BORTOLAMI
Jutta Koether (b. 1958 in Cologne, Germany) Lives and works in New York, New York and Berlin, Germany
Solo Exhibitions
2018 Tour De Madame, Museum Brandhorst, Munich, Germany (forthcoming, May) Serralves Foundation, Porto, Portugal (forthcoming) Bortolami, New York, NY (forthcoming) 2017 Jutta Koether/Philadelphia, Bortolami, Philadelphia, PA Serinettes. Ladies Pleasures Varying, Campoli Presti, Paris, France 2016 Best of Studios, Campoli Presi, London, England Zodiac Nudes, Galerie Daniel Buchholz, Berlin, Germany 2015 Fortune, Bortolami, New York, NY 2014 A Moveable Feast – Part XV, Campoli Presti, Paris, France 10th Annual Shanghai Biennial, Shanghai, China Galerie Francesca Pia, Zurich, Germany Champrovement, Reena Spaulings Fine Art, New York, NY 2013 Etablissement d'en face, Brussels, Belgium Two person show with Gerard Byrne, Praxes Center for Contemporary Art, Berlin, Germany The Double Session, Campoli Preston, London, United Kingdom Seasons and Sacraments, Arnolfini, Bristol, United Kingdom Seasons and Sacraments, Dundee Contemporary Arts, Dundee, United Kingdom 2012 The Fifth Season, Bortolami, New York, NY 2011 Mad Garland, Campoli Presti, Paris, France The Thirst, Moderna Museet, Stockholm, Sweden Berliner Schlüssel, Galerie Daniel Buchholz, Berlin, Germany 2009 Van Abbemuseum, Eindhoven, Netherlands Lux Interior, Reena Spaulings Fine Art, New York, NY Sovereign Women in Painting, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA 2008 New Yorker Fenster, Galerie Daniel Buchholz, Cologne, Germany No.5, Kunsthall Landmark, Bergen, Norway JXXXA LEIBHAFTIGE MALEREI, Sutton Lane, Paris, France Touch and Resist, Song Song, Vienna, Austria Galerie Francesca Pia, Zürich, Germany 2007 Änderungen aller Art, Kunsthalle Bern, Bern, Switzerland
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BORTOLAMI
2006 love in a void, with Silke Otto-Knapp, Akademie der Bildenden Künste, Vienna, Austria Fantasia Colonia, Kölnischer Kunstverein, Cologne, Germany Susanne Vielmetter, Los Angeles Projects, Los Angeles, CA Metalist Moment, Performance, Herald Street, London, United Kingdom 2005 Very Lost Highway, Simultanhalle, Cologne, Germany extreme harsh, Ausstellungsraum Ursula Werz, Tübingen, Germany I Is Had Gone, Thomas Erben Gallery, New York, NY Her Noise, South London Gallery, London, United Kingdom 2005 Blankness is not a Void, Standard Oslo, Oslo, Norway Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London, United Kingdom 2004 Fresh Aufhebung - Künstlerisches Interesse am philosphisch verneinten Wunderglauben, Kölnischer Kunstverein, Cologne, Germany Galerie Meerrettich, Berlin, Germany Fresh Aufhebung, 371 Grand Street, New York, NY Curious Crystals of Unusual Purity, P.S.1 Institute for Contemporary Art, New York, NY 2003 The Club in the Shadow, in collaboration with Kim Gordon, Kenny Schachte, conTEMPorary, New York, NY desire is war, Galerie Meerrettich, Berlin, Germany 2002 Black Bonds, Jutta Koether and Steven Parrino, Swiss Institute, New York, NY Galerie Daniel Buchholz, Cologne, Germany 2000 Galerie Daniel Buchholz, Cologne, Germany Zur grünen schenke-fünf uhr nachmittags. die geheimen Bilder, Galerie Freund, Vienna, Austria 1999 Pat Hearn Gallery, New York, NY 1998 Billet-Doux, Galerie Daniel Buchholz, Cologne, Germany Songs of New York & c, Pat Hearn Gallery, New York, NY 1996 after shows, Pat Hearn Gallery, New York, NY Warmer Stern, Galerie Daniel Buchholz, Cologne, Germany 1995 Frontage, Pat Hearn Gallery, New York, NY 1993 Unter, Galerie Bruno Brunnet, Berlin, Germany Affective Import: Antibodies I-V, Pat Hearn Gallery, New York, NY 1992 100% Malerei, Galerie Sophia Ungers, Cologne, Germany
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BORTOLAMI
1991 Massen. Malerei und Versammlung, Generali Foundation, Vienna, Austria Kissing the Canvas, Pat Hearn Gallery, New York, NY The Halal File, Standard Graphik, Cologne, Austria Galerie Bleich-Rossi, Graz, Austria 1989 20 Minuten, Galerie Monika Sprüth, Cologne, Germany 1987 The Things Art Makes, Galerie Bleich-Rossi, Graz, Austria Werkschau Jutta Koether, Kunstraum Stuttgart, Stuttgart, Germany 1985 Road to Cairo, CC Galerie, Graz, Austria Keeping the Issues Alive, Galerie Janrig, Krefeld, Germany
Group Exhibitions
2018 The Conditions of Being Art: Pat Hearn Gallery and American Fine Arts, Co. (1983 - 2004), Hessel Museum, Bard College, NY (Forthcoming, June) 2017 Raise the Curtain, curated by Antoine Henry Jonquères, Galería Moisés Pérez de Albéniz, Madrid, Spain (Forthcoming, November) Jump Into The Future – Art From the 90’s and 2000’s, Stedelijk Museum (forthcoming, November) 2016 Putting Rehearsals to the Test, Leonard & Bina Ellen Gallery, SBC Gallery of Contemporary Art and VOX, centre de l’image, Montreal, Canada Painting 2.0: Expression in the Information Age, curated by Achim Hochdörfer, David Joselit, and Manuela Ammer, mumok, Vienna, Austria Fantasie, Halle fuer Kunst, Lüneburg, Germany Spring Awakening, Galerie Francesca Pia, Zurich, Switzerland 2015 Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art, New York, NY Painting 2.0: Expression in the Information Age, curated by Achim Hochdörfer, David Joselit, and Manuela Ammer, Museum Brandhorst, Munich, Germany The Radiants, curated by Jacob King and UNITED BROTHERS, Bortolami, New York, NY 2014 Beating Around the Bush #4, Bonnefantmuseum, Maastricht, Netherlands New Dawn, curated by Leidy Churchman, Silberkuppe, Berlin, Germany No Drink No Talk Just Beautiful, On Stellar Rays, New York, NY 2013 Death by Water. Death by Fire, curated by David Lewis with works by Lucy Dodd, Jutta Koether, Nora Schultz, and Viola Yeşiltaç, Campoli Presti, Paris, France NYC 1993. Experimental Jet Set, Trash and No Star, New Museum, New York, NY Blues for Smoke, Whitney Museum of American Art, New York, NY
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BORTOLAMI
2012 A Bigger Splash: Painting after Performance, Tate Modern, London, United Kingdom São Paulo Biennial 2012, São Paulo Museum of Art, São Paulo, Brazil Whitney Biennale 2012, Whitney Museum of American Art, New York, NY 2011 Quodlibet III – Alphabets and Instruments, Galerie Buchholz, Berlin, Germany Invitation to the Voyage, Algus Greenspon Gallery, New York, NY The Rose-Colored Room, Overduin and Kite, Los Angeles, CA Antidepressiva, Galerie Peithner Lichtenfels, Vienna, Austria Sovereign Woman, Texte zur Kunst zum Gallery Weekend Berlin, Linienstr.160, Berlin, Germany Abstract-Mad-Stir-Delirium-Copper-Bottomed-Work-Stick-Shop, daad Galerie, Berlin, Germany Gesamtkunstwerk: New Art From Germany, Saatchi Gallery, London, United Kingdom 2010 Utopie und Monument II, Steirischer Herbst, Graz, Austria Sammlung Reininghaus, Sammlung Falckenberg - Phoenix Kulturstiftung, Hamburg, Germany 2009 Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture, The Kitchen, New York, NY Palindrom, curated by Tom Holert und Michael Dreyer, Hermes und der Pfau – Project Space for Contemporary Art, Stuttgart, Germany Reena Spaulings. The Belgian Marbles, Sutton Lane, Brussels, Belgium Grand Openings, Sculpture Center, Long Island, New York, NY See This Sound, Lentos Kunstmuseum, Linz, Austria Schere, Stein, Papier, Kunsthaus Graz, Graz, Austria Quodlibet II, Galerie Daniel Buchholz, Cologne, Germany Sonic Youth etc.: Sensational Fix, Kunsthalle Düsseldorf, Düsseldorf, Germany Bijoux de Famille, Galerie Chantal Crousel, Paris, France Celebration, Galerie Isabella Bortolozzi, Berlin, Germany Cave Painting, PSM Gallery, Berlin, Germany Born to Be Wild, Kunstmuseum St. Gallen, St. Gallen, Switzerland Painting at the (other) end of art, Collezione Maramotti, Reggio Emilia, Italy 2008 Her Noise Archives, Badischer Kunstverein, Karlsruhe, Germany Black Noise, A tribute to Steven Parrino, Ile des impressionnistes, Chatou, France Light is a kind of rhythem (part 2), Glaspavillion, Berlin, Germany Jutta Koether / John Miller, Neuer Berliner Kunstverein, Berlin, Germany CA.BU. + BA.D.AL.MO, Galerie Thomas Flor, Düsseldorf, Germany Altered State of Paint, Dundee Contemporary Arts, Dundee, Scotland Artists Space, (Performance), New York, NY Shedhalle Zürich, Zürich, Switzerland Bastard Creature (1 of 3 parts of‚ La Marque Noir: Steven Parrino’), Palais de Tokyo, Paris, France Painting as Fact – Fact as Fiction, dePury & Luxembourg, Zürich, Switzerland
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BORTOLAMI
Dead Already, Reena Spaulings Fine Art, New York, NY Symbolismus und die Kunst der Gegenwart, von der Heydt-Museum, Wuppertal, Germany Shandyismus – Autorschaft als Genre – Ausstellungsgespräch, Secession, Vienna, Austria Kunsthaus Dresden, Dresden, Germany zwischen zwei toden between two deaths, Center for Art and Media, Karlsruhe, Germany 2007 If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution Part II, Museum of Contemporary Art, Antwerp, Belgium Deaf 2 - From the Audible to the Visible, Galerie Fank Elbaz, Paris, France Jutta Koether / Rodney McMillian, Susanne Vielmetter Berlin Projects, Berlin, Germany From the Audible to the Visible, Galerie Frank Elbaz, Paris, France Stubborn Materials, Peter Blum Gallery, New York, NY Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermächtigung, Basis Wien, Vienna, Austria For the People of Paris, Sutton Lane, Paris, France Quotidian, BUIA Gallery, New York, NY What we do is secret, Blancpain Art Contemporain, Geneva, Switzerland Fit to print, Gagosian Gallery, New York, NY Sutton Lane, Paris, France Epileptic Seizure Comparison, Greene Naftali Gallery, New York, NY 2006 Make your own life, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA The Power Plant, Toronto, Canada Henry Art Gallery, Univ. of Washington, Seattle, WA Museum of Contemporary Art, North Miami, FL 2006 If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, de Appel arts centre, Amsterdam, Netherlands Hot Spring…In Autumn, Galerie Krinzinger, Vienna, Austria Music is a better noise, P.S.1 Contemporary Art Center, Long Island City, NY 3. Echigo-Tsumari Art Triennial 2006, Nigata-ken, Japan Gifts go in one direction, Apexart, New York, NY Bring the war home, Elizabeth Dee Gallery, New York, NY An Ongoing Low-Grade Mystery, Paul Cooper Gallery, New York, NY Love Letter, Herald St, London, United Kingdom Galerie Daniel Buchholz at Metro Pictures, Metro Pictures Gallery, New York, NY The Dimes of March, Reena Spaulings Fine Art, New York, NY The Subversive Charm of the Bourgeoisie, Van Abbemuseum, Eindhoven, Netherlands Whitney Biennial 2006, Whitney Museum, New York, NY TBILISI 3. / Let’s stay alive till Monday, Tbilisi, Georgia Reena Spaulings‚ Bialystoker, Sutton Lane, London, United Kingdom Replay – The Aesthetics of Art and Music/Punk, MAGASIN – Centre National d’Art Contemporaine de Grenoble, Grenoble, France Metalist Moment, (Performance), Herald St, London, United Kingdom 2005
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BORTOLAMI
Painters Without Paintings & Paintings Without Painters, Orchard Gallery, New York, NY Blankness is not a Void, Standard, Oslo, Norway Afterall, Apexart, New York, NY Trade, White Columns, New York, NY Performa 05, (Performance), Performa, New York, NY Thomas Erben Gallery, (Performance), New York, NY Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London, United Kingdom
2004 Jetzt und zehn Jahre davor, KW Institute of Contemporary Art, Berlin, Germany Rheinschau, Cologne, Germany Teil 1 Müllberg, Galerie Daniel Buchholz, Cologne, Germany Publish and be damned, Cubitt, London, United Kingdom Born to be a Star, Künstlerhaus Vienna, Austria The Big Nothing, ICA Philadelphia, Philadelphia, PA The personal is political, und peinlich, Kunsthalle Exnergasse, Vienna, Austria Curious Crystals of Unusual Purity, P.S.1, New York, NY Fresh Aufhebung, Performance im Rahmen d. Ausst. Dass die Körper sprechen, auch das wissen wir seit langem, Generali Foundation, Vienna, Austria Europe Extreme III: Farbenfieber, (Performance), Berlin, Germany 2003 Vom Horror der Kunst, Steirischer Herbst, Grazer Kunstverein, Graz, Austria 20th Anniversary Show, Monika Sprüth - Philomene Magers, Cologne, Germany The Melvins, Anton Kern Gallery, New York, NY deutschemalereizweitausenddrei, Frankfurter Kunstverein, Frankfurt/Main, Germany Holler Color Holler, Special Event in the Backroom of Greene Naftali, New York, NY 2002 Unknown Pleasures, Daniel Reich, New York, NY Black Bonds, (Performance), Swiss Institute, New York, NY 2000 Kim’s Bedroom, MU Art Foundation/De Witte Dame, Eindhoven, Netherlands Prophecies, Swiss Institute, New York, NY Hex Enduction Hour by the Fall, curated by Bob Nickas, Team Gallery, New York, NY 1999 Malerei, INIT-Kunsthalle, Berlin, Germany 1998 Brushholder Value, Westfälischer Kunstverein, Münster, Germany Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto, Pat Hearn Gallery, New York, NY 1997 Thomas Emde, Isabell Heimerdinger, Jutta Koether: No Strangers to Paradise, Three German Artists in California, Newspace, Los Angeles, CA 1996 A / Drift, curated by Joshua Decter, Bard College, Annandale-on-Hudson, New York, NY Painting the Extended Field, Magasin 3, Center for Contemporary Art, Malmö, Sweden
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BORTOLAMI
Screen, curated by Joshua Decter, Friedrich Petzel Gallery, New York, NY Ooo La La!: Twelve Members of the New York Art World Select Twelve Emerging Women Artists, Soho 20, New York, NY 1995 When Techno Turns to Poetry, Kunstwerke, Berlin, Germany Joy of Painting, curated by Ami Arnault und Alix Lambert, Here, New York, NY 1994 Spielverderber, Forum Stadtpark, Graz, Austria Rehearsal for ‘frontage’, innerhalb von “Taste Venue”, Pat Hearn Gallery, New York, NY Dysfunction USA, curated by Bob Nickas und Peter Halley, Arthur Rogers Gallery, New Orleans, LA Reflex: Die Neunziger, curated by Martin Prinzhorn, Secession, Vienna, Austria The Use of Pleasure, curated by Bob Nickas, Terrain Gallery, San Francisco, CA 1993 The Good, the Bad and the Ugly, curated by Peter Hopkins, Galerie Jousse Cequin, Paris, France Malerei 2000, curated by ARTFAN, Vienna, Austria June, Galerie Thaddaeus Ropac, Paris, France Abstract for Affective Import, Whitney Museum of American Art, Independent Study Program, New York, NY Annual Open Studio Competition, New York, NY Parallax View: Cologne-New York, curated by Daniela Salvioni, P.S. 1 Institute for Contemporary Art, New York, NY X- Art Foundation, Blast Art Benefit, New York, NY Galerie Christian Nagel, curated by Cosima von Bonin und Michael Krebber, Cologne, Germany 1992 7 Rooms, 7 Curators, curated by Lois Nesbitt, Institute for Contemporary Art, New York, NY Projezioni, curated by Gregorio Magnani, Buchholz & Buchholz, Cologne, Germany 1968, curated by Bob Nickas, Le Consortium, Dijon, France Bruno Brunnet Fine Arts, with Merlin Carpenter, Michael Krebber, Cosima von Bonin, Berlin, Germany Galerie Laage Salomon, with L. Joubert, Paris, France Massenverhältnisse – Standards, Galerie Sophia Ungers, Cologne, Germany The Inside Job, innerhalb von The Real Thing, organized by Eric Oppenheim, Water Bar, New York, NY 1991 Regard sur la Jeune Creation Allemande, 36., Salon de Montrouge, Montrouge, France Koether - Malerei 2, curated by Francoise Claire Prodhon and Alain Reinaudo, Auvers-sur- Oise, France Auf Tod folgt Tod, innerhalb von “The Köln Show”, 9 Kölner Galerien, Cologne, Germany 1989 Hypostatics, curated by minimal club, Kunstverein München, Munich, Germany 1987
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BORTOLAMI
... of Everyday Life, curated by Martin Kippenberger, innerhalb der Ausstellung “Broken Neon”, Forum Stadtpark, Graz, Austria Information in Jutta Koether, Secession, f. Plakat (Buch), Vienna, Austria Spectacle of the West, with Bettina Semmer und Rosemarie Trockel, La Maquina Espanola, Sevilla, Spain Practical Relations of Everyday Life, Raum Lothringer Straße, Munich, Germany 1986 Terminal Islands, curated by Diedrich Diederichsen, Forum Stadtpark, Graz, Austria 1985 Trockel Semmer Koether, with Bettina Semmer and Rosemarie Trockel, La Grande Serre, Rouen, France
Bibliography
2016 Bankowsky, Jack. “Painting 2.0: Expression in the Information Age.” Artforum, Summer Koether, Jutta. More Naked than Naked, and Buchloh, Benjamin H. D. A Conversation with Jutta Koether, October, No.157 Koether, Jutta. “Figure of Paint: On The Incontrovertible!” Texte Zur Kunst, Issue 25, January, p 134 – 139 2015 “Jutta Koether” Simon Baier, Artforum, January “Jutta Koether,” Rachel Churner, Artforum, September “Jutta Koether.” Art in America, May Koether, Jutta “Jutta Koether.” Flash Art, Issue 303, p. 112 Koether, Jutta, “Fortune,” Texte Zur Kunst, June, p. 144-149 2014 “FIAC”, Sabrina Tarasoff, Art Agenda, October “Jutta Koether Champrovent”, Craig Stockwell, The Brooklyn Rail, July “Jutta Koether & Gerard Byrne”, , Kolja Reichert. Frieze d/e, Issue 13, April, p. 138 - 139 “Jutta Koether at Reena Spaulings Fine Art”, Jenny Jaskey, TEXTE ZUR KUNST, Issue 95, September, p. 206 - 209 “Jutta Koether Champrovent”, The New York Times, May 2013 Jay Sanders, Michael Sanchez & Jeff Nagy, Graham Domke, and Axel Wieder, Jutta Koether: Seasons and Sacraments, Dundee Contemporary Arts, 2013 2011 “Mad Garland“, Jutta Koether, in “Art and Subjecthood. The Return of the Human Figure in Semiocapitalism”, Sternberg Press, 2011, p. 80 - 94 “Signal Processing”, Joselit, David, Artforum, Summer 2011, p. 356 - 361 “Jutta Koether at Daniel Buchholz“, Contemporaryartdaily.com, January 31, 2011 “Jutta Koether: Berliner Schlüssel“, Petra Reichensperger, Zitty Berlin, Issue 3, January 27 – February 9, 2011, p. 81 "Painting In and Out", David Joselit, in: exh. cat. Jutta Koether, Moderna Museet, 2011, pp. 17-23 2011 "Painting Abuse. A Conversation between Isabelle Graw and Jutta Koether", in: exh. cat. Jutta Koether, Moderna Museet, 2011, pp. 25-40
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BORTOLAMI
“Jutta Koether“, Steven Cairns, Artforum.com, January 22, 2011 “Jutta Koether / The Inside Job”, Kim Gordon, Flash Art, No. 276, January – February 2011, p. 84 - 87 “Jutta Koether – Moderna Museet, Stockholm”, Ina Blom, Artforum, Summer 2011, p. 394 - 395 “Jutta Koether”, Peio Aguirre, in: “P2 / New Perspectives in Painting”, Phaidon, 2011 2010 “Die Subjekte wundern sich”, Swantje Karich, Frankfurter Allgemeine Zeitung, Nr. 298, 22.12.2010, p. N4 “Kleinteilige Experimente“, Christian Schaernack, Z-Die schönsten Seiten 4/2010, December 2010, p.10 “XXXMacarena”, Dan Fox, Frieze, Issue 130, April 2010, p.33 “Ready – Made Painting”, Barbara Buchmaier, Spike, Issue 24, Summer 2010, p. 30 - 41 “Jutta Koether”, Ausstellungsführer “Utopie und Monument II”, Steirischer Herbst 2010, Graz, 2010, p. 22 “Jutta Koether”, in exh. cat. “27 Senses”, Kunstmuseet KUBE, Norway, 2010, Electra, p. 91 - 101 2009 “Painting Beside Itself”, David Joselit, October, Issue 130, Fall 2009, p. 125-134 “Tranchen von Hase und Ente”, Hans-Jürgen Hafner, artnet.de, Issue 19, November 2009 “Jutta Koether. Unganzheitssymbole: K (Hommage an Kenneth Anger)”, Christian Höller in: exh. cat. “See this Sound. Versprechungen von Bild und Ton”, Lentos Kunstmuseum Linz, Verlag Walther König, Köln, 2009, p. 100 “Pyrrhossiege. Jutta Koether bei Reena Spaulings Fine Art, New York”, Sam Lewitt,Texte zur Kunst,Issue 75, p. 183 - 186 “Raison d’être“, Dennis Mijnheer, Blend Special & Vanabbemuseum, June 2009, p. 86 - 97 “Jutta Koether – Susanne Vielmetter Los Angeles Projects“, Michael Ned Holte, Artforum, May 2009, p. 245 “Jutta Koether”, Carrie Peterson, Flash Art, May-June 2009, p. 121 “Sonic Youth - Eine Band zwischen den Welten“, Hanno Stecher und Christian Steinbrink, Intro, Issue 72, Juni 2009, p. 29 – 32 “Jutta Koether”, Georg Gatsas und Konrad Bitterli, exh. cat. “Born to be wild – Homage to Steven Parino”, Kunstmuseum St. Gallen, 2009, p. 54 -57 “A Hidden Reserve“, Achim Hochdörfer, Artforum, February 2009, p. 153 – 158 “Entspannt in den Konjunkturen der Sympathie”, Max Dax und Martin Hossbach, Spex, Issue 318, January/February 2009, p. 106 -109 “Jutta Koether“, in exh. cat. “Bijoux de Famille”, Galerie Chantal Crousel, 2009 “Schere, Stein, Papier“, Elke Buhr, Monopol, June 2009, p. 117 “The Artists’ Artist – Francis Bacon”, Jutta Koether, Artforum, Dezember 2009, p. 93 2008 “On Sonic Youth“, Jutta Koether and Alan Licht, exh. cat. “Sonic Youth etc. Sensational Fix”, 2008, p. 52-64 “Jutta Koether: New Yorker Fenster“, Stadt Revue Köln, Issue 12, 2008, p. 65 2008 “Das Einmaleins der Stunde Null”, Hans Jürgen Hafner; Artnet Magazin, November 21, 2008
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“Anschaulich Werden”, Georges Didi-Hubermann, Texte zur Kunst, Issue 70, June 2008, p. 196 – 201 “Now, Then! Now, Then! Now, Then!”, Jutta Koether, Artforum, September 2008, p. 408 - 411 “Altered States of Paint”, Sarah Lowndes, Frieze, September 2008, p. 203 “Cut and Paste”, Charlie Finch, Artnet, 2008 2007 “Between two deaths at ZKM”, Artnews.info, May 25, 2007 “Stubborn Materials”, Peter Blum und Suzanne Hudson, Artforum, November 2007, p. 370f “‘Oh ah’ The fire! By Mrs. Benway 1985”, exh. cat. “Witness to Her Art”, 2007, p. 205 “Reena Spaulings“, Seth Zucker, Radical Art, 2007, p. 329 ff, 347f “Niemand is een vrouw, De antiautortaire kunst van Jutta Koether“, Catrin Lorch, Metropolis M, Issue 2, April/May 2007, p. 68 – 73, 112ff “Use Me Up”, Jan Verwoert, Metropolis M, Issue 1, 2007, p. 50 – 56 “Kampf gegen die geschmackliche Langeweile”, Paulina Szczesniak, Tages Anzeiger Zürich, February 8, 2007, p. 43 “Bern: Jutta Koether in der Kunsthalle”, Alice Henkes, Kunstbulletin, February 23, 2007 “Die Fröhliche Wallfahrt/The Merry Pilgrimage“, Jutta Koether and Diedrich Diederichsen, press release Andrea Rosen Gallery, New York, 2007 “Ohrenbetäubende Entgrenzung”, Nicola Schröder, Ensuite, issue 3, February 3, 2007, p. 39 “Jutta Koether in der Kunsthalle“, AH, Kunst Bulletin, 3/07, 2007, p.60-61 “Statements zur Malerei”, Barbara Miesch, Aargauer Zeitung, January 25, 2007 “Wirre Klangwelten im Dunkeln”, Stefanie Christ, Berner Zeitung, January 22, 2007 “Grellrote Sternennächte”, Alice Henkes, Der Bund, January 9, 2007 “Jutta Koether in der Kunsthalle Bern – Gestische Malerei im Prüfstand – Kritik”, Barbara Miesch, Schweizer Depeschenagentur, January 19, 2007, p. 54 “Jutta Koether in Bern”, www.kunstmarkt.com, January 2007 “Jutta Koether in der Kunsthalle”, Kunst Bulletin, March 2007, p. 60f “Jutta Koether – Aenderungen Aller Art“, Indepth Arts News, January 2007 “Crossover-Kunst”, Stefanie Christ, Berner Oberländer, January 18, 2007, p. 33 “Mehr als «nur» Künstlerin”, Kulturagenda, January 11, 2007, p. 16 “Jutta Koether – Kunsthalle Bern”, www.art-in.de, January 10, 2007 “Jutta Koether, Shirly”, exh. cat. “Born to be a Star”, K/Haus, Wien, 2007, p. 33 – 37 “Jutta Koether”, Stefan Wagner, Flash Art, March/April 2007, p. 132 ”Jutta Koether at Kunsthalle Bern“, press release, Kunsthalle Bern, Bern, January 2007 “Symbolismus und die Kunst der Gegenwart”, exh. cat., Wuppertal, 2007, p. 135 “Bloß keine Diskurs – Kacke”, Dorothee Baer-Bogenschütz, Kunstzeitung, May 1, 2007, p. 13 2006 “The Davs of Our Lives”, Jan Verwoert, Artforum, Issue 103, November/December 2006, p.131 – 135 “Du bist nicht allein / Ein Roundtablegespräch mit Stephan Geene, Jutta Koether, Markus Müller, Bernadette Van-Huy und Antek Walczak, moderiert von Mirjam Thomann”, Mirjam Thomann, Texte Zur Kunst, September 2006, p.106 – 120
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“Fantasia Colonia", Michael Kerkmann, in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 6-13 "Die Verletzung der Regeln für die Regelverletzung / Transgressing the Rules for Transgression", Martin Printzhorn, in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 36-43 "Das Treffen der anwesenden mit der abwesenden Künstlerin / The Meeting of the Present with the Absent Artist", Diedrich Diedrichsen, in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 74-80 "Klassiker der Moderne. Über die Bearbeitung kanonischer Maler bei Jutta Koether / Classics of Modernism: On Jutta Koether's Treatment of Canonic Painters", Isabelle Graw, in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 114-127 "Große Erwartungen. Jutta Koether im Gespräch mit Sam Lewitt und Eileen Quinlan / Great Expectations. Jutta Koether in conversation with Sam Lewitt and Eileen Quinlan", in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 148-161 “Im Fantasialand der Malerei“, Michael Krajewski, Stadt Revue, July 2006 p. 84 “Manet, Courbet, van Gogh und sie”, Georg Imdahl, Kölner Stadt-Anzeiger, May 27/28, 2006 “Jutta Koether”, Bob Nickas, ArtForum, May 2006 “Der Nachtmaler und die Lichtprinzessin”, Heidrun Wirth, Kölnische Rundschau, May 25, 2006, p. 27 “Chelsea is a Battlefield: Galleries Muster Groups”, Roberta Smith, The New York Times, July 28, 2006 “A message in the starkness”, Holly Myers, Los Angeles Times, August 18, 2006 “Must See Art”, Amra Brooks, LA Weekly, August 2, 2006 “Cross Plattform: Jutta Koether”, Lina Dzuverovic, WIRE, June 2006, p. 18 “Make Your Own Life, Artists In & Out of Cologne”, Bennett Simpson, p. 8 – 28 “Make Your Own Life, Artists In & Out of Cologne”, Jutta Koether, p. 8 – 28 “Flash-back sur Steven Parrino”, Gauthier Huber, Kunst-bulletin, April 2006, p. 49f “Martin Kippenberger”, Jutta Koether, interview, Flash Art, Issue 247, March/April 2006, p. 92-96 (first publishedin Flash Art, issue 156, January/February 1991) “Hallo Wände. Sven Johne / Fergus Greer / Jutta Koether W/ Steven Parrino”, Oliver Tepel, Spex, Issue 296, March 2006, p. 76 “Her Noise”, Brian Dillon, Wire, Issue 263, January 2006 “Jutta Koether”, Day for Night, Whitney Biennial, 2006 “Peripheral Vision”, Isabelle Graw, Artforum, March 2006, p. 258 – 263 “Jutta Koether on Martin Kippenberger“, Jutta Koether, Tate etc., Issue 6, Spring 2006, p. 36 “Make Your Own Life: Artist’s in & Out of Cologne“,ICA Gallery Notes, 2006 “Masters and Servants or Lovers”, Jan Verwoert, 2006 “Verträumter Kringel und clowneske Fratzen“, Heiko Klaas, Art-Das Kunstmagazin, No. 6, June 2006, p. 90 2005 “Heart of Noise”, Texte zur Kunst, Jutta Koether, Issue 60, December 2005, p. 144f “Extreme harsh, extrem Haus“, Lokale Kultur, July 1, 2005, p. 23 “Die 80er Jahre sind unter uns/The 80ies are in our midst. Roundtable Gespräch/Discussion with John M. Armleder, Benjamin H.D. Buchloh, Werner Büttner,
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Isabelle Graw, Kasper König, Jutta Koether and Thomas Ruff, moderated by Philipp Kaiser”, exh. cat. “Flashback”, Kunstmuseum Basel, 2005, p. 21 - 93 Rita Vitorelli in conversation with Jutta Koether, Spike, issue 5, Autumn 2005, p. 72 - 78 “Arbeiten von Jutta Koether bei Werz”, Schwäbisches Tagesblatt, August 9, 2005, p. 19 “Jutta Koether. Interview 1994“, in: “Mike Kelley: Interviews, Conversations and Chit-Chat (1986-2004)”, Welchmann, John C. (editor), Zürich, 2005, p. 94 - 117 “Jutta Koether: Very Lost Highway”, Stadt Revue, September 2005, p. 87 di Blasi, Johanna, “Alles verfließt mit allem”, Kölner Stadt-Anzeiger, issue 210, September 9, 2005, p. 29 “Kollektive Erhebung. Über das Projekt Orchard in New York”, Melanie Gilligan, Texte zur Kunst, Issue 59, September 2005, p. 76 - 85 “When bands turn into the art of noise”, Christian Egger, Spike Art Quarterly, Issue 4, Summer 2005, p. 110 -114 “Jutta Koether, Thomas Erben Gallery”, Jan Avgikos, Artforum, Summer 2005, p. 327f “Jutta Koether at Thomas Erben”, Edward Leffingwell, Art in America, June/July 2005, p. 185 “Jutta Koether, Thomas Erben Gallery”, Roberta Smith, The New York Times, April 15, 2005 “Ich Ist War Weg. Jutta Koether in der Thomas Erben Gallery, New York”, Melanie Gilligan,Texte zur Kunst, June 2005, p. 192 - 195 “Dark Star”, Jutta Koether and Bob Nickas, Artforum, Issue 7, March 2005, p.59 “Trading Post!”, Jutta Koether and Kim Gordon, in exh. cat., “Trade - The W.C. # 1”, exh. cat., February 4 - March 12, 2005 “I Am Woman, Hear Me Roar”, Jam Avgikos, in exh. cat. “Her Noise”, South London Gallery, 2005, p. 28 - 29 “Kim Gordon Interview by Jutta Koether”, in exh. cat. “Her Noise”, South London Gallery, 2005, p. 30 - 34 2004 “Sondersphärig! Zwanzig Minuten vor der Marc-Jacobs-Show”, Jutta Koether, Texte zur Kunst, December 2004, p. 96 - 101 “Alles in Allem. Ein Interview mit Karl Lagerfeld von Jutta Koether”, Jutta Koether, Texte zur Kunst, December 2004, p. 32 - 43 “Inteview mit Jutta Koether”, Christian Egger, Löhfelm, Issue 7, November 2004, p. 30 - 40 “Ana Da Silvia”, Tim Stüttgen, Spex, December 2004, p. 97 “Shirly”, Jutta Koether, exh. brochure “Born to be a star”, Künstlerhaus Wien, p. 4f 2003 “& c“, Jutta Koether, Helvetica, Wien, issue 4, September 2003, p. 19 - 25 “Roundtable: Barney im Abspann. Eine Gesprächsrunde mit Tom Holert, Gertrud Koch, Jutta Koether, Sebastian Schipper und Tom Tykwer“, Texte zur Kunst,Issue 51, September 2003, p. 104 – 117 “All alone (1957). Fautrier in den Vereinigten Staaten”, Jutta Koether, Texte zur Kunst, Issue 50, June 2003, p. 54 - 61 “How to write about ... Jutta Koether”, Bob Nickas, Afterall, July 2003, p. 42 - 51 “Unfinished Sympathies: On Jutta Koether’s art”, Thomas Groetz, Afterall, July 2003, p. 52 – 55
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“Peripher im Zentrum - Jutta Koether”, Isabelle Graw, in “Die bessere Hälfte. Künstlerinnen des 20. und 21. Jahrhunderts”, Köln 2003, p. 143 – 154 “‘Girls Gone Wild’. Bronwyn Keenan Gallery“, Roberta Smith, The New York Times, July 4, 2003 “Galleries-SoHo. ‘Girls Gone Wild’“, The New Yorker, June 30, 2003 “Deutschemalereizweitausenddrei”, Nicolaus Schafhausen (ed.), exh. cat., Frankfurter Kunstverein, Frankfurt/Main 2003, p. 60f 2002 “Jutta Koether”, Lyrik-Ecke, Texte zur Kunst, Issue 48, December 2002, p. 104f. “The Heavenly Tree Grows Downward”, Holland Cotter, The New York Times, September 20, 2002 “Illustration - avocation – illustration”, Jutta Koether, ecstatic peace, poetry journal, Issue 5, July 2002 “Found artist N.Y.”, Jutta Koether, Starship, issue 5, Spring 2002, p. 17 - 21 “Gogogo”, Jutta Koether, ecstatic peace, poetry journal, Issue 4, Summer 2002 2001 “Teaser’s trail”, Jutta Koether, ecstatic peace, poetry journal, issue 3, Winter 2001/2002 “Mali thep”, Jutta Koether, ecstatic peace, poetry journal, issue 3, Winter 2001/2002 “Nur dass nicht. Bruchstücke einer Performance von Jutta Koether”, Jutta Koether, in: Carl Hegemann (editor), ‘Erniedrigung geniessen. Kapitalismus und Depression III’, Berlin 2001, p. 142 - 156 “No Trouble No Energy No Energy No Life. Jutta Koether spielt, spricht und hämmert zu ihren Bildern”, Aram Lintzel, in: ebd., p. 157ff (Nachdruck in Frankfurter Allgemeinen Zeitung February 3/4, 2001) “The life they make me lead”, Jutta Koether, ecstatic peace, poetry journal, Issue 1, Spring 2001 “Wenn der Hammer ins Meer sinkt”, Aram Lintzel, Frankfurter Allgemeine Zeitung, Berliner Seiten, January 3, 2001 “Jutta Koether im roten Salon”, Harald Fricke, Tageszeitung, February 1, 2001 2000 “Jutta Koether”, Anja Dorn, Metropolis M, Issue 3, June/July 2000, p. 30f 1999 “Lichtecht (= sunfast)”, Jutta Koether, A.N.Y.P., Issue 9, 1999, p. 8 “Free time – Ein Gespräch mit Rita Ackermann und Jutta Koether”, Carina Plath, Kunst- Bulletin, Issue 1/2, January/February 1999, p. 15 – 19 “I love New York – Gespräche mit Künstlern”, Heinz-Norbert Jocks, Free Time: “Freiraum Zum Malen”, Kunstforum International, Issue 143, January/February 1999, p. 316f “Free Time: Rita Ackermann, Kim Gordon, Jutta Koether”, Claudia Funke, I love New York. Crossover der aktuellen Kunst, Museum Ludwig, Köln 1999, p. 52 “Snacks. New York (ausgeleuchtet)”, Jutta Koether, ebd., p. 56 - 60 1998 “Prozeß-Expressionismus”, John Miller, Texte zur Kunst, Issue 29, March 1998, p. 121ff “Interview mit Jutta Koether”, Ulrike Gross and Markus Müller, in: “Make it Funky – Crossover zwischen Musik, “Pop, Avantgarde und Kunst”, Jahresring 45, Bernhard Loeffelholz and Brigitte Oetker (editors), Köln 1998, p. 277 – 284
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“Freundesbriefe. Jutta Koether sammelt Gratulationen, poetische Notizen und persönliche Nachrichten”, Jürgen Raap, Kölner Illustrierte, August 1998, p. 67 1997 Jerry Saltz, Time-Out, New York, issue 108, 1997, p. 46 “Art in Review: Jutta Koether”, Holland Cotter, The New York Times, October 4, 1997 “Gallery Go Round: Jutta Koether”, Victoria Pedersen, Paper Magazine, Issue 10, 1997 “Voice Choices: Galleries: Jutta Koether”, Kim Levin, The Village Voice, September 30, 1997 1996 “Transidentity Express 2. Versuch über die Schnittstellen von Kunst und Musik”, Jutta Koether, Kunstforum International, issue 135, October 1996, p. 188ff “Echte Massen werden zur Tapete, das ist ihr Schicksal. Ein Gespräch mit Jutta Koether über Archäologie, Kopfbedeckungen, Künstlertum, Malerei und die Massen als Opfer”, Diedrich Diedrichsen, Kunstforum International, Issue 135, 1996, p.170 ff “Jutta Koether: ‘100 % Malerei’ oder Wie aus Musik Malerei wird und umgekehrt”, Mike Kelley, Kunstforum, Issue 134, May-September 1996, p. 242-248 “Art in Review: Jutta Koether”, Sarah Schmerler, Time Out, New York, March 6, 1996 “Jutta Koether: aftershows”, Holland Cotter, The New York Times, February 1996 1995 “Jutta Koether at Pat Hearn” Jeanne Siegel, ARTIS, March/April 1995, p. 227f “Choices: Jutta Koether” Kim Levin, The Village Voice, February 28, 1995 “Jutta Koether”, Roberta Smith, The New York Times, February 24, 1995 “Deliratio III So frei”, Jutta Koether, Spex, October 1995, p. 60 – 63 1994 “Weiterspielen: Ein Symposium führt zum nächsten Symposium”, Jutta Kother, in: Elisabeth Fiedler (editor), Spielverderber, Forum Stadtpark Grz, steirischer Herbst, 1994, p. 240 - 246 1993 “Jutta Koether“, Jutta Koether, Programmheft, 1993 “Choices: Jutta Koether”, Kim Levin, The Village Voice, June 29, 1993 “Goings On About Town”, The New Yorker, June 21, 1993 “Jutta Koether”, Roberta Smith, The New York Times, June 4, 1993 “German Art Still Breathes the Air of Ideas”, Roberta Smith, The New York Times, April 23, 1993 “Punishment and Decoration: Art in an Age of Militant Superficiality”, Michael Corris, ARTFORUM, April 1993 “Achtung Baby: Pressing the Flesh. Jutta Koether and Diedrich Diederichsen on News from Germany”, Jutta Koether, Diedrich Diederichsen, ARTFORUM, April 1993 “Jutta Koether - Laurent Joubert”, Olivier Zahm, ARTFORUM, February 1993 “Achtung Baby. Diedrich Diederichsen and Jutta Koether on Springtime for Hitler”, Jutta Koether, Diedrich Diederichsen, ARTFORUM, January 1993 1990 “‘Halal’; Hans Nieswandt: ‘The Halal File”, Jutta Koether, Texte zur gleichnamigen CD, Standard Graphik, Köln 1990 1988 “Michael Krebber/ Jutta Koether”, Walter Titz, Artscribe, January/February 1988 1986
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“Jutta Koether”, Diedrich Diedrichsen, Steirischer Herbst 86/ Forum Stadtpark Graz 1985 “Smell of Female”, Jutta Koether, in: exh. cat. “Trockel, Semmer, Koether”, La Grande Serre, Rouen 1985 “Road to Cairo”, Jutta Koether, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld 1985
Collections The Whitney Museum of American Art, New York, NY Museum of Modern Art, New york, NY Kunsthalle Bern, Bern, Switzerland Museum of Contemporary Art, Los Angles, CA Nationalgalerie Berlin, Berlin, Germany Musée d’Art Moderne de la Ville de Paris, Paris, France Art Institute of Chicago, Chicago, IL
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