DOCSLIB.ORG

Liste Des Films Par Titre

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Liste Des Films Par Titre Liste des films par titre (Sauf indication contraire, les films sont en V.O. sous-titrée en français) • 2/Duo (2/Duo) de SUWA Nobuhiro 諏訪敦彦 1997 – 90 min [DVD/C/404] • Les 7 Samouraïs ( 七人の侍 ) de KUROSAWA Akira 黒澤明 1954 – 193 min [DVD/C/100] • 18 Jeunes gens à l’appel de l’orage (嵐を呼ぶ 18 人人人) de YOSHIDA Kijû 吉田喜重 1963 – 104 min [DVD/C/179] • 1945 : End of war ( 太平洋の奇跡 -フォックスと呼ばれたフォックスと呼ばれた男男男男) de HIRAYAMA Hideyuki 平山秀幸 2011 – 128 min [DVD/C/350] • 20th century boys (20 世紀少年世紀少年・・・・第第第第 1 章章章 終わりの始まり ) de TSUTSUMI Yukihiko 堤幸彦 2008 – 140min [DVD/C/249] • 25 novembre 1970 : Le jour où Mishima choisit son destin ( 11 ・・・25 自決の日 三島由紀夫と若 者た者た者たち者た ちちち) de WAKAMATSU Kôji 若松孝二 2012 – 115 min [DVD/C/466] • Les 47 Ronins (1-2) (((忠臣蔵(忠臣蔵忠臣蔵)))) de INAGAKI Hiroshi 稲垣浩 1962 – 120 min, 90 min [V37, V48] • Les 47 Ronins (1-2) (((元禄忠臣蔵(元禄忠臣蔵元禄忠臣蔵)))) de MIZOGUCHI Kenji 溝口健二 1941, 1942 – 110 min, 104 min [DVD/C/115] • 60s Experiments (60 年代の実験映画 ) de IIMURA Takahiko 飯村隆彦 1962,1964- 47min [DVD/C/223] A • Achille et la tortue ( アキレスと亀 ) de KITANO Takeshi 北野武 2009 – 119 min [DVD/C/291] • Adrift in Tokyo ( 転々転々転々 ) de MIKI Satoshi 三木 聡 2013 – 101 min [DVD/C/386] • After life ( ワンダフルライフ ) de KORE-EDA Hirokazu 是枝裕和 1998 – 118min [DVD/C/263] • L’Aiguillon de la mort (死の棘 ) de OGURI Kohei 小栗康平 1990 – 114 min [DVD/C/268] (V.O. sans sous-titres) • Air Doll (空気人形 ) de KORE-EDA Hirokazu 是枝裕和 2009 – 125min [DVD / C / 313] • Les Amants crucifiés ( 近松物語 ) de MIZOGUCHI Kenji 溝口健二 1954 – 100 min [DVD/C/60] • Amer Béton (鉄コン筋クリート ) de Michael Arias 2007 – 106 min [DVD/C/308] • Amours dans la neige ( 樹氷のよろめき ) de YOSHIDA Kijû 吉田喜重 1968 – 93 min [DVD/C/193] • L’Amour de l’actrice Sumako (((女優須磨子の恋(女優須磨子の恋女優須磨子の恋)))) de MIZOGUCHI Kenji 溝口健二 1947 – 96 min [DVD/C/103] + [C / V / 49] • Un amour éternel ( 永遠の人 ) de KINOSHITA Keisuke 木下恵介 1961 – 102 min [DVD/C/90] • L’Ange ivre ( 酔いどれ天使 ) de KUROSAWA Akira 黒澤 明 1948 – 94 min [DVD / C / 315] • Les Anges violés ( 犯された白衣 ) de WAKAMATSU Kôji (若松孝二 ) 1967 – 57 min [DVD / C / 361] • Aniki mon frère (Brother) de KITANO Takeshi 北野武 2000 – 114 min [DVD/C/265] [V96(V.F.)] • L’Anguille (((うなぎ(うなぎうなぎ)))) de IMAMURA Shôhei 今村昌平 1999 – 117 min [DVD/C/296] • Antartica (南極物南極物語語語語) de KURAHARA Koreyoshi 蔵原惟繕 1983 – 137 min [DVD / C / 512] • Aragami : le dieu du combat ( 荒神荒神荒神 ) de KITAMURA Ryûhei 北村 龍平 2006 – 80 min [DVD / C / 346] • Assassinat (((暗殺(暗殺暗殺暗殺))))de SHINODA Masahiro 篠田正浩 1964 – 100 min [DVD/C/163] • Astro Boy de BOWERS David 2010 – 95 min [DVD / C / 359] • Une auberge à Tokyo (東京の宿 ) de OZU Yasujirô 小津安二郎 1935 – 75 min (muet) [DVD/C/122] • Avalon ( アヴァロン ) de OSHII Mamoru 押井守 2001 – 107 min [DVD/C/37] • Aveux, théories, actrices (告白的女優論 ) de YOSHIDA Kijû 吉田喜重 1971 – 119 min [DVD/C/210] • Azumi ( あずみ ) de KITAMURA Ryûhei 北村龍平 2003 – 120 min [DVD/C/294] B • Baby Cart (((子連れ狼(子連れ狼子連れ狼)))) 1 – Le Sable de la vengeance (((子を貸し腕貸しつかまつる(子を貸し腕貸しつかまつる子を貸し腕貸しつかまつる)))) de MISUMI Kenji 三隅 研次 1972 – 83 min [DVD/C/128] • Baby Cart (((子連れ狼(子連れ狼子連れ狼)))) 2 – L’Enfant massacre (((三途の川の乳母車(三途の川の乳母車三途の川の乳母車))))de MISUMI Kenji 三隅 研次 1972 – 81 min [DVD/C/129] • Baby Cart (((子連(子連子連子連れ狼れ狼れ狼れ狼)))) 333 – Dans la terre de l’ombre (((死に風に向かう乳母車(死に風に向かう乳母車死に風に向かう乳母車)))) de MISUMI Kenji 三隅 研次 1972 – 89 min [DVD/C/130] • Baby Cart (((子連れ狼(子連れ狼子連れ狼)))) 4 – L’Ame d’un père, le Coeur d’un fils (((親の心子の心(親の心子の心親の心子の心)))) de SAITO Buichi 斎藤武市 1972 – 81 min [DVD/C/131] • Baby Cart (((子連れ狼(子連れ狼子連れ狼)))) 5 – Le Territoire des démons (((冥府魔道(冥府魔道冥府魔道))))de MISUMI Kenji 三隅 研次 1973 – 89 min [DVD/C/132] • Baby Cart (((子連れ狼(子連れ狼子連れ狼)))) 6 – Le Paradis blanc de l'enfer (((地獄へ行くぞ(地獄へ行くぞ地獄へ行くぞ！！！！大五郎大五郎大五郎)))) de KURODA Yoshiyuki 黒田義之 1974 – 84 min [DVD/C/133] • Backward flow ( 逆流逆流逆流 ) de FUTAGAWA Buntarô 二川文太郎 1924 – 28 min [DVD / C / 335] (Film muet, narration par un benshi, V.O.S.A.) • La Ballade de l’impossible ( ノルウェイの森 ) de TRAN Anh Hung 2010 – 133 min [DVD / C / 329] • La Ballade de Narayama (((楢山節考(楢山節考楢山節考)))) de IMAMURA Shôhei 今村昌平 1983 – 128 min (V.O et V.F) [V8, V7] • La Ballade de Narayama (((楢山節考(楢山節考楢山節考)))) de KINOSHITA Keisuke 木下恵介 1958 – 101 min [DVD/C/73] • Bandit contre Samouraïs ( 雲霧仁左衛門 ) de GOSHA Hideo 五社英雄 1978 – 156 min [DVD/C/95] • Barberousse (((赤ひげ(赤ひげ赤ひげ)))) de KUROSAWA Akira 黒澤明 1965 – 185 min [V35] • Barberousse (((赤ひげ(赤ひげ赤ひげ)))) de KUROSAWA Akira 黒澤明 1965 – 185 min [DVD/C/302] • La Barrière de chair (((肉体の門(肉体の門肉体の門)))) de SUZUKI Seijun 鈴木清純 1964 – 87 min [DVD/C/32] • Les Bas-fonds (((どん底(どん底どん底)))) de KUROSAWA Akira 黒澤明 1957 – 120 min [V86] • Bashing ( バッシング ) de KOBAYASHI Masahiro (小林政広) 2005 – 82 min [DVD/C/307] • Battle royale 1 Director’s cut (((バトル・ロワイアル(バトル・ロワイアルバトル・ロワイアルⅠⅠⅠⅠ 特別篇特別篇)))) de FUKASAKU Kinji 深作欣 二 2001 – 126 min [DVD/C/242] • Battle royale 2 Requiem (((バトル・ロワイアル(バトル・ロワイアルバトル・ロワイアルⅡⅡⅡⅡ 鎮魂歌鎮魂歌)))) de FUKASAKU Kinji 深作欣二 / FUKASAKU Kenta 深作健太 2003 – 133 min [DVD/C/243] • La Bête aveugle ( 盲獣盲獣盲獣 ) de MASUMURA Yasuzô 増村保造 1969 – 84 min [DVD/C/77] • Big man Japan ( 大日本 人人人)人) de MATSUMOTO Hitoshi 松本人志 2007 – 113 min [DVD/C/ 382] • Bon à rien ( ろくでなし ) de YOSHIDA Kijû 吉田喜重 1960 – 84 min [DVD/C/176] • Bonjour (((お早よう(お早ようお早よう)))) de OZU Yasujirô 小津安二郎 1959 – 94 min [DVD/C/47] • Boy’s choir ( 独立少年合唱団 ) de OGATA Akira 緒方明 2000 – 125 min [DVD / C / 345] C • Carmen revient au pays (((カルメン故郷に帰る(カルメン故郷に帰るカルメン故郷に帰る)))) de KINOSHITA Keisuke 木下恵介 1951 – 86 min [DVD/C/109] • Carnets de notes sur vêtements et villes de WENDERS Wim 1989 – 78 mn [DVD / C / 362] • Carte des sons de Tokyo de COIXET Isabel 2007 – 102 min [DVD / C / 330] • Charisma (((カリスマ(カリスマカリスマ)))) de KUROSAWA Kiyoshi 黒沢清 1999 – 103 min [DVD/C/222] • Le Château de l’Araignée (((蜘蛛の巣城(蜘蛛の巣城蜘蛛の巣城)))) de KUROSAWA Akira 黒澤明 1957 – 105 min [DVD/C/140, V18] • Chien enragé (((野良犬(野良犬野良犬)))) de KUROSAWA Akira 黒澤明 1949 – 117 min [DVD/C/10] • Chœur de Tokyo (((東京の合唱(東京の合唱東京の合唱)))) de OZU Yasujirô 小津安二郎 1931 – 90 min (muet) [DVD/C/121] • Jitsuroku chushingura ( 実録忠臣蔵 ) de MAKINO Shôzô 牧野省三 1928 – 64 min [DVD / C / 342] (Film muet, narration par un benshi, V.O.S.A.) • La Cigogne en papier (((折鶴お千(折鶴お千折鶴お千)))) de MIZOGUCHI Kenji 溝口健二 1935 – 87 min [DVD/C/196] (Film muet, narration par un benshi ) • Le Cimetière de la morale ( 仁義の墓場 ) de FUKASAKU Kinji 深作欣二 1975 – 99 min [DVD/C/16] • Cinq femmes autour d’Utamaro (((歌麿をめぐる五人の女(歌麿をめぐる五人の女歌麿をめぐる五人の女)))) de MIZOGUCHI Kenji 溝口健二 1946 – 93 min [DVD/C/101] + [C/V /44] • Cochons et cuirassés ( 豚と軍豚と軍艦艦艦艦) de IMAMURA Shôhei 今村昌平 1961 – 120 mn [DVD / C / 497] • Code 252 : Signal de détresse (252 生存者あり ) de MIZUTA Nobuo 水田伸生 2008 – 133 min [DVD / C / 363] • Le cœur régulier de D’ALCANTARA Vanja – 2015 – 88 min [DVD / C / 502] • The color print of Edo : Hatamoto to machiyakko (錦絵江戸姿 旗本と町奴 ) de MORI Kazuo 森 一生 1939 – 65 mn [DVD / C / 338] (Film muet, narration par un benshi, V.O.S.A.) • Combat sans code d’honneur ( 仁義なき戦い ) de FUKASAKU Kinji 深作欣二 1973 – 99 min [DVD/C/15] • La Condition de l’homme (人間の条件 ) de KOBAYASHI Masaki 小林正樹 1. Il n’y a pas de plus grand amour (第一、第二部 ) 1959 – 201 min [DVD/C/97] 2. Le Chemin de l’éternité (第三、第四部 ) 1959 – 176 min [DVD/C/98] 3. La Prière du soldat (完結篇 ) 1961 – 183 min [DVD/C/99] • Contes cruels de la jeunesse (((青春残酷物語(青春残酷物語青春残酷物語)))) de OSHIMA Nagisa 大島渚 1960 – 97 min [DVD/C/181] + [C/ V/17] • Les Contes de la lune vague après la pluie (((雨月物語(雨月物語雨月物語)))) de MIZOGUCHI Kenji 溝口健二 1953 – 92 min [DVD/C/7] • Contes des chrysanthèmes tardifs (((残菊物語(残菊物語残菊物語)))) de MIZOGUCHI Kenji 溝口健二 1939 – 137 min [DVD/C/255] • Les Coquelicots (((虞美人草(虞美人草虞美人草)))) de MIZOGUCHI Kenji 溝口健二 1935 – 68 min [DVD/C/197] • Coup d’état (戒厳令 ) de YOSHIDA Kijû 吉田喜重 1973 – 105 min [DVD/C/251] • Un couple parfait de SUWA Nobuhiro 諏訪敦彦 2005 – 105 min [DVD/C/114] • Crépuscule à Tokyo (((東京暮色(東京暮色東京暮色)))) de OZU Yasujirô 小津安二郎 1957 – 141 min [DVD/C/65] • Crows zero (((クローズ(クローズ ZERO ) de MIIKE Takeshi 三池崇史 2007 – 124 min [DVD/C/252] • Cure (((キ(キキキ ュュュ アアア)ア ))) de KUROSAWA Kiyoshi 黒沢清 1997 – 106 min [DVD/C/22] D • Dans l’ombre du loup ( 鬼龍院花 子の生 涯涯涯 ) de GOSHA Hideo 五社英雄 1982 – 146 min [DVD/C/200] • Dark Water (((仄仄仄 暗い暗い暗い 水水水 の底か ららら ))) de NAKATA Hideo 中田秀夫 2001 – 97 min [DVD/C/31] • The dawning sky ( 明け明け明け 行く行く行く 空空空 ) de SAITO Torajirô 斎藤寅次郎 1929 – 71 min [DVD/C/340] (Film muet, narration par un benshi, V.O.S.A.) • Les délices de Tokyo ( あああんあんんん) de KAWASE Naomi 河瀬直美 2015 – 108 mn [DVD / C / 495] • Departures ( おくり びびび ととと ) de TAKITA Yôjirô 滝田 洋二郎 2008 – 103 min [DVD / C / 328] • Dernier caprice (((小小小 早川早川早川 家家家 ののの 秋秋秋 ))) de OZU Yasujirô 小津安二郎 1961 – 98 min [DVD/C/49] • Derniers samouraïs (((狼よ(狼よ狼よ狼よ 落落落 日を日を日を 斬斬斬 れれれ 風雲・ 激情激情激情 篇篇篇 怒涛怒涛怒涛 篇篇篇)篇 )))de MISUMI Kenji 三隅 研次 1974 – 159 min [DVD/C/146] • Dersou Ouzala (((デデデ ルス・ ウザウザウザ ーラーラーラ)ーラ ))) de KUROSAWA Akira 黒澤明 1975 – 155 min [V61] [DVD / C / 366] • Désir meurtrier (((赤い殺(赤い殺 意意意 ))) de IMAMURA Shôhei 今村昌平 1964 – 145 min [V90] • Desert moon de AOYAMA Shinji 青山真治 2001 – 130 min [DVD/C/71] • Détective Bureau 2-3 (((探偵事務所 222- 2---3)3)3) de SUZUKI Seijun 鈴木清順 1963 – 85 min [DVD/C/20] • Le Détroit de la faim (((飢餓海峡 ))) de UCHIDA Tomu 内田吐夢 1965 – 175 min [DVD/C/169] • Deux voyous (チチチ ンンン ピピピ ラララ ) de AOYAMA Shinji 青山真治 1996 – 101 min [V91] • Dodes’Kaden (((どで(どでどでどで すすす かでんかでん)))) de KUROSAWA Akira 黒澤明 1970 – 140 min [DVD/C/300] • Dolls (((ドドド ールズールズ)))) de KITANO Takeshi 北野武 2002 – 113 min [DVD/C/25] • Door ⅢⅢⅢ de KUROSAWA Kiyoshi 黒沢清 1996 – 85 min [DVD/C/185] • Doppelgänger ( ドドド ッッッ ペペペ ルルル ゲゲゲ ンンン ガガガ ーーー)ー ))) de KUROSAWA Kiyoshi 黒沢清 2003 – 107 min [DVD/C/125] • Dororo (どろろ ) de SHIOTA Akihiko 塩田明彦 2007 – 105 min [DVD / C / 353] • Double suicide à Amijima
Load more

Recommended publications
  • Western Criticism, Labelling Practice and Self-Orientalised East Asian Films
    Travelling Films: Western Criticism, Labelling Practice and Self-Orientalised East Asian Films Goldsmiths College University of London PhD thesis (Cultural Studies) Ji Yeon Lee Abstract This thesis analyses western criticism, labelling practices and the politics of European international film festivals. In particular, this thesis focuses on the impact of western criticism on East Asian films as they attempt to travel to the west and when they travel back to their home countries. This thesis draws on the critical arguments by Edward Said's Orientalism: Western Conceptions of the Orient (1978) and self-Orientalism, as articulated by Rey Chow, which is developed upon Mary Louise Pratt's conceptual tools such as 'contact zone' and 'autoethnography'. This thesis deals with three East Asian directors: Kitano Takeshi (Japanese director), Zhang Yimou (Chinese director) and 1m Kwon-Taek (Korean director). Dealing with Japanese, Chinese and Korean cinema is designed to show different historical and cultural configurations in which each cinema draws western attention. This thesis also illuminates different ways each cinema is appropriated and articulated in the west. This thesis scrutinises how three directors from the region have responded to this Orientalist discourse and investigates the unequal power relationship that controls the international circulation of films. Each director's response largely depends on the particular national and historical contexts of each country and each national cinema. The processes that characterise films' travelling are interrelated: the western conception of Japanese, Chinese or Korean cinema draws upon western Orientalism, but is at the same time corroborated by directors' responses. Through self-Orientalism, these directors, as 'Orientals', participate in forming and confirming the premises of western Orientalism.
    [Show full text]
  • Takeshi Kitano O'brien, Shelley Available from Sheffield Hallam University Research Archive (SHURA) At
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sheffield Hallam University Research Archive Filmbites presents : Takeshi Kitano O'BRIEN, Shelley Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/15360/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version O'BRIEN, Shelley (2015). Filmbites presents : Takeshi Kitano. In: Filmbites presents : Takeshi Kitano, Sheffield, Three Sundays in May. (Unpublished) Repository use policy Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in SHURA to facilitate their private study or for non- commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. Sheffield Hallam University Research Archive http://shura.shu.ac.uk FILMBITES PRESENTS TAKESHI KITANO PRESENTED BY THE SHOWROOM CINEMA in association with SHEFFIELD HALLAM UNIVERSITY Tutor: Shelley O'Brien Takeshi Kitano aka 'Beat' Takeshi Takeshi Kitano has gained a reputation as the most original Japanese director of recent years. He can also be regarded as a renaissance man in that he is a multi- talented film editor, screenwriter, actor, comedian, television personality, painter, tap dancer and author. Each of these facets underpin his work as a director. Indeed, Kitano can be regarded as an auteur - in the truest sense - writing, directing, acting in and editing films under his company label Office Kitano, as well as employing the same personnel such as actor, Susumu Terajima, and composer, Joe Hisaishi.
    [Show full text]
  • Maquette Hana-Bi
    Un film de Takeshi Kitano LYCÉENS AU CINÉMA EN RÉGION CENTRE SOMMAIRE AVANT-PROPOS 3 Takeshi qui rit et Takeshi qui pleure LE CINÉASTE 4 Docteur Kitano et Mister “Beat” Takeshi L’ÉQUIPE DU FILM 5 Le musicien et l’homme-orchestre HISTOIRE DU FILM 6 De l’accident à la reconnaissance LES PERSONNAGES 7 Artistes et modèles ANALYSE DU RÉCIT 8 Un escalator narratif MISE EN SCÈNE 10 Le musical et le pictural CHEMINS DE TRAVERSE 12 Le générique de début : tout un programme Atelier montage « Beaucoup de critiques et de journalistes parlent de mes films comme d’œuvres avant tout violentes. Or, pour moi, le rapport entre la douceur et la violence ressemble au mouvement d’un pendule. Plus un homme PISTES DE RÉFLEXION 16 est tendre, plus il peut devenir extrêmement cruel et brutal. C’est en lui que l’écart entre les deux états Un film qui se voit en peinture d’âme peut être le plus extrême, car il a une capacité de ressentir les émotions les plus profondes. Cela peut paraître une exagération, mais il me semble que l’acte amoureux ultime peut être le meurtre de celui que AUTOUR DU FILM 19 vous aimez ». Les femmes et les enfants d’abord Takeshi Kitano, Entretien avec Michel Ciment, Positif n°441, 1997 Extraits critiques DOCUMENTS 20 L’éternité retrouvée Lycéens au cinéma en région Centre est coordonné par l’Atelier de Production Centre Val de Loire, réalisé avec le soutien du Centre National de la Bibliographie Cinématographie, de la Région Centre, de la DRAC Centre et du Rectorat de l’Académie Orléans-Tours et le concours des salles de cinéma partici- pant à l’opération.
    [Show full text]
  • Liste Des Films Par Réalisateur
    Liste des films par réalisateur (Sauf indication contraire, les films sont en V.O. sous-titrée en français) AIDA Natsumi あいだ夏波 Switch girl !! ( スイッチガール !!) 2011-12 – 232 mn [DVD / C / 369] AOYAMA Shinji 青山真治 Deux voyous / Chinpira 2 punks ( チンピラ ) 1996 – 101 min [V91] Desert moon – 2001 – 130 min [DVD / C / 71] Eureka – 2000 – 220 min [DVD / C / 72] ARIAS Michael Amer Béton ( 鉄コン筋クリート ) 2007 – 106 min [DVD / C / 308] BONG Joon-ho Tokyo !・Shaking Tokyo – 2008 – 107 min [DVD / C / 283] BOWERS David Astro Boy – 2010 – 95 min [DVD / C / 359] CARAX Leos Tokyo !・Merde – 2008 – 107 min [DVD / C / 283] COIXET Isabel Carte des sons de Tokyo – 2007 – 102 min [DVD / C / 330] EASTWOOD Clint Lettres d’ Iwo jima (硫黄島からの手紙 ) 2006 – 140 min [DVD / C / 110] FUKASAKU Kenta 深作深作深作健太深作 健太健太健太 Battle royale 2 Requiem (バトル・ロワイアルⅡ 鎮魂歌) 2003 – 133 min [DVD / C / 243] FUKASAKU Kinji 深作欣二 Battle royale 1 Director’s cut (バトル・ロワイアルⅠ 特別篇) 2001 – 126 min [DVD / C / 242] Battle royale 2 Requiem (バトル・ロワイアルⅡ 鎮魂歌) 2003 – 133 min [DVD / C / 243] Le Cimetière de la morale ( 仁義の墓場 ) 1975 – 99 min [DVD / C / 16] Combat sans code d’honneur ( 仁義なき戦い ) 1973 – 99 min [DVD / C / 15] Guerre des gangs à Okinawa ( 博徒外人部隊 ) 1971 – 93 min [DVD / C / 13] Kamikaze club ( 恐喝こそわが人生 ) 1968 – 90 min [DVD / C / 297] La Légende des 8 samouraïs ( 里見八犬伝 ) 1984 – 130 min [DVD / C / 88] Okita le pourfendeur, yakuza moderne ( 現代やくざ 人斬り与太 ) 1972 – 93 min [DVD / C / 14] Police contre syndicat du crime (県警対組織暴力 ) 1975 – 94 min [DVD / C / 241] FURUHATA Yasuo 降旗康男 Shogun’s Shadow ( 激突 ) 1989 – 108 min
    [Show full text]
  • 1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
    1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company.
    [Show full text]
  • A Cross-Cultural Analysis of Clara Bow's Image in 1920S Japan1
    1JSL, Volume 1 (2005), 1–18 Hideaki Fujiki American Film Star Unsettling Japanese Culture: A Cross-Cultural Analysis of Clara Bow’s Image in 1920s Japan1 Hideaki FUJIKI In this essay, I examine the star formation of Clara Bow in relation to the rise of consumer culture and modern girls in Japan during the latter half of the 1920s. While her original images were produced in the United States, she was identified as a representative of modern girls and associated with the new audiences who were recognized as modern girls and/or the petit bourgeois class. In being so, this American star functioned to disclose contradictions between her fans’ consuming activity and their national identity, but concurrently induced reactionary discourses. Her screen persona balanced its flapper-sensationalism and other properties, such as her seemingly spontaneous characterization, socially marginalized positions, and active physical movements. This ambiguity about the star’s attributes allowed Japanese media to take advantage of this star as a controversial yet lucrative subject. It follows that the vernacular formation of this star persona involved cultural and even political conflicts among her fans’ self-defining identities, critics’ valuations and evaluations, and governmental directions. While her fans’ activity increased the diversity and mobility of people’s identities and values in the nation, critics mostly was bent on prescribing them into either/or categories of binary oppositions, such as American versus Japanese and modern versus pre-modern. Thus, the American stars unsettled Japanese culture, but turned out to enhance the reactionary trend in which to confine Japanese people into a monolithic identity.
    [Show full text]
  • Notes to Editors PRESS
    EMBARGOED UNTIL 00:01, MONDAY 4 MAY 2020. Page 2 – Full Programme Information, including: BFI Player collections Akira Kurosawa Classics Yasujirō Ozu Cult Anime Independence 21st Century Early Films of Japan (1894-1914) J-Horror BFI Blu-ray and DVD The Japanese Cinema Book UK wide activity Seasons at BFI Southbank: The Golden Age Radicals and Rebels Anime 21st Century Japanese cinema Mediatheque collection – Lost in Japan International partnerships Page 10 – Stills and moving image assets Page 11 – Notes to Editors PRESS CONTACTS: General enquiries about BFI JAPAN: Liz Parkinson – PR Manager, BFI Cultural Programme - [email protected] | 020 7957 8918 / 07810 378203 Judy Wells – Director, Press and PR, BFI - [email protected] | 020 7957 8919 / 07984 180501 Interviews with BFI spokespeople and selected talent available on request via Liz Parkinson FULL PROGRAMME HIGHLIGHTS EMBARGOED UNTIL 00:01, MONDAY 4 MAY 2020. BFI PLAYER COLLECTIONS The BFI’s VOD service BFI Player will be the premier destination for Japanese film this year with thematic collections launching over a six month period (May – October): Akira Kurosawa (11 May), Classics (11 May), Yasujirō Ozu (5 June), Cult (3 July), Anime (31 July), Independence (21 August), 21st Century (18 September) and J-Horror (30 October). All the collections will be available to BFI Player subscribers (£4.99 a month), with a 14 day free trial available to new customers. There will also be a major new free collection Early Films of Japan (1894-1914), released on BFI Player on 12 October, featuring material from the BFI National Archive’s significant collection of early films of Japan dating back to 1894.
    [Show full text]
  • Feature Films in the Japan Foundation Toronto Library
    Feature Films in The Japan Foundation Toronto Library * In alphabetical order by director/producer and title ** Region code listed if incompatible with region code used in North America only Directors A-D Format Director/Producer Title Language Call Number (Region) Anno, Hideaki Shin Godzilla Japanese audio with English subtitles; BR FLM ANN 2017 庵野 秀明 シン・ゴジラ English audio DVD Aoyama, Shinji EM embalming Japanese audio with English subtitles DVD FLM AOY 2005 青山 真治 EM エンバーミング Aoyama, Shinji An obsession Japanese audio with English subtitles DVD FLM AOY 2005 青山 真治 冷たい血 Aoyama, Shinji Wild life Japanese audio with English subtitles DVD FLM AOY 2005 青山 真治 Brooks, Sue Japanese story English audio DVD FLM BRO 2004 Chiba, Sonny Yellow fangs Japanese audio with English subtitles DVD FLM CHI 2009 千葉 真一 リメインズ : 美しき勇者たち Chikaura, Kei Complicity Japanese and Mandarin audio with DVD FLM CHI 2020 近浦 啓 コンプリシティ : 優しい共犯 English subtitles Coixet, Isabel Map of the sounds of Tokyo English and Japanese audio with DVD FLM COI 2009 イザベル・コイシエ ナイト・トーキョー・デイ English subtitles Le coeur régulier English, French and Japanese audio d'Alcantara, Vanja DVD FLM DAL 2016 心の静寂 with English subtitles Deme, Masanobu Baruto no gakuen Japanese and German audio with DVD (2) FLM DEM 2006 出目 昌伸 バルトの楽園 Japanese subtitles only Created May 2021 German, English and Japanese audio Dörrie, Doris Cherry blossoms DVD FLM DOR 2008 with English subtitles Dörrie, Doris Enlightenment guaranteed German audio with English subtitles DVD FLM DOR 2002 Directors E-F BR Eastwood, Clint Flags of
    [Show full text]
  • Japan in the World, the World in Japan
    Japan in the World, the World in Japan Japan in the World, the World in Japan Fifty Years of Japanese Studies at Michigan Edited by the Center for Japanese Studies, The University of Michigan The Center for Japanese Studies The University of Michigan Ann Arbor, 2001 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. 2001 The Regents of the University of Michigan Published by the Center for Japanese Studies, The University of Michigan, 202 S. Thayer St., Ann Arbor, MI 48104-1608 Library of Congress Cataloging in Publication Data Japan in the world, the world in Japan : fifty years of Japanese studies at Michigan / edited by the Center for Japanese Studies, the University of Michigan. p. cm. ISBN 0-939512-95-5 (pbk. : alk. paper) 1. Japan—Study and teaching (Higher)—United States. 2. University of Michigan. Center for Japanese Studies—History. I. University of Michigan. Center for Japanese Studies. DS834.95J318 2001 952.0071'173—dc21 00-064354 Cover design by Seiko Semones This book was set in Garamond. This publication meets the ANSI/NISO Standards for Permanence of Paper for Publications and Documents in Libraries and Archives (Z39.48-1992). Published in the United States of America ISBN 978-0-939512-95-9 (paper) ISBN 978-0-472-12796-2 (ebook) ISBN 978-0-472-90192-0 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Contents Note on Personal Names viii Preface ix Hitomi Tonomura Opening Remarks 1 Philip H.
    [Show full text]
  • Takeshi Kitano Vol
    UNIVERSITY OF SHEFFIELD KITANO TAKESHI: AUTHORSHIP1 GENRE & STARDOM IN JAPANESE CINEMA PHD THESIS ADAM R BINGHAM 2009 VOL II 213 The Return of the Kids! A Scene at the Sea [1991], Kids Return [1996] & Dolls [2002] It is possible to sub-divide and compartmentally categorise the oeuvre of Kitano Takeshi in several distinct and mutually compatible ways. Thus far, the tendency in the critical discourse on his work has been, rather too readily and too easily, to focus on those aspects of his films deemed salient authorial determinants - such as the violence and tenderness - and apply this to the body of work as a whole. Thus, for better or for worse, one repeatedly finds in reviews of films such as Ana natsu, ichiban shizukana umi ... (A Scene at the Sea, 1991) and Kikujiro no natsu (Kikujiro, 1999) a focus on their lack of the violent material found in other, better known Kitano films. Similarly, a number of reviews and essays about Hana-Bi [1997] concentrated on its perceived Zen qualities, and in the US this quality of quietude and mono no aware was then read into other works that were released in the wake of 1997, even San tai yon, ekkusu ...jugatsu (Boiling Point, 1990). It is, of course, the central tenet of film authorship to evaluate one of a perceived auteur's films against the oeuvre in general. However, as the aforementioned example of Hana-Bi can amply attest, it is nonetheless the case that the common critical conceptions of Kitano Takeshi or even 'Beat' Takeshi that have gained consensus opinion have often been lazily employed, rehashed and repeated.
    [Show full text]
  • STORY by KORE-EDA Hirokazu
    ENGINE FILM, BANDAI VISUAL, TV MAN UNION, EISEI GEKIJO, ASMIK ACE ENTERTAINMENT present a TV MAN UNION Production AIR DOLL [KUKI NINGYO] A VERY “HUMAN”STORY by KORE-EDA Hirokazu Head Office Asia Office Van Diemenstraat 100 14/FL. Harbour Commercial Building 1013 CN Amsterdam 122-124 Connaught Rd. Central The Netherlands Hong Kong, S.A.R. Phone: +31 20 627 3215 Phone: (852) 2311 8081 Fax: +31 20 626 1155 Fax: (852) 2311 8023 E-mail: [email protected] E-mail: [email protected] INTERNATIONAL SALES HEAD OFFICE CANNES OFFICE Van Diemenstraat 100 Residence du Grand Hotel 1013 CN Amsterdam Entrance Goeland Netherlands Apartment 7D, 45, La Croisette Phone : +31 20 627 3215 Phone: +33 (0) 4 93 68 29 83 Fax : +31 20 626 1155 Fax: +33 (0) 4 93 68 29 83 E-mail : [email protected] E-mail : [email protected] www.fortissimofilms.com INTERNATIONAL PRESS LONDON CANNES 192-198 Vauxhall Bridge Road Hotel Majestic, Salon Royan 1 London SW1V 1DX 10, La Croisette Phone : +44 207 932 9800 Phone : +33 (0) 4 97 06 85 85 Fax : +44 207 932 4950 Fax: +33 (0) 4 97 06 85 86 Martin McNamara Mobile: 06 66 67 61 33 E-mail : [email protected] E-mail : [email protected] www.ddapr.com FRENCH DISTRIBUTOR OCEAN FILMS DISTRIBUTION 6 rue Lincoln 75008 Paris Phone: +33 (0)1 56 62 30 30 Fax: +33 (0)1 56 62 30 40 E-mail: [email protected] FRENCH PRESS Matilde Incerti : +33 (0)6 08 78 76 60 Herve Dupont : +33 (0)6 14 38 41 55 Audrey Taziere : +33 (0)6 63 94 42 73 Hotel Universe 2 rue Marechal Foch 06400 Cannes C R E W Written and Directed by KORE-EDA Hirokazu Development Producer YASUDA Masahiro Executive Producers KAWASHIRO Kazumi SHIGENOBU Yutaka HISAMATSU Takeo TESHIMA Masao Producers URATANI Toshiro KORE-EDA Hirokazu Associate Producer KATO Yoshihiro Original Story Based on the original graphic novel “Gouda’s Philosophical Discourse, The Pneumatic Figure of a Girl” by GOUDA Yoshiie, published by SHOGAKUKAN INC.
    [Show full text]
  • Ponyo Additional Voices
    THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com Distributed by WALT DISNEY STUDIOS MOTION PICTURES © 2009 Nibariki-GNDHDDT. All Rights Reserved. disney.com/ponyo Additional Voices CARLOS ALAZRAQUI BOB BERGEN CREDITS JOHANNA BRADDY MARSHA CLARKE JOHN CYGAN JENNIFER DARLING MADISON DAVENPORT COURTNEE DRAPER CRISPIN FREEMAN JESS HARNELL ELLA DALE LEWIS SHERRY LYNN STUDIO GHIBLI DANNY MANN MONA MARSHALL NIPPON TELEVISION NETWORK MICKIE MCGOWAN LARAINE NEWMAN DENTSU COLLEEN O’SHAUGHNESSEY JAN RABSON HAKUHODO DYMP U.S. Production WALT DISNEY STUDIOS Directors. JOHN LASSETER HOME ENTERTAINMENT BRAD LEWIS MITSUBISHI PETER SOHN TOHO Executive Producers . JOHN LASSETER KATHLEEN KENNEDY Present FRANK MARSHALL English Language Screenplay . MELISSA MATHISON PONYO Translated from the Original Japanese by . JIM HUBBERT ©2008 Nibariki-GNDHDDT Associate Producers . PAUL CICHOCKI KEVIN REHER Written and Directed by . HAYAO MIYAZAKI Voice Casting. NATALIE LYON Producer . TOSHIO SUZUKI Post Production Coordinator . ERIC ZIEGLER Music . JOE HISAISHI Production Finance. MARC S. GREENBERG Imaging . ATSUSHI OKUI CHRISTOPHER “STU” STEWART Color Design . MICHIYO YASUDA Business & Legal Backgrounds. NOBORU YOSHIDA Affairs . JODY WEINBERG SILVERMAN Animation . KATSUYA KONDO Director’s Assistants . HEATHER FENG LAUREL STOUT Cast Producer’s Assistant. JIM RODERICK Sound Services Gran Mamare . CATE BLANCHETT Provided by . SKYWALKER SOUND Ponyo . NOAH CYRUS Re-Recording Mixer . MICHAEL SEMANICK Koichi . MATT DAMON ADR Supervisor . MICHAEL SILVERS Lisa . TINA FEY ADR Editor. MAC SMITH Sosuke. FRANKIE JONAS Supervising Assistant Editor. CHRIS GRIDLEY The Newscaster . KURT KNUTSSON Mix Technician . TONY SERENO Yoshie . BETTY WHITE Dialogue Recording . DOC KANE Fujimoto . LIAM NEESON BOBBY JOHANSON Kumiko . JENNESSA ROSE ANDY WRIGHT Toki. LILY TOMLIN Prints by . DELUXE LABS Noriko . CLORIS LEACHMAN 1 Studio Teachers .
    [Show full text]