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In the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2007 The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity Keith Aaron Moser University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the French Linguistics Commons Recommended Citation Moser, Keith Aaron, "The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity. " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/248 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Keith Aaron Moser entitled "The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Karen Levy, Major Professor We have read this dissertation and recommend its acceptance: John Romeiser, Stefanie Ohnesorg, Lisi Schoenbach Accepted for the Council: Carolyn R. -
A Study on the Translation and Introduction of J. M. G. Le Clézio in China
Open Journal of Social Sciences, 2019, 7, 290-299 https://www.scirp.org/journal/jss ISSN Online: 2327-5960 ISSN Print: 2327-5952 A Study on the Translation and Introduction of J. M. G. Le Clézio in China Jun Yu Department of Foreign Languages, Zhongbei College of Nanjing Normal University, Nanjing, China How to cite this paper: Yu, J. (2019) A Abstract Study on the Translation and Introduction of J. M. G. Le Clézio in China. Open Jour- This paper analyzes the translation and introduction of J.M.G. Le Clézio in nal of Social Sciences, 7, 290-299. China, and finds that winning the Nobel Prize for Literature in 2008, which https://doi.org/10.4236/jss.2019.712021 appeared to be a turning point for him, has played an important role in ex- Received: December 6, 2019 panding his influence in China. Firstly, before winning the award, only a few Accepted: December 20, 2019 of his works were translated into Chinese, after winning the award, Chinese Published: December 23, 2019 publishing houses accelerated immediately the speed of translation and printing of his works; Secondly, before the award, in China, there were few Copyright © 2019 by author(s) and Scientific Research Publishing Inc. research papers on his literary creation, and after the award, the number of This work is licensed under the Creative academic studies about him began to rise immediately; Thirdly, in the eyes of Commons Attribution International Chinese readers, there exists a controversy of opinions about his works. Chi- License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ nese general readers hardly know Le Clézio, but he is appreciated and highly Open Access recommended by Chinese translators and scholars. -
The Nobel Prize in Literature 2008
The Permanent Secretary Press Release 9 October 2008 The Nobel Prize in Literature 2008 Jean-Marie Gustave Le Clézio The Nobel Prize in Literature for 2008 is awarded to the French writer Jean-Marie Gustave Le Clézio “author of new departures, poetic adventure and sensual ecstasy, explorer of a humanity beyond and below the reigning civilization”. Biobibliographical notes Jean-Marie Gustave Le Clézio was born on April 13, 1940, in Nice, but both parents had strong family connections with the former French colony, Mauritius (conquered by the British in 1810). At the age of eight, Le Clézio and his family moved to Nigeria, where the father had been stationed as a doctor during the Second World War. During the month-long voyage to Nigeria, he began his literary career with two books, Un long voyage and Oradi noir, which even contained a list of “forthcoming books.” He grew up with two languages, French and English. In 1950 the family returned to Nice. After completing his secondary education, he studied English at Bristol University in 1958-59 and completed his undergraduate degree in Nice (Institut d’Études Littéraires) in 1963. He took a master’s degree at the University of Aix-en-Provence in 1964 and wrote a doctoral thesis on Mexico’s early history at the University of Perpignan in 1983. He has taught at universities in Bangkok, Mexico City, Boston, Austin and Albuquerque among other places. Le Clézio received much attention with his first novel, Le procès-verbal (1963; The Interrogation, 1964). As a young writer in the aftermath of existentialism and the nouveau roman, he was a conjurer who tried to lift words above the degenerate state of everyday speech and to restore to them the power to invoke an essential reality. -
Encuentro Con El Mundo Fabuloso De Jean-Marie Gustave Le Clézio1
Encuentro con el mundo fabuloso de Jean-Marie Gustave Le Clézio1 Yvonne Cansigno Gutiérrez “Escribir no es sólo estar sentado en tu mesa conti- valiosa fuente de conocimiento, sobre todo para aquellos go mismo, es escuchar el ruido del mundo. Cuando historiadores, literatos, poetas o intelectuales que se intere- estás en la posición del escritor se percibe mejor el san sobre el trabajo de creación que Le Clézio ha realizado ruido del mundo, vas al encuentro del mundo”. como observador del mundo. La aventura literaria de Le Le Clézio, 2008. Clézio ha suscitado un gran interés en los medios acadé- mico y universitario, provocando también el análisis y el Mi interés por recrearme con la obra literaria de Jean- estudio de sus textos en los niveles de licenciatura, maestría Marie Gustave Le Clézio surgió en 1983, a raíz de una y doctorado en Francia y otros países extranjeros. Aunque serie de conversaciones entretenidas en la Universidad de en México no es realmente conocido, algunos escritores Estrasburgo, Francia, con Livia García Villalón, amiga y consagrados reconocen su prestigio. Particularmente, el colega que me recomendó ampliamente la lectura de este autor vive al margen del mundo intelectual y de las diver- escritor que empezaba a estar de moda en las librerías sas ideologías y debates públicos, Considerado como una francesas. Posteriormente en una breve estancia en París figura discreta, se ha dedicado por entero a su carrera de en 1992, mi curiosidad me llevó a buscar en el barrio escritor. latino, tres libros que guardo con inmensa satisfacción y Fueron múltiples los senderos que me permitieron estima: Pawana (1992), Le rêve mexicain (1988) y Trois villes realizar hallazgos en mis lecturas: entablar conversaciones saintes (1980). -
JMG Le Clézio Seine, France), 2006
1/22 Data J. M. G. Le Clézio Langue : Français Sexe : Masculin Note : Romancier. - Prix Nobel de littérature 2008 Domaines : Littératures Autre forme du nom : Jean-Marie Gustave Le Clézio ISNI : ISNI 0000 0001 2145 7913 (Informations sur l'ISNI) J. M. G. Le Clézio : œuvres (171 ressources dans data.bnf.fr) Œuvres textuelles (120) Francophonie, pour l'amour d'une langue Le flot de la poésie continuera de couler (2020) (2020) Bitna, sous le ciel de Séoul Alma (2018) (2017) Tempête, deux Histoire du pied, et autres fantaisies (2014) (2011) Ritournelle de la faim Ballaciner (2008) (2007) Ourania Raga, approche du continent invisible (2006) (2006) L'Africain (2004) Révolutions (2003) Coeur brûle Poisson d'or (2000) (1997) La fête chantée (1997) La quarantaine (1995) data.bnf.fr 2/22 Data Ailleurs Mydriase (1995) (1993) Étoile errante (1992) Onitsha (1991) Printemps et autres saisons Le Rêve mexicain ou la Pensée interrompue (1989) (1988) Sur Lautréamont Lautréamont (1987) (1987) La Ronde et autres faits divers Le chercheur d'or (1982) (1985) Désert Mondo (1980) (1978) L'Inconnu sur la terre Voyages de l'autre côté (1978) (1975) Les Géants (1973) La guerre (1970) Terra amata Le livre des fuites (1967) (1969) L'Extase matérielle (1967) Le déluge (1966) La Fièvre Le jour où Beaumont fit connaissance avec sa douleur (1965) (1964) Le procès-verbal "The violent bear it away" (1963) (1960) de Flannery O'Connor avec J. M. G. Le Clézio comme Préfacier "El Llano en llamas" "Les chants de Maldoror" (1953) (1869) de Juan Rulfo de Lautréamont avec J. M. -
The Islanding of Jean-Marie Gustave Le Clézio
NARRATING EXPIATION IN MAURITIUS AND THE INDIAN OCEAN AQUAPELAGO The Islanding of Jean-Marie Gustave Le Clézio [ReceiveD January 5th 2018; accepteD March 8th 2018 – DOI: 10.21463/shima.12.1.07] Jacqueline Dutton University of Melbourne <[email protected]> ABSTRACT: IslanDs are integral to Jean-Marie Gustave Le Clézio’s life anD writing. Mauritius anD the InDian Ocean aquapelago have a central importance in his work, as many scholarly stuDies confirm. Since receiving the Nobel Prize in Literature in 2008, Le Clézio has foregrounDeD his Franco-Mauritian identity more explicitly, in both personal contexts anD politico-cultural initiatives. This article examines the evolution of the author’s islanDeD identity, drawing on his biographical details, interviews anD textual analysis of his fictional works, frameD by recent developments in IslanD StuDies theory. KEYWORDS: Jean-Marie Gustave Le Clézio, Mauritius, IslanDing, Identity, Expiation, French anD Francophone Literature, InDian Ocean Aquapelago … for me, as an islander, someone who watches from the shore as cargo ships pass, who hangs around ports, as a man who walks along a boulevard and who can be neither from a quarter nor a town, but from all the quarters and all the towns, the French language is my only country, the only place where I reside). (ArganD, 1994: 25) 1 Introduction Jean-Marie Gustave Le Clézio’s 2008 Nobel Prize in Literature brought international fame anD fortune to the reticent French-born author. Much of the million-dollar prize was donateD to establish the Fondation pour l'interculturel et la paix (FounDation for Interculturality anD Peace – henceforth FIP) in Mauritius, cofounDeD in 2009 with Issa Asgarally, demonstrating Le Clézio’s desire to give back to the communities that were exploited by his colonial ancestors. -
Les Romans De J.-M.G. Le Clézio: Rôle De L'écrivain
UNIVERSITÉ SORBONNE PARIS CITÉ UNIVERSITÉ SORBONNE NOUVELLE – PARIS-3 ED 120 Littérature française et comparée Thèse de doctorat en littérature générale et comparée Julien PARADIS DUFOUR LES ROMANS DE J.-M.G. LE CLÉZIO: RÔLE DE L’ÉCRIVAIN CONTEMPORAIN DANS LA FONDATION D’UNE LITTÉRATURE MONDIALE CONSIDÉRÉE COMME PRATIQUE LITTÉRAIRE Thèse dirigée par Mme Sylvie André Soutenue le 26 janvier 2018 Jury : Mme Sylvie André, professeur des universités (Université de la Polynésie Française, Université Sorbonne Nouvelle-Paris 3) M. Jean Bessière, professeur émérite (Université Sorbonne Nouvelle-Paris 3) M. Claude Cavallero, professeur des universités (Université Savoie Mont-Blanc) Mme Isabelle Roussel-Gillet, Maître de conférences habilitée à diriger des recherches (Université d’Artois) - Les romans de J.-M.G. Le Clézio : rôle de lřécrivain contemporain dans la fondation dřune littérature mondiale considérée comme pratique littéraire. Résumé Le concept de littérature nationale sřest développé de façon concomitante avec le concept dřÉtat- nation en Europe à partir de la fin du XVIIIe siècle. LřÉtat-nation est rendu possible en partie par la littérature qui agit, par un discours culturel, comme un vecteur déterminant permettant à une telle communauté de sřimaginer. Lřinstitutionnalisation de la littérature sert alors dřoutil aux pouvoirs et aux élites en place dans le double objectif dřasseoir leur dominance et de créer un sentiment dřidentité nationale, non sans une certaine violence : une partie de la diversité culturelle évoluant à lřintérieur de la juridiction de lřÉtat-nation est sacrifiée au profit de lřunité. Les premiers nationalismes modernes se développent en Europe dans un climat de rivalité : cřest en opposant sa propre culture à celle des États environnants que lřon cherche à définir son identité. -
A Study on Periods and Themes of Le Clézio's Literary Creation
Open Journal of Modern Linguistics, 2019, 9, 25-31 http://www.scirp.org/journal/ojml ISSN Online: 2164-2834 ISSN Print: 2164-2818 A Study on Periods and Themes of Le Clézio’s Literary Creation Jun Yu Department of Foreign Languages, Zhongbei College of Nanjing Normal University, Nanjing, China How to cite this paper: Yu, J. (2019). A Abstract Study on Periods and Themes of Le Clézio’s Literary Creation. Open Journal of J.M.G. Le Clézio is obviously one of the most famous contemporary French Modern Linguistics, 9, 25-31. writers, and his works have been translated into many languages and spread https://doi.org/10.4236/ojml.2019.91003 around the world. After he won the 2008 Nobel Prize in Literature, he re- ceived worldwide recognition. This paper focuses on the research of Le Received: January 20, 2019 Accepted: February 18, 2019 Clézio’s literary creation, analyzes the evolution of his writing style and cha- Published: February 21, 2019 racteristics of two periods of his literary creation, then extracts five main themes in his works during his two periods of creation, and makes an inter- Copyright © 2019 by author(s) and pretation of his spirit of criticism, humane care and desire of escaping from Scientific Research Publishing Inc. This work is licensed under the Creative the city and blending into the nature and exotic civilization. Commons Attribution International License (CC BY 4.0). Keywords http://creativecommons.org/licenses/by/4.0/ Le Clézio, Literary Creation, Criticism, Civilization Open Access 1. Introduction Le Clézio is in fact one of the French writers most related to China; he has al- ways maintained a good relationship with professor XU Jun, who has made a lot of contributions to the translation and introduction of Le Clézio’s works in Chi- na. -
L'univers Imaginaire De Le Clézio
L’univers imaginaire de Le Clézio Mª Luisa BERNABE GIL Universidad de Granada Departamento de Filología Francesa [email protected] Recibido : 7 de octubre de 2010 Aceptado : 18 de diciembre de 2010 RÉSUMÉ Le début de l’œuvre de Le Clézio présente un décor effrayant (celui de la ville moderne) qui contraste fortement avec l’espace imaginaire décrit tout au long de ses romans. De ce contraste surgit, à l’intérieur de la narration, un univers à deux faces : la face d’ombre et la face de lumière. À l’aide des théories énoncées entre autres par Eliade, Durand et Bachelard, nous allons considérer, d’une part, la tentative de Le Clézio de créer un univers romanesque particulier, et d’autre part, la fonction du mythe dans la constellation d’images de début et de fin qui accompagnent l’évolution de son œuvre. Mots clés: Mythe, imaginaire, intertexte biblique, espace et temps primordiaux. El universo imaginario de Le Clézio RESUMEN El comienzo de la obra de Le Clézio presenta un decorado apocalíptico (el de la ciudad moderna) que contrasta fuertemente con el espacio imaginario descrito a lo largo de sus novelas. De este contraste surge, en el interior de la narración, un universo de ficción que se puede considerar bajo una doble perspectiva: la luz y la sombra. Las teorías de Eliade, Durand y Bachelard, entre otros, nos ayudarán a considerar, por un lado, la tentativa de Le Clézio de crear un universo novelesco particular, y por otro lado, la función del mito en la constelación de imágenes de fin y de comienzo contenidas en la evolución de su obra. -
Jean-Marie Gustave Le Clézio
2008 NOBEL LAUREATES BLISHER U EBRASKA PRESS RBSTONE PRESS RBSTONE N U STINE, P D , C TAR . GOL S R D , DAVI , UNIVERSITY OF R O WANDERING WANDERING ECT The Nobel Prize in Literature 2008 P S ONITSHA O HE PR T “author of new departures, poetic adventure and sensual ecstasy, explorer of a humanity beyond and below the reigning civilization” ASSIER S J. Jean-Marie Gustave Le Clézio Born: 1940 Birthplace: France Nationality: French and Mauritian citizen LITERATURE 19 Copyright © Nobel Web AB 2008. Nobelprize.org, Nobel Prize and the Nobel Prize medal design mark are registered trademarks of the Nobel Foundation. 2008 NOBEL LAUREATES Speed read: Language as belonging Le Clézio, who shows us that we are all emigrants, that we all face futures that are both liberating and terrifying. Le Clézio’s talent was recognised from the beginning; his first published novel (Le procès-verbal) written when he was 23, received the Renaudot prize. The early novels are highly experimental in style and ean-Marie Gustave Le Clézio has said that the intellectually challenging. They present a bleak French language is the only place where he picture of modern western urban existence, as one of Jfeels a sense of belonging. He is someone who alienation, aggression and enslavement to materiality has always lived on the edge, and in-between, and (Les géants). Then, in the late 1970s, Le Clézio’s style is hard to identify with a single locality. Itinerant and thinking underwent a radical change, partly as from childhood, he has continued to travel, and now a result of his experience of living with the Emberas divides his time between New Mexico, on the frontier Indians in the Panamanian forest between 1970 and between North and South America, Nice, on the very 1974. -
Bibliographie
Bibliographie Textes de J.M.G. Le Clézio Histoires du pied et autres fantaisies, Paris, Gallimard, 2011, 352 p. Les Musées sont des mondes, Paris, Livres d’art Gallimard, 2011, 160 p. Ritournelle de la faim, Paris, Gallimard, 2008, 345 p. Discours de réception du Prix Nobel de littérature. « Dans la forêt des paradoxes », 2008. Ballaciner, Paris, Gallimard, 2007, 207 p. Raga. Approche du continent invisible, Paris, Seuil, coll. Peuples du ciel, 2006, 135 p. Ourania, Paris, Gallimard, coll. NRF, 2006, 297 p. L’Africain, Paris, Mercure de France, 2004, 105 p. Peuple du ciel suivi de Les Bergers, Paris, Gallimard, 2003, 132 p. Révolutions, Paris, Gallimard, 2003, 534 p. Hasard suivi d’Angoli Mala, Paris, Gallimard, 1999, 304 p. La Fête chantée, Paris, Gallimard, 1997, 256 p. Gens des nuages, photographies de Bruno Barbey, Paris, Stock, 1997, 151 p. (en collabo- ration avec Jemia Le Clézio) Poisson d’or, Paris, Gallimard, 1997, 297 p. La Quarantaine, Paris, Gallimard, 1997, 464 p. Diego et Frida, Paris, Gallimard, coll. Folio, 1995, 308 p. Étoile errante, Paris, Gallimard, 1992, 352 p. Onitsha, Paris, Gallimard, 1991, 289 p. Sirandanes suivies d’un petit lexique de la langue créole et des oiseaux, Aquarelles de Jean-Marie-Gustave Le Clézio, Paris, Seghers, 1990, 94 p. (en collaboration avec Jemia Le Clézio) Printemps et autres saisons, Paris, Gallimard, 1989, 249 p. Le Rêve mexicain ou la pensée interrompue, Paris, Gallimard, 1988, 248. Voyage à Rodrigues, Paris, Gallimard, 1986, 146 p. Le Chercheur d’or, Paris, Gallimard, 1985, 375 p. Relation de Michoacan, version et présentation de Jean-Marie Gustave Le Clézio, Paris, Gallimard, coll. -
Biobibliographische Notiz
Biobibliographische Notiz Jean-Marie Gustave Le Clézio wurde am 13. April 1940 in Nizza geboren, aber seine beiden Eltern hatten starke familiäre Bande mit der einst französischen Kolonie Mauritius, 1810 von den Briten erobert. Im Alter von acht Jahren zog Le Clézio zusammen mit der übrigen Familie nach Nigeria, wo der Vater während des Zweiten Weltkriegs als Arzt zurückgeblieben war. Auf der monatelangen Schiffsreise nach Nigeria begann er seine Karriere als Schriftsteller mit zwei kleinen Büchern, Un long voyage und Oradi noir , das sogar eine Liste über ”kommende Bücher” enthielt. Er wuchs mit zwei Sprachen, englisch und französisch auf. 1950 kehrte die Familie nach Nizza zurück. Nach dem Abitur 1957 studierte er 1958-1959 beziehungsweise 1960-1961 English an den Universitäten Bristol und London. 1963 legte er ein erstes Examen an der Universität Nizza, damals Institut d’Études Littéraires, ab. 1964 folgte ein höheres Examen an der Universität Aix-en-Provence, und er doktorierte 1983 an der Universität Perpignan mit einer Arbeit zur Frühgeschichte Mexikos. Er hat unter anderem an den Universitäten Bangkok, Mexiko City, Boston, Austin und Albuquerque gelehrt. Le Clézio erregte große Aufmerksamkeit mit seinem Debutroman Le procès-verbal (1963; Das Protokoll , 1965). Als junger Schriftsteller war er in den Nachwehen des Existenzialismus und des nouveau roman ein Magier, der die Worte aus dem degenerierten Zustand der Alltagssprache hervorzuheben und ihnen die Kraft wiederzugeben suchte, eine existentielle Wirklichkeit heraufzubeschwören. Sein Debutbuch leitete eine Reihe von Krisenschilderungen ein, die auch die Erzählsammlung La fièvre (1965; Das Fieber , 1971) und Le déluge (1966; Die Sintflut , 1968) umfasst, wo er Verwirrung und Furcht in den großen Städten des Abendlandes aufzeigt.