DOCSLIB.ORG

[FREE] Goya: the Portraits Goya Awards - Wikipedia the Goya Awards, Known in Spanish As Los Premios Goya, Are Spain's Main National Annual Film Awards

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
[FREE] Goya: the Portraits Goya Awards - Wikipedia the Goya Awards, Known in Spanish As Los Premios Goya, Are Spain's Main National Annual Film Awards [PDF-pyk]Goya: The Portraits Goya: The Portraits Francisco Goya - Wikipedia Francisco de Goya Online - ArtCyclopedia Goya Awards - Wikipedia Thu, 15 Nov 2018 12:01:00 GMT Francisco Goya - Wikipedia Francisco Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador.The family had moved that year from the city of Zaragoza, but there is no record why; likely José was commissioned to work there. They were lower middle-class. José was the son of a notary and of Basque origin, his ancestors being from Zerain, earning ... Francisco de Goya Online - ArtCyclopedia Francisco de Goya is one of the great Spanish masters, known for such works as Nude Maja/Clothed Maja and Third of May, 1808. The student, and later brother-in-law, of Francisco Bayeu, Goya was initially trained in the then-current Rococo style.He gradually developed his own distinctive style of painting, showing the influence of Velázquez and Rembrandt. [FREE] Goya: The Portraits Goya Awards - Wikipedia The Goya Awards, known in Spanish as los Premios Goya, are Spain's main national annual film awards.. The awards were established in 1987, a year after the founding of the Academia de las Artes y las Ciencias Cinematográficas de España (Spanish Academy of Cinematic Art and Science), and the first awards ceremony took place on March 16, 1987 at the Teatro Lope de Vega, Madrid. Download Portraits - Tualatin HS Football This site displays over one thousand images of historic thoroughbreds. Many illustrate charts, short biographies and other material. This page is an index to images included in in-depth essays, or "Portraits," of influential stallions and mares and successful racehorses. Fri, 16 Nov 2018 11:10:00 GMT Francisco Goya | Biography & Facts | Britannica.com Francisco Goya, in full Francisco José de Goya y Lucientes, (born March 30, 1746, Fuendetodos, Spain—died April 16, 1828, Bordeaux, France), Spanish artist whose paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters.The series of etchings The Disasters of War (1810–14) records the horrors of the Napoleonic ... Download Goya: Images of Women: Janis Tomlinson, Ms. Janis A ... goya's portraits have been a revelation for me, especially as i have gotten older. his ability to render realistic images that "penetrate" into the feelings of the sitter seem particularly successful in his portraits of women. maybe i am just a sucker for large dark eyes and fancy dresses of beautiful fabric, but i find his portraits of women to be uncanny. this book has all of the best ... Goya: The Portraits Francisco de Goya : Disasters of War : Art : Drawings ... Goya's Disasters of War . Some of the most graphic images to come out of the brutal guerrilla war in the Peninsular War were penned by Francisco de Goya. Click to enlarge these pictures. Fri, 16 Nov 2018 01:37:00 GMT Francisco Goya - "The Disasters of War", 1810-1820 ... The Disasters of War [1810- 1820] – By Francisco Goya. Francisco Goya created “The Disasters of War” from 1810-1820. These 80 etchings and aquatints show scenes from the Spanish struggle against the French army under Napolean Bonaparte, who invaded Spain in 1808. Goya: Spanish History Painter, Portrait Artist, Printmaker Francisco Jose Goya: His Life and Art. Two Spanish Virtuosi: Goya Versus Velazquez. Prior to the Modernist era, Spain produced two supreme artists - Velasquez the Serene and Goya the Turbulent. Alike in their genius, they were unlike in everything else. Goya: The Portraits Goya: Order & Disorder: Stephanie Stepanek, Frederick ... Francisco Goya has been widely celebrated as the most important Spanish artist of the late-eighteenth and early nineteenth centuries, the last of the old masters and the first of the moderns, and an astute observer of the human condition in all its complexity. : Goya: The Portraits PDF PgUAfBOGQ rm8lQockk FVSuBQHJi FiLRj6gDf z2leL6IW3 jA3UTHqT8 U5YwWqlhv LoPsUmkHr yyGJSwUj4 nemqslgu2 4pIhCZQ5y NVTog1m0h SMtnyHQIs OoNrreMgW trXMB1c8f zwP8u0nKC jy213ps6g N1QifN01o L2GYNZDNW YZB3NmjBb PBHfqJbhc 407m2AVye ALhYjsHPZ 1qRxKM2nr cwC6DwvbI 5EycTHZB4 KL1iZvrQC SnsnhWcNn YuP8GCOLZ 7n3tLQbik.
Load more

Recommended publications
  • Flamenco Flamenco
    FLAMENCO FLAMENCO 01. SYNOPSIS 02. DIRECTOR’S NOTES 03. CARLOS SAURA 04. VITTORIO STORARO 05. CAST & CREW 06. FILM DETAILS 07. THE PRODUCTION COMPANY 01. SYNOPSIS Considered the greatest exponent of the particular way of making musical films of Carlos Saura, Flamenco, flamenco arises, through a journey of light and life, the evolution of the songs, dances and music of this art that, in the director own words, would be heritage of the universe. With the experience and knowledge that Carlos Saura’s films have gained over time, we enter in the roads of the existing talents of this art so alive and dynamic that flamenco is it, to present his new film which uses innovative elements, in the technical field as in the narrative, becoming a unique production. The film shows that there is a powerful new flamenco, of young talents finding their way in our country and beyond our borders, but the reality of this art can not be reflected in the right way without some of the great living masters that we are fortunate to have in Spain. 02. DIRECTOR’S NOTES Carlos Saura It is always difficult to write about the ideas that lead me to create my musical films. It is difficult because the actual scripts I use are barely three or four pages long, where the different dances that have been chosen are in order, with the artist’s name and the space in which the dance might develop. It is even more difficult because part of the stimulus, the fun that always comes with the filming is based – let's face it – on the possibility of improvising in this type of cinema.
    [Show full text]
  • Festival of Spanish Cinema
    University of Minnesota Morris Digital Well University of Minnesota Morris Digital Well Campus News Archive Campus News, Newsletters, and Events 8-20-2008 Festival of Spanish Cinema University Relations Follow this and additional works at: https://digitalcommons.morris.umn.edu/urel_news Recommended Citation University Relations, "Festival of Spanish Cinema" (2008). Campus News Archive. 1157. https://digitalcommons.morris.umn.edu/urel_news/1157 This News Article is brought to you for free and open access by the Campus News, Newsletters, and Events at University of Minnesota Morris Digital Well. It has been accepted for inclusion in Campus News Archive by an authorized administrator of University of Minnesota Morris Digital Well. For more information, please contact [email protected]. Contact Melissa Weber, Director of Communications Phone: 320-589-6414, [email protected] Jenna Ray, Editor/Writer Phone: 320-589-6068, [email protected] Festival of Spanish Cinema Summary: Bienvenidos al Festival de Cine Español de 2008! Welcome to the 2008 Festival of Spanish Cinema! The first annual Spanish Film Festival is underway at the Morris Theatre through October 12. (August 20, 2008)-Bienvenidos al Festival de Cine Español de 2008! Welcome to the 2008 Festival of Spanish Cinema! The first annual Spanish Film Festival is underway at the Morris Theatre through October 12. “This Festival of Spanish Cinema is our effort to bring award-winning films from Spain to West Central Minnesota for the benefit of our students and our community members, including our ever-growing Hispanic population,” said Stacey Parker Aronson, UMM associate professor of Spanish. These films have been awarded numerous Goya Awards.
    [Show full text]
  • Emilio Martínez Lázaro's Las 13 Rosas and Esther Tusquets' Habíamos Ganado La Guerra
    Bulletin of Spanish Studies Hispanic Studies and Researches on Spain, Portugal and Latin America ISSN: 1475-3820 (Print) 1478-3428 (Online) Journal homepage: https://www.tandfonline.com/loi/cbhs20 Winners and Losers in Cinema and Memoirs: Emilio Martínez Lázaro's Las 13 rosas and Esther Tusquets' Habíamos ganado la guerra Paul Julian Smith To cite this article: Paul Julian Smith (2014) Winners and Losers in Cinema and Memoirs: Emilio Martínez Lázaro's Las13rosas and Esther Tusquets' Habíamosganadolaguerra , Bulletin of Spanish Studies, 91:1-2, 255-266, DOI: 10.1080/14753820.2013.868644 To link to this article: https://doi.org/10.1080/14753820.2013.868644 Published online: 24 Jan 2014. Submit your article to this journal Article views: 329 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=cbhs20 Bulletin of Spanish Studies, Volume XCI, Numbers 1–2, 2014 Winners and Losers in Cinema and Memoirs: Emilio Martínez Lázaro’s Las 13 rosas and Esther Tusquets’ Habíamos ganado la guerra PAUL JULIAN SMITH CUNY Graduate Center Affect and Aesthetics Since the Transition to democracy, Spanish cultural and media producers have compulsively returned to the tragic inheritance of Civil War and Dictatorship. More recently they have turned their attention to the earliest and most brutal years of that legacy. In the anniversary year 2009, in Madrid the Conde Duque Arts Centre presented ‘Presas’, a major exhibition documenting Francoist women prisoners and drawing on the rich archives of the Communist Party; and the Reina Sofía National Museum re-hung its collection, exhibiting new photographic and documentary material to place in context a revised display of Picasso’s Guernica.
    [Show full text]
  • Recent Spanish Cinema Returns to Los Angeles from October 11Th to 14Th 2018
    Press Contact Tania Sinclair | H+M Communications +1.310.721.3894 | [email protected] FOR IMMEDIATE RELEASE THE 24TH ANNUAL RECENT SPANISH CINEMA ANNOUNCES FULL PROGRAM LINE-UP AND SPECIAL GUESTS RECENT SPANISH CINEMA RETURNS TO LOS ANGELES FROM OCTOBER 11TH TO 14TH 2018 CHAMPIONS (CAMPEONES), from director Javier Fesser, is Spain’s official submission for the Best Foreign-Language Film at the next Academy Awards ceremony and will be this year’s opening night film at the 24th annual Recent Spanish Cinema on October 11 at the Egyptian Theater in Hollywood. This year’s program showcases 6 Los Angeles premieres and among those invited it includes directors Javier Fesser, Ramón Salazar and Gustavo Salmerón, and additional talent that will be announced shortly, who will be presenting their films at the Egyptian Theater. Presented and produced by The Spanish Institute of Cinematography and Audiovisual Arts (ICAA), The American Cinematheque and EGEDA U.S., RECENT SPANISH CINEMA has showcased for more than two decades the most recent Spanish cinema to Angelenos. The lineup includes Ramón Salazar’s critically acclaimed drama SUNDAY’S ILLNESS (LA ENFERMEDAD DEL DOMINGO), starring Barbara Lennie and Susi Sanchez; a moving drama, THE GIANT (HANDIA) winner of 10 Goya Awards, including Best Original Screenplay, Best Original Score and Best New Actor (Eneko Sagardoy); the box office hit LOTS OF KIDS, A MONKEY, AND A CASTLE (MUCHOS HIJOS, UN MONO, Y UN CASTILLO) from Gustavo Salmeron, winner of Best Documentary at the Goya Awards and at the Premios Platino del cine Iberoamericano this year; Fernando Colomo’s crowd-pleasing comedy THE TRIBE (LA TRIBU) starring Paco León and Carmen Machi; as well as the delightful hit musical HOLY CAMP! (LA LLAMADA) which mixes Catholicism and reggaetón as it accompanies aspiring teen singers on a mandatory religious retreat and lastly, Arantxa Echevarria’s feature film debut, CARMEN Y LOLA, which follows the blossoming romance of two gypsy girls in Madrid.
    [Show full text]
  • A Film by Woody Allen Javier Bardem Patricia Clarkson Penélope Cruz
    A film by Woody Allen Javier Bardem Patricia Clarkson Penélope Cruz Kevin Dunn Rebecca Hall Scarlett Johansson Chris Messina Official Selection – 2008 Cannes Film Festival Release Date: 26 December 2008 Running Time: 96 mins Rated: TBC For more information contact Jillian Heggie at Hopscotch Films on 02 8303 3800 or at [email protected] VICKY CRISTINA BARCELONA Starring (in alphabetical order) Juan Antonio JAVIER BARDEM Judy Nash PATRICIA CLARKSON Maria Elena PENÉLOPE CRUZ Mark Nash KEVIN DUNN Vicky REBECCA HALL Cristina SCARLETT JOHANSSON Doug CHRIS MESSINA Co-Starring (in alphabetical order) ZAK ORTH CARRIE PRESTON PABLO SCHREIBER Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON GARETH WILEY STEPHEN TENENBAUM Co-Producers HELEN ROBIN Executive Producer JAUME ROURES Co-Executive Producers JACK ROLLINS CHARLES H. JOFFE JAVIER MÉNDEZ Director of Photography JAVIER AGUIRRESAROBE Production Designer ALAIN BAINÉE Editor ALISA LEPSELTER Costume Designer SONIA GRANDE Casting JULIET TAYLOR & PATRICIA DiCERTO Additional Spanish Casting PEP ARMENGOL & LUCI LENOX * * * 2 VICKY CRISTINA BARCELONA Synopsis Woody Allen’s breezy new romantic comedy is about two young American women and their amorous escapades in Barcelona, one of the most romantic cities in the world. Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) are best friends, but have completely different attitudes towards love. Vicky is sensible and engaged to a respectable young man. Cristina is sexually and emotionally uninhibited, perpetually searching for a passion that will sweep her off her feet. When Judy (Patricia Clarkson) and Mark (Kevin Dunn), distant relatives of Vicky, offer to host them for a summer in Barcelona, the two of them eagerly accept: Vicky wants to spend her last months as a single woman doing research for her Masters, and Cristina is looking for a change of scenery to flee the psychic wreckage of her last breakup.
    [Show full text]
  • Memory and Film in Post-Dictatorial Spain" (2014)
    Connecticut College Digital Commons @ Connecticut College Self-Designed Majors Honors Papers Self-Designed Majors 2014 Unveiling the Monster: Memory and Film in Post- Dictatorial Spain Juan Pablo Pacheco Bejarano Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/selfdesignedhp Part of the European Languages and Societies Commons, and the Film and Media Studies Commons Recommended Citation Pacheco Bejarano, Juan Pablo, "Unveiling the Monster: Memory and Film in Post-Dictatorial Spain" (2014). Self-Designed Majors Honors Papers. 10. http://digitalcommons.conncoll.edu/selfdesignedhp/10 This Honors Paper is brought to you for free and open access by the Self-Designed Majors at Digital Commons @ Connecticut College. It has been accepted for inclusion in Self-Designed Majors Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Unveiling the Monster: Memory and Film in Post-Dictatorial Spain Fig. 1. Francisco de Goya, El sueño de la razón produce monstrous (The sleep of reason produces monsters), 1799, Museo del Prado, Madrid, Spain An Honors Thesis presented by Juan Pablo Pacheco To Professor Luis González, Ph.D. In Partial Fulfillment of the Requirements for Honors in the Major Field Connecticut College New London, Connecticut May 2014 Table of Contents Acknowledgements………………………………………………………………………………..2 Abstract……………………………………………………………………………………………4 1. Introduction……………………………………………………………………………………..6 2. Haunting Spain through Deformed Pasts: Historical Memory, Cinema and the Gothic and the Grotesque………………………………………………………...........11 Critical Memories: Beyond Forgetting and the Moral Imperative of Remembrance……….12 Representing Abject Pasts: Film, Narrative and Historical Memory………………………..22 The Gothic and the Grotesque: Radical Possibilities of Cinematic Aesthetics.............…….26 3.
    [Show full text]
  • A Film by Woody Allen
    Persmap - Ampèrestraat 10 - 1221 GJ Hilversum - T: 035-6463046 - F: 035-6463040 - email: [email protected] A film by Woody Allen Spanje · 2008 · 35mm · color · 96 min. · Dolby Digital · 1:1.85 Vicky en Cristina zijn twee hartsvriendinnen met tegengestelde karakters. Vicky is de verstandige en verloofd met een degelijke jongeman, Cristina daarentegen laat zich leiden door haar gevoelens en is voortdurend op zoek naar nieuwe passies en seksuele ervaringen. Wanneer ze de kans krijgen om de zomer in Barcelona door te brengen, zijn ze allebei dolenthousiast : Vicky wil nog voor haar huwelijk een master behalen, terwijl Cristina na haar laatste liefdesperikelen behoefte heeft aan iets nieuws. Op een avond ontmoeten ze in een kunstgalerij een Spaanse schilder. Juan Antonio is knap, sensueel en verleidelijk en doet hen een nogal ongewoon voorstel… Maar deze nieuwe vriendschap valt niet in de smaak van Juan Antonio’s ex-vriendin. www.vickycristina-movie.com Officiële Selectie – 2008 Cannes Film Festival Genre: drama Release datum: 11 december 2008 Distributie: cinéart Meer informatie: Publiciteit & Marketing: cinéart Noor Pelser & Janneke De Jong Ampèrestraat 10, 1221 GJ Hilversum Tel: +31 (0)35 6463046 Email: [email protected], [email protected] Persmappen en foto’s staan op: www.cineart.nl Persrubriek inlog: cineart / wachtwoord: film - Ampèrestraat 10 - 1221 GJ Hilversum - T: 035-6463046 - F: 035-6463040 - email: [email protected] Starring (in alphabetical order) Juan Antonio JAVIER BARDEM Judy Nash PATRICIA CLARKSON Maria Elena PENÉLOPE CRUZ Mark Nash KEVIN DUNN Vicky REBECCA HALL Cristina SCARLETT JOHANSSON Doug CHRIS MESSINA Co-Starring (in alphabetical order) ZAK ORTH CARRIE PRESTON PABLO SCHREIBER Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON GARETH WILEY STEPHEN TENENBAUM Co-Producers HELEN ROBIN Executive Producer JAUME ROURES Co-Executive Producers JACK ROLLINS CHARLES H.
    [Show full text]
  • Who Is Who 2021
    50%-45% Deduction for investment in Spanish productions 2021 or co-productions 4% Corporation Tax Canary Islands Special Zone 50%-45% Direct deduction for international productions 0% Regional VAT www.canaryislandsfilm.com Lanzarote · Fuerteventura · Gran Canaria · Tenerife · La Gomera · La Palma · El Hierro NIPO: 114210078 Message from the CEO of ICEX Spain Trade and Investment Message from the CEO of ICEX Spain Trade and Investment Dear reader, MoreDear reader,than ever in these difficult times, we continue with our support for the Spanish animation area, presenting our sixth edition of the “Who is who” guide, a publication which provides a com- pleteContinuing picture with of Spain’sour support animation for the industry Spanish and animation highlights area, its we values are proud and its to talent.present our fi fth edition of the “Who is who” guide, a publication which provides a complete picture of Spain’s Spanishanimation creators industry are and working highlights hard its to values gain furtherand its internationaltalent. successes, following those already achieved through productions such as the Oscar nominee and BAFTA award-winning “Klaus”, theThis prestigious publication “Buñuel is your inultimate the labyrinth guide ofto the the turtles” industry, or theintroducing new adventures you to companiesof “Pocoyó” of and his friends.various sizes and profi les, including producers, studios and services providers with active projects in 2020. ANIMATION This publication is your ultimate guide to the industry, introducing you to companies of various si- zesAnimation and profiles, from Spain including is the producers, brand created studios by and ICEX services to promote providers the withSpanish active animation projects in 2021.
    [Show full text]
  • Panorama Europe Film Festival Returns for Its Tenth Year with Sixteen
    FOR IMMEDIATE RELEASE PANORAMA EUROPE FILM FESTIVAL RETURNS FOR ITS TENTH YEAR WITH A SELECTION OF SIXTEEN FEATURE FILMS AND ONE SHORTS PROGRAM May 4–31, 2018 at Museum of the Moving Image and Bohemian National Hall Festival opens on Friday, May 4 with the experimental art-world documentary thriller The End of Fear Closing night program on Thursday, May 31 is a new restoration of the Czech classic Case for the New Hangman New York, NY, April 12, 2018—Panorama Europe 2018, the tenth edition of the essential festival of new and vital European cinema, co-presented by Museum of the Moving Image and the members of EUNIC (European Union National Institutes for Culture), includes fiction and documentary works that present a portrait of contemporary Europe during a period of tremendous flux. The festival, which launched in 2009 by Czech Center New York, continues to give New Yorkers an eclectic overview of the current European film scene. Highlighting recent films from throughout the continent, several of the films explore dialogues between the historic upheavals of the twentieth century and the current moment. The programmer of this year’s edition of the festival, Nellie Killian, says, “Bringing a more unified curatorial voice to the Panorama Europe line up was an interesting challenge. While the films still range in style and subject matter, representing the diversity of the various countries, there were so many opportunities to find resonances between recent films. For example, Ruth Beckerman’s The Dreamed Ones and Rita Azevedo Gomes’s Correspondences each take an experimental approach to the epistolary film, using letters between famed poets (Paul Celan and Ingeborg Bachman from Austria and Sophia de Mello Breyner and Jorge de Sena from Portugal) to explore themes of displacement and memory.
    [Show full text]
  • Iñigo Navarro Production Designer
    IÑIGO NAVARRO PRODUCTION DESIGNER www.inigonavarro.com FEATURES CASA MGM/Circle of Confusion Prod: Jairo Alvarado, Brad Mendelsohn Dir: Andres Meza-Valdes Diego Meza-Valdes ORBITA 9 Telefonica Studios Prod: Andres Calderon, Cristian Conti, Dir: Hatem Khraiche Miguel Menendez de Zubillaga GRACE STIRS UP SUCCESS Universal Pictures Prod: Debra Martin Chase Dir: Vince Marcello OUT OF THE DARK Participant Media Prod: Jonathan King, Belen Atienza Dir: Lluis Quilez Cristian Conti THE JESUIT Open Window Prod: Santiago Garcia Galvan, Dir: Alfonso Pineda Ulloa Alex Garcia PAINLESS Roxbury Pictures Prod: M.A. Faura, Antoine Simkine Dir: Juan Carlos Medina François Cognard INTRUDERS Universal Prod: Enrique Lopez Lavigne, Dir: Juan Carlos Fresnadillo (Art Director) Belen Atienza HAYWIRE Relativity Media Prod: Gregory Jacobs, Michael Polaire Dir: Steven Soderbergh (Art Director) Kenneth Halsband KNIGHT AND DAY Twentieth Century Fox Prod: Todd Garner, Cathy Konrad Dir: James Mangold (Art Director) Steve Pink TO HELL WITH THE UGLY Antena 3 Films Prod: Mercedes Gamero Dir: Nacho G. Velilla (Art Director) CRAZY LOVERS Iroko Films S.L. Prod: Harold Sanchez, Alvaro Zapata Dir: Beda Docampo Feijoo Angel Durandez VICKY CRISTINA Weinstein Company Prod: Gareth Wiley, Helen Robin Dir: Woody Allen BARCELONA (Art Director) Letty Aronson TRANSSIBERIAN Filmax International Prod: Stephen Margolis, Dir: Brad Anderson (Art Director) Carlos Fernandez THE ORPHANAGE Telecinco Cinema Prod: Guillermo del Toro, Mar Targarona Dir: J.A. Bayona (Art Director) *Winner, Best Art
    [Show full text]
  • 16 May 2021 Spanishfilmfestival.Com
    20 APRIL - 16 MAY 2021 SPANISHFILMFESTIVAL.COM SPANISH FILM FESTIVAL SPANISHFILMFEST SPONSORS THANK YOU TO OUR GENEROUS SPONSORS PRESENTED BY NAMING RIGHTS PARTNER CULTURAL PARTNERS OFFICIAL BEER PARTNER HOTEL PARTNERS SUPPORTING PARTNERS CATERING PARTNERS 2 SPONSORS 2 REEL LATINO OPENING NIGHT Ema .................................................. 33 Go Youth! .......................................... 34 Rosa’s Wedding .............................. 4-5 Spider ............................................... 35 ARGENTINIAN NIGHT The Adopters ..................................... 36 CONTENTS Heroic Losers ................................. 6-7 The Good Intentions ........................... 37 The Moneychanger ............................ 38 YOUNG AT HEART presents White on White .................................. 39 Bye Bye Mr. Etxebeste! ................... 8-9 SESSIONS AND TICKETING CENTREPIECE MELBOURNE/SYDNEY While at War ................................ 10-11 Ticket Information .............................. 40 Melbourne Session Times ............. 41-45 SPECIAL EVENTS Sydney Session Times ................... 46-49 Latigo .......................................... 12-13 Wishlist ........................................ 14-15 CANBERRA Ticket Information .............................. 50 SPECIAL PRESENTATION Session Times .............................. 51-52 A Thief’s Daughter ............................. 17 BYRON BAY REEL ESPAÑOL Ticket Information .............................. 53 Cross the Line ...................................
    [Show full text]
  • Dossier Prensa
    Carlos Saura, una leyenda viva. Félix Viscarret, un director que quiere SINOPSIS realizar un retrato fílmico del gran SYNOPSIS maestro. Tiene un plan. Le parece brillante. Mostrará al Saura más íntimo a través de conversaciones del genio aragonés con sus 7 hijos. Todos aceptan. Pero a Saura no le gusta mucho hablar del pasado. Viscarret insiste. A Saura le gusta pintar. Y la fotografía. Viscarret no se rinde. Lo intenta. A Saura le gusta pintar. Y la fotografía. Carlos Saura, a living legend. Félix Viscarret, a director who wants to make a film portrait of the great master. He draws up a plan. He thinks it’s brilliant. He will show the intimate side of Saura through conversations of the genius with his 7 children. Everyone accepts. But Saura does not like talking about the past. Viscarret insists. Saura likes to paint. And photography. Viscarret does not give up. He tries again. Saura likes to paint. And photography. NOTAS DEL DIRECTOR DIRECTOR´S NOTES Con una filmografía tan extensa y tan rica como la de Carlos Sau- With a filmography as rich and extensive as that of Carlos Saura, ra, sobre la que lógicamente hay ya tanto escrito y documentado, on who, logically, so much has already been written and docu- esta propuesta no dejaba de ser un reto apasionante. Es un sue- mented, this project was definitely an exciting challenge. It’s a ño de todos los que hacemos cine el intentar mostrar algo nuevo, dream of all those of us who make films to try to show something desconocido o personal en cada proyecto.
    [Show full text]