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Scotch Whisky, They Often Refer to A Catalogue Family Overview Styles About the Font LL Catalogue is a contemporary a rising demand for novels and ‘news’, update of a 19th century serif font of these fonts emerged as symptom of Catalogue Light Scottish origin. Initially copied from a new culture of mass education and an old edition of Gulliver’s Travels by entertainment. designers M/M (Paris) in 2002, and In our digital age, the particularities Catalogue Light Italic first used for their redesign of French of such historical letterforms appear Vogue, it has since been redrawn both odd and unusually beautiful. To from scratch and expanded, following capture the original matrices, we had Catalogue Regular research into its origins and history. new hot metal types moulded, and The typeface originated from our resultant prints provided the basis Alexander Phemister’s 1858 de- for a digital redrawing that honoured Catalogue Italic sign for renowned foundry Miller & the imperfections and oddities of the Richard, with offices in Edinburgh and metal original. London. The technical possibilities We also added small caps, a Catalogue Bold and restrictions of the time deter- generous selection of special glyphs mined the conspicuously upright and, finally, a bold and a light cut to and bold verticals of the letters as the family, to make it more versatile. Catalogue Bold Italic well as their almost clunky serifs. Like its historical predecessors, LL The extremely straight and robust Catalogue is a jobbing font for large typeface allowed for an accelerated amounts of text. It is ideally suited for printing process, more economical uses between 8 and 16 pt, provid- production, and more efficient mass ing both excellent readability and a distribution in the age of Manchester distinctive character. capitalism. When Phemister emigrated to the US soon various versions of the original design flooded the market. Serving a growing population of European and American readers and Encoding Latin Extended File Formats Opentype CFF, Truetype, WOFF, WOFF2 Design Nazareno Crea (2008 – 2017) Contact General inquiries: Lineto GmbH [email protected] Lutherstrasse 32 CH-8004 Zürich Technical inquiries: Switzerland [email protected] Sales & licensing inquiries: www.lineto.com [email protected] LL Catalogue – Specimen 2 Lineto Type Foundry Glyph Overview Uppercase Case Sensitive A B C D E F G H I J K L M N O P Q R S Forms ( ) [ ] { } - – — ‹ › « » 0123456789 T U V W X Y Z Currency, Mathematical € $ £ ¥ ¢ ₡ ₦ ₲ ₵ ₺ ₿ � ¤ % ‰ Lowercase a b c d e f g h i j k l m n o p q r s Operators + − × ÷ = ≠ ≈ < > ≤ ≥ ± ~ ¬ t u v w x y z ◊ ∂ ∆ ∏ ∑ Ω μ ł ∫ ∞ √ ∕ ^ | ¦ ℓ ° ⁄ ℗ ℮ Proportional, Propotional, Tabular Figures 0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 Tabular 0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 Old Style Figures Ligatures fb ff fh fi fj fk fl ffb ffh ffi ffj ffk ffl Numerators, Denominators 1 0 1 2 3 4 5 6 7 8 9 ⁄ � � � � � � � � � � Std Accented Characters À à Á á  â à ã Ä ä Å å Æ æ Ç ç È è É é – Standard Superscripts, Western Ê ê Ë ë Ì ì Í í Î î Ï ï Ð ð Ł ł Ñ ñ Œ œ Subscripts H ⁰ ¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ ⁹ H ₀ ₁ ₂ ₃ ₄ ₅ ₆ ₇ ₈ ₉ Ò ò Ó ó Ô ô Õ õ Ö ö Ø ø Š š Ù ù Ú ú Arrows ← → ↑ ↓ ↖ ↗ ↘ ↙ ◄ ► ▲ ▼ Û û Ü ü Ý ý Ÿ ÿ Ž ž Þ þ Small Caps Pro Accented A B C D E F G H I J K L M N O P Q R S Characters Ā ā Ă ă Ą ą Ǽ ǽ Ć ć Ĉ ĉ Ċ ċ Č č Ď ď – Latin T U V W X Y z Extension Đ đ Ē ē Ĕ ĕ Ė ė Ę ę Ě ě Ĝ ĝ Ğ ğ Ġ ġ Ģ ģ Ĥ ĥ Ħ ħ Ĩ ĩ Ī ī Ĭ ĭ Į į İ ı IJ ij Ĵ ĵ Ķ ķ ĸ Small Caps Accented À À Á Á Â Â Ã Ã Ä Ä Å Å Æ Æ Ç Ç È È É É Ĺ ĺ Ļ ļ Ľ ľ Ŀ ŀ Ń ń Ņ ņ Ň ň ʼn Ŋ ŋ Ō ō Characters – Standard Ê Ê Ë Ë Ì Ì Í Í Î Î Ï Ï Ð Ð Ł Ł Ñ Ñ Œ Œ Ŏ ŏ Ő ő Ǿ ǿ Ŕ ŕ Ŗ ŗ Ř ř Ś ś Ŝ ŝ Western Ò Ò Ó Ó Ô Ô Õ Õ Ö Ö Ø Ø Š Š Ù Ù Ú Ş ş Ș ș Ţ ţ Ț ț Ť ť Ŧ ŧ Ũ ũ Ū ū Ú Û Û Ü Ü Ý Ý Ÿ Ÿ Ž Ž þ Ŭ ŭ Ů ů Ű ű Ų ų Ŵ ŵ Ŷ ŷ Ź ź Ż ż Small Caps Accented Ā Ă Ą Ǽ Ć Ĉ Ċ Č Ď Đ Ē Ĕ Ė Ę Ě Ĝ Ğ Ġ Ĥ Punctuation ( . , : ; ? ! ¿ ¡ … ) [ & @ # ] { - – — } « » ‹ › Characters – Latin Ħ Ĩ Ī Ĭ Į İ IJ Ĵ ĸ Ĺ Ľ Ŀ Ŀ Ń Ň ʼn Ŋ Ŋ Ō Ŏ Ő „ “ ” ‚ ‘ ’ _ / \ ' " † ‡ * • ¶ § © ® ™ Extension Ǿ Ŕ Ř Ś Ŝ Ş Ț Ť Ŧ Ũ Ū Ŭ Ů Ű Ų Ŵ Ŷ Ź Ż LL Catalogue – Specimen 3 Lineto Type Foundry Layout Features Case Sensitive [Ginger] [GINGER] Roman Forms Numerals 1550 ⅯⅮⅬ (Vodka) (VODKA) 46 ⅩⅬⅥ Plum–wine PLUM–WINE Small Roman 78 ⅼⅹⅹⅷ «Hello» «HELLO» Numerals 2017 ⅿⅿⅹⅶ Standard flavored flavored Ligatures Sharp s Weissbier Weißbier Tabular Stylistic Set 1: Figures 4. 9. 1984 4. 9. 1984 Alternate s sweetness sweetness 1. 1. 2011 1. 1. 2011 Arbitrary Fractions 23 5/12 × 32 3/4 23 5⁄�� × 32 3⁄� 2 7/8 2 ⅞ 6 2/5 × 9 4/5 6 ⅖ × 9 ⅘ 34 1/6 ÷ 7 1/7 34 ⅙ ÷ 7 ⅐ 90 2/3 90 ⅔ Superscript North1, East2 North¹, East² Subscript H20 H₂O Small Caps CALVADOS Calvados SHŌCHŪ SHŌCHŪ LL Catalogue – Specimen 4 Lineto Type Foundry LL Catalogue Light — Overview 20 Points WHISKEY PUNCH 15 Points WHISKEY DAISY 1 wine glass Scotch 1/2 table spoon sugar → 2 to 3 dash lemon juice → 1 dash lime → whiSky (or iriSh) → 2 wine 1 squirt syphon seltzer dissolve with glass water boiling → the lemon and lime → 3/4 large bar sugar to taste glass ice fine shaved, fill the glass → 1 wine glass whiskey → ← Use small bar glass → 1/2 pony glass Chartreuse (yellow) Dissolve the sugar well with ← Use large bar glass → 1 wine glass of the water, Stir up well with a spoon, then take a fancy glass have it dressed with then pour in the whiskey, fruit and strain the mixture into it, and and add the balance of the serve. This drink is very palatable water, sweeten to taste, and will taste good to most anybody. 8.5 Points and put in a small piece of BLUE BLAZER 1 wine glass Scotch whisky → 1 wine glass water boiling → lemon rind, or a thin slice 1 tea-spoon powdered sugar ← Use two large silver-plated mUgs, with haNdles → Put the whiskey and the boiling water in one mug, ignite the liquid 18 Points with fire, and while blazing mix both ingredients by pouring “For art to exist, for any sort them four or five times from one mug to the other, as represented in the cut. If well done this will have the appearance of a continued stream of liquid fire. ↘ Sweeten with one teaspoonful of pulverized of aesthetic activity or white sugar, and serve in a small bar tumbler, with a piece of, lemon peel. ↘The “blue blazer” does not have a very euphonious or perception to exist, a certain classic name, but it tastes better to the palate than it sounds to the ear. A beholder gazing for the first time upon an experienced physiological precondition artist, compounding this beverage, would naturally come to the conclusion that it was a nectar for Pluto rather than Bacchus. is indispensable: intoxication.” The novice in mixing this beverage should be careful not to scald himself. To become proficient in throwing the liquid from – Friedrich Nietzsche one mug to the other, it will be necessary to practise for some LL Catalogue – Specimen 5 Lineto Type Foundry LL Catalogue Light 55 Points 25 Points HOGSHEAD ANGEL Inverclyde Barm Kentucky 32 Points LOMOND STILL Chalice Master Blender 80 Points New Make DOUBLER Oak, Optic Barley 45 Points Enzymes PAGODA, PORT PIPE Racked Warehouse Foreshots Saladin Box, Steep Triple Distillation, Tails Green Malt Unpeated Malt, Wash LL Catalogue – Specimen 6 Lineto Type Foundry LL Catalogue Light 15 Points In my late teens, I was introduced to 13 Points Make casks for Macallan and Glenmorangie malt whisky by a fellow journalist in respectively. There was a welcome warmth Edinburgh. I was young to have disco- in the flames, smoke, and steam as the coo- pers of Andalusia and Kentucky wrestled vered spirits, especially one thought 100-year-old oaks into roundness. A coope- to be for adults only. My first malt was rage can be Dante-esque, but that is as close Glen Grant 12-year-old, flowery and as I have been to the Inferno. The disposition seductively sweet. An older colleague of gods and angels are important too, as I warned that the kiss of spirits led to have been reminded on the sites of abbeys moral decline, but it was too late. I had in Scotland and temples in Japan. All of these INFLUENCES MAKE THEMSELVES FELT lost my virginity to a single malt. The IN ITS FLAVOURS; THE SPIRIT OF EARTH, sensuous pleasures are still being deli- WIND, AND FIRE REACHES THE GLASS.
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