MAXWELL DAVIES Symphony No
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Boston Lyric Opera Brings 'The Lighthouse'
Boston Lyric Opera brings ‘The Lighthouse’ to JFK By Harlow Robinson | GLOBE CORRESPONDENT JONATHAN WIGGS/GLOBE STAFF Thomas Hase, lighting designer for ‘‘The Lighthouse,’’ at the JFK Library. In New England we love our lighthouses. Beacons of safety in the stormy dark, they adorn the jagged coastline like timeless monuments to our maritime history. But lighthouses, especially in the pre- automation era, also gave rise to more unsettling feelings and questions. Who lives there, anyhow? What weird phenomena might lighthouse keepers witness, or imagine, during those long days and nights of lonely vigil, fog, and spray? These questions also fascinated distinguished British composer Peter Maxwell Davies. For many years, Davies, 77, has lived on Sanday, one of the remote Orkney Islands north of Scotland, where lighthouses are crucial fixtures of the ruggedly romantic landscape. In 1979, Davies transformed his interest in local maritime lore into music when he completed “The Lighthouse,’’ a chamber opera in a prologue and one act. Since its 1980 premiere at the Edinburgh Festival, “The Lighthouse’’ has become one of the most popular of all 20th-century operas, having been performed by more than 100 different companies. This week, Boston Lyric Opera will present four performances in Smith Hall at the John F. Kennedy Presidential Library and Museum. British stage director Tim Albery will make his BLO debut, as will set and costume designer Camellia Koo. BLO’s British-born music director David Angus will conduct. “The Lighthouse’’ is the latest offering in BLO’s Opera Annex program, created to stage productions in alternative, non-theatrical venues around the city. -
The Persistence of Parody in the Music of Peter Maxwell Davies
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Insight - University of Cumbria The Persistence of Parody in the Music of Peter Maxwell Davies Richard E McGregor It’s all about time. Indeed there is not a single piece of musical composition that is not in some way about time. And for Davies the manipulation of time is rooted in his understanding of late Medieval and early Renaissance musical techniques and practices refracted through post 12-note pitch manipulation. In this article I take to task the uncritical use of terminology in relation to the music of Peter Maxwell Davies. Though my generating text is the quotation from John Warnaby’s 1990 doctoral thesis: Since parody is implied in the notion of using pre-existing material as a creative model, it can be argued that, as traditionally understood, it is rarely absent from Maxwell Davies’s music[1] this is in no wise a criticism of Warnaby for whom I have much respect, and especially his ability to be able to perceive patterns, trends and unifying features between works and across extended periods of time. Rather, it is a commentary on particular aspects of Davies’s music which are often linked together under the catch-all term ‘parody’: EXAMPLE 1: Dali’s The Persistence of Memory[2] I take as my starting point the painting The Persistence of Memory by Salvador Dali, a painting which operates on a number of levels, the most obvious, because of the immediate imagery, being that is has something to do with time. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Frank Rosolino
FRANK ROSOLINO s far as really being here, weeks has been a complete ball. have. Those I've met and heard in- this was my first visit to Also, on a few nights John Taylor clude John Marshall, Wally Smith, Britain. I was here in 1953 was committed elsewhere; so Bobby Lamb, Don Lusher, George Awith Stan Kenton, which Gordon Beck come in to take his Chisholm. I liked George's playing was just an overnight thing; so place. He's another really excellent very much; he has a nice conception twenty years have elapsed in be- player. You've got some great play- and feel, good soul, and he plays tween. I've been having an abso- ers round here! with an extremely good melodic lutely beautiful time here, and en- They're equal to musicians I sense. joying London. work with in the States. I mean, it As for my beginnings—I was Playing at Ronnie Scott's with doesn't matter where you are; once born and raised in Detroit, Michigan, me I had John Taylor on piano, Ron you've captured the feeling for jazz, until I was old enough to be drafted Mathewson on bass and Martin and you've been playing it practi- into the Service, which was the latter Drew on drums. Absolutely great cally all your life, you're a pro at it. part of '44. I started playing guitar players, every one of 'em. I can't tell I've heard so much about when I was nine or ten. My father you how much I enjoyed myself, and trombonist Chris Pyne that when I played parties and weddings on it just came out that way. -
Naxos Catalog (May
CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 95 Alphorn 96 Easy Listening 113 Operetta 125 American Classics 96 Flute 116 Orchestral 125 American Jewish Music 96 Funeral Music 117 Organ 128 Ballet 96 Glass Harmonica 117 Piano 129 Baroque 97 Guitar 117 Russian 131 Bassoon 98 Gypsy 119 Samplers 131 Best Of series 98 Harp 119 Saxophone 132 British Music 101 Harpsichord 120 Timpani 132 Cello 101 Horn 120 Trombone 132 Chamber Music 102 Light Classics 120 Tuba 133 Chill With 102 Lute 121 Trumpet 133 Christmas 103 Music for Meditation 121 Viennese 133 Cinema Classics 105 Oboe 121 Violin 133 Clarinet 109 Ondes Martenot 122 Vocal and Choral 134 Early Music 109 Operatic 122 Wedding Music 137 Wind 137 Naxos Historical . 138 Naxos Nostalgia . 152 Naxos Jazz Legends . 154 Naxos Musicals . 156 Naxos Blues Legends . 156 Naxos Folk Legends . 156 Naxos Gospel Legends . 156 Naxos Jazz . 157 Naxos World . 158 Naxos Educational . 158 Naxos Super Audio CD . 159 Naxos DVD Audio . 160 Naxos DVD . 160 List of Naxos Distributors . 161 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2005 Catalogue $ Recording scheduled to be released before 31 March, 2006 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. -
Other Minds in Association with the Berkeley Art
OTHER MINDS IN ASSOCIATION WITH THE BERKELEY ART MUSEUM/ PACIFIC FILM ARCHIVE & THE MISSION DOLORES BASILICA PRESENTS OTHER MINDS FESTIVAL 22 FEBRUARY 18, 19 & MAY 20, 2017 MISSION DOLORES BASILICA, SAN FRANCISCO & BERKELEY ART MUSEUM/PACIFIC FILM ARCHIVE, BERKELEY 2 O WELCOME FESTIVAL TO OTHER MINDS 22 OF NEW MUSIC The 22nd Other Minds Festival is present- 4 Message from the Artistic Director ed by Other Minds in association with the 8 Lou Harrison Berkeley Art Museum/Pacific Film Archive & the Mission Dolores Basilica 9 In the Composer’s Words 10 Isang Yun 11 Isang Yun on Composition 12 Concert 1 15 Featured Artists 23 Film Presentation 24 Concert 2 29 Featured Artists 35 Timeline of the Life of Lou Harrison 38 Other Minds Staff Bios 41 About the Festival 42 Festival Supporters: A Gathering of Other Minds 46 About Other Minds This booklet © 2017 Other Minds, All rights reserved 3 MESSAGE FROM THE EXECUTIVE DIRECTOR WELCOME TO A SPECIAL EDITION OF THE OTHER MINDS FESTIVAL— A TRIBUTE TO ONE OF THE MOST GIFTED AND INSPIRING FIGURES IN THE HISTORY OF AMERICAN CLASSICAL MUSIC, LOU HARRISON. This is Harrison’s centennial year—he was born May 14, 1917—and in addition to our own concerts of his music, we have launched a website detailing all the other Harrison fêtes scheduled in his hon- or. We’re pleased to say that there will be many opportunities to hear his music live this year, and you can find them all at otherminds.org/lou100/. Visit there also to find our curated compendium of Internet links to his work online, photographs, videos, films and recordings. -
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Peter Maxwell Davies’s ’Revelation and Fall’: Influence study and analysis Thesis How to cite: Rees, Jonathan (2011). Peter Maxwell Davies’s ’Revelation and Fall’: Influence study and analysis. PhD thesis The Open University. For guidance on citations see FAQs. c 2011 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000ed80 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk 0 º. ar2 ý ýrwz. t cl-c- Z1 JonathanRees PhD 1131 PETER MAXWELL DAVIES'S REVELATIONAND FALL: INFLUENCE STUDY AND ANALYSIS VOLUME ONE - TEXT A thesis submitted for the degreeof PhD in Music. Submitted: 17thSeptember 2010 ß'C' oc Awr% a: 20 _$ t 1Zc -t i ABSTRACT This thesis is an analysis of Peter Maxwell Davies's Revelation and Fall, through the influences that affect the development of its musical language and adoption of the expressionist aesthetic. Each chapter concentrates upon one aspect of the work: (1) its deployment of precompositional processes of thematic transformation; (2) the superimposition of different levels of structural organization; (3) motivic working within thematic transformation and contrapuntal devices; (4) experiments with timbre and the manipulation of temporal flow; and (5) the dramatic and aesthetic influences that shapethe presentationof the work. -
HENRY and LEIGH BIENEN SCHOOL of MUSIC SPRING 2017 Fanfare
HENRY AND LEIGH BIENEN SCHOOL OF MUSIC SPRING 2017 fanfare 124488.indd 1 4/19/17 5:39 PM first chair A MESSAGE FROM THE DEAN One sign of a school’s stature is the recognition received by its students and faculty. By that measure, in recent months the eminence of the Bienen School of Music has been repeatedly reaffirmed. For the first time in the history of the Van Cliburn International Piano Competition, this spring one of the contestants will be a Northwestern student. EunAe Lee, a doctoral student of James Giles, is one of only 30 pianists chosen from among 290 applicants worldwide for the prestigious competition. The 15th Van Cliburn takes place in May in Ft. Worth, Texas. Also in May, two cello students of Hans Jørgen Jensen will compete in the inaugural Queen Elisabeth Cello Competition in Brussels. Senior Brannon Cho and master’s student Sihao He are among the 70 elite cellists chosen to participate. Xuesha Hu, a master’s piano student of Alan Chow, won first prize in the eighth Bösendorfer and Yamaha USASU Inter national Piano Competition. In addition to receiving a $15,000 cash prize, Hu will perform with the Phoenix Symphony and will be presented in recital in New York City’s Merkin Concert Hall. Jason Rosenholtz-Witt, a doctoral candidate in musicology, was awarded a 2017 Northwestern Presidential Fellowship. Administered by the Graduate School, it is the University’s most prestigious fellowship for graduate students. Daniel Dehaan, a music composition doctoral student, has been named a 2016–17 Field Fellow by the University of Chicago. -
Purcell King Arthur Semi-Staged Performance Tuesday 3 October 2017 7Pm, Hall
Purcell King Arthur semi-staged performance Tuesday 3 October 2017 7pm, Hall Academy of Ancient Music AAM Choir Richard Egarr director/harpsichord Daisy Evans stage director Jake Wiltshire lighting director Thomas Lamers dramaturg Ray Fearon narrator Louise Alder soprano Mhairi Lawson soprano Reginald Mobley countertenor Charles Daniels tenor Ivan Ludlow baritone Ashley Riches bass-baritone Marco Borggreve Marco Rosie Purdie assistant stage director Jocelyn Bundy stage manager Hannah Walmsley assistant stage manager There will be one interval of 20 minutes after Part 1 Part of Barbican Presents 2017–18 Part of Academy of Ancient Music 2017–18 Generously supported by the Geoffrey C Hughes Charitable Trust as part of the AAM Purcell Opera Cycle Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight marks the second instalment in a directly to a modern audience in the Brexit three-year series of semi-stagings of Purcell era. The subject of national identity – works, co-produced by the Barbican and central to King Arthur – has never seemed Academy of Ancient Music. Following a more pertinent. hugely successful Fairy Queen last season, AAM Music Director Richard Egarr and This piece contains some of Purcell’s stage director Daisy Evans once again most visit and beautiful music – including combine in this realisation of Purcell’s the celebrated aria ‘Fairest isle’ – and King Arthur. -
New on Naxos | August 2014
NEWThe World’s ON Leading ClassicalNAXOS Music Label AUGUST 2014 Myroslav Skoryk This Month’s Other Highlights At least 8 titles include world première recordings! © 2014 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | AUGUST 2014 Myroslav Skoryk Includes Myroslav SKORYK (b. 1938) World Première Recordings Carpathian Concerto Diptych† • Violin Concerto No. 7†1 Cello Concerto†2 • Dytynstvo (Childhood) from the ‘Hutsul Triptych’ • Melody† Caprice No. 19 from ’24 Paganini Caprices’† Spanish Dance from ‘The Stone Host Suite’† Nazary Pilatyuk, Violin1 • Valery Kazakov, Cello2 Odessa Philharmonic Orchestra • Hobart Earle †WORLD PREMIÈRE RECORDINGS Myroslav Skoryk holds the title of People’s Artist of Ukraine and is one of his country’s outstanding composers. Both the Cello Concerto and the Seventh Violin Concerto combine bittersweet lyricism with explosive dynamic contrasts. With its swinging rhythms and folk-music pungency the Carpathian Concerto is one of Skoryk’s most engaging and popular works. The pensive Melody for strings propelled him to the forefront of Ukrainian music, while the slapstick in his transcription of Paganini’s Caprice No. 19 reveals the composer’s humorous side. These live recordings were made at Myroslav Skoryk’s 75th anniversary concerts in Odessa. Born in Venezuela of American parents, Hobart Earle has developed 8.573333 Playing Time: 76:42 a reputation on several continents as a dynamic and exciting conductor. As Music Director and Principal Conductor of the Odessa Philharmonic Orchestra, Mr. Earle has elevated the orchestra to a 7 47313 33337 0 position of international prominence, unprecedented in the history of the organization. -
Naxos Catalog07
CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 105 Alphorn 105 Easy Listening 113 Operetta 120 American Classics 105 Flute 113 Orchestral 120 American Jewish Music 105 Funeral Music 114 Organ 122 Ballet 105 Glass Harmonica 114 Piano 124 Baroque 106 Guitar 114 Russian 125 Bassoon 106 Gypsy 117 Saxophone 125 Best Of series 106 Harp 117 Timpani 126 British Music 107 Harpsichord 117 Trombone 126 Cello 107 Horn 117 Trumpet 126 Chamber Music 107 Light Classics 117 Tuba 126 Chill With 107 Lute 118 Very Best Of series 126 Christmas 108 Mandolin 118 Viennese 127 Cinema Classics 109 Music for Meditation 118 Violin 127 Clarinet 109 Oboe 118 Vocal and Choral 127 Early Music 110 Ondes Martenot 119 Wedding Music 129 Easter 113 Operatic 119 Wind 129 Naxos Historical . 130 Naxos Nostalgia . 144 Naxos Jazz Legends . 146 Naxos Musicals . 148 Naxos Blues Legends . 148 Naxos Folk Legends . 148 Naxos Gospel Legends . 148 Naxos Jazz . 149 Naxos World . 149 Naxos Educational . 150 Naxos Super Audio CD . 151 Naxos DVD Audio . 152 Naxos DVD . 152 List of Naxos Distributors . 153 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2006 Catalogue $ Recording scheduled to be released before 31 March, 2007 ♦ Titles transferred from LP † Please note that not all titles are available in all territories. Check with your local distributor for availability. Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. -
Naxos Catalog07
CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 109 Alphorn 110 Easy Listening 118 Operetta 126 American Classics 110 Flute 119 Orchestral 126 American Jewish Music 110 Funeral Music 119 Organ 128 Ballet 111 Glass Harmonica 119 Piano 129 Baroque 111 Guitar 120 Russian 131 Bassoon 111 Gypsy 122 Saxophone 131 Best Of series 111 Harp 122 Timpani 131 British Music 112 Harpsichord 122 Trombone 131 Cello 112 Horn 123 Trumpet 132 Chamber Music 112 Light Classics 123 Tuba 132 Chill With 113 Lute 124 Very Best Of series 132 Christmas 113 Mandolin 124 Viennese 132 Cinema Classics 114 Music for Meditation 124 Violin 132 Clarinet 115 Oboe 124 Vocal and Choral 133 Early Music 115 Ondes Martenot 124 Wedding Music 135 Easter 118 Operatic 124 Wind 135 Naxos Historical . 136 Naxos Nostalgia . 151 Naxos Jazz Legends . 152 Naxos Musicals . 154 Naxos Blues Legends . 155 Naxos Folk Legends . 155 Naxos Gospel Legends . 155 Naxos Jazz . 156 Naxos World . 156 Naxos Educational . 157 Naxos Super Audio CD . 158 Naxos DVD Audio . 159 Naxos DVD . 159 List of Naxos Distributors . 160 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2006 Catalogue $ Recording scheduled to be released before 31 March, 2007 ♦ Titles transferred from LP † Please note that not all titles are available in all territories. Check with your local distributor for availability. Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating.