Havanareporter YEAR VI
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Globalrelations.Ourcuba.Com Cleveland Ballet in Havana
GlobalRelations.OurCuba.com 1-815-842-2475 Cleveland Ballet in Havana In Cuba from Thursday February 27th to Monday March 2, 2020 Day 1 – Thursday :: Arrive Cuba, Iconic Hotel, welcome dinner and evening to explore Depart to Havana via your own arranged flights. You should plan arriving Havana by mid-afternoon. It may take you some time to clear Cuban Immigration, get your bag and go through Customs. You will be met in the arrival hall, after clearing Customs, by our Cuban representative holding a ‘Cuba Explorer’ sign to take you to your hotel. They will have your name and will be monitoring your flight arrival in case there is a delay. Your first tour activity will be the welcome dinner and your guide will finalize details with you on arrival to your hotel. On departure from Cuba you will be asked to be at the airport 3 hours in advance. Havana’s International Airport arrival hall does have bathrooms. They may not have seats or tissue. This is normal in Cuba, so you may wish to bring packets of tissues. It is suggested to use the restroom on your flight before landing. On arrival at Havana’s José Martí International Airport proceed through Immigration. Your carry-on will once again be scanned. Give your ‘Health’ form to the nurses in white uniforms after you go through Immigration & screening. The important question they may ask is if you have been exposed to Ebola. Collect your bags and go through Customs giving them your blue customs form. You will be welcomed at the airport exterior lobby after you exit Cuban Customs. -
The Art & Architecture of Cuba
VIRGINIA MUSEUM OF FINE ARTS When you make a new reservation on this program, your payments will be fully refundable until 60 days prior to departure. The Art & Architecture of Cuba: In Support of the Cuban People February 13–20, 2021 HIGHLIGHTS ENGAGE with Cuba’s leading creators in exclusive gatherings, with intimate discussions at the homes and studios of artists, a private rehearsal at a famous dance company, and a phenomenal evening of art and music at Havana’s Fábrica de Arte Cubano DELIGHT in a private, curator-led tour at the National Museum of Fine Arts of Havana, with its impressive collection of Cuban artworks and international masterpieces from Caravaggio, Goya, Rubens, and other legendary artists CELEBRATE and mingle with fellow travelers at exclusive receptions, including a cocktail reception with a sumptuous dinner in the company of the President of The Ludwig Foundation of Cuba and an after-tours tour and reception at the dazzling Ceramics Museum MEET the thought leaders who are shaping Cuban society, including the former Deputy Minister for Foreign Affairs, who will share profound insights on Cuban politics DISCOVER the splendidly renovated Gran Teatro de La Habana Alicia Alonso, the ornately designed, Neo-Baroque- style home to the Cuban National Ballet Company, on a private tour ENJOY behind-the-scenes tours and meetings with workers at privately owned companies, including a local workshop for Havana’s classic vehicles and a factory producing Cuban cigars VENTURE to the picturesque Cuban countryside for When you make a new reservation on this program, a behind-the-scenes tour of a beautiful tobacco plantation your payments will be fully refundable until 60 days prior to departure. -
Artículos Artículos
ARTÍCULOS ARTÍCULOS 2. Sobre Mercedes Vilaret, Montserrat Martí ha publicado la tesis doctoral Estructura narrativa i estil visual dels documentals de la realizadora de televisió Mercé Vilaret (2002); así como el interesante artículo (2003). 3. En esta investigación se ha elegido a Josefina Molina como objeto de es- tudio por las razones anteriormente expuestas. Ante la posible pregunta EL PROCESO A MARISOL EN MARIANA PINEDA sobre si se llegaría a conclusiones semejantes si se hubiesen analizado los (TVE, 1984) trabajos de Pilar Miró o Mercedes Vilaret, solo puede deducirse anali- zando los respectivos trabajos de ficción de esas realizadoras. Si bien es THE TRIAL OF MARISOL IN MARIANA PINEDA cierto que ambas iniciaron su carrera en televisión y que, desde una óptica (TVE, 1984) generacional, es posible que compartiesen determinadas inquietudes, sus trayectorias profesionales –no hay que olvidar que Pilar Miró ocupó cargos Alicia Casado Vegas políticos– fueron al fin y al cabo muy diferentes. Asociación de Mujeres de Artes Escénicas de Madrid 4. La autora agradece la ayuda brindada por el personal del Archivo de TVE ([email protected]) a la hora de elaborar esta investigación. 5. A pesar de que se ha intentado visionar la totalidad de dramáticos de la directora, algunos títulos están descatalogados y otros han quedado fuera de análisis por razones de acceso. Se ha intentado que la muestra sea lo más representativa posible seleccionando títulos en función de los años y de los Resumen: En el contexto del inicio de la democracia en España, mo- programas contenedor. mento en el que la televisión se convierte en una herramienta pedagógica 6. -
Enthymema XXII 2018 Fuente Ovejuna Da Lope De Vega Ad
Enthymema XXII 2018 Fuente Ovejuna da Lope de Vega ad Antonio Gades: tra (ri)creazione e traduzione (inter- semiotica) Monica Savoca Direttrice della collana di Letterature straniere “L’Abatros” - Algra Editore Abstract – Fuente Ovejuna, una delle opere più celebri di Lope de Vega, fu com- posta tra il 1612 e il 1614 ed ha rappresentato, dopo un oblio di quasi due secoli, un cardine del teatro “rivoluzionario” e non di fine 1800. La cornice storica è data dalla rivolta che nel 1476 il piccolo villaggio di Fuente Ovejuna fece contro il Co- mendador Fernán Gómez, feudatario che esercitava senza tregua un potere sopraf- fattorio, sottoponendo la popolazione a continue vessazioni economiche. Il matri- monio ostacolato tra Laurencia e Frondoso rappresenta la linea interna della storia, con il finale liberatorio noto ai più. Nel 1994 il coreografo e ballerino Antonio Ga- des porta nei teatri europei la sua versione dell’opera, presentando una reinterpre- tazione che mescola musica, canto, ballo, recitazione. Si configura un percorso di traduzione intersemiotica i cui esiti si analizzeranno in questo contributo a partire dall’analisi della trasmutazione dei diversi linguaggi dall’opera originale alla rap- presentazione teatral-musicale. Parole chiave – Traduzione, intersemiotica, Fuente Ovejuna, Antonio Gades, ri- creazione. Abstract – Fuente Ovejuna, one of the most famous Lope de Vega’s dramas, was composed between 1612 and 1614 and represented, after a two centuries oblivion, a fulcrum of the revolutionary theatre of 1800. The historical frame is the insurrec- tion in 1476 of the little village of Fuente Ovejuna against the Comendador Fernán Gómez, a repressive feudatory that oppressed the population with excessive duties. -
Havanareporter YEAR VI
THE © YEAR VI Nº 7 APR, 6 2017 HAVANA, CUBA avana eporter ISSN 2224-5707 YOUR SOURCE OF NEWS & MORE H R Price: A Bimonthly Newspaper of the Prensa Latina News Agency 1.00 CUC, 1.00 USD, 1.20 CAN Caribbean Cooperation on Sustainable Development P. 3 P. 4 Cuba Health & Economy Sports Maisí Draws Tourists Science Valuable Cuban Boxing to Cuba’s Havana Hosts Sugar by Supports Enhanced Far East Regional Disability Products Transparency P.3 Conference P. 5 P. 13 P. 15 2 Cuba´s Beautiful Caribbean Keys By Roberto F. CAMPOS Many tourists who come to Cuba particularly love the beak known as Coco or White Ibis. Cayo Santa Maria, in Cuba’s the north-central region “Cayos” and become enchanted by their beautiful and Adjacent to it are the Guillermo and Paredón has become a particularly popular choice because of its very well preserved natural surroundings and range of Grande keys, which are included in the region´s tourism wonderful natural beauty, its infrastructure and unique recreational nautical activities. development projects. Cuban culinary traditions. These groups of small islands include Jardines del Rey Cayo Coco is the fourth largest island in the Cuban 13km long, two wide and boasting 11km of prime (King´s Gardens), one of Cuba´s most attractive tourist archipelago with 370 square kilometers and 22 beachfront, Cayo Santa María has small islands of destinations, catering primarily to Canadian, British kilometers of beach. pristine white sands and crystal clear waters. and Argentine holidaymakers, who praise the natural Cayo Guillermo extends to 13 square kilometers Other outstandingly attractive islets such as environment, infrastructure and service quality. -
Revista 18 Pag 68-75 En El Recuerdo Antonio Gades
En el recuerdo FOTO: Pepe Lamarca. Cedida por la Fundación Antonio Gades. Antonio Gades, elegancia y furia 68 Instante de la Suite flamenca . FOTO: María Esteve. Cedida por la Fundación Antonio Gades. Texto: Aida R. Agraso visual. Cada uno de los espectáculos y que vela por su legado impulsó la fue precedido por unas ponencias en resurrección de la Compañía Antonio El bailarín y coreógrafo Antonio Gades la que destacados expertos y artistas Gades”, que representó “tres de sus vio su primer amanecer el 14 de no- -José Antonio Ruiz, Rosalía Gómez, obras maestras, Carmen, Fuenteove - viembre de 1936. En 2011 habría cum- Stella Arauzo, Ana González, Manuel juna y Bodas de Sangre (acompañada plido 75 años. Esta fecha exacta, la Segovia y Elvira Andrés- desgranaron por la singular Suite flamenca ), dos de de las bodas de brillantes con la vida, los detalles de las obras de Gades. las cuales llegaron al cine de la mano está siendo conmemorada a lo largo La conmemoración en el Teatro de Carlos Saura y la última, Fuenteo - del año para rendir homenaje a un tra- Real se completó con funciones peda- vejuna , se convirtió en el testamento bajador del arte, como él mismo solía gógicas para colegios y con una expo - de su genio”. decir, que aportó a la danza española sición que, bajo el título de Vientos del José Manuel Caballero Bonald no y al flamenco momentos que forman pueblo , mostró en el coliseo retratos escatimó en elogios hacia su arte, parte del gran patrimonio que el arte realizados por Antoni Miró. -
MOA Journeys: Cuba 2014
Thursday, 20 November Day 1 Arrive in Havana Arrive in Havana at Jose Marti International Airport. Meet your guide then transfer to your 4-star hotel in the heart of the old city. All transport within Cuba is by private deluxe motor coach. Upon arrival in the city, the vibrancy of the people is one of the first things you will notice. Also striking is the fact that, day or night, music can be heard and most evenings, somewhere in the city, people can be found dancing in the streets. The rich history of the island is apparent in the faces of the people. They are the descendants of the Spanish conquistadores who colonised the island in the sixteenth century and African slaves brought over to work on the tobacco and sugar plantations. Overnight in Havana. Meal plan: Tonight, you’ll enjoy a welcome dinner & cocktails*, meet your Adventures Abroad tour guide, mingle with the Museum of Anthropology representatives and members like you, and enjoy an introductory presentation by Without Masks curator, Orlando Hernández. *subject to flight schedules Friday, 21 November Day 2 Havana: Centre City Tour Cuba's cosmopolitan capital was once one of the world's most prosperous ports and the third most populous city in the Americas. As La Llave del Mundo (Key of the World), she saw riches from Mexico, Peru, and Manila pass through her sheltered harbour to Spain. Havana shows evidence of long neglect but her beauty shines through an amalgam of Spanish, African, colonial, communist, and capitalist influences. Today we have a tour of Old Havana, including a stroll down Prado Avenue, for many years Havana's most important and impressive avenue. -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Music Production and Cultural Entrepreneurship in Today’S Havana: Elephants in the Room
MUSIC PRODUCTION AND CULTURAL ENTREPRENEURSHIP IN TODAY’S HAVANA: ELEPHANTS IN THE ROOM by Freddy Monasterio Barsó A thesis submitted to the Department of Cultural Studies In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (September, 2018) Copyright ©Freddy Monasterio Barsó, 2018 Abstract Cultural production and entrepreneurship are two major components of today’s global economic system as well as important drivers of social development. Recently, Cuba has introduced substantial reforms to its socialist economic model of central planning in order to face a three-decade crisis triggered by the demise of the USSR. The transition to a new model, known as the “update,” has two main objectives: to make the state sector more efficient by granting more autonomy to its organizations; and to develop alternative economic actors (small private businesses, cooperatives) and self-employment. Cultural production and entrepreneurship have been largely absent from the debates and decentralization policies driving the “update” agenda. This is mainly due to culture’s strategic role in the ideological narrative of the ruling political leadership, aided by a dysfunctional, conservative cultural bureaucracy. The goal of this study is to highlight the potential of cultural production and entrepreneurship for socioeconomic development in the context of neoliberal globalization. While Cuba is attempting to advance an alternative socialist project, its high economic dependency makes the island vulnerable to the forces of global neoliberalism. This study focuses on Havana’s music sector, particularly on the initiatives, musicians and music professionals operating in the informal economy that has emerged as a consequence of major contradictions and legal gaps stemming from an outdated cultural policy and ambiguous regulation. -
Download Our Cuba Brochure (PDF Format)
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ANTONIO GADES 2012.Indd
A ANTONIO GADES 2011 Galería Orígenes: Gran Teatro, La Habana (Noviembre - Diciembre) 2012 Galería Provincial: Guantánamo (16-31 Enero) Santiago de Cuba (2-21 Febrero) Granma (23 Febrero - 13 Marzo) Holguín (15 Marzo . 2 Abril) Las Tunas (5-24 Abril) Camaguey (26 Abril - 15 Mayo) Ciego de Avila ( 17 Mayo - 5 Junio) Sancti Spíritus (7-26 Junio) Villa Clara (28 Junio - 17 Julio) Cienfuegos (19 Julio - 7 Agosto) Matanzas (9-28 Agosto) Mayabeque (30 Agosto - 18 Septiembre) Artemisa (20 Septiembre- 9 Octubre) Pinar del Río (11 Octubre - 6 Noviembre) Isla (22 Noviembre - 11 Diciembre) EUGENIA EIRIZ, ABEL PRIETO, MIGUEL HERNÁNDEZ, CARLES CORTÉS, DAVID RICO A ANTONIO GADES “VIENTO DEL PUEBLO” ANTONI MIRÓ CUBA 2012 (…) Echando la vista atrás en este 75 Aniversario veo que hay tres acciones destinadas a quedar en el tiempo: la grabación en alta deinición y edición en el Teatro Real de Madrid de las tres obras más representativas del coreógrafo, la visita a Cuba de la Compañía Gades por primera vez desde el fallecimiento de Antonio, y por supuesto, el homenaje pictórico de Antoni Miró que llevará para siempre el recuerdo de esta amistad, allí donde la obra esté presente. Y termino, aunque conocí a Antoni Miró de la mano de Gades, ha sido su ausencia más bien la que nos ha unido. Encontré en él al amigo que me recuerda a Antonio y, aunque no siempre estemos de acuerdo, nunca olvido que su consejo pueda ser el que Toni hubiera dado a Gades, que él le habría escuchado. También pienso en lo mucho que se han reído juntos.. -
Companhia Antonio Gades Apresenta Fuego Em Setembro Na Capital
COMPANHIA ANTONIO GADES APRESENTA FUEGO EM SETEMBRO NA CAPITAL Espetáculo concebido por Antonio Gades e Carlos Saura foi inspirado no balé El Amor Brujo. Porto Alegre recebe apresentação dia 25 de setembro no Teatro do Bourbon Country Clique na imagem para baixar em alta resolução. Crédito: Javier del Real Mais fotos em alta resolução em www.opuspromocoes.com.br A Companhia Antonio Gades traz a Porto Alegre Fuego, espetáculo de Antonio Gades e Carlos Saura inspirado no balé El Amor Brujo, de Manuel de Falla. Com realização da Opus Promoções e da Dell’Arte Soluções Culturais, a montagem terá apresentação única no Teatro do Bourbon Country dia 25 de setembro, às 21h. Estreada em 1989 no Théâtre du Châtelet, em Paris, Fuego cativou o público parisiense que presenciou as primeiras interpretações do balé. Uma longa turnê pela França, Itália, Alemanha, Suíça, Japão e Brasil seguiu-se à estreia. O espetáculo integra as comemorações do 10º aniversário da morte de Antonio Gades (1936-2004), ícone maior da dança flamenca. Pouco antes de criar a obra, Gades passava por uma dificílima situação pessoal. A ruptura com a sua esposa, Pepa Flores, além do falecimento do seu pai e a trágica morte do seu irmão Enrique, quem até então era parte da Companhia. Cansado também das constantes turnês do seu balé ao redor do mundo, decidiu se afastar dos palcos. Começou, então, um período de reflexão e descanso, que encerra em 1989, chamado por vários projetos artísticos entre os quais está a inauguração da Ópera do Cairo, a participação na celebração dos dez anos da criação do Balé Nacional da Espanha e o pedido do Teatro de Châtelet de Paris para a realização do balé Fuego.