, the practical and the artistic. "The practical Inethod requires a thorough knowledge of the variou8 instruments, their range, registers, tonal quality and color, peculiarities of fingerin~, effective possibilities etc., as well D8 the necessary understanding for individual and collective use of all the instruments. The artistic method, on the contrary, cannot be ac quired beyond a certain degree, and whib it may be aesimilated in a small measure through analysis and study or the works of great com po~erD, it must, for the greater part at least, be natural and inborn.