Re-Examination of the Egyptian Oracle
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Who's Who in Ancient Egypt
Who’s Who IN ANCIENT EGYPT Available from Routledge worldwide: Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in World Politics Alan Palmer Who’s Who in Dickens Donald Hawes Who’s Who in Jewish History Joan Comay, new edition revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, new edition revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who in World War Two Edited by John Keegan Who’s Who IN ANCIENT EGYPT Michael Rice 0 London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1999 Michael Rice The right of Michael Rice to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Con Nombre De Encasillamiento) Pimay (”Esaú/Gersón”) Ramsés II (Azarías/Uzías) Adad-Nirari III Príncipe Amon-Hir-Wenemef Amon/Seth-Hir-Khepeshef 548 A
Copyright © 2004 by Charles N. Pope Copyright © por la traducción, Óscar Calle, 2004 www.DomainOfMan.com Cuadro 28 “Cronología del Final del Imperio Nuevo” (Jeroboam II) (Con Nombre de Encasillamiento) Pimay (”Esaú/Gersón”) Ramsés II (Azarías/Uzías) Adad-nirari III Príncipe Amon-hir-wenemef Amon/Seth-hir-khepeshef 548 a. C. (Sadoc) (”Jacob/Coat”) (Meraiot/Pasur) (“Amón/Seth es su Brazo Fuerte”) Príncipe Setne- (Ahitob/Haruz/Cusi) Príncipe Ramsés Osorkon III Khaemwaset Hori / Kashta Paser Assur-dan III Sheshonq V Iuput II (”Merari”) Alara (Jo-Sadac) (Zacarías) Nes-Ptah Merenptah 538 a. C. Año 5 Invasión Ramsés Assur-nirari V de los Pueblos del Mar Tefnakhte Estela de Israel (”Moisés”) Ramsés VIII [Akhenamon] (”José”) Takelot G Bakenranef (”Faraón”) (Jotam) (Bochoris) (Amarías) (Acaz) (Salum) (Mesulam) Rudamon Año 2 (Menahem) Bakenkhonsu Uhhazti Pinudjem Radyan Amenmeses Amenhotep / Takelot III Ma-huhy Ramsés XI Piya-ma- (Pekaía) radus Tiglat- 524 a. C. Seti II Año 9 Año de las Hienas pileser III (”Aarón”) Nabonasar Peftjawybastet Smendes (Azarías/Harim) (Amón I) Pulu (Peka) (”Fineas”) Salmanasar V [Nesbanebdjed] Roma-Roy Amen- Shabaka Humbanigash Haremakhet (”Eliezer”) emnisu Siptah (Pedaías) (Oseas) Nimlot Osorkon F/IV Stefanites ¿Minmose? Pediese Setnakhte Twosret Panehesy Año 18 Año 20 Año 19Año del Renacimiento Akenesh Merodac- (Harhas/Hasra) (”Josué”) Año 16 Baladin Piankh- Deportación Harsiese S (Ma’asías II) Sematawy de Israel Herihor-Siamon (Profeta Isaías) Piye = Sargón II Sematawy- Masaharta Segunda Año 30 Año 11 Segunda Invasión Tefnakhte 507 a. C. Año 28 Mentuemhet Año 5 Año 8 Invasión Año 9 de los Pueblos del Mar de los Pueblos Harkhebi = Djedkhonsuefankh Año 25 del Mar = ¿Bakenkhonsu II? Año 14 Año 28 501 a. -
Pharaoh Bible
1. CHARACTERS Pharaoh is essentially an “upstairs/downstairs” story, featuring a wide array of charac- ters of widely disparate social circumstances. The “upstairs” stories feature individuals in positions of power--priests, kings and nota- bles—many of which are based on actual historical figures who lived in the 18th Dynasty of the New Kingdom Era (see italicized). Conversely, the “downstairs” story is driven by commoners, reflecting the prosaic lives of the average citizen—bureaucrats, soldiers, laborers and criminals—and based upon the latest research that is even now painting a new, utterly compelling picture of daily life in ancient Egypt. PRINCIPAL CHARACTERS: HATSHEPSUT Hatshepsut was the daughter of Thut- mose the First and Queen Ahmose. When she had come of age, her father arranged her marriage to her half-brother, Thut- mose the Second, and was the power be- hind the throne during his rule. Upon the death of her husband, Hatshep- sut believed her right to rule superseded Thutmose the Third’s due to her direct, “uncorrupted” lineage. Therefore, once she was appointed Thutmose the Third’s Regent, Hatshepsut assumed all of the regalia and symbols of royal office and insisted on being referred to in contempo- rary records as “His Majesty.” Hatshepsut, late-20s, is an extremely intelli- gent and capable woman who believes that she alone possesses the qualifications neces- sary to rule as King of Egypt. Upon her hus- band’s death, however, she is left powerless when his designated heir, Thutmose the Third, assumes the throne 2. HATSHEPSUT (CONT’D) and his trusted Vizier, Ahmose Pen-Nekhbet, is appointed the boy’s Regent. -
Bulletin De L'institut Français D'archéologie Orientale
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE BULLETIN DE L’INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne BIFAO 118 (2018), p. 83-126 Lucía Díaz-Iglesias Llanos Glimpses of the First Owners of a Reused Burial: Fragments of a Shroud with Book of the Dead Spells from Dra Abu el-Naga North Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), -
Clarity Chronology: Egypt's Chronology in Sync with the Holy Bible Eve Clarity, P1
Clarity Chronology: Egypt's chronology in sync with the Holy Bible Eve Clarity, p1 Clarity Chronology This Egyptian chronology is based upon the historically accurate facts in the Holy Bible which are supported by archaeological evidence and challenge many assumptions. A major breakthrough was recognizing Joseph and Moses lived during the reigns of several pharaohs, not just one. During the 18th dynasty in which Joseph and Moses lived, the average reign was about 15 years; and Joseph lived 110 years and Moses lived 120 years. The last third of Moses' life was during the 19th dynasty. Though Rameses II had a reign of 66 years, the average reign of the other pharaohs was only seven years. Biblical chronology is superior to traditional Egyptian chronology Joseph was born in 1745 BC during the reign of Tao II. Joseph was 17 when he was sold into slavery (1728 BC), which was during the reign of Ahmose I, for the historically accurate amount of 20 pieces of silver.1 Moses (1571-1451 BC) was born 250 years after the death of the Hebrew patriarch, Abraham. Moses lived in Egypt and wrote extensively about his conversations and interactions with the pharaoh of the Hebrews' exodus from Egypt; thus providing a primary source. The history of the Hebrews continued to be written by contemporaries for the next thousand years. These books (scrolls) were accurately copied and widely disseminated. The Dead Sea Scrolls contained 2,000 year old copies of every book of the Bible, except Esther, and the high accuracy of these copies to today's copies in original languages is truly astonishing. -
The Symbolism and Function of the Window of Appearance in the Amarna Period*1
FOLIA PRAEHISTORICA POSNANIENSIA T. XXIV – 2019 WYDZIAŁ ARCHEOLOGII, UAM POZNAŃ – ISSN 0239-8524 http://dx.doi.org/10.14746/fpp.2019.24.05 THE SYMBOLISM AND FUNCTION OF THE WINDOW OF APPEARANCE IN THE AMARNA PERIOD*1 SYMBOLIZM I FUNKCJA OKNA POJAWIEŃ W OKRESIE AMARNEŃSKIM Maria M. Kloska orcid.org/0000-0003-4822-8891 Wydział Historii, Uniwersytet im. A. Mickiewicza ul. Uniwersytetu Poznańskiego 7, 61-614 Poznań [email protected] ABSTRACT: During the reign of the Amarna spouses, giving gold necklaces to royal officials took place (almost always) from the so-called Window of Appearance. From them, Akhenaten and Nefertiti, often with princesses, honoured deserved and devoted dignitaries. The popularity of the Window of Appearance closely relates to the introduction of a new religious system introduced by Akhenaten and Nefertiti. Ac- cording to the new religion, Akhenaten and Nefertiti were a pair of divine twins like Shu and Tefnut, who in the Heliopolitan theology, were the children of the god Atum – replaced by Aten in Amarna. The royal couple prayed to the main solar god, while their subjects prayed to the king and queen. Since Akhenaten per- formed the role of a priest through whom ordinary people could pray to the god, it was necessary to create a construction that would allow the king to meet with his subjects publicly. The Window of Appearance was such architectural innovation. It was crucial because the king was an intermediator between the peo- ple and the only right sun god, Aten. The Windows of Appearance were probably located in various places in Akhetaten, including the Great Palace, the King’s House, the North Palace, the Small Aten Temple and in the temples of the Sunshades of Re in the Kom el-Nana and Maru-Aten. -
Glass Vessels from the Reign of Thutmose III and a Hitherto Unknown Glass Chalice
REPRINTED FROM JOURNAL OF GLASS STUDIES VOLUME 48 • 2006 Paul T. Nicholson Glass Vessels from the Reign of Thutmose III and a Hitherto Unknown Glass Chalice Copyright © 2006 by The Corning Museum of Glass, Corning, NY 14830-2253 Glass Vessels from the Reign of Thutmose III and a Hitherto Unknown Glass Chalice Paul T. Nicholson ver the years, there have been is believed to date from the seventh year of the many reports of glass in Egypt that is queen’s reign.6 Odated earlier than about 1500 B.C.1 Since raw glass of that period was naturally Several of these objects—including the famous greenish or brownish because of impurities such “Bull Mosaic” of Princess Khnumet2 and the as iron, it had to be decolorized in order to pro- lion’s head amulet inscribed for Nubkheperre3— duce colorless objects such as the name beads. are now known to have been made of materials Decolorization was a sophisticated process, and other than glass. The remaining pieces that are virtually all of the glass known from ancient known to us do not appear to represent any de- Egypt was strongly colored, usually in shades liberate and regular production of glass. Instead, of light or dark blue. The notion that colorless they may be the result of accidents that occurred glass could have been manufactured so early, in during the making of faience or frit. Egypt or elsewhere, suggests a remarkable so- There are two pieces of glass that may be rele- phistication in this early glass industry. vant to this discussion, but for the moment, their Chemical analysis of the beads has shown status remains unclear. -
Come My Staff, I Lean Upon You: an Iconographic and Contextual Study of Sticks and Staves from 18Th Dynasty Egypt
The American University in Cairo School of Humanities and Social Sciences Come My Staff, I Lean Upon You: an Iconographic and Contextual Study of Sticks and Staves from 18th Dynasty Egypt A Thesis Submitted to The Department of Sociology, Anthropology, Psychology and Egyptology (SAPE) In partial fulfillment of the requirements for The Degree of Master of Arts By: Nicholas R. Brown Under the Supervision of Dr. Salima Ikram First Reader: Dr. Lisa Sabbahy Second Reader: Dr. Fayza Haikal December, 2015 DEDICATION “All men dream, but not equally. Those who dream by night in the dusty recesses of their minds, wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act on their dreams with open eyes, to make them possible. This I did.” -T. E. Lawrence, Seven Pillars of Wisdom To my grandmother, Nana Joan. For first showing me the “Wonderful Things” of ancient Egypt. I love you dearly. ii ACKNOWLEDGMENTS There are many individuals and institutions to whom I would like to express my deepest gratitude and thankfulness. Without their help, encouragement, support, and patience I would not have been able to complete my degree nor this thesis. Firstly, to my advisor Dr. Salima Ikram: I am grateful for your suggesting the idea of studying sticks in ancient Egypt, and for the many lessons that you have taught and opportunities you have provided for me throughout this entire process. I am, hopefully, a better scholar (and speller!) because of your investment in my research. Thank you. To my readers Doctors Lisa Sabbahy and Fayza Haikal, thank you for taking the time to review, comment upon, and edit my thesis draft. -
Oracular Sessions and the Installations of Priests and Officials at the Opet Festival
Oracular Sessions and the Installations of Priests and Officials at the Opet Festival Oracular Sessions and the Installations of Priests and Officials at the Opet Festival Masashi FUKAYA* The Opet Festival is known for its juridical function relating to the oracles of Amun. There are only three texts unequivocally relevant to its oracular sessions, dated to the Nineteenth Dynasty and later. However, other evidence can be associated with this celebration, based on the dates of events. This paper consists of two parts, each re-examining the known evidence and presenting new one. The new sources examined here are mostly related to the installations of high-ranking individuals, such as the high-priests of Amun, the divine wives, and viziers. Unlike juridical oracular sessions, the dates of their ceremonial appointments are rather peripheral in nature, taking place in proximity either to the beginning or the end of the festival. This may hint at the legal assumption of priestly titles prior to religious events and subsequent approval by the god in ceremonial settings, or reward ceremonies when those individuals received special favours from the king for their devotion to him after particular festivals. The author also notes that the accessions of kings were probably modeled on the same pattern in view that some rulers celebrated an accession anniversary at the Opet Festival in their first regnal year when they went on a tour all over Egypt to proclaim their new authority. Keywords: Opet Festival, oracle, decree, installation, appointment Introduction Clear evidence attesting Egyptian oracular rituals is known only from the New Kingdom onwards.1 We have no more than four examples from the Eighteenth Dynasty, all of which pertain to decision-makings on state affairs made by Amun at Thebes.2 Two of them are dated – II Peret 30 and III Peret 2. -
The Overseer Shabtis of the High Priest of Amun
The overseer shabtis of the High Priest of Amun Pinedjem II By Niek de Haan 2021 (second edition) © Niek de Haan – www.shabticollections.com - 2021 1 Table of content 1. Introduction 1.1 Introduction to this study 1.2 Who was Pinedjem II? 1.3 Description of the shabtis 2. Museum pieces 3. Private collections pieces and unknown current location Index © Niek de Haan – www.shabticollections.com - 2021 2 1. Introduction 1.1 Introduction to this study This study provides an overview of the overseer shabtis of Pinedjem II. In addition to the published examples I added the shabtis I have come across in the world. I will start of with a short introduction of the ancient owner Pinedjem II and describe his shabtis in general. In the following chapters you will find the museum parallels (chapter 2) and the privately owned parallels (chapter 3). 1.2 Who was Pinedjem II? The High Priest of Amun Pinedjem II, born around 1030/1025 BC, ruled from the south of Egypt from 990 BC till 969 BC, following his brother Smendes II. He was married to both Nesy-Khonsu and Iset-em-Khebi. Nesi-Khonsu was the daughter of his brother Smendes II and his wife Ta-hen-Djehuty. Iset-em-Khebi was his full sister, both children of the High Priest of Amun Mencheppera. He died around Mummy, inner and outer coffin of Pinedjem II © Niek de Haan – www.shabticollections.com - 2021 3 1.3 Description of the shabtis In this document I will only describe the overseers. The overseers are carrying a whip in the left hand to the left shoulder. -
Title: TT 358, TT 320 and KV 39. Three Early Eighteenth Dynasty Queen's
Title: TT 358, TT 320 and KV 39. Three early Eighteenth Dynasty Queen’s tombs in the vicinity of Deir el-Bahari Author(s): David A. Aston Journal: Polish Archaeology in the Mediterranean 24/2, Special Studies: Deir el-Bahari Studies, edited by Z. E. Szafrański Year: 2015 Pages: 15-42 ISSN: 1234–5415 (Print), ISSN 2083–537X (Online) Publisher: Polish Centre of Mediterranean Archaeology, University of Warsaw (PCMA UW), Wydawnictwa Uniwersytetu Warszawskiego (WUW) www.pcma.uw.edu.pl - www.wuw.pl Abstract: This paper discusses the similarities between TT 358, TT 320 and, in its second stage, KV 39. In terms of both architecture and grave goods, it is suggested that these three tombs were all made for early Eighteenth Dynasty queens. That TT 358 was carved for Ahmose-Meryetamun is certain, whilst the suggestion that TT 320 was cut for Ahmose-Nofretari is defended. Although it is not certain for whom KV 39 may have been designed, the suggestion that it was Ahmose-Inhapi seems plausible. Keywords: Ahmose-Meryetamun, Ahmose-Nofretari, Ahmose-Inhapi, Amenophis I TT 358, TT 320 and KV 39. Three early Eighteenth Dynasty Queen’s tombs... EGYPT TT 358, TT 320 AND KV 39. THREE EARLY EIGHTEENTH DYNASTY QUEEN’S TOMBS IN THE VICINITY OF DEIR EL-BAHARI David A. Aston Austrian Academy of Sciences, Vienna Abstract: This paper discusses the similarities between TT 358, TT 320 and, in its second stage, KV 39. In terms of both architecture and grave goods, it is suggested that these three tombs were all made for early Eighteenth Dynasty queens. -
Černý Mss. 17.125.1-17 Catalogue and Scans
© The Griffith Institute, University of Oxford ČERNÝ MSS. 17.125.1-17 CATALOGUE AND SCANS. Hand-copies of embossments from sets of Third Intermediate Period mummy braces, chiefly from the Bab el-Gasus cache and now in the Egyptian Museum, Cairo, made by Jaroslav Černý. Luigi Prada (catalogue) Jenni Navratil (scans) INTRODUCTION. The catalogue presents all the 48 hand-copies of pendants and tabs from mummy leather braces found in the first 17 pages of one of Jaroslav Černý’s notebooks, currently preserved in the Griffith Institute Archive, University of Oxford (Černý MSS. 17.125.1-17). The catalogue assigns a number (in bold) to each hand-copy, in a sequence from 1 to 48 that follows the order in which they appear in the notebook. Beside this number, the catalogue also records, in brackets and preceded by the letter Č. (for Černý), the alphabetic or alphanumeric cross-references that Černý himself assigned to almost all of them, matching most items in pairs. No mention of the objects’ original dimensions is found in the notebook, and it is has not been possible to ascertain whether the drawings are all in the same scale. Each object is first identified by type, as either pendant (nos. 1-7, 46-47, with further specification as to what type of pendant) or tab (nos. 8-45, 48). In the case of pendants, the description is limited to the text they bear, as they do not present any images, besides somewhat standardised decorative patterns (rosette in the case of menat-pendants, drop-shaped beads in that of menkhet-pendants).