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De Tweede Ronde. Jaargang 10
De Tweede Ronde. Jaargang 10 bron De Tweede Ronde. Jaargang 10. 1989 Zie voor verantwoording: http://www.dbnl.org/tekst/_twe007198901_01/colofon.php © 2017 dbnl 1 [De Tweede Ronde 1989, nummer 1] Voorwoord In dit Lentenummer is de Nederlandse poëzie royaal vertegenwoordigd, met werk van achttien dichters onder wie wij speciaal debutante Catharina Blaauwendraad signaleren, en nog vijf andere nieuwelingen in ons blad (Wim Brands, René Huigen, Meindert Inderwisch, Peter Stark en Peter de Visser), naast vertegenwoordigers van dezelfde generatie die eerder in De Tweede Ronde hebben gepubliceerd: Job Degenaar, L.F. Rosen en Victor Vroomkoning. Nederlands proza bevat drie verhalen van J.P. Guépin en één van Frans Pointl. Light Verse brengt naast Drs. P en Kees Stip ook nieuwe medewerkers (opnieuw Catharina Blaauwendraad, Rien Bonte, Hans Sternsdorff en Emile den Tex). Voor het overige is dit nummer gewijd aan Zweden - een logisch vervolg op het Deense en het Noorse nummer uit eerdere jaargangen. De Zweedse literatuur is tamelijk rijk aan Nobelprijswinnaars, van wie er in dit nummer drie vertegenwoordigd zijn (Johnson, Karlfeldt en Lagerkvist). Overigens krijgt Strindberg, nu alom gezien als Zwedens grootste schrijver, maar bij zijn leven te omstreden om te worden gelauwerd, de ruimste aandacht. Van hem is een kort verhaal opgenomen, maar ook beschouwend proza, brieven, een gedicht en, op het achterplat, een caricaturaal zelfportret. Daarnaast is er Vertaald proza van nog zes andere auteurs en Vertaalde poëzie van elf andere dichters. Als er een algemene karakteristiek te geven is van de Zweedse inbreng in dit nummer, dan is het een opvallende preoccupatie met metafysische zaken. -
Ett Medialt Museum
Ett medialt museum Ett vensk television ställdes från början 1956 i allmän- hetens tjänst med rötterna i en folkbildningstradi- tion. Men en viktig faktor var också att producenter- Sna bakom programmen var enskilda individer, ofta med akademisk utbildning och kulturhistoriskt engagemang. Ett Resultatet av detta var en omfattande mängd program med en självständig och varierad estetik, utan tydlig av- medialt sikt att företräda ett klassiskt bildningsideal. Avhandling- en lyfter fram detta idag bortglömda material med stor museum tematisk spännvidd som visades mellan 1956 och 1969. Lärandets estetik i svensk Programmen förvaltar genom sitt innehåll ett kulturarv i television 1956–1969 form av muntlig och visuell tradition, hantverkskunskap, berättelse och lek. Med utgångspunkt i André Malraux’ Petra Werner idé om ett imaginärt museum har författaren konstruerat tankemodellen Ett medialt museum, verksamt både i sin Petra Werner Petra egen samtid och för en eftervärld, och samtidigt en modell över lärandeprocessers estetiska implikationer. Petra Werner har en bakgrund som filmvetare, musiker och musikterapeut och är verksam som bildkonstnär. Ett medialt museum är hennes doktorsavhandling i estetik. Brutus Östlings Bokförlag Symposion Symposion Symposion ett medialt museum Brutus Östlings Bokförlag Symposion Ågerup 202 243 92 Höör [email protected] Petra Werner Ett medialt museum Lärandets estetik i svensk television 1956–1969 Brutus Östlings Bokförlag Symposion Höör 2016 Denna avhandling är skriven vid avdelningen för estetik, Institutionen för kultur och lärande, med finansiering från Lärarutbildningen, på Södertörns högskola, och ingår i Södertörn Doctoral Dissertations 123, ISSN 1652–7399. Publicering av denna avhandling har möjliggjorts genom bidrag från Holger och Thyra Lauritzens stiftelse för främjande av filmhistorisk verksamhet, Stiftelsen Längmanska kulturfonden och Stockholms Arbetareinstitutsförening. -
The Seventh Seal : a Film
Ingmar Bergman Bergman, Ingmar zhlfs Seventh seal 3 1111 00826 2857 791 o 437 BERGMAN SAUSALITO PUBLIC LIBRARY DATIEDUE - NOV <J4 2006 DEMCO, INC. 38-2931 ..... •ft fill M ^T LJ ^r z •**«**. ^m j£ ~ mm mm B3^ + ; %-*.£!* MODERN /film SCRIPTS THE SEVENTH SEAL a Tim by Ingmar Bergman translated from the Swedish by Lars Malmstrom and David Kushner Lorrimer Publishing, London All rights reserved including the right of reproduction in whole or in part in any form English translation copyright © I960 by Ingmar Bergman Original Swedish language film entitled Det Sjunde Inseglet © 1956 by Ingmar Bergman Published by Lorrimer Publishing Limited 47 Dean Street, London Wl First printing 1968 Second printing 1970 Third printing 1973 Fourth printing 1975 SBN paper 900855 22 3 SBN cloth 900855 23 1 This edition is not for sale in the United States of America, its territories, possessions, protectorates, mandated territories, the Philippines or the Dominion of Canada Manufactured in Great Britain by Villiers Publications Ltd, London NW5 The publishers wish to express their gratitude for the help and co- operation received from the staff of Janus Films, Inc., particularly Cyrus Harvey Jr., and also Peter Cowie and the British Film Institute Note : The screenplay in this book is identical to that used by Ingmar Bergman when filming, except that: (1) the original script contains numbers before each sequence which indicate the estimated number of shots that will be necessary for that sequence; (2) since this screen- play is prepared before shooting begins, it contains sequences and dialogue which do not appear in the final film; Bergman has deleted some material to make the published script conform to the film. -
Marie Göranzon
Marie Göranzon ABOUT Birth 1942 Language Swedish, English Eyes Blue Hair Blonde FILM AND TV PRODUCTIONS 2020 Se upp för Jönssonligan (Feature) Dir: Tomas Alfredson. FLX 2020 Bröllop, begravning & dop (TV series) Dir: Colin Nutley. Sweetwater 2020 Orca (Feature) Dir: Josephine Bornebusch. Warner Bros. 2017 2060 (TV Movie) Dir: Henrik Hellström. SVT 2013 Allt faller (TV Series) Dir: Henrik Schyffert. TV4 2012 Blondie (Feature) Dir: Jesper Ganslandt. Fasad 2007 Beck - I Guds namn (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Det tysta skriket (TV Series) Dir: Harald Hamrell. Filmlance 2007 Beck - Den japanska shungamålningen (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Den svaga länken (TV Series) Dir: Harald Hamrell. Filmlance 2007 Hoppet (Feature) Dir: Petter Næss. Sonet Film 2006 Beck - Advokaten (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Gamen (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Flickan i jordkällaren (TV Series) Dir: Harald Hamrell. Filmlance 2005 Mun mot mun (Feature) Dir: Björn Runge. Sonet Film 2005 Den bästa av mödrar (Feature) Dir: Klaus Härö. Matila Röhr Productions 2004 Stenjäveln (Short) Dir: Jens Jonsson 2004 Dag och natt (Feature) Dir: Simon Staho. Zentropa 2003 Spaden (Short) Dir: Jens Jonsson 2003 Skenbart: En film om tåg (Feature) Dir: Peter Dalle. S/S Fladen 2002 Alla älskar Alice (Feature) Dir: Richard Hobert. Sonet Film 2002 Beck - Skarpt läge (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Pojken i glaskulan (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Annonsmannen (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Okänd avsändare (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Enslingen (TV Series) Dir: Kjell Sundvall. -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19
WINTER 2018–19 BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE 100 YEARS OF COLLECTING JAPANESE ART ARTHUR JAFA MASAKO MIKI HANS HOFMANN FRITZ LANG & GERMAN EXPRESSIONISM INGMAR BERGMAN JIŘÍ TRNKA MIA HANSEN-LØVE JIA ZHANGKE JAMES IVORY JAPANESE FILM CLASSICS DOCUMENTARY VOICES OUT OF THE VAULT IN FOCUS: WRITING FOR CINEMA 1 / 2 / 3 / 4 CALENDAR DEC 9/SUN 21/FRI JAN 2:00 A Midsummer Night’s Dream 4:00 The Price of Everything P. 15 Introduction by Jan Pinkava 7:00 Fanny and Alexander BERGMAN P. 15 1/SAT TRNKA P. 12 3/THU 7:00 Full: Home Again—Tapestry 1:00 Making a Performance 1:15 Exhibition Highlights Tour P. 6 4:30 The Cabinet of Dr. Caligari P. 5 WORKSHOP P. 6 Reimagined Judith Rosenberg on piano 4–7 Five Tables of the Sea P. 4 5:30 The Good Soldier Švejk TRNKA P. 12 LANG & EXPRESSIONISM P. 16 22/SAT Free First Thursday: Galleries Free All Day 7:30 Persona BERGMAN P. 14 7:00 The Price of Everything P. 15 6:00 The Firemen’s Ball P. 29 5/SAT 2/SUN 12/WED 8:00 The Apartment P. 19 6:00 Future Landscapes WORKSHOP P. 6 12:30 Scenes from a 6:00 Arthur Jafa & Stephen Best 23/SUN Marriage BERGMAN P. 14 CONVERSATION P. 6 9/WED 2:00 Boom for Real: The Late Teenage 2:00 Guided Tour: Old Masters P. 6 7:00 Ugetsu JAPANESE CLASSICS P. 20 Years of Jean-Michel Basquiat P. 15 12:15 Exhibition Highlights Tour P. -
Notes on Ingmar Bergman's Stylistic
Notes on Ingmar Bergman’s Stylistic Development and Technique for Staging Dialogue Riis, Johannes Published in: Kosmorama Publication date: 2019 Document version Publisher's PDF, also known as Version of record Document license: Unspecified Citation for published version (APA): Riis, J. (2019). Notes on Ingmar Bergman’s Stylistic Development and Technique for Staging Dialogue. Kosmorama, (275), [275]. https://www.kosmorama.org/notes-on-ingmar-bergman Download date: 06. okt.. 2021 10.10.2020 Notes on Ingmar Bergman’s Stylistic Development and Technique for Staging Dialogue | Kosmorama Notes on Ingmar Bergman’s Stylistic Development and Technique for Staging Dialogue PEER REVIEWED. Ingmar Bergman is heralded as a model for cinema as personal expression. What rarely comes to the fore is the extent to which he drew on pre- existing schemas for his characters and how he developed staging techniques that would suit his existentialist themes. 24. april 2019 Johannes Riis By staging his actors frontally during their delivery, Ingmar Bergman fostered a tone of intimacy and vulnerabilty, allowing a calmness around their dialogue. Here Alma (Bibi Andersson) and Elisabet Vogler (Liv Ullmann) in 'Persona' (1966). Still: DFI Stills & Posters Archive. The March 1960 cover of Time Magazine cast Ingmar Bergman in the part of a visionary who stares into a brightly lit future while the background suggests darker demons in the woods. Were it not for the tilt of his thumb and forefinger, held up to his eye as if to frame the world, and the headline declaring ‘INGMAR BERGMAN - MOVIE DIRECTOR’, the subscribers might have mistaken him for a philosopher or author. -
To Download SEARCHING for INGMAR BERGMAN
SYNOPSIS Internationally renowned director Margarethe von Trotta examines Ingmar Bergman’s life and work with a circle of his closest collaborators as well as a new generation of filmmakers. This documentary presents key components of his legacy, as it retraces themes that recurred in his life and art and takes us to the places that were central to Bergman’s creative achievements. DIRECTOR’S BIOGRAPHY The daughter of Elisabeth von Trotta and the painter Alfred Roloff, Margarethe von Trotta was born in Berlin in 1942 and spent her childhood in Düsseldorf. After fine art studies, she moved to Munich to study Germanic and Latin language. She then joined a school for dramatic arts and began an acting career, in the theatres of Düsseldorf and afterwards in the Kleines Theater of Frankfurt in 1969 and 1970. At the end of the 1960 she moved in Paris for her studies and immersed herself in the film-lover circles of the time. She took part in script redacting and directing of short films and discovered via the Nouvelle Vague directors and critics the films of Ingmar Bergman and Alfred Hitchcock. In Germany, Margarethe von Trotta has worked with a new generation of young filmmakers: Herbert Achternbusch, Volker Schlöndorff who she married in 1971 and with whom she directed and wrote The Sudden Wealth of the Poor People of Kombach (1971) and The Lost Honour of Katharina Blum (1975), as well as Rainer Werner Fassbinder who made her act in four of his films. She directed in 1978 her first long feature, The Second Awakening of Christa Klages. -
The Life and Films of the Last Great European Director
Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN Macnab-05480001 macn5480001_fm May 19, 2009 11:55 Geoffrey Macnab writes on film for the Guardian, the Independent and Screen International. He is the author of The Making of Taxi Driver (2006), Key Moments in Cinema (2001), Searching for Stars: Stardom and Screenwriting in British Cinema (2000), and J. Arthur Rank and the British Film Industry (1993). Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN The Life and Films of the Last Great European Director Geoffrey Macnab Macnab-05480001 macn5480001_fm May 8, 2009 9:23 Sheila Whitaker: Advisory Editor Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © 2009 Geoffrey Macnab The right of Geoffrey Macnab to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN: 978 1 84885 046 0 A full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress -
~Lagf8lll COM PAN I E SIN C
June 2001 BAMcinematek 2001 Spring Season ___ 651 AFLlS Andres Serrano, Hooded Warbler II, 2000 BAM Spring Season sponsor: PHILIP MORRIS ~lAGf8lll COM PAN I E SIN C. 200] Spriog Brooklyn Academy of Music Bruce C. Ratner Alan H. Fishman Chairman of the Board Chairman, Campaign for BAM Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents The Ghost Sonata The Royal Dramatic Theatre of Sweden Approximate BAM Harvey Lichtenstein Theater running time: June 20-23,2001, at 7:30pm 1 hour and June 24, at 3pm 35 minutes with Performed in Swedish with simultaneous English translation no intermission Written by August Strindberg Directed by Ingmar Bergman Set design Giiran Wassberg Costume design Anna Bergman Lighting design Pierre Leveau Wigs and masks Leif Qvistriim, Barbro Forsgardh Choreography Virpi Pahkinen Translation Inga Stina Ewbank BAM Theater sponsors: AOL Time Warner Inc. and Fleet Leadership support: The Peter Jay Sharp Foundation; The Shubert Foundation, Inc.; The Norman & Rosita Winston Foundation, Inc.; and The SHS Foundation Major support: The Barbra Osher Pro Suecia Foundation Additional support: Consulate General of Sweden and Trallback & Company Official airline for the BAM presentation of The Royal Dramatic Theatre of Sweden's The Ghost Sonata: Scandinavian Airlines 17 The Cast The Old Man Jan Malmsjo The Student Jonas Malmsjo The Milkmaid Virpi Pahkinen The Doorman's Wife Gertrud Mariano The Dead Man Nils Eklund The Dark Lady Gerthi Kulle The Young Lady Elin Klinga The Colonel Per Myrberg Mummy Gunnel -
THE SEVENTH SEAL 1958 92 Min
April 15, 2008 (XVI:14) Ingmar Berman THE SEVENTH SEAL 1958 92 min. Directed and written by Ingmar Bergman Produced by Allan Ekelund Original Music by Erik Nordgren Cinematography by Gunnar Fischer Film Editing by Lennart Wallén Production Design by P.A. Lundgren Gunnar Björnstrand...Jöns, squire Bengt Ekerot...Death Nils Poppe...Jof Max von Sydow...Antonius Block Bibi Andersson...Mia, Jof's wife Inga Gill...Lisa, blacksmith's wife Maud Hansson...Witch Inga Landgré...Karin, Block's Wife Gunnel Lindblom...Girl Bertil Anderberg...Raval Anders Ek...The Monk Åke Fridell...Blacksmith Plog Gunnar Olsson...Albertus Pictor, Church Painter Erik Strandmark...Jonas Skat INGMAR BERGMAN (14 July 1918, Uppsala, Uppsala län, Sweden—30 July 2007,Fårö, Gotlands län, Sweden ) directed 61 films and wrote 63 screenplays. (Bio from WorldFilms.com) "Universally regarded as one of the great masters of modern cinema, Bergman has often concerned himself with spiritual and realized in this cinematic signature. Of the early period, WILD psychological conflicts. His work has evolved in distinct stages STRAWBERRIES stands out for its narrative invention in a fluid over four decades, while his visual style—intense, intimate, manipulation of flashbacks, reveries and dream sequences. Its complex—has explored the vicissitudes of passion with a penetrating psychological investigation of the closing of the life mesmerizing cinematic rhetoric. His prolific output tends to return cycle established Bergman's preoccupation with the relationship to and elaborate on recurrent images, subjects and techniques. between desire, loss, guilt, compassion, restitution and Like the Baroque composers, Bergman works on a small scale, celebration. SAWDUST AND TINSEL (1953)/NAKED NIGHT, finding invention in theme and variation. -
MARGA PETTERSSON Skådespelare Och Dramatiker
MARGA PETTERSSON Skådespelare och dramatiker Lill-Jans Plan 1 B Född 1952 114 25 Stockholm Längd 160 cm Tel&Fax: +46(0)8-411 48 64 Ögon Blå Mobil: +46(0)708-80 98 62 Hår Silvergrå E-post: [email protected] Skor 37 Hemsida: www.teatermagnolia.se/mh/index.html Kläder Medium Utbildning: Dans: Lilian-Karina Vasarheili, Clifford Fears och Danshögskolan Teater: Statens Scenskola i Stockholm 1976-1979 Sång: Torsten Föllinger, Rolf Ekelund, Pia Olby Dans: ”My Sweden”, koreograf: Clifford Fears, Parkteatern, 1968 ”Can Can”, regi: Hans Bergström, Intiman, 1969 ”Show”, regi: Ingmar Bergman, Dramaten 1971 ”Danskompaniet”, koreograf: Donya Feuer 1971-1973 ex. Den naiva i ”Gud lever och har hälsan”, regi: D. Feuer, Dramaten, 1971 ”2172…A Kind Of Cabaret”, regi: Jan Bergquist, Klarakaféet 1972 ”Glaset i Örat”, Hasse & Tage, 1973-1974 ”Peer Gynt 1”, regi: Fred Hjelm, Stadsteatern 1974-75 ”Optimismen”, regi: Kaspar Rostrup, Klarateatern, 1975 Teater: Elev i ”Dr Semmelweis”, regi: Kåre Santesson, Stadsteatern 1978 Elle i ”En natt i februari”, S. Göthe, regi: L. Nilsson, Unga Riks 1979 Harpos mor i ”Alice”, regi: Erik Appelgren, Pistolteatern (fler roller) 1980 Tompa i ”Ön”, regi: Erik Appelgren, Pistolteatern 1980 Alice i ”Billy Lier”, regi: B. Samuelsson&Magnus Bergqvist, Skottes Musikteater 1986 Jenny i ”Hemmet”, regi: Hans Polster, Västerbottensteatern 1987 Brita i ”Hinken”, R. Janson&S. Ljunggren, regi: Rutger Nilsson, V-bottensteatern 1988 Rosetta i ”Ingenting går upp mot mammas gräs”, D. Fo, regi: R. Brezina, Teater Småfolket 1989 Mrs Kendal i ”Elefantmannen”, regi: Jurij Lederman/Björn Melander, Teater Studio Lederman 1997 Modern i ”Leka med elden” & Domaren i ”Bandet”, regi: Anders Johannisson (inhopp), Strindbergsfestivalen 1998 Frihetsgestalt i ”Sista Paret Ut”, koreograf: A.