In the Light of What We Know | GRANTA
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
1 Daniel O'gorman Global Terror
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Oxford Brookes University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tate Department report, for instance, highlighted that ‘ISIL showed a particular capability in the use of media and online products to address a wide spectrum of potential audiences … . [Its] use of social and new media also facilitated its efforts to attract new recruits to the battlefields in Syria and Iraq, as ISIL facilitators answered in real time would-be members’ questions about how to travel to join the group’.2!S,%$9!O('<$%;'-!$%;!#'$%!O('<$%;'-!C,--,/,-$3'! 39&:!&%!!"#$%&'()*$*+,(-.%/$*&01(*2+(30+%4(5&*2.6*(7.89+8"J!%,3&%G!39$3!M5L!4:':! :,C&$(!.';&$!'<C'=3&,%$((?!@'((*J!$%;!39$3!&%!67"T!39'!,-G$%&:$3&,%!'>'%!M-'('$:';!&3:! -
WELKOM Annual Meeting of the American Comparative Literature Association
ACLA 2017 ACLA WELKOM Annual Meeting of the American Comparative Literature Association ACLA 2017 | Utrecht University TABLE OF CONTENTS Welcome and Acknowledgments ...............................................................................................4 Welcome from Utrecht Mayor’s Office .....................................................................................6 General Information ................................................................................................................... 7 Conference Schedule ................................................................................................................. 14 Biographies of Keynote Speakers ............................................................................................ 18 Film Screening, Video Installation and VR Poetry ............................................................... 19 Pre-Conference Workshops ...................................................................................................... 21 Stream Listings ..........................................................................................................................26 Seminars in Detail (Stream A, B, C, and Split Stream) ........................................................42 Index......................................................................................................................................... 228 CFP ACLA 2018 Announcement ...........................................................................................253 Maps -
LIST of SIGNATORIES: Michael Adams Chimamanda Adichie Ayad
LIST OF SIGNATORIES: Michael Adams Chimamanda Adichie Ayad Akhtar Shahidul Alam Zain Alam Eric Alterman Suroosh Alvi Zanab Alvi Christiane Amanpour Tahmima Anam Kwame Anthony Appiah Lisa Appignanesi Margaret Atwood Paul Auster Gary J. Bass Alison Bechdel Daniel Levin Becker Nicole Beckley David A. Bell Mukund Belliappa Alexander Benaim Dev Benegal Homi K. Bhabha Kai Bird Stefan Merrill Block Marie Brenner Suzanne Brøgger Tina Brown Saffron Burrows Robert A. Caro Casey Cep Michael Chabon Amit Chaudhuri Ron Chernow Sandra Cisneros John Coetzee Joshua Cohen Lauren Collins Pamela Colloff Lydia Conklin Leopoldine Core Molly Crabapple Meehan Crist Rana Dasgupta Hayes Davenport Laura Davis Joséphine de La Baume Mary Dearborn Don DeLillo Anita Desai Kiran Desai Mira Desai Diva Dhar Jennifer Egan Bina Sarkar Ellias Louise Erdrich Jeffrey Eugenides Sir Harold Evans Clara Farmer Mia Farrow Thalia Field Amanda Foreman Emma Forrest Jonathan Franzen Nell Freudenberger Shruti Ganguly Arunabh Ghosh Amitav Ghosh Francisco Goldman Priyamvada Gopal Philip Gourevitch Andrew Sean Greer Lev Grossman Guy Gunaratne Ruchira Gupta Mohsin Hamid Daniel Handler (aka Lemony Snicket) Githa Hariharan Anne Heller Alexander Hemon Hitha Herzog Faith Hillis Martha Hodes Brooke Holmes Anadil Hossain Jessie Hunnicutt Siri Hustvedt David Henry Hwang Yudhishthir Raj Isar Leela Jacinto Christophe Jaffrelot Maya Jasanoff Sheila Jasanoff Margo Jefferson Radhika Jones Mira Kamdar Rohan Kamicheril Meena Kandasamy Sofia Karim Mary Karr Tara Kelton F.T. Kola Amitava Kumar Anjali Kumar -
AMERICAN LITERARY MINIMALISM by ROBERT CHARLES
AMERICAN LITERARY MINIMALISM by ROBERT CHARLES CLARK (Under the Direction of James Nagel) ABSTRACT American Literary Minimalism stands as an important yet misunderstood stylistic movement. It is an extension of aesthetics established by a diverse group of authors active in the late-nineteenth and early twentieth centuries that includes Amy Lowell, William Carlos Williams, and Ezra Pound. Works within the tradition reflect several qualities: the prose is “spare” and “clean”; important plot details are often omitted or left out; practitioners tend to excise material during the editing process; and stories tend to be about “common people” as opposed to the powerful and aristocratic. While these descriptors and the many others that have been posited over the years are in some ways helpful, the mode remains poorly defined. The core idea that differentiates American Minimalism from other movements is that prose and poetry should be extremely efficient, allusive, and implicative. The language in this type of fiction tends to be simple and direct. Narrators do not often use ornate adjectives and rarely offer effusive descriptions of scenery or extensive detail about characters’ backgrounds. Because authors tend to use few words, each is invested with a heightened sense of interpretive significance. Allusion and implication by omission are often employed as a means to compensate for limited exposition, to add depth to stories that on the surface may seem superficial or incomplete. Despite being scattered among eleven decades, American Minimalists share a common aesthetic. They were not so much enamored with the idea that “less is more” but that it is possible to write compact prose that still achieves depth of setting, characterization, and plot without including long passages of exposition. -
Songs by Artist
Andromeda II DJ Entertainment Songs by Artist www.adj2.com Title Title Title 10,000 Maniacs 50 Cent AC DC Because The Night Disco Inferno Stiff Upper Lip Trouble Me Just A Lil Bit You Shook Me All Night Long 10Cc P.I.M.P. Ace Of Base I'm Not In Love Straight To The Bank All That She Wants 112 50 Cent & Eminen Beautiful Life Dance With Me Patiently Waiting Cruel Summer 112 & Ludacris 50 Cent & The Game Don't Turn Around Hot & Wet Hate It Or Love It Living In Danger 112 & Supercat 50 Cent Feat. Eminem And Adam Levine Sign, The Na Na Na My Life (Clean) Adam Gregory 1975 50 Cent Feat. Snoop Dogg And Young Crazy Days City Jeezy Adam Lambert Love Me Major Distribution (Clean) Never Close Our Eyes Robbers 69 Boyz Adam Levine The Sound Tootsee Roll Lost Stars UGH 702 Adam Sandler 2 Pac Where My Girls At What The Hell Happened To Me California Love 8 Ball & MJG Adams Family 2 Unlimited You Don't Want Drama The Addams Family Theme Song No Limits 98 Degrees Addams Family 20 Fingers Because Of You The Addams Family Theme Short Dick Man Give Me Just One Night Adele 21 Savage Hardest Thing Chasing Pavements Bank Account I Do Cherish You Cold Shoulder 3 Degrees, The My Everything Hello Woman In Love A Chorus Line Make You Feel My Love 3 Doors Down What I Did For Love One And Only Here Without You a ha Promise This Its Not My Time Take On Me Rolling In The Deep Kryptonite A Taste Of Honey Rumour Has It Loser Boogie Oogie Oogie Set Fire To The Rain 30 Seconds To Mars Sukiyaki Skyfall Kill, The (Bury Me) Aah Someone Like You Kings & Queens Kho Meh Terri -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ The Big Baby Crime Spree and Other Delusions A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements of the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of English and Comparative Literature of the College of Arts and Sciences 2006 by Darrin Michael Doyle B.A. Western Michigan University, 1996 M.F.A. Western Michigan University, 1999 Committee Chair: Brock Clarke, Ph.D. The Big Baby Crime Spree and Other Delusions: Short Stories Darrin Doyle Dissertation Abstract My creative work focuses on the notion of belief – not religious belief, necessarily, but belief (mistaken or not) in our ability to control the circumstances that shape us: as Wallace Stevens wrote, “It is the belief and not the god that counts.” Thematically, my works feature the following characteristics: elements of the fantastic; dark humor; and working-class protagonists who seek to palliate some unnamable dissatisfaction in their lives and who seek this correction through obsessive behavior that might be either wonderfully healing or terribly misguided – the results are in the eye of the beholder. The tensions between the fantastic and the realistic, between blue-collar and academic concerns, between knowing and not-knowing, between what we internally perceive and the external truth – unresolved oppositions like these are what create the lasting effects of literature, and they are what I strive to cultivate in my writing. -
A Collection of Short Stories
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 2009 Echoes From the Other Land: A collection of short stories Aso Heidari University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Heidari, Aso, "Echoes From the Other Land: A collection of short stories" (2009). Electronic Theses and Dissertations. 8100. https://scholar.uwindsor.ca/etd/8100 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. ECHOES FROM THE OTHER LAND: A COLLECTION OF SHORT STORIES By Aso Heidari A Creative Writing Project Submitted to the Faculty of Graduate Studies through the Department of English Language, Literature and Creative Writing in Partial Fulfillment of the Requirements -
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15 NICHOLAS STAVRIS, Huddersfield Fears of the Now: Globalisation in Jonathan Franzen's Freedom and Zia Haider Rahman's In the Light of What We Know Writing for The Observer in 2014, Alex Preston defines Zia Haider Rahman's debut novel In the Light of What We Know as "the novel I'd hoped Jonathan Franzen's Freedom would be (but wasn't) – an exploration of the post-9/11 world that is both personal and political, epic and intensely moving" (Preston 2014, n.p.). Preston's comparison of the two novels here is of course open to debate. However, lifelong fans of Franzen who have observed his transition from postmodernist to realist, or his movement from the experimental to the mainstream market (Burn 2008, x/xi) would no doubt argue that the author of the hugely successful 2001 novel The Corrections paints a disturbingly real portrait in Freedom (2010) of the emotions that embody both the US individual and US culture simultaneously. Furthermore, Preston's suggestion that Freedom is not 'personal,' 'political,' 'epic' or 'intensely moving' is surely a description that is open to some degree of criticism. If nothing more, Freedom encapsulates all of these things. At the same time, Preston is well within his rights to suggest that Rahman's In the Light of What We Know (2014) presents a far more illuminating picture of 21st- century culture. Rahman's novel manages to achieve similar effects to those of Franzen's Freedom through a thought-provoking critique of the power of writing and narrative knowledge. Whilst there is certainly an argument to be made as to which novel more accurately engages with contemporary culture, I would suggest that Preston's analysis of the two novels misses the point. -
Writers Blocked Michael Rosen Diane Roberts Lionel Shriver
2 PROSPECT Foreword by Sameer Rahim oetry makes noth- with profoundly is the rediscovery of her people and her country and finding ing happen.” That insitutionalised racism in the US that feels no comfort. line in WH Auden’s more relevant than ever.” What about those targeted by poem dedicated to the For US writers, the elephant in the populists—such as migrants? I argue that memory of WB Yeats room (or bull in the china shop) is Presi- the UK has seen an upswing in great writ- “Pis often taken to endorse the idea of an dent Donald Trump. But how should they ing about its ethnic minority communities. apolitical approach to literature. Auden, approach such an outlandish personal- This is only likely to increase as demo- once a committed Marxist, had by 1940 ity? Miranda France argues they could graphics change. “Mixed-race” is now the given up trying to change the world. (Who do worse than turn to their Latin Ameri- fastest-growing ethnic category in the UK, can blame him?) But that didn’t mean he can counterparts, who have had to deal which means more of the older generation thought the world was now off-limits; just with “preening strongmen” for decades. than ever have grandchildren with a differ- that we should expect something different The Peruvian Mario Vargas Llosa and the ent racial background. from that form of communication. The Dominican-American Junot Díaz tackled Linked to these changes we have seen line continues, poetry “survives in the val- the dictator Rafael Trujillo with contrast- more accusations of “cultural appropri- ley of its making.” Auden’s lines, read this ing styles: one realist, one fantastical; but ation”—authors writing about cultures way, are defiant, not meek. -
Michael Rosen, Diane Roberts, Emran Mian, Miranda France and Anthony Cummins on How Novelists Are Taking on the World 2 PROSPECT
Writing with punch Michael Rosen, Diane Roberts, Emran Mian, Miranda France and Anthony Cummins on how novelists are taking on the world 2 PROSPECT Foreword by Sameer Rahim oetry makes noth- nects with profoundly is the rediscovery of and her country and finding no comfort. ing happen.” That insitutionalised racism in the US that feels What about those targeted by line in WH Auden’s more relevant than ever.” populists—such as migrants? I argue that poem dedicated to the For US writers, the elephant in the the UK has seen an upswing in great writ- memory of WB Yeats, room (or bull in the china shop) is Presi- ing about its ethnic minority communities. “Pis often taken to endorse the idea of an dent Donald Trump. But how should they This is only likely to increase as demo- apolitical approach to literature. Auden, approach such an outlandish personal- graphics change. “Mixed-race” is now the once a committed Marxist, had by 1940 ity? Miranda France argues they could fastest-growing ethnic category in the UK, given up trying to change the world. (Who do worse than turn to their Latin Ameri- which means more of the older generation can blame him?) But that didn’t mean he can counterparts, who have had to deal than ever have grandchildren with a differ- thought the world was now off-limits; just with “preening strongmen” for decades. ent racial background. that we should expect something different The Peruvian Mario Vargas Llosa and the Politics begins at home, says Anthony from that form of communication. -
Cosmopolitan Disasters: from Bhopal to the Tsunami in South Asian Anglophone Literature
COSMOPOLITAN DISASTERS: FROM BHOPAL TO THE TSUNAMI IN SOUTH ASIAN ANGLOPHONE LITERATURE by Liam O'Loughlin B.A. in English, University of Maryland, College Park, 2008 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Liam O’Loughlin It was defended on April 6, 2015 and approved by Troy Boone, Associate Professor, English Neil Doshi, Assistant Professor, French and Italian Hannah Johnson, Associate Professor, English Neepa Majumdar, Associate Professor, English and Film Studies Dissertation Advisor: Shalini Puri, Associate Professor, English ii Copyright © by Liam O'Loughlin 2015 Portions of chapter one were published in “Negotiating Solidarity: Indra Sinha’s Animal’s People and the ‘NGO-ization’ of Postcolonial Narrative,” Comparative American Studies, 12.1-2 (2014): 101-13. A portion of chapter two was published in "Burnt Shadows," The Literary Encyclopedia, 2012. iii COSMOPOLITAN DISASTERS: FROM BHOPAL TO THE TSUNAMI IN SOUTH ASIAN ANGLOPHONE LITERATURE Liam O'Loughlin, PhD University of Pittsburgh, 2015 This dissertation examines the representational conflict over sites of disaster in the contemporary period of neoliberal globalization. I name these disasters “cosmopolitan” not to assign value but to designate a set of political and representational problems that stem from each event’s position of global prominence. Interpreting Anglophone literatures of India, Pakistan, and Sri Lanka, I pair dominant modes of representation with particular disasters: humanitarian representations and the Union Carbide Bhopal gas leak; images of apocalypse that circulated after the 1998 nuclear tests in India and Pakistan; bureaucratic aesthetics and a set of coal mine collapses in 2001; and the wilderness aesthetics of the 2004 tsunami.