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20Th-Century Repertory
Mikrokosmos List 655. - 2 - March 2020 ....20TH-CENTURY REPERTORY 1 Absil, Jean: Threne pour le Vendredi Saint/R.Bernier: Ode a unce Madone CULTURA 50679 A 10 (orch)/Feldbusch, Eric: 3 Poems of G.Lorca (narr, orch) - cond.de Haene, Ghyros , (Records International jacket) S 2 Alvarez Del Toro, Federico: Sinfonia "El Espiritu de la Tierra" (marimba & orch); ANGEL SAM 35080 A 25 Oratorio en la Cueva de la Marimba - cond.comp (gatefold) (p.1985) S 3 Alvarez del Toro, Federico: Gneiss (orch, 4 soli, tape); Ozomatli (voices, metal orch, DISCOS PUE DP. 1060 A 40 percussion & tape) - cond.comp S 4 Andriessen, Hendrik: Kuhnau Variations, Ricercare/L.Orthel: Sym 2 - Hague PO, PHILIPS A 2047 A 10 cond.Otterloo 5 Andriessen, Hendrik: Omaggio/Flothuis: Round/Straesser: Herfst/ Henkemans: DONEMUS DAVS 6903 A 10 Villonnerie/Kox: Cyclophony V - cond.Fournet, Nobel, Hupperts, Voorberg all live with scores S 6 Andriessen, Henrik: Sym 1/ Paap: Garlands of Music/ Horst: Reflexions Sonores - DONEMUS DAVS 6804 A 10 cond.Hupperts, Otterloo, Haitink all live with scores S 7 Andriessen, Jurriaan: Movimenti/ Delden: Piccolo Con/ Kox: Cyclofonie 1/ DONEMUS DAVS 6602 A 10 Badings: Sym 9 - cond.Rieu, Hupperts, Zinman all live with scores S 8 Andriessen, Jurriaan: Sym 4 (Aves)/Prokofiev: Lieutenant Kije Suite/Roussel: Rap PHILIPS D 88037 A 8 Flamande - cond.Hermans, Moonen (gatefold) 9 Andriessen, Louis: Nocturnen/Flothuis, Marius: Canti e Giuochi/Orthel, Leon: DONEMUS DAVS 6504 A 8 Scherzo II - E.Lugt sop, cond.Haitink, Jordans (complete score) 1965 10" 10 Badings: -
21214Booklet.Pdf
Charles Avison (1709-1770) – Trio Sonatas, op. 1 CD1 No. 1 in chromatic Dorian mode [8.35] No. 4 in Dorian mode [8.15] 01 Adagio - andante [2.04] 13 Largo [1.58] 02 Allegro [2.10] 14 Allegro [2.09] 03 Dolce [1.44] 15 Adagio [1.19] 04 Allegro [2.37] 16 Allegro [2.49] No. 2 in G minor [10.23] No. 5 in E minor [6.32] 05 Andante [2.43] 17 Adagio [1.35] 06 Allegro [3.59] 18 Allegro [1.37] 07 Adagio [1.12] 19 Adagio [1.08] 08 Allegro [2.29] 20 Allegro [2.12] No. 3 in G minor [6.29] No. 6 in D major [6.20] 09 Largo [1.53] 21 Andante [1.46] 10 Allegro [1.34] 22 Allegro [2.13] 11 Adagio [1.14] 23 Adagio [0.33] 12 Allegro [1.48] 24 Giga: Allegro [1.48] Members of the Avison Ensemble: Total duration (CD1) 47.21 Pavlo Beznosiuk (violin) Caroline Balding (violin) Richard Tunnicliffe (cello) Robert Howarth (chest organ) Charles Avison (1709-1770) – Keyboard Sonatas, op. 8 CD2 No. 1 in A major [8.20] No. 4 in B flat major [7.28] 01 Andante cantabile [3.36] 08 Andante [2.53] 02 Presto [4.44] 09 Presto [4.35] No. 2 in C major [9.06] No. 5 in G minor [8.10] 03 Allegro [4.37] 10 Andante [3.33] 04 Interludio andante [1.24] 11 Presto [4.37] 05 Allegro [3.05] No. 6 in G major [7.32] No. 3 in D major [8.33] 12 Aria andante – allegro 06 Marcia andante [4.07] 07 Aria allegretto [4.26] Robert Howarth (harpsichord) Total duration (CD2) 49.48 Pavlo Beznosiuk (violin) Caroline Balding (violin) Richard Tunnicliffe (cello) Pavlo Beznosiuk plays a violin from the Hill workshop, c.1760 Caroline Balding plays a violin of the Stainer school, c. -
20Th-Century Repertory
Mikrokosmos List 650. - 2 - October 2019 ....20TH-CENTURY REPERTORY 1 Absil: Clarinet Quartet/Pelemans, Willem: Clar Quartet/Cabus, Peter: Clar ZEPHYR Z 18 A 10 Quartet/Moscheles: Prelude et fugue - Belgian Clarinet Quartet (p.1982) S 2 Albrecht, Georg von: 2 Piano Sonatas; Prelude & Fugue; 3 Hymns; 5 Ostliche DA CAMERA SM 93141 A 8 Volkslieder - K.Lautner pno 1975 S 3 Alpaerts, Flor: James Ensor Suite/Mortelmans: In Memoriam/E.van der Eycken: DECCA 173019 A 8 Poeme, Refereynen - cond.Weemaels, Gras, Eycken S 4 Amelsvoort: 2 Elegies/Reger: Serenade/Krommer-Kramar: Partita EUROSOUND ES 46442 A 15 Op.71/Triebensee: Haydn Vars - Brabant Wind Ensemble 1979 S 5 Antoine, Georges: Pno Quartet Op.6; Vln Sonata Op.3 - French String Trio, MUSIQUE EN MW 19 A 8 Pludermacher pno (p.1975) S 6 Badings: Capriccio for Vln & 2 Sound Tracks; Genese; Evolutions/ Raaijmakers: EPIC LC. 3759 A 15 Contrasts (all electronic music) (gold label, US) 7 Baervoets: Vla Con/P.-B.Michel: Oscillonance (2 vlns, pno)/C.Schmit: Preludes for EMI A063 23989 A 8 Orch - Patigny vla, Pingen, Quatacker vln, cond.Defossez (p.1980) S 8 Baily, Jean: 3 Movements (hn, tpt, pf, string orch)/F.M.Fontaine: Concertino, DGG 100131 A 8 Fantasie symphonique (orch) - cond.Baily S 9 Balanchivadze: Pno Con 4 - Tcherkasov, USSR RTVSO, cond.Provatorov , (plain MELODIYA C10. 9671 A 25 Melodiya jacket) S 10 Banks, Don: Vln Con (Dommett, cond.P.Thomas)/ M.Williamson: The Display WORLD RECO S 5264 A 8 (cond.Hopkins) S 11 Bantock: Pierrot Ov/ Bridge: Summer, Hamlet, Suite for String Orch/ Butterworth: -
Season of Song 2010
Art Song Canberra Inc. www.artsongcanberra.org SEASON OF SONG 2010 In 2010 Art Song Canberra will present seven recitals of fine art song by an outstanding array of award-winning, highly-accomplished artists, many of them widely experienced on the world stage. Background Art Song Canberra is a dedicated group of volunteers and lovers of art song. It was founded as the A.C.T. Lieder Society in 1976 by a small group of devotees of art song led by Eleanor Houston OAM of Covent Garden fame. The society changed its name to Art Song Canberra in 2006. Its purpose is to foster and extend the love of art song. This is done mainly by: presenting high quality concerts to its members and the general public. The annual series is called the Season of Song; conducting an annual Festival of Song in which aspiring singers perform to an audience in a relatively relaxed and friendly environment and receive advice and encouragement from an acknowledged expert; providing opportunities for concert performance for dedicated and talented amateur singers. This format has met with considerable audience approval and Art Song Canberra has scheduled another such event in its Season of Song 2010; and conducting Members’ Soirées, social gatherings of members to sing and play together, taking us back to the origin of Lieder societies. The society presents a series of six or seven vocal recitals each year – the Season of Song. Most of the society‟s artists over the years have been have been highly accomplished both in Australia and internationally. Among the many artists who have performed for the society are such noted Australian singers as Eleanor Houston, Michael Martin, Sally-Anne Russell, Tobias Cole, Warwick Fyfe, Christopher Allan, Angela Giblin, Louise Page and Christina Wilson as well as Susan Burghardt from the USA and Thomas Weinhappel from Vienna. -
Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Programme Registration Is Open Everday 08:15 – 19:15
28th International Conference on Yeast Genetics and Molecular Biology (ICYGMB) August 27 – September 1, 2017 Prague, Czech Republic Programme Registration is open everday 08:15 – 19:15 Partners Programme 28th International Conference on Yeast Genetics and Molecular Biology Welcome to Prague On behalf of the Organizing Committee is my pleasure to welcome you to the 28th International Conference on Yeast Genetics and Molecular Biology and to Prague. Every conference organized by the international yeast community in the last two decades (Stellenbosch 1997, Rimini 1999, Prague 2001, Gothenburg 2003, Bratislava 2005, Melbourne 2007, Manchester 2009, Olsztyn 2011, Frankfurt 2013, Levico 2015) was guided by high scientific standards and was an opportunity to exchange ideas, renew old acquaintances, make new friends and promote collaborations in research. The programme of this conference has been also designed to provide an effective forum for discussing the progress of front-line yeast genetics and molecular biology research. The meeting also offers a chance to discover Prague which is indeed a focal point and heart of the continent. However, the city is not only a geographical centre of Europe, but also a place were for centuries different nations were mixing and different cultures were merging, influencing each other. Those who will walk through the narrow streets of old Prague will follow the history of Europe and its political, cultural and architectural streams. I trust that you will enjoy your stay in this city with its lively atmosphere and long tradition in hospitality. I would like to take this opportunity to express my thanks to the keynote and symposia speakers, to chairpersons of workshops as well as to all who will contribute by their presentation to workshops and poster sessions. -
Musicweb International December 2020 NAXOS RELEASES: LATE
NAXOS RELEASES: LATE 2020 By Brian Wilson It may be that I’ve been particularly somnolent recently, but a particularly fruitful series of Naxos releases in late 2020 has made me take notice of what I’ve been missing earlier this year, so I’ve included some of them, too. Index [page numbers in brackets] ALYABIEV Piano Trios (+ GLINKA, RUBINSTEIN: Russian Piano Trios 1) [5] Corelli’s Band: Violin Sonatas by Corelli and followers [2] FREDERICK II (Frederick The Great): Flute Sonatas [4] GERSHWIN Concerto in F (+ PISTON Symphony No.5, etc.) [11] GLINKA Trio pathétique (see ALYABIEV) [5] GOMPPER Cello Concerto, Double Bass Concerto, Moonburst [15] Michael HAYDN Missa Sancti Nicolai Tolentini; Vesperæ [5] HUMPERDINCK Music for the Stage [7] KORNGOLD Suite, Op.23; Piano Quintet [10] Laudario di Cortona excerpts (see PÄRT) [13] NOVÁK V Tatrách (In the Tatra Mountains); Lady Godiva; O věčné touze (Eternal Longing) [8] - Jihočeská suita (‘South Bohemian Suite’); Toman a lesní panna (‘Toman and the Wood Nymph’) [9] PÄRT And I heard a voice…, etc. ( … and … with SHAW, WOLFE, Laudario di Cortona) [13] PISTON Symphony No.5 (see GERSHWIN) [11] RUBINSTEIN Piano Trio (see ALYABIEV) [5] RUTTER Anthems, Hymns and Gloria for Brass Band [12] SCHMITT La Tragédie de Salomé, etc. [8] SCHUMANN Robert and Clara Music for violin and piano [6] VILLA-LOBOS Complete Symphonies [9] WALTON Piano Quintet and other Chamber Works with Violin and Piano [11] WEINBERG Clarinet Concerto; Clarinet Sonata; Chamber Symphony No.4 [12] WIDOR Organ Symphonies 4 (Nos. 8 and 10) [7] * The Art of Classical Guitar Transcription Christophe Dejour [15] Carmina predulcia (C15 Songbook) [1] Christmas Concertos [2] Heaven Full of Stars (contemporary choral) [13] Stille Nacht: Christmas Carols for Guitar [14] *** Carmina predulcia (‘very sweet songs’) is a recording of music from the fifteenth-century Schedelschen Liederbuch (Schedel Songbook). -
9'; 13 November 30, Jazz Innovations, Part 1
Lim received his fonnal. training at Indiana University, where he studied with the legendary violinist ~d teacher Josef Gingold. While at Indiana, he won First Prize in the school's Violin Concerto Competition and served on the faculty as a Visiting Lecturer. Lim later studied cham~ ber music at the Juilliard School and taught there as an assistant to the Juilliard String Quartet. No PI CI"(.. C D :::n= Lim has recorded for DreamWorks, Albany Records, CR!, Bayer GI rc... C p-:t:F I ~ 02-9resents a Faculty Recital: Records, and Aguava New Music, and appears on numerous television and film soundtracks. He has been heard on NPR programs such as Performance Today and All Things Considered. Lim currently lives in Seattle with his wife, violist Melia Watras. He performs on a violin MELIA WATRAS, VIOLA made by Tomaso Balestrieri in Cremona, Italy in 1774. with 2005~2006 UPCOMING EVENTS Kimberly Russ, piano Information for events listed below is available at www.music. washington. edu Michael Jinsoo Lim, violin and the School ofMusic Events Hotline (206-685-8384). Ticketsfor events listed in Brechemin Auditorium (Music Building) and Walker Ames Room (Kane Hall) go on sale at the door thirty minutes before the •• performance~ Tickets for events in Meany Theater and Meany Studio Theater are available from the UW Arts Ticket Office, 206:543-4880, and at November 8, 2005 7:30 PM Meany THeater the box office thirty minutes before the performance. To request disability accommodation. contact the Disability Services Office at least ten days in advance at 206-543-6450 (voice); 206-543-6452 (lTY); 685-7264 (FAX); or [email protected] (E-mail). -
Report on the Foreign Policy of the Czech Republic 2002
Introduction In the international arena, the Czech Republic strives to act as a democratic and politically, economically and socially stable Central European country, pursuing not only its own particular interests but also assuming its share of responsibility for the development of Europe and the entire international community. The international environment in which the Czech Republic pursues its foreign policy is a product of the interaction of a number of factors – sovereign countries, associations of countries at different levels of integration in international organisations and institutions, and non-governmental entities, ranging from non- governmental organisations to various non-transparent lobbying groups not respecting the rules of international relations, including organised crime groups and terrorist organisations. The role, import and influence of these factors fluctuate, often within a very short time span. Following the end of the cold war and the disintegration of the bi-polar world, and as a result of changes in the security environment, the intensification of globalisation processes, the liberalisation of the global economy, the increasing mutual dependence of countries, and the accelerating development of science and technology, there has been significant growth in the importance of multilateral co-operation within the framework of international organisations and integration groupings. At the same time, in the face of new threats posed by certain non- transparent entities, and terrorist organisations in particular, all international mechanisms designed to protect against such dangerous phenomena are rapidly gaining in importance. The Czech Republic, as a country which, by size and population, ranks among medium- sized countries in the European area, and as a country with an open economy, a high proportion of exports and services in the generation of its gross domestic product, and with limited natural resources, is markedly dependent on international co-operation. -
Electronic Music Midwest 13Th Annual Festival Providing Access to New
13th Annual Festival Electronic Music Midwest October 24-26, 2013 Kansas City Kansas Community College Providing access to new electroacoustic music by living composers October 24-26, 2013 Kansas City Kansas Community College Kansas City, Kansas October 24, 2013 Dear Friends, Welcome to the 13th Annual Electronic Music Midwest! We are truly excited about our opportunity to present this three-day festival of electroacoustic music. Over 200 works were submitted for consideration for this year’s festival. Congratulations on your selection! Since 2000, our mission has been to host a festival that brings new music and innovative technologies to the Midwest for our students and our communities. We present this festival to offer our students and residents a chance to interact and create a dialog with professional composers. We are grateful that you have chosen to help us bring these goals to fruition. We are grateful to Kari Johnson for serving as our artist in residence this year. Kari is an outstanding performer throughout the festival. The 2013 EMM will be an extraordinary festival. If only for a few days, your music in this venue will create a sodality we hope continues for a longtime to follow. Your contribution to this festival gives everyone in We are delighted that you have chosen to join us this year at EMM, and we hope that you have a great time during your stay. If we can do anything to make your experience here better, please do not hesitate to ask any of the festival team. Welcome to EMM! Mike, Jason, Jay, David, Rob, and Ian EMM Guest Artist, Kari Johnson “…Johnson played beautifully, displaying a !rm musicality and a "air for drama.” - Kansas City Star “…her sensitivities rather extraordinary, baroque while futuristic.” - www.acousticmusic.com Kari Johnson is a pianist who specializes in new music and electronic music performance. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection.