Martina Bacigalupo
23e/rd Festival International du/of photojournalism photojournalisme 2011 PRESS / PUBLIC RELATIONS 08. 27 09. 11 pro-week 08.29 TO 09.04 Perpignan, Visa pour l’Image, 23 Festivals (Already!) …for Photojournalism New technologies, the development of digital photography and the global financial crisis have all changed the rules and practices for photojournalism. Photojournalists may have lost ground in the press, but reports are presented in other ways and are attracting growing audiences, through modern media, festivals and cultural venues. As the world continues, in constant change (freedom movements in Tunisia, Egypt, Libya, Sudan, Syria, Bahrain, Ivory Coast and more), or faced with the furies of nature (earthquake and tsunami in Japan), and man’s cruelty to man (Marrakech and Afghanistan), there are stories every day, every hour, every minute, and an almost instantaneous profusion of photographs. Photojournalism today is presented in a diversity of forms and media, via professional channels, stringers, free-lancers and amateurs. Everyone seems to be practicing photojournalism, or at least claiming to do so. Yes, photojournalism is still a key vector – for news and information, for minds and ideas, for the pursuit of freedom, for judgment and the quest for truth. In doing this, some die and some are taken hostage. They must not be forgotten. A reference in this profusion of pictures is Visa pour l’Image- Perpignan in early September, now the annual international meeting place for photojournalism. In 2010, 225 000 entrances were recorded for the 28 exhibitions and evening shows on the giant screen, including secondary school students, i.e.
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