Second Thoughts on the First Amendment
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Comparative Study of Apparel Shopping Orientations Between Asian Americans and Caucasian Americans
AN ABSTRACT OF THE THESIS OF Shan-Hsin, Angie. Ho for the degree of Master of Science in Apparel. Interiors, Housing and Merchandising presented on February 5. 1991 Title: A Comparative Study of Apparel Shopping Orientations between Asian Americans and Caucasian Americans Abstract approved:.Redacted for Privacy V /Gi1OL y 1. UL cacti a Very little empirical research has been conducted on Asian Americans as a whole in relation to their consumer behavior, specifically their clothing behavior. A review of literature demonstrated that Asian Americans have been studied from different psychographic and sociological aspects. However, the apparel shopping behavior of this market has received only slight research attention. The purpose of this study was to compare Asian Americans and Caucasian Americans with regards to apparel shopping orientations. This study also examined the relationship between apparel shopping orientations and intensity of ethnic identification among Asian Americans. The multimediation model of consumer behavior (EKB model) proposed by Engel, Kollat and Blackwell (1973) was used as a theoretical framework for the present study. Based on the EKB model, it was expected that people of different cultural backgrounds were different in terms of their consumer behavior. Another conceptual framework used in the present study was the concept of shopping orientations, introduced by Stone (1954). Apparel shopping orientations refer to motivations, interests and attitudes toward apparel shopping. Seven shopping orientations were selected for the present study. They were: economic shopping, personalizing shopping, recreational shopping, social shopping (including friend social shopping and family social shopping), brand loyal shopping, impulse shopping and fashion orientations. The fashion orientation included four factors: fashion leadership, fashion interest, fashion importance and anti- fashion attitude. -
Ascertainment of Community Needs by Public Television Stations: a Study of Kpbs, Wosu, Wviz, Weta, and the Alabama Educational Television Commission
72-4421 BENNETT, Sandra Williams, 1942- ASCERTAINMENT OF COMMUNITY NEEDS BY PUBLIC TELEVISION STATIONS: A STUDY OF KPBS, WOSU, WVIZ, WETA, AND THE ALABAMA EDUCATIONAL TELEVISION COMMISSION. The Ohio State University, Ph.D., 1971 Mass Communications University Microfilms, A XEROK Company. Ann Arbor, Michigan <§> Copyright by Sandra Williams Bennett 1971 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED ASCERTAINMENT OF COMMUNITY NEEDS BY PUBLIC TELEVISION STATIONS: A STUDY OF KPBS, WOSU, WVIZ, WETA, AND THE ALABAMA EDUCATIONAL TELEVISION COMMISSION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sandra Williams Bennett, B.S. in Ed., M.A. * * * * * The Ohio State University 1971 Approved by Department of Speech Communications PLEASE NOTE: Some papes have small and indistinct print. Filmed as received. UNIVERSITY MICROFILMS. ACKNOWLEDGMENTS The successful completion of this study was to tally dependent upon cooperation, encouragement, assis tance, time and devotion--of others. For their coopera tion in freely and openly talking with me, I thank the men and women at each of the stations I visited. For their encouragement and assistance, I thank my graduate professors, and especially my committee members and ad viser. A special note of thanks for their continued en couragement and assistance throughout my graduate studies goes to Dr. Robert Hilliard and Allen Myers at the Federal Communications Commission. And especially to my husband Dick, and son, Richard Daniel, who cooperated, encouraged, assisted, gave of their time, but most especially remained devoted— I thank you. Sandra Jean Williams Bennett ii VITA May 27, 194 2 ..... -
North American Artists' Groups, 1968–1978 by Kirsten Fleur Olds A
Networked Collectivities: North American Artists’ Groups, 1968–1978 by Kirsten Fleur Olds A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History of Art) in The University of Michigan 2009 Doctoral Committee: Professor Alexander D. Potts, Chair Professor Matthew N. Biro Associate Professor Rebecca Zurier Assistant Professor Kristin A. Hass © Kirsten Fleur Olds All rights reserved 2009 To Jeremy ii Acknowledgments This dissertatin truly resembles a “third mind” that assumed its own properties through collaborations at every stage. Thus the thanks I owe are many and not insignificant. First I must recognize my chair Alex Potts, whose erudition, endless patience, and omnivorous intellectual curiosity I deeply admire. The rich conversations we have had over the years have not only shaped this project, but my approach to scholarship more broadly. Moreover, his generosity with his students—encouraging our collaboration, relishing in our projects, supporting our individual pursuits, and celebrating our particular strengths—exemplifies the type of mentor I strive to be. I would also like to acknowledge the tremendous support and mentorship provided by my committee members. As I wrote, I was challenged by Rebecca Zurier’s incisive questions—ones she had asked and those I merely imagined by channeling her voice; I hope this dissertation reveals even a small measure of her nuanced and vivid historicity. Matt Biro has been a supportive and encouraging intellectual mentor from my very first days of graduate school, and Kristin Hass’sscholarship and guidance have expanded my approaches to visual culture and the concept of artistic medium, two themes that structure this project. -
Independent Works.™ Contents
Spring–Summer 2009 Ten Speed Press www.tenspeed.com TEN SPEED PRESS TRICYCLE PRESS CELESTIAL ARTS CROSSING PRESS Independent works.™ CONTENTS NEW BOOKS ...............................................................4 BACKLIST ........................................................................45 Careers, Business & Education ..............................................46 Careers 46 • Business & Finance 50 • College 52 • Writing & Reference 54 Cooking ..................................................................56 Cooking Across America 58 • Global Cuisine 66 • Drinks & Entertaining 70 • Barbecue & Grilling 72 • Baking, Desserts & Chocolate 73 • Fruits & Vegetables 76 • Vegetarian Cooking 77 • Healthy Cooking 79 • Seafood 81 • General Cooking 82 Body, Mind & Spirit ........................................................90 Health and Nutrition 92 • Healing & Herbal Medicine 96 • Energy Healing & Chakras 97 • Eastern Thought 100 • Spirituality 101 • Magic & Wicca 103 • Astrology & Divination 105 • Self-Help 106 • Inspiration 110 Family & Relationships ......................................................112 Pregnancy & Childbirth 112 • Parenting 113 • Parenting/Teens 114 • Women’s Studies 115 • Sex & Relationships 116 • Gay/Lesbian 117 • Children’s 118 Travel ...................................................................120 Home, Crafts & Creativity .................................................122 Gardening ...............................................................124 Mushrooms & Marijuana ..................................................125 -
Culture Clash and Critical Race Theater
REMEMBERING CHAVEZ RAVINE: CULTURE CLASH AND CRITICAL RACE THEATER DAVID G. GARCIA* I. EXAMINING CHICANAIO HISTORY, THEATER, AND 1 CRITICAL RACE THEORY It's revisionist history ... It's claiming that we're here. We're part of American history or world history. And it's also re- claiming the other side, the other point of view ... In Chavez Ravine, we take the point of view of the residents. They're the heroes, you know. We don't take the point of view of let's say the developer. We already know that issue. It's been written about. (Herbert Siguenza, 2004)2 The Taper stage certainly isn't a classroom, but we feel a great responsibility with this piece to get the facts right, because the collective memory of a community is a precious thing. (Rich- ard Montoya, 2003) 3 In the epigraphs above, members of the three-man, Chi- cano-Latino theater group Culture Clash, describe their revision- ist history approach to playwriting as demonstrated in their 2003 play Chavez Ravine.4 Culture Clash, comprised of performance artists Ricardo "Ric" Salinas, Herbert Siguenza, and Richard * Ph.D. candidate in the Department of History at the University of Califor- nia, Los Angeles. 1. This article reflects portions of my research presentation at the LatCrit X Conference in San Juan, Puerto Rico, October 6-10, 2005. The study discussed here draws on a larger oral history research project focused on Culture Clash and Chicana/o performance art. See David G. Garcia, The Evolution of a Critical Race Theater: Culture Clash and Chicana/o Performance Art, 1965-2005 (2006) (unpublished Ph.D. -
US Army Criminal Investigation Command Gang Activity Assessment Jan 2004-Aug 2005
Description of document: US Army Criminal Investigation Command Gang Activity Assessment Jan 2004-Aug 2005 Requested date: 16-September-2007 Released date: 24-October-2007 Posted date: 02-November-2007 Title of Document Summary Report Gang Activity Assessment Jan 2004- Aug 2005 Source of document: Department of the Army U.S. Army Crime Records Center 6010 6th Street, ATTN: CICR-FP Fort Belvoir, Virginia 22060-5585 Phone: 800-511-4786 Fax 703-806-0462 E-mail [email protected] The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. DEPARTMENT OF THE ARMY u. S. ARMY CRIMINAL INVESTIGATION COMMAND 6010 6TH STREET FORT BELVOIR, VIRGINIA 22060-5506 REPLY TO ATTENTION OF O:T 24 2007 u.s. Army Crime Records Center (FA07-231O ) This is in response to your September 16, 2007 Freedom of Information Act (FOIA), Privacy Act (PA) request received on September 18,2007 for information on "Gang activity assessment, January 2004-August 2005". -
Re)Presented: How San Francisco Bay Area Organizations Reconstruct Narratives About Race, Health, and Food
UNIVERSITY OF CALIFORNIA, SAN DIEGO Foodways (Re)Presented: How San Francisco Bay Area Organizations Reconstruct Narratives about Race, Health, and Food A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnic Studies by Marilisa Cristina Navarro Committee in Charge: Professor Curtis Marez, Chair Professor Ricardo Dominguez Professor Julie Guthman Professor Sara Clarke Kaplan Professor Roshanak Kheshti Professor Kalindi Vora Professor K. Wayne Yang 2017 Copyright Marilisa Cristina Navarro, 2017 All rights reserved. The Dissertation of Marilisa Cristina Navarro is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2017 iii TABLE OF CONTENTS Signature Page……………………………………………………………........................iii Table of Contents…………………………………………………………………………iv List of Images…………………………………………………………………………….vi Acknowledgements………………………………………………………………………..x Vita………………………………………………………………………………………..xi Abstract of the Dissertation……………………………………………………………..xix Introduction: Can You Picture This? Food Imagery, Diabetes, and Racial Constructions The San Francisco Bay Area and Measure D……………………………………………..1 Type 2 Diabetes and Premature Death…………………………………………………...10 Health as a Structural Condition……………………………………................................17 Food Justice and the Bay Area…………………………………………………………...20 Methods: Food and the Visual…………………………………………………………...23 Chapter Breakdown……………………………………………………………………...35 Conclusion……………………………………………………………………………….37 -
CHAPTER 12 Surveying the Borders ‘Authenticity’ in Mexican-American Food Packaging, Imagery and Architecture
CHAPTER 12 Surveying the Borders ‘Authenticity’ in Mexican-American Food Packaging, Imagery and Architecture Nicolas P. Maffei Studies of food as a global phenomenon have usually focused on two processes: the blanding of local food cultures, and resistance through reassertion of the local (Bell and Valentine 1997). Exploring the former, this chapter draws on a number of fields from across the humanities and social sciences, including Architectural History, Food History, Latin American Studies, Cultural Studies, and Sociology, to demonstrate that a blended methodology is necessary to understand transculturation in design and the ways in which it is socially embedded (Ortiz 1995 [1947]). The analyses reviewed include writing on tamale advertisements, tortilla chip packaging, the architecture and signage of global fast food chain Taco Bell, and the interiors of local ethnic restaurants, spanning the late nineteenth to the late twentieth centuries. All the studies explore the ideological implications of representation and most evidence a cultural imperialism where symbols of Mexican identity were appropriated and transformed for a North American Anglo consumer. While these studies predominantly employ a narrative of top-down, cultural dominance, this chapter concludes by considering a number of investigations of ethnic restaurants from the social sciences where the social construction of ‘authenticity’ has resulted from collaboration between consumers and entrepreneurs. Thus, ‘authenticity’ can be understood as a co-produced experience where the exotic is mitigated by the familiar (Fine and Lu 1995; Gaytán 2008). This definition of the ‘authentic’ diverges from a humanities perspective that considers the inner self as ‘real’ and the performed self as ‘fake’, as well as the view that commercial values compromise the supposedly true self (Banet-Weiser 2012: 10–11). -
From Conformity to Protest: the Evolution of Latinos in American Popular Culture, 1930S-1980S
From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s A dissertation submitted to the Graduate School of the University of Cincinnati in the partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History of the College of Arts and Sciences 2017 by Vanessa de los Reyes M.A., Miami University, 2008 B.A., Northern Kentucky University, 2006 Committee Chair: Stephen R. Porter, Ph.D. Abstract “From Conformity to Protest” examines the visual representations of Latinos in American popular culture—specifically in film, television, and advertising—from the 1930s through the early 1980s. It follows the changing portrayals of Latinos in popular culture and how they reflected the larger societal phenomena of conformity, the battle for civil rights and inclusion, and the debate over identity politics and cultural authenticity. It also explores how these images affected Latinos’ sense of identity, particularly racial and ethnic identities, and their sense of belonging in American society. This dissertation traces the evolution of Latinos in popular culture through the various cultural anxieties in the United States in the middle half of the twentieth century, including immigration, citizenship, and civil rights. Those tensions profoundly transformed the politics and social dynamics of American society and affected how Americans thought of and reacted to Latinos and how Latinos thought of themselves. This work begins in the 1930s when Latin Americans largely accepted portrayals of themselves as cultural stereotypes, but longed for inclusion as “white” Americans. The narrative of conformity continues through the 1950s as the middle chapters thematically and chronologically examine how mainstream cultural producers portrayed different Latino groups—including Chicanos (or Mexican Americans), Puerto Ricans, and Cubans. -
Latinos Beyond Reel [Final English Transcript]
1 LATINOS BEYOND REEL Challenging a Media Stereotype [English Transcript] TEXT ON SCREEN: We serve whites only. No Spanish or Mexicans. JOSEFINA LOPEZ: There were all these things that my parents showed me that I didn’t get to see on television, which was dignity. Latinos with dignity. Film Clip: - You want me? Sixty pesos. MIKE SARGENT: A lot of unconscious racism exists because these type of images, these type of perceptions, these type of values have existed so long, they are the norm. ADRIAN MARTINEZ: Sometimes the director says, "Wow, no. He's more street, you know? He talks like this. He talks like this, man." Film Montage: - I only got one more wire, okay? - Mi amigo, no mas tequila! Already muy loaded. LUIS ANTONIO RAMOS: We are in a new millennium, and these characters still keep popping up. Media Montage: - I'm Puerto-Rican. I'd be great at selling drugs! - This illegal immigrant thing, it really affects everybody. In fact today, Charlie Sheen forced to hire an American hooker. Can you imagine? - Mothers killed, children executed, the tactics of vicious Central American gangs now on U.S. soil. - Illegal aliens are in the country, including many murderers and rapists. - Ninety-five percent of all outstanding homicide warrants are for illegal aliens. - Illegal aliens! Someday we'll kill 'em. Someday... TITLE SCREEN: Latinos Beyond Reel: Challenging a Media Stereotype © 2012 | Media Education Foundation | www.mediaed.org This transcript may be reproduced for educational, nonprofit uses only. 2 News Montage: - New Census figures show Hispanics accounted for more than half of the nation's population growth in the last decade. -
The Racial Politics of Chican@ Linguistic Scripts in US Media
UNIVERSITY OF CALIFORNIA Santa Barbara “Can joo belieb it?”: The Racial Politics of Chican@ Linguistic Scripts in U.S. Media (1925-2014) A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy in Chicana and Chicano Studies by Sara Veronica Hinojos Committee in charge: Professor Dolores Inés Casillas, Chair Professor Cristina Venegas Professor Mary Bucholtz Professor Anna Everett June 2016 The dissertation of Sara Veronica Hinojos is approved. _____________________________________________ Cristina Venegas _____________________________________________ Mary Bucholtz _____________________________________________ Anna Everett _____________________________________________ Dolores Inés Casillas, Committee Chair April 2016 “Can joo belieb it?”: The Racial Politics of Chican@ Linguistic Scripts in U.S. Media (1925-2014) Copyright © 2016 by Sara Veronica Hinojos iii ACKNOWLEDGEMENTS This dissertation was brought to you by the endless support of the Chicano Studies Institute (CSI) at the University of California, Santa Barbara (UCSB). They financially assisted in realizing my travels to archives, conferences, and research equipment for my first research project until the last chapter of the dissertation, a special thank you to Carl Gutierrez-Jones, Theresa Peña, Laura Romo, and Raphaëlla Nau. To the Center for Black Studies Research (CBSR) at UCSB for funding my final archival trip, especially to Diane Fujino and Mahsheed Ayoub for all your work. I am grateful for the National Science Foundation (NSF) University of California Diversity Initiative for Graduate Study in the Social Sciences (UC DIGSSS) program that was instrumental in my transition into graduate school, thank you Mary York. Finally, to my home department Chicana and Chicano Studies for believing in my research and work ethic especially for the endless teaching opportunities and block grant funding so I may focus on my writing; specifically, to Katherine Morales, Joann Erving, Sonya Baker, Shariq Hashmi, and Mayra Villanueva. -
Women and Chile at the Alamo Feeding U.S
Women and Chile at the Alamo Feeding U.S. Colonial Mythology Suzanne Bost Guillermo Gómez-Peña (1994,28) apt- ly characterizes the ambivalence toward Mexico in U.S. popular culture in terms of food and violence: “The current media war against the Latino cultural other is intercut with eulogies to our products. Blood and salsa, that’s the nature of this relationship.” “War” between the United States and Mexico has long been cast as a desire to consume the “other” within the Anglo-American body and nation. From the Treaty of Guadalupe Hidalgo to the North American Free Trade Agreement (NAFTA) and the current obsession with “Latin” culture, U.S. national, cultural, and economic forces have viewed Mexico as a commodity to incorporate. Blood circulates with salsa and tequila throughout this history of (neo)colonial ingestion. The U.S. desire to consume Mexico has always been contested by anticolonial- ism as well as by xenophobia (defending national and corporeal purity), but Manifest Destiny and NAFTA have had their way thus far. I will focus here on one site where the contours of this battle are drawn: the Alamo. The competing national claims that converged at this Texas mission have been encoded in popular culture as desire that is simultaneously alimentary and heterosexual. This intersection of food, sex, and cultural plunder is apparent in U.S. corporate manifestations, such as Taco Bell, whose advertisements appeal to heterosexual masculinity by establishing a metonymic relation- ship between women and tacos and by framing this romance within a mission-style architecture reminiscent of the Alamo.1 This setting—like other Taco Bell ad campaigns highlighting border crossing, patriotism, and revolution—associates U.S.