THE LADY of the LAKE Andrzej Sapkowski
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Dr. Austin Harrington Max-Weber-Kolleg Für Kultur- Und Sozialwissenschaftliche Studien University of Erfurt, Germany 1945: a New Order of Centuries 79
78 SOCIOLOGISK ForsKNING 2008 Dr. Austin Harrington Max-Weber-Kolleg für kultur- und sozialwissenschaftliche Studien University of Erfurt, Germany 1945: A NEW ORDER OF CENturIES 79 Austin Harrington 1945: A New Order of Centuries? Hannah Arendt and Hermann Broch’s “The Death of Virgil” In On Revolution (1963) Hannah Arendt heads one of her chapters with the three La- tin words inscribed on the Great Seal of the United States of America: novus ordo se- clorum, modified from magnus ab integro saeclorum nascitur ordo in line 5 of Virgil’s fourth Eclogue.1 The men of the American revolution, Arendt famously argued, suc- ceeded in founding the political community in a sovereign act of inaugural legislation that instituted a “new order of the centuries” between the “no-longer” of old Euro- pean political and religious precedent and the “not-yet” of salvation on earth for all. In contrast to the French revolution, which failed to distinguish political power from a pre-political natural violence of the multitude, the American statesmen discerned that a revolution carried its authority neither from belief in an immortal legislator nor from the promises of a future state of reward but rather from a pure act of the foun- ding and constituting of freedom itself. The Founding Fathers in this sense “solved the problem of the beginning, of an unconnected, new event breaking into the con- tinuous sequence of historical time”. In altering Virgil’s “the great cycle of periods is born anew” to the “new order of the ages”, the American revolutionaries felt -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Film Theory: a Review by Kelly Williams Film Theory with Ruth Goldberg, MALS Program, ESC July 20, 2012
Film Theory: A Review by Kelly Williams Film Theory with Ruth Goldberg, MALS Program, ESC July 20, 2012 Drawing on prior experience from literary theory in my undergraduate studies as well as theory touched upon in the MALS Seminar, I will focus on certain schools of thought in regard to film. My specific concentration will be on the beginnings of cinema and film theory to give a base to the rest of the study from which I will branch out into Auteur Theory, Structuralism and Semiotics, Psychoanalytic Theory and Ideology and lastly Spectatorship and Intertextuality. Utilizing Robert Stam’s Literary Theory: an Introduction and Robin Wood’s Hitchcock Revisited, along with the Oxford Film Theory and Criticism (Baudry, et al.), I will review the ideas around film and screen films in order to apply those theories. Much like Robert Stam, my approach to film theory draws on several schools. He states the reason for doing this best when he says “If I am a partisan of anything it is of theoretical cubism: the deployment of multiple perspectives and grids” (Stam, 1). From the start of my higher education, I have been unable to ally completely with any one school of thought, but find that if I apply perspectives from several, that the text I am reviewing, literary or cinematic, tends to open more clearly and in a more meaningful and thought provoking way. In discussing ideas, I may tend to avoid naming names, as I agree with Stam that this pigeon-holes theorists into one school or another, whether warranted or not (for example Bazin who Stam explains is “reduced to a theorist only of realism” by other critics who frequently quote him either in support or opposition to their ideas) (77). -
Introduction to Korean History SEM 1 AY 2017-2018
HH3020: Introduction to Korean History SEM 1 AY 2017-2018 Asst Prof Park Hyung Wook Contact: Phone: 6592 3565 / Office: HSS 05-14 / Email: [email protected] I. Course Description: This is a seminar course in the history of Korea, focusing on its modern part. Students will be able to study the major issues in the creation of the Korean nation, the national identity, the growth of its unique social and political structure, and the technological and industrial growth in the modern period. The primary subjects in the seminar include premodern development of the Korean nation and culture, the Japanese colonial era, the liberation after World War II, the Korean War, and the period after the mid-twentieth century when Koreans experienced the shock of their rapid industrialization and urbanization. Students will learn the dynamics of the Korean history which placed the country in the changing global landscape in the contemporary world. II. Course Design: There will be a three-hour seminar each week. For the first 40 minutes, the professor will introduce the day’s main subjects with certain points for further thinking. Then, some students will present their analysis of newspapers relevant to the week’s theme. The following hours will be used for group discussion based on the selected pre-class questions. Each group, before the end of the seminar, will present their discussion in front of other students. The result of the discussion should be uploaded in NTULearn. III. Course Schedule and Readings: The Course Readings: There are two kinds of readings, the required and the optional. -
Soulsabbath.Pdf
SOUL SABBATH SYNOPSIS Even as a child, Mieszko’s parents knew there was something not quite right about the boy, and when they saw him drawing a picture of a woman with wolf-like characteristics, they were convinced he was “unsound” and handed him over to the local Benedictine monastery, abandoning him forever. Mieszko would spend the rest of his life in that monastery until one day he simply vanished without a trace. Though he took his vows very seriously, he could no longer maintain his silence when an epiphany came to him that certain scriptures were not gospel at all – an offense that exposed him as a heretic. Mieszko’s revelation concerned the redemption of mankind, and such heresy shook the monastery to its very foundation. Though this was a crime punishable by death, Mieszko was able to bargain for his life, but it could be argued that the punishment delivered was, in fact, worse than death. The bricks were gathered, the mortar poured, and Mieszko was confined in the tiny scriptorium and assigned the task of scribing the greatest book of his time – The Codex Gigas. Even as Mieszko dropped to his knees to enter the tomb, he could not repent of the truth he had been shown, and he began the monumental chore, not to find forgiveness, but to pay homage to his convictions. Although he was writing possessed, Mieszko knew in his heart that he could never complete this impossible task alone – not in his current form. Still, he labored, and with each stroke of the quill, he became more a part of the book, until he was absorbed into the very book itself. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
South Korean Cinema and the Conditions of Capitalist Individuation
The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation By Jisung Catherine Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mark Sandberg Professor Elaine Kim Fall 2013 The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation © 2013 by Jisung Catherine Kim Abstract The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation by Jisung Catherine Kim Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair In The Intimacy of Distance, I reconceive the historical experience of capitalism’s globalization through the vantage point of South Korean cinema. According to world leaders’ discursive construction of South Korea, South Korea is a site of “progress” that proves the superiority of the free market capitalist system for “developing” the so-called “Third World.” Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the twenty-first century rearticulates South Korea as a site of economic disaster, ongoing historical trauma and what I call impassible “transmodernity” (compulsory capitalist restructuring alongside, and in conflict with, deep-seated tradition). Made during the first years after the 1997 Asian Financial Crisis and the 2008 Global Financial Crisis, the films under consideration here visualize the various dystopian social and economic changes attendant upon epidemic capitalist restructuring: social alienation, familial fragmentation, and widening economic division. -
Richard X Songwriter/Producer/Mixer/Remixer
Richard X Songwriter/Producer/Mixer/Remixer Gaining attention for his early pioneering “mashups” as Girls On Top, and producing and writing for the likes of Sugababes “Freak Like Me” (UK No.1), Rachel Stevens “Some Girls” (UK No.2) and Liberty X “Being Nobody” (UK No.3), Richard X has since written and produced with a whole host of artists from M.I.A and Goldfrapp, to Will Young (Echoes LP UK No.1), and Saint Etienne. King Of The Apocalypse Forthcoming Album Tracks Write / Prod Cowboy Rhythmbox Mechanique Sauvage / EP Write / Prod / Mix Fantasma / EP Write / Prod / Mix We Got The Box / Rattle EP Write / Prod / Mix Shake / Single Write / Prod / Mix M.I.A Ali R U Ok? / Single Write / Prod / Mix Amazon / Album track Write / Prod / Mix Hombre / Album track Write / Prod / Mix Teen Dollar / Album track Write / Prod / Mix New Order People On The High Line / 12” Remix Remix / Prod / Mix Complete Music 6 tracks / Album Remix / Prod / Mix Tutti Frutti / Single Remix Tour music programming Prod Plastic / Album track Prod / Mix Bizarre Love Triangle / Single Remix Jetstream / Single Remix Lee Walker ft. Katy B Freak Like Me / Single Write Little Boots Staring At The Sun / Single Write / Prod Nina Beyond Memory / Single Prod / Mix Philip George ft. Dragonette Feel This Way / Single Write The Knocks ft. Carly Rae Jepsen Love Me Like That / Single Write Annie Endless Vacation / EP Write / Prod / Mix Anthonio (Berlin Breakdown) / Single Write / Prod / Mix Russian Kiss / Single Write / Prod / Mix The A&R / EP Write / Prod / Mix Me Plus One / Album track -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
ABSTRACT Britain and Russia: a Historical Comparison of Two Great
ABSTRACT Britain and Russia: A Historical Comparison of Two Great Empires Sarah Cook Director: Julie deGraffenried, Ph.D. This work examines key elements of the British and Russian empires in order to present a new perspective on how much these two powers hold in common. Though radically different on the surface, Britain and Russia possess similar national characters and historical experiences. This work is not an attempt at a comprehensive record of the British and Russian empires and their similarities. Rather, it focuses on specific ideas – the two nations’ beginnings, their imperial ideologies, the Great Game in Central Asia, both nations’ modern identity crises – in order to prove greater similitude between Britain and Russia than has previously been discussed as part of the historical narrative. A variety of primary sources are used, though secondary sources make up a great deal of the evidence presented. This thesis is not chiefly a reinterpretation of sources, but a re- conceptualization of the information and interpretations already part of the historical narrative. APPROVED BY DIRECTOR OF HONORS THESIS: _______________________________________________ Dr. Julie deGraffenried, Department of History APPROVED BY THE HONORS PROGRAM: _______________________________________________ Dr. Andrew Wisely, Director DATE: ________________________ BRITAIN AND RUSSIA A HISTORICAL COMPARISON OF TWO GREAT EMPIRES A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Sarah Cook -
Songliste Englisch (Stand OKT 2020)
Sorted By Title Songliste Englisch (Stand OKT 2020) sortiert nach Songtitel (A‐Z) SONGCODE TITEL ARTIST 952335 (BARRY) ISLANDS IN THE STREAM COMIC RELIEF 950058 1,2 Step CIARA 989082 10 SECONDS JAZMINE SULLIVAN 988220 100 LETTERS HALSEY 950068 100 Years FIVE FOR FIGHTING 975699 100% MARIAH CAREY 978399 11 CASSADEE POPE 978329 17 AVRIL LAVIGNE 952336 17 FOREVER METRO STATION 988201 18 ONE DIRECTION 973914 18 INCHES LAUREN ALAINA 982406 1‐800‐273‐8255 ALESSIA CARA/KHALID 979696 1973 JAMES BLUNT 950051 1985 Bowling for Soup 985783 2 BECOME 1SPICE GIRLS 525945 2 BECOME 1Various Artist 951473 2 OUT OF 3 AINT BAD MEATLOAF 975727 2 REASONS T.I/TREY SONGZ 983962 2000 LIGHT YEARS AWAY GREEN DAY 952362 21 CENTURY BREAKDOWN GREEN DAY 952337 21 GUNS GREEN DAY 972729 212 two one two ZAEALIZ BANKS 950295 21ST CENTURY GIRLS Various Artist 952342 22 LILY ALLEN 974139 22 TAYLOR SWIFT 977798 23 MIKE WILL MADE 951554 24 HOURS FROM YOU NEXT OF KIN 975857 24 XMAS TIME 仓木麻衣 981411 24K MAGIC BRUNO MARS 525946 25 MINUTES MLTR 952618 29 PALMS ROBERT PLANT 981656 2U DAVID GUETTA 952359 3 (THREE) BRITNEY SPEARS 574095 3 THREE BRITNEY SPEARS 952361 3 WORDS CHERYL COLE 975708 30 DAYS THE SATURDAYS 952338 30 SECONDS TO MARS KINGS & QUEENS 982137 3005 CHILDISH GAMBINO 977782 365 DAYS ZZ WARD 574113 37 STITCHES DROWNING POOL 951250 4 BUGG O EN COCA‐COLA L ENGBERG 973695 4 EVER THE VERONICAS 988755 4 IN THE MORNING GWEN STEFANI 951976 4 MINUTES AVANT 574538 4 MINUTES MADONNA 986974 4 X 4MILEY CYRUS/NELLY 525317 4:55 Various Artist Seite 1 Sorted By Title SONGCODE TITEL -
Liberated Punks Accelerate China’S Musical Evolution
About blogs Just another WordPress weblog Liberated Punks Accelerate China’s Musical Evolution From Pigface and Ministry to PiL and Killing Joke, drummer Martin Atkins has pounded the skins for some very loud punks. But he didn't realize that China's underground sound would throw him into a time machine and dial it back to the '70s and '80s, when bands were pushing the envelope on conventional rock and not really caring how you felt about it. Atkins shot 80 hours of video from his 2006 trip into Asia's 21st century powerhouse, and chopped it down into the recently released documentary Sixteen Days in China . Listening Post caught up with him to talk about China's greatest bands you've never heard and more. Wired.com: How did your experiences with Ministry and your other bands match up to the scene you witnessed in China? Martin Atkins: I think time and location has more relevance, like London in 1977, New York in 1980 or maybe Chicago 1989. These were cities that had exploding scenes that I managed to be a small part of. Add to that some entrepreneurial what-the-fuck-ness, and there you go! The backdrop is different, but the immersion, the focus on just the music and attitude feels like a definite ripple from those times. It doesn't feel strategized in a careerist way. The guys in D-22, who now have a label called Maybe Mars, and their venue reminded me of the vibe of CBGB's. While I was over there, I saw the club on CNN, and that rang a bell for me.