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Faculty of Arts and Sciences Dean's Annual Report
Faculty of Arts and Sciences Dean’s Annual Report Fiscal Year 2011 Harvard University 1 Table of Contents Harvard College ........................................................................................................................... 9 Graduate School of Arts and Sciences (GSAS) ......................................................................... 23 Division of Arts and Humanities ................................................................................................ 29 Division of Science .................................................................................................................... 34 Division of Social Science ......................................................................................................... 38 School of Engineering and Applied Sciences (SEAS) ............................................................... 42 Faculty Trends ............................................................................................................................ 49 Harvard College Library ............................................................................................................ 54 Sustainability Report Card ......................................................................................................... 59 Financial Report ......................................................................................................................... 62 2 Harvard University Faculty of Arts and Sciences Office of the Dean University Hall Cambridge, Massachusetts -
May 23, 2019 FAS Administrators’ Town Hall
Odette Binder Nancy Hegarty Michael Paterno Operations and Events Coordinator Assistant Director for Sponsored Senior Facilities Manager Department of Sociology Research Department of Chemistry and Department of Molecular and Chemical Biology Gary Cormier Cellular Biology Senior Director of HR Consulting Hector Ruben Paz Nadal Human Resources Peggy Herlihy Executive Chef Manager Department Administrator Dumbarton Oaks Sarah Elwell Department of Astronomy Director of Research Operations for Rosaline Rabi Salifu Science and Engineering Garth McCavana Program Manager Division of Science Dean for Student Affairs Center for African Studies Graduate School of Arts and Alex Ferguson Sciences Clayton Scoble Manger of Equipment Operations Multimedia Specialist Department of Athletics Erika McDonald Harvard College Library Associate Registrar of Academic A. Maryorie Grande Planning Amy Thompson Administrative Coordinator Registrar's Office Director of Media and Department of Earth and Planetary Technology Services Sciences Media & Technology Services Page 1 Welcome, Introductions and Budget Updates Mary Ann Bradley Associate Dean, FAS Administrative Operations Jay Herlihy Associate Dean, FAS Office of Finance Agenda Welcome, Introductions and Budget Mary Ann Bradley, Jay Herlihy Updates Allston Update Marika Reuling, Leslie Schaffer Performance Management Chris Ciotti Minors Policy Update Jennifer Shephard, Eliza Brown DUO for Email Christian Hamer Administrative Systems Overview Stephanie Nasson Research Portal Update Simone Alpen Revised Independent Contractor Karen Kittredge, Polly Scannell Policy Closing / Q & A Session Mary Ann Bradley Page 3 Welcome New FAS ORG PAST PRESENT Visual & Art, Film, and Environmental Visual Studies Studies Page 4 Allston Update Marika Reuling Managing Director, Allston Initiative Leslie Schaffer Senior Director, Expanded Campus Strategy WELCOME TO ALLSTON 1. Context 2. -
Antonio Salieri's Revenge
Antonio Salieri’s Revenge newyorker.com/magazine/2019/06/03/antonio-salieris-revenge By Alex Ross 1/13 Many composers are megalomaniacs or misanthropes. Salieri was neither. Illustration by Agostino Iacurci On a chilly, wet day in late November, I visited the Central Cemetery, in Vienna, where 2/13 several of the most familiar figures in musical history lie buried. In a musicians’ grove at the heart of the complex, Beethoven, Schubert, and Brahms rest in close proximity, with a monument to Mozart standing nearby. According to statistics compiled by the Web site Bachtrack, works by those four gentlemen appear in roughly a third of concerts presented around the world in a typical year. Beethoven, whose two-hundred-and-fiftieth birthday arrives next year, will supply a fifth of Carnegie Hall’s 2019-20 season. When I entered the cemetery, I turned left, disregarding Beethoven and company. Along the perimeter wall, I passed an array of lesser-known but not uninteresting figures: Simon Sechter, who gave a counterpoint lesson to Schubert; Theodor Puschmann, an alienist best remembered for having accused Wagner of being an erotomaniac; Carl Czerny, the composer of piano exercises that have tortured generations of students; and Eusebius Mandyczewski, a magnificently named colleague of Brahms. Amid these miscellaneous worthies, resting beneath a noble but unpretentious obelisk, is the composer Antonio Salieri, Kapellmeister to the emperor of Austria. I had brought a rose, thinking that the grave might be a neglected and cheerless place. Salieri is one of history’s all-time losers—a bystander run over by a Mack truck of malicious gossip. -
3 – 2018 «Cave Tropone» A. Salieri to a Libretto by G. Casti
№ 3 – 2018 «Cave Tropone» A. Salieri to a libretto by G. Casti: about reason and feeling in the educational era ……………………………………………............ 56 Olga S. Poroshenkova (Moscow) — Post-graduate Student of the State Institute for Art Studies, Editor of the Literary Part of the Moscow Theater «New Opera». E-mail: [email protected] La Grotta di Trofonio on Giovanni Battista Casti’s libretto is one of the composer’s most popular operas. The librettist and the composer next to him neglect some of the opera buffa plot features and touch some important problems of XVIII century. What is stronger — human’s will or their destiny? What side of human personality is more important — urge to happiness or to wisdom? Do the feelings or the sense win? This article reviews the libretto plot characteristics and their musical embodiment. Keywords: Salieri, Casti, opera buffa, the Enlightenment, will, destiny. ЛИТЕРАТУРА 1. Горохова Р.М. Касти, Джамбаттиста // Электронные публикации Института русской литературы (Пушкинского дома) РАН. URL: http://lib.pushkinskijdom.ru/Default.aspx?tabid=313 (дата обращения: 01.07.2017). 2. Дидро Д. Систематическое опровержение книги Гельвеция «Человек» / Д. Дидро // Собр. соч. М.-Л., 1935. Т. 2. 584 с. 3. Кириллина Л.В. Галантность и чувствительность в музыке XVIII века. // Гетевские чтения. М.: Наука, 2003. URL: http://21israel-music.net/Galante.htm (дата обращения: 08.12.2017). 4. Кириллина Л.В. Пасынок истории // Музыкальная академия. 2000. № 3. С. 53–73. 5. Луканина О.Н. Проблема «женского» в философии эпохи Просвещения // Вестник Московского государственного университета культуры и искусств. М., 2010. № 2. URL: https://cyberleninka.ru/article/v/problema-zhenskogo-v-filosofii-epohi-prosvescheniya (дата обращения: 09.08.2018). -
Les Talens Lyriques the Ensemble Les Talens Lyriques, Which Takes Its
Les Talens Lyriques The ensemble Les Talens Lyriques, which takes its name from the subtitle of Jean-Philippe Rameau’s opera Les Fêtes d’Hébé (1739), was formed in 1991 by the harpsichordist and conductor Christophe Rousset. Championing a broad vocal and instrumental repertoire, ranging from early Baroque to the beginnings of Romanticism, the musicians of Les Talens Lyriques aim to throw light on the great masterpieces of musical history, while providing perspective by presenting rarer or little known works that are important as missing links in the European musical heritage. This musicological and editorial work, which contributes to its renown, is a priority for the ensemble. Les Talens Lyriques perform to date works by Monteverdi (L'Incoronazione di Poppea, Il Ritorno d’Ulisse in patria, L’Orfeo), Cavalli (La Didone, La Calisto), Landi (La Morte d'Orfeo), Handel (Scipione, Riccardo Primo, Rinaldo, Admeto, Giulio Cesare, Serse, Arianna in Creta, Tamerlano, Ariodante, Semele, Alcina), Lully (Persée, Roland, Bellérophon, Phaéton, Amadis, Armide, Alceste), Desmarest (Vénus et Adonis), Mondonville (Les Fêtes de Paphos), Cimarosa (Il Mercato di Malmantile, Il Matrimonio segreto), Traetta (Antigona, Ippolito ed Aricia), Jommelli (Armida abbandonata), Martin y Soler (La Capricciosa corretta, Il Tutore burlato), Mozart (Mitridate, Die Entführung aus dem Serail, Così fan tutte, Die Zauberflöte), Salieri (La Grotta di Trofonio, Les Danaïdes, Les Horaces, Tarare), Rameau (Zoroastre, Castor et Pollux, Les Indes galantes, Platée, Pygmalion), Gluck -
BAMPTON CLASSICAL OPERA 2018 – 25Th ANNIVERSARY SEASON NICOLÒ ISOUARD’S CINDERELLA (CENDRILLON)
BAMPTON CLASSICAL OPERA 2018 – 25th ANNIVERSARY SEASON NICOLÒ ISOUARD’s CINDERELLA (CENDRILLON) Performances: The Deanery Garden, Bampton, Oxfordshire: Friday, Saturday 20, 21 July The Orangery Theatre, Westonbirt School, Gloucestershire: Monday 27 August St John’s Smith Square, London: Tuesday 18 September Libretto: Charles Guillaume Etienne after the fairy-tale by Charles Perrault Sung in a new English translation by Gilly French, dialogues by Jeremy Gray Director: Jeremy Gray Conductor: Harry Sever Orchestra of Bampton Classical Opera (Bampton, Westonbirt) CHROMA (St John’s Smith Square) Bampton Classical Opera celebrates its 25th anniversary with the UK modern-times première of Nicolò Isouard’s Cinderella (1810), a charming and lyrical telling of Perrault’s much-loved fairy-tale, continuing the Company’s remarkable exploration of rarities from the classical period. The Bampton production will be sung in a new English translation by Gilly French with dialogues by Jeremy Gray. This new production also marks the bicentenary of the composer’s death in Paris in 1818. Cinderella (Cendrillon) is designated as an Opéra Féerie, and is in three acts, to a libretto by Charles Guillaume Etienne. Cinderella and her Prince share music of folktune-like simplicity, contrasting with the vain step-sisters, who battle it out with torrents of spectacular coloratura. With his gifts for unaffected melody, several appealing ensembles and always beguiling orchestration, Isouard’s Cinderella is ripe for rediscovery. Performances will be conducted by Harry Sever and directed by Jeremy Gray. Born in Malta in 1775, Isouard was renowned across Europe, composing 41 operas, many of which were published and widely performed. -
World Scientists' Warning of a Climate Emergency
Supplemental File S1 for the article “World Scientists’ Warning of a Climate Emergency” published in BioScience by William J. Ripple, Christopher Wolf, Thomas M. Newsome, Phoebe Barnard, and William R. Moomaw. Contents: List of countries with scientist signatories (page 1); List of scientist signatories (pages 1-319). List of 153 countries with scientist signatories: Albania; Algeria; American Samoa; Andorra; Argentina; Australia; Austria; Bahamas (the); Bangladesh; Barbados; Belarus; Belgium; Belize; Benin; Bolivia (Plurinational State of); Botswana; Brazil; Brunei Darussalam; Bulgaria; Burkina Faso; Cambodia; Cameroon; Canada; Cayman Islands (the); Chad; Chile; China; Colombia; Congo (the Democratic Republic of the); Congo (the); Costa Rica; Côte d’Ivoire; Croatia; Cuba; Curaçao; Cyprus; Czech Republic (the); Denmark; Dominican Republic (the); Ecuador; Egypt; El Salvador; Estonia; Ethiopia; Faroe Islands (the); Fiji; Finland; France; French Guiana; French Polynesia; Georgia; Germany; Ghana; Greece; Guam; Guatemala; Guyana; Honduras; Hong Kong; Hungary; Iceland; India; Indonesia; Iran (Islamic Republic of); Iraq; Ireland; Israel; Italy; Jamaica; Japan; Jersey; Kazakhstan; Kenya; Kiribati; Korea (the Republic of); Lao People’s Democratic Republic (the); Latvia; Lebanon; Lesotho; Liberia; Liechtenstein; Lithuania; Luxembourg; Macedonia, Republic of (the former Yugoslavia); Madagascar; Malawi; Malaysia; Mali; Malta; Martinique; Mauritius; Mexico; Micronesia (Federated States of); Moldova (the Republic of); Morocco; Mozambique; Namibia; Nepal; -
4 MD Wives Coup D'etat
Send cash or check to..... Greg Buell PO Box 214 Key West FL 33041 [email protected] cell phone 3054345276 LG Android [email protected] www.aspca.org put a banner ad in today's NY Times digital paper thanks to my fight with the City of Key West stopping me from feeding 3 cats the City Code guy Lopez half-starves now. Link I Had to make my current index a smaller file New Years 2016 to Thanksgiving 2016 here ...eight nights a small supply of oil miraculously lasted for a small group of Jewish people in 165 B.C. fighting to defeat... BP Oil. 12-24-2016 Christmas Eve; Miracle Driving your new 2017 Ford ElectricWindmillEscort around Saint Peters at the Vatican on Christmas Day 2016... Godsend kill by Pope Francis! 12-24-2016 Christmas Eve; ‘Saturday Night Live’ Satirizing Jesus Driving a 2017 Ford ElectricWindmillEscort decades before 9/11. Miracle of preventing 9/11 via invention of the 1980 Ford ElectricWindmillEscort, suppressed by Jimmy Carter who will be a guest of Trump on 1-20-2017. 12-24-2016 Christmas Eve; Obama signed into law yesterday a defense policy bill that authorizes $611 billion for the military in 2017. 12-24-2016 Christmas Eve; Merry Christmas Church gets ready for Syrian Refugees not Greg + Wife's in Key West writing the Hemingway House Novel, a invention thriller about 1,001 Nobels in Medicine a year Society in a iPostOffice @ Star Trek Era. 12-24-2016 Christmas Eve; Church Guests: Syrian Refugees. Priest, Bishops, Cardinals + Pope Francis volunteers and staff members from the Church World Service prepared a home for family's of new Syrian Refugees arrivals.. -
Musical and Dramatic Structure in the Opera Buffa Finale
Trinity College Trinity College Digital Repository Faculty Scholarship Spring 1989 Musical and Dramatic Structure in the Opera Buffa Finale John Platoff Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/facpub Part of the Musicology Commons Musical and Dramatic Structure in the Opera Buffa Finale* JOHN PLATOFF he study of the opera buffa of the late eighteenth century has for many years been virtually synonymous with the study of Mozart's mature operas. Scholars have recently shown an increased interest in the operas of Haydn, but operatic works by the leading contemporaries of these two great figures remain almost completely unknown.l It is thus not surprising that what is believed to 191 be true about the finale in opera buffa applies quite well to Mozart's finales, but far less well to those of Paisiello, Salieri, Martin y Soler, and Volume 7 ? Number 2 * Spring 1989 TheJournal of Musicology ? 1989 by the Regents of the University of California * A shorter version of this paper was presented at the annual meeting of the American Musicological Society, Louisville, Kentucky, in October 1983. I am grateful to Leonard B. Meyer, Ruth Montgomery, Gary Tomlinson, and Piero Weiss for many useful suggestions. Studies of Mozart's Viennese operatic contemporaries have been very limited in number. Those that deal in some detail with musical matters (as opposed to biographical or bibliographical issues) include Hermann Abert, W. A. Mozart: neubearbeitete und er- weiterteAusgabe von OttoJahns Mozart, 8th ed., 2 vols. (Leipzig, 1973-75), in particular the chapter on "Opera Buffa," I, 332-82; idem, "Paisiellos Buffokunst und ihre Be- ziehungen zu Mozart," Archivfiir Musikwissenschaft I (1918-19), 402-21, repr. -
Scientific Comparison of Mozart and Salieri
Scientific comparison of Mozart and Salieri Mikhail Simkin "Do you feel quite sure of that, Dorian?" Our respondents failed the test. But could this be because they are a bunch of vulgar in taste "Quite sure." philistines? Fortunately, the quizzing software [2] records IP address, from which one can infer the "Ah! then it must be an illusion. The things one feels location of taker’s computer. Thus, I was able to absolutely certain about are never true. That is the fatality of faith, and the lesson of romance. How grave select the test scores received by people who you are! Don't be so serious. What have you or I to do downloaded the quiz from elite locations. For the with the superstitions of our age? … Play me something. analysis I chose Ivy League schools and Oxbridge Play me a nocturne, Dorian ..." (if not for any other reason, than because I did time in those places). The average elite score is 6.25 out -- Oscar Wilde, The Picture of Dorian Gray of 10 or 62.5% correct. Do you feel quite sure that Mozart was a genius and Salieri an envious mediocrity, and that their music 3000 cannot be even compared? To check whether this is an illusion I wrote the 2500 "Mozart or Salieri?" quiz [1]. It consists of ten one-minute audio clips. Some of them are from Mozart, other – from Salieri. The takers are to 2000 determine the composer. Though I selected some of the most acclaimed Mozart’s music for the quiz, people had great difficulties doing it. -
Giovanni Battista Casti
Università degli studi della Tuscia Viterbo Facoltà di Lingue e Letterature straniere moderne Anno accademico 2005-06 Tesi di laurea in Storia della musica I melodrammi giocosi inediti di Giovanni Battista Casti Un viterbese alla corte di Vienna di: Rachele Carnassale matricola n°1 Classe 16S Corso di laurea specialistica in Filologia moderna Relatore Prof. Correlatore Prof.ssa Franco Carlo Ricci Francesca Petrocchi Ai miei genitori, A Emilio Con affetto e riconoscenza. “ Senza musica, la vita sarebbe un errore…” Friedrich Nietzche 2 INDICE Premessa .........................................................................................p 5 Capitolo I: Giovanni Battista Casti .............................................p 7 1. Profilo biografico ........................................................................p 7 2. La produzione letteraria ..............................................................p 13 3. La genesi delle opere teatrali e il periodo viennese....................p 14 Capitolo II: Giovanni Paisiello e Antonio Salieri .......................p 20 1. Giovanni Paisiello .......................................................................p 20 2. Antonio Salieri ...........................................................................p 23 Capitolo III: I libretti di Giovanni Battista Casti ......................p 25 1. L’opera buffa...............................................................................p 25 2. Introduzione ai Libretti di G.B. Casti .........................................p 26 2. Re Teodoro -
Faculty of Arts and Sciences Dean's Annual Report
Faculty of Arts and Sciences Dean’s Annual Report Fiscal Year 2010 Harvard University Harvard University Faculty of Arts and Sciences Office of the Dean University Hall Cambridge, Massachusetts 02138 Table of Contents January in the FAS ................................................................................................................................ 9 Harvard College .................................................................................................................................. 12 Graduate School of Arts and Sciences (GSAS) .............................................................................. 17 Division of Arts and Humanities ...................................................................................................... 23 Division of Science ............................................................................................................................ 28 Division of Social Science ................................................................................................................ 30 School of Engineering and Applied Sciences (SEAS) ............................................................ 33 Division of Continuing Education .................................................................................................... 39 Faculty Trends .................................................................................................................................... 41 Faculty Awards ..................................................................................................................................