BORTOLAMI

JUTTA KOETHER

Born 1958, Lives and works in New York, NY

Solo Exhibitions

2014 Galerie Francesca Pia, Zurich Champrovement, Reena Spaulings Fine Art, New York, USA 2013 Etablissement d'en face, Brussels Two person show with Gerard Byrne, Praxes Center for Contemporary Art, The Double Session, Campoli Preston, Seasons and Sacraments, Arnolfini, Bristol, United Kingdom Seasons and Sacraments, Dundee Contemporary Arts, Dundee, United Kingdom 2012 The Fifth Season, Bortolami, New York 2011 Mad Garland, Campoli Presti, Paris The Thirst, Moderna Museet, Stockholm Berliner Schlüssel, Galerie Daniel Buchholz, Berlin 2009 Van Abbemuseum, Eindhoven Lux Interior, Reena Spaulings Fine Art, New York Sovereign Women in Painting, Susanne Vielmetter Los Angeles Projects, Los Angeles 2008 New Yorker Fenster, Galerie Daniel Buchholz, Köln No.5, Kunsthall Landmark, Bergen JXXXA LEIBHAFTIGE MALEREI, Sutton Lane, Paris Touch and Resist, Song Song, Wien Galerie Francesca Pia, Zürich 2007 Änderungen aller Art, Kunsthalle Bern, Bern 2006 love in a void (mit/with Silke Otto-Knapp), Akademie der Bildenden Künste, Wien Fantasia Colonia, Kölnischer Kunstverein, Köln Susanne Vielmetter Los Angeles Projects, Los Angeles Metalist Moment, Performance, Herald Street, London 2005 Very Lost Highway, Simultanhalle, Köln extreme harsh, Ausstellungsraum Ursula Werz, Tübingen I Is Had Gone, Thomas Erben Gallery, New York Her Noise, South London Gallery, London Blankness is not a Void, Standard Oslo, Oslo and Jutta Koether, Talk and Performance at , London 2004 Fresh Aufhebung - Künstlerisches Interesse am philosphisch verneinten Wunderglauben, Kölnischer Kunstverein, Köln Galerie Meerrettich, Berlin Fresh Aufhebung, 371 Grand Street, New York Curious Crystals of Unusual Purity, P.S.1 Institute for Contemporary Art, New York

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BORTOLAMI

2003 The Club in the Shadow, in collaboration with Kim Gordon, Kenny Schachter conTEMPorary,New York desire is war, Galerie Meerrettich, Berlin

2002 Black Bonds, Jutta Koether and , Swiss Institute, New York Galerie Daniel Buchholz, Köln 2000 Galerie Daniel Buchholz, Köln zur grünen schenke-fünf uhr nachmittags. die geheimen Bilder, Galerie Freund, Wien 1999 Pat Hearn Gallery, New York 1998 Billet-Doux, Galerie Daniel Buchholz, Köln Songs of New York & c, Pat Hearn Gallery, New York 1996 after shows, Pat Hearn Gallery, New York Warmer Stern, Galerie Daniel Buchholz, Köln 1995 frontage, Pat Hearn Gallery, New York 1993 Unter, Galerie Bruno Brunnet, Berlin Affective Import: Antibodies I-V, Pat Hearn Gallery, New York 1992 100% Malerei, Galerie Sophia Ungers, Köln 1991 Massen. Malerei und Versammlung, Generali Foundation, Wien Kissing the Canvas, Pat Hearn Gallery, New York The Halal File, Standard Graphik, Köln Galerie Bleich-Rossi, Graz 1989 20 Minuten, Galerie Monika Sprüth, Köln 1987 The Things Art Makes, Galerie Bleich-Rossi, Graz Werkschau Jutta Koether, Kunstraum Stuttgart, Stuttgart 1985 Road to Cairo, CC Galerie, Graz Keeping the Issues Alive, Galerie Janrig, Krefeld

Group Exhibitions

2014 New Dawn, curated by Leidy Churchman, Silberkuppe, Berlin No Drink No Talk Just Beautiful, On Stellar Rays, New York 2013 Death by Water. Death by Fire, Curated by David Lewis with works by Lucy Dodd, Jutta Koether, Nora Schultz, and Viola Yeşiltaç, Campoli Presti, Paris NYC 1993. Experimental Jet Set, Trash and No Star, New Museum, New York Blues for Smoke, Whitney Museum of American Art, New York 2012 A Bigger Splash: Painting after Performance, Tate Modern, London Sao Paulo Biennial 2012, São Paulo Museum of Art, Brazil Whitney Biennal 2012, Whitney Museum of American Art, New York

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BORTOLAMI

2011 Quodlibet III – Alphabets and Instruments, Galerie Buchholz, Berlin Invitation to the Voyage, Algus Greenspon Gallery, New York The Rose-Colored Room, Overduin and Kite, Los Angeles Antidepressiva, Galerie Peithner Lichtenfels, Wien Sovereign Woman, Texte zur Kunst zum Gallery Weekend Berlin, Linienstr.160, Berlin Abstract-Mad-Stir-Delirium-Copper-Bottomed-Work-Stick-Shop, daad Galerie, Berlin Gesamtkunstwerk: New Art From Germany, Saatchi Gallery, London 2010 Utopie und Monument II, Steirischer Herbst, Graz Sammlung Reininghaus, Sammlung Falckenberg - Phoenix Kulturstiftung, Hamburg 2009 Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture, The Kitchen, New York Palindrom (curated by Tom Holert und Michael Dreyer), Hermes und der Pfau – Project Space for Contemporary Art, Stuttgart Reena Spaulings. The Belgian Marbles, Sutton Lane, Brüssel Grand Openings, Sculpture Center, Long Island, New York See This Sound, Lentos Kunstmuseum, Linz Schere, Stein, Papier, Kunsthaus Graz, Graz Quodlibet II, Galerie Daniel Buchholz, Köln etc.: Sensational Fix, Kunsthalle Düsseldorf, Düsseldorf Bijoux de Famille, Galerie Chantal Crousel, Paris Celebration, Galerie Isabella Bortolozzi, Berlin Cave Painting, PSM Gallery, Berlin Born to Be Wild, Kunstmuseum St. Gallen, St. Gallen Painting at the (other) end of art, Collezione Maramotti, Reggio Emilia 2008 Her Noise Archives, Badischer Kunstverein, Karlsruhe Black Noise, A tribute to Steven Parrino, Ile des impressionnistes, Chatou Light is a kind of rhythem (part 2), Glaspavillion, Berlin Jutta Koether / John Miller, Neuer Berliner Kunstverein, Berlin CA.BU. + BA.D.AL.MO, Galerie Thomas Flor, Düsseldorf Altered State of Paint, Dundee Contemporary Arts, Dundee Artists Space, New York (Performance) 2007 If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution Part II, Museum of Contemporary Art, Antwerpen Deaf 2 - From the Audible to the Visible, Galerie Fank Elbaz, Paris Jutta Koether / Rodney McMillian, Susanne Vielmetter Berlin Projects, Berlin From the Audible to the Visible, Galerie Frank Elbaz, Paris Stubborn Materials, Peter Blum Gallery, New York Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermächtigung, Shedhalle Zürich, Zürich Bastard Creature (1 of 3 parts of‚ La Marque Noir: Steven Parrino’), Palais de Tokyo, Paris Painting as Fact – Fact as Fiction, dePury & Luxembourg, Zürich Dead Already, Reena Spaulings Fine Art, New York Symbolismus und die Kunst der Gegenwart, von der Heydt-Museum, Wuppertal Shandyismus – Autorschaft als Genre – Ausstellungsgespräch, Secession, Wien, Kunsthaus Dresden zwischen zwei toden between two deaths, Zentrum für Kunst und Medientechnologie, Karlsruhe For the People of Paris, Sutton Lane, Paris Quotidian, BUIA Gallery, New York What we do is secret, Blancpain Art Contemporain, Genf

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BORTOLAMI

Fit to print, Gagosian Gallery, New York Sutton Lane, Paris Epileptic Seizure Comparison, Greene Naftali Gallery, New York 2006 Make your own life, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, the Power Plant, Toronto, Kanada, Henry Art Gallery, Univ. of Washington, Seattle, Museum of Contemporary Art, North Miami, Florida, 2006/2007 If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, de Appel arts centre, Amsterdam Hot Spring…In Autumn, Galerie Krinzinger, Wien Music is a better noise, P.S.1 Contemporary Art Center, Long Island City 3. Echigo-Tsumari Art Triennial 2006, Nigata-ken, Japan Gifts go in one direction, Apexart, New York Bring the war home, Elizabeth Dee Gallery, New York An Ongoing Low-Grade Mystery, Paul Cooper Gallery, New York Love Letter, Herald St, London Galerie Daniel Buchholz at Metro Pictures, Metro Pictures Gallery, New York The Dimes of March, Reena Spaulings Fine Art, New York The Subversive Charm of the Bourgeoisie, Van Abbemuseum, Eindhoven Whitney Biennial 2006, Whitney Museum, New York TBILISI 3. / Let’s stay alive till monday, Tbilisi, Georgia Reena Spaulings‚ Bialystoker, Sutton Lane, London Replay – The Aesthetics of Art and Music/Punk, MAGASIN – Centre National d’Art Contemporaine de Grenoble, Grenoble, Frankreich Metalist Moment, Herald St, London (Performance) 2005 Painters Without Paintings & Paintings Without Painters, Orchard Gallery, New York Blankness is not a Void, Standard, Oslo Afterall, Apexart, New York Trade, White Columns, New York Performa 05, Performa, New York (Performance) Thomas Erben Gallery, New York (Performance) Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London 2004 Jetzt und zehn Jahre davor, KW Institute of Contemporary Art, Berlin Rheinschau, Köln Teil 1 Müllberg, Galerie Daniel Buchholz, Köln Publish and be damned, Cubitt, London Born to be a Star, Künstlerhaus Wien, Wien The Big Nothing, ICA Philadelphia, Philadelphia The personal is political, und peinlich, Kunsthalle Exnergasse, Wien Curious Crystals of Unusual Purity, P.S.1, New York Fresh Aufhebung, Performance im Rahmen d. Ausst. Dass die Körper sprechen, auch das wissen wir seit langem, Generali Foundation, Wien Europe Extreme III: Farbenfieber, Pro qm, Berlin (Performance) 2003 Vom Horror der Kunst, Steirischer Herbst, Grazer Kunstverein, Graz 20th Anniversary Show, Monika Sprüth - Philomene Magers, Köln The Melvins, Anton Kern Gallery, New York deutschemalereizweitausenddrei, Frankfurter Kunstverein, Frankfurt/Main Holler Color Holler, Special Event in the Backroom of Greene Naftali, New York 2002 Unknown Pleasures, Daniel Reich, New York Black Bonds, Swiss Institute, New York (Performance)

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BORTOLAMI

2000 MU Art Foundation/De Witte Dame, "Kims Bedroom", Eindhoven Prophecies, Swiss Institute, New York Hex Enduction Hour by the Fall (curated by Bob Nickas), Team Gallery, New York 1999 Malerei, INIT-Kunsthalle, Berlin

1998 Brushholder Value, Westfälischer Kunstverein, Münster Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto, Pat Hearn Gallery, New York 1997 Thomas Emde, Isabell Heimerdinger, Jutta Koether: No Strangers to Paradise, Three German Artists in California, Newspace, Los Angeles 1996 A / Drift (kuratiert von Joshua Decter), , Annandale-on-Hudson, New York Painting the Extended Field, Magasin 3, Center for Contemporary Art, Malmö Screen (kuratiert von Joshua Decter), Friedrich Petzel Gallery, New York Ooo La La!: Twelve Members of the New York Art World Select TwelveEmerging Women Artists, Soho 20, New York 1995 When Techno Turns to Poetry, Kunstwerke, Berlin Joy of Painting (curated by Ami Arnault und Alix Lambert), Here, New York 1994 Spielverderber, Forum Stadtpark, Graz Rehearsal for ‘frontage’, innerhalb von “Taste Venue”, Pat Hearn Gallery, New York Dysfunction USA (curated by Bob Nickas und Peter Halley), Arthur Rogers Gallery, New Orleans Reflex: Die Neunziger (curated by Martin Prinzhorn), Secession, Wien The Use of Pleasure (curated by Bob Nickas), Terrain Gallery, San Francisco 1993 The Good, the Bad and the Ugly (curated by Peter Hopkins), Galerie Jousse Cequin, Paris Malerei 2000 (kuratiert von ARTFAN), Wien June, Galerie Thaddaeus Ropac, Paris Abstract for Affective Import, Whitney Museum of American Art, Independent Study Program Annual Open Studio Competition, New York Parallax View: Cologne-New York (curated by Daniela Salvioni), P.S. 1 Institute for Contemporary Art, New York X- Art Foundation, Blast Art Benefit, New York Galerie Christian Nagel, Köln (curated by Cosima von Bonin und Michael Krebber) 1992 7 Rooms, 7 Curators (curated by Lois Nesbitt), Institute for Contemporary Art, New York Projezioni (curated by Gregorio Magnani), Buchholz & Buchholz, Köln 1968 (curated by Bob Nickas), Le Consortium, Dijon Bruno Brunnet Fine Arts, Berlin (with Merlin Carpenter, Michael Krebber, Cosima von Bonin) Galerie Laage Salomon, Paris (with L. Joubert) Massenverhältnisse – Standards, Galerie Sophia Ungers, Köln The Inside Job, innerhalb von The Real Thing, Water Bar, New York (organized byEric Oppenheim) 1991 Regard sur la Jeune Creation Allemande, 36. Salon de Montrouge, Montrouge Koether - Malerei 2 (curated by Francoise Claire Prodhon und Alain Reinaudo), 90 a.s.o., Auverssur- Oise

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BORTOLAMI

Auf Tod folgt Tod, innerhalb von “The Köln Show”, 9 Kölner Galerien, Köln 1989 Hypostatics (curated by minimal club), Kunstverein München, München 1987 ... of Everyday Life (curated by ), innerhalb der Ausstellung “Broken Neon”, Forum Stadtpark, Graz Information in Jutta Koether, Secession, Wien, f. Plakat (Buch) Spectacle of the West (with Bettina Semmer und Rosemarie Trockel), La Maquina Espanola, Sevilla Practical Relations of Everyday Life, Raum Lothringer Straße, München 1986 Terminal Islands (curated by Diedrich Diederichsen), Forum Stadtpark, Graz 1985 Trockel Semmer Koether (with Bettina Semmer und Rosemarie Trockel), La Grande Serre, Rouen

Bibliography

2013 Jay Sanders, Michael Sanchez & Jeff Nagy, Graham Domke, and Axel Wieder, Jutta Koether: Seasons and Sacraments, Dundee Contemporary Arts, 2013 2011 “Mad Garland“, Jutta Koether, in “Art and Subjecthood. The Return of the Human Figure in Semiocapitalism”, Sternberg Press, 2011, p. 80 - 94 “Signal Processing”, Joselit, David, Artforum, Summer 2011, p. 356 - 361 “Jutta Koether at Daniel Buchholz“, Contemporaryartdaily.com, January 31, 2011 “Jutta Koether: Berliner Schlüssel“, Petra Reichensperger, Zitty Berlin, Issue 3, January 27 – February 9, 2011, p. 81 "Painting In and Out", David Joselit, in: exh. cat. Jutta Koether, Moderna Museet, 2011, pp. 17-23 "Painting Abuse. A Conversation between Isabelle Graw and Jutta Koether", in: exh. cat. Jutta Koether, Moderna Museet, 2011, pp. 25-40 “Jutta Koether“, Steven Cairns, Artforum.com, January 22, 2011 “Jutta Koether / The Inside Job”, Kim Gordon, Flash Art, No. 276, January – February 2011, p. 84 - 87 “Jutta Koether – Moderna Museet, Stockholm”, Ina Blom, Artforum, Summer 2011, p. 394 - 395 “Jutta Koether”, Peio Aguirre, in: “P2 / New Perspectives in Painting”, Phaidon, 2011 2010 “Die Subjekte wundern sich”, Swantje Karich, Frankfurter Allgemeine Zeitung, Nr. 298, 22.12.2010, p. N4 “Kleinteilige Experimente“, Christian Schaernack, Z-Die schönsten Seiten 4/2010, December 2010, p.10 “XXXMacarena”, Dan Fox, Frieze, Issue 130, April 2010, p.33 “Ready – Made Painting”, Barbara Buchmaier, Spike, Issue 24, Summer 2010, p. 30 - 41 “Jutta Koether”, Ausstellungsführer “Utopie und Monument II”, Steirischer Herbst 2010, Graz, 2010, p. 22 “Jutta Koether”, in exh. cat. “27 Senses”, Kunstmuseet KUBE, Norway, 2010, Electra, p. 91 - 101 2009 “Painting Beside Itself”, David Joselit, October, Issue 130, Fall 2009, p. 125-134 “Tranchen von Hase und Ente”, Hans-Jürgen Hafner, artnet.de, Issue 19, November 2009

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BORTOLAMI

“Jutta Koether. Unganzheitssymbole: K (Hommage an )”, Christian Höller in: exh. cat. “See this Sound. Versprechungen von Bild und Ton”, Lentos Kunstmuseum Linz, Verlag Walther König, Köln, 2009, p. 100 “Pyrrhossiege. Jutta Koether bei Reena Spaulings Fine Art, New York”, Sam Lewitt,Texte zur Kunst,Issue 75, p. 183 - 186 “Raison d’être“, Dennis Mijnheer, Blend Special & Vanabbemuseum, June 2009, p. 86 - 97 “Jutta Koether – Susanne Vielmetter Los Angeles Projects“, Michael Ned Holte, Artforum, May 2009, p. 245 “Jutta Koether”, Carrie Peterson, Flash Art, May-June 2009, p. 121 “Sonic Youth - Eine Band zwischen den Welten“, Hanno Stecher und Christian Steinbrink, Intro, Issue 72, Juni 2009, p. 29 – 32 “Jutta Koether”, Georg Gatsas und Konrad Bitterli, exh. cat. “Born to be wild – Homage to Steven Parino”, Kunstmuseum St. Gallen, 2009, p. 54 -57 “A Hidden Reserve“, Achim Hochdörfer, Artforum, February 2009, p. 153 – 158 “Entspannt in den Konjunkturen der Sympathie”, Max Dax und Martin Hossbach, Spex, Issue 318, January/February 2009, p. 106 -109 “Jutta Koether“, in exh. cat. “Bijoux de Famille”, Galerie Chantal Crousel, 2009 “Schere, Stein, Papier“, Elke Buhr, Monopol, June 2009, p. 117 “The Artists’ Artist – Francis Bacon”, Jutta Koether, Artforum, Dezember 2009, p. 93 2008 “On Sonic Youth“, Jutta Koether and Alan Licht, exh. cat. “Sonic Youth etc. Sensational Fix”, 2008, p. 52-64 “Jutta Koether: New Yorker Fenster“, Stadt Revue Köln, Issue 12, 2008, p. 65 “Das Einmaleins der Stunde Null”, Hans Jürgen Hafner; Artnet Magazin, November 21, 2008 “Anschaulich Werden”, Georges Didi-Hubermann, Texte zur Kunst, Issue 70, June 2008, p. 196 – 201 “Now, Then! Now, Then! Now, Then!”, Jutta Koether, Artforum, September 2008, p. 408 - 411 “Altered States of Paint”, Sarah Lowndes, Frieze, September 2008, p. 203 “Cut and Paste”, Charlie Finch, Artnet, 2008 2007 “Between two deaths at ZKM”, Artnews.info, May 25, 2007 “Stubborn Materials”, Peter Blum und Suzanne Hudson, Artforum, November 2007, p. 370f “‘Oh ah’ The fire! By Mrs. Benway 1985”, exh. cat. “Witness to Her Art”, 2007, p. 205 “Reena Spaulings“, Seth Zucker, Radical Art, 2007, p. 329 ff, 347f “Niemand is een vrouw, De antiautortaire kunst van Jutta Koether“, Catrin Lorch, Metropolis M, Issue 2, April/May 2007, p. 68 – 73, 112ff “Use Me Up”, Jan Verwoert, Metropolis M, Issue 1, 2007, p. 50 – 56 “Kampf gegen die geschmackliche Langeweile”, Paulina Szczesniak, Tages Anzeiger Zürich, February 8, 2007, p. 43 “Bern: Jutta Koether in der Kunsthalle”, Alice Henkes, Kunstbulletin, February 23, 2007 “Die Fröhliche Wallfahrt/The Merry Pilgrimage“, Jutta Koether and Diedrich Diederichsen, press release Andrea Rosen Gallery, New York, 2007 “Ohrenbetäubende Entgrenzung”, Nicola Schröder, Ensuite, issue 3, February 3, 2007, p. 39 “Jutta Koether in der Kunsthalle“, AH, Kunst Bulletin, 3/07, 2007, p.60-61 “Statements zur Malerei”, Barbara Miesch, Aargauer Zeitung, January 25, 2007 “Wirre Klangwelten im Dunkeln”, Stefanie Christ, Berner Zeitung, January 22, 2007 “Grellrote Sternennächte”, Alice Henkes, Der Bund, January 9, 2007 “Jutta Koether in der Kunsthalle Bern – Gestische Malerei im Prüfstand – Kritik”, Barbara Miesch, Schweizer Depeschenagentur, January 19, 2007, p. 54 “Jutta Koether in Bern”, www.kunstmarkt.com, January 2007 “Jutta Koether in der Kunsthalle”, Kunst Bulletin, March 2007, p. 60f “Jutta Koether – Aenderungen Aller Art“, Indepth Arts News, January 2007

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BORTOLAMI

“Crossover-Kunst”, Stefanie Christ, Berner Oberländer, January 18, 2007, p. 33 “Mehr als «nur» Künstlerin”, Kulturagenda, January 11, 2007, p. 16 “Jutta Koether – Kunsthalle Bern”, www.art-in.de, January 10, 2007 “Jutta Koether, Shirly”, exh. cat. “Born to be a Star”, K/Haus, Wien, 2007, p. 33 – 37 “Jutta Koether”, Stefan Wagner, Flash Art, March/April 2007, p. 132 ”Jutta Koether at Kunsthalle Bern“, press release, Kunsthalle Bern, Bern, January 2007 “Symbolismus und die Kunst der Gegenwart”, exh. cat., Wuppertal, 2007, p. 135 “Bloß keine Diskurs – Kacke”, Dorothee Baer-Bogenschütz, Kunstzeitung, May 1, 2007, p. 13 2006 “The Davs of Our Lives”, Jan Verwoert, Artforum, Issue 103, November/December 2006, p.131 - 135 “Du bist nicht allein / Ein Roundtablegespräch mit Stephan Geene, Jutta Koether, Markus Müller, Bernadette Van-Huy und Antek Walczak, moderiert von Mirjam Thomann”, Mirjam Thomann, Texte Zur Kunst, September 2006, p.106 – 120 “Fantasia Colonia", Michael Kerkmann, in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 6-13 "Die Verletzung der Regeln für die Regelverletzung / Transgressing the Rules for Transgression", Martin Printzhorn, in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 36-43 "Das Treffen der anwesenden mit der abwesenden Künstlerin / The Meeting of the Present with the Absent Artist", Diedrich Diedrichsen, in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 74-80 "Klassiker der Moderne. Über die Bearbeitung kanonischer Maler bei Jutta Koether / Classics of Modernism: On Jutta Koether's Treatment of Canonic Painters", Isabelle Graw, in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 114-127 "Große Erwartungen. Jutta Koether im Gespräch mit Sam Lewitt und Eileen Quinlan / Great Expectations. Jutta Koether in conversation with Sam Lewitt and Eileen Quinlan", in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 148-161 “Im Fantasialand der Malerei“, Michael Krajewski, Stadt Revue, July 2006 p. 84 “Manet, Courbet, van Gogh und sie”, Georg Imdahl, Kölner Stadt-Anzeiger, May 27/28, 2006 “Jutta Koether”, Bob Nickas, ArtForum, May 2006 “Der Nachtmaler und die Lichtprinzessin”, Heidrun Wirth, Kölnische Rundschau, May 25, 2006, p. 27 “Chelsea is a Battlefield: Galleries Muster Groups”, , , July 28, 2006 “A message in the starkness”, Holly Myers, , August 18, 2006 “Must See Art”, Amra Brooks, LA Weekly, August 2, 2006 “Cross Plattform: Jutta Koether”, Lina Dzuverovic, WIRE, June 2006, p. 18 “Make Your Own Life, Artists In & Out of Cologne”, Bennett Simpson, p. 8 – 28 “Make Your Own Life, Artists In & Out of Cologne”, Jutta Koether, p. 8 – 28 “Flash-back sur Steven Parrino”, Gauthier Huber, Kunst-bulletin, April 2006, p. 49f “Martin Kippenberger”, Jutta Koether, interview, Flash Art, Issue 247, March/April 2006, p. 92-96 (first publishedin Flash Art, issue 156, January/February 1991) “Hallo Wände. Sven Johne / Fergus Greer / Jutta Koether W/ Steven Parrino”, Oliver Tepel, Spex, Issue 296, March 2006, p. 76 “Her Noise”, Brian Dillon, Wire, Issue 263, January 2006 “Jutta Koether”, Day for Night, Whitney Biennial, 2006 “Peripheral Vision”, Isabelle Graw, Artforum, March 2006, p. 258 – 263 “Jutta Koether on Martin Kippenberger“, Jutta Koether, Tate etc., Issue 6, Spring 2006, p. 36 “Make Your Own Life: Artist’s in & Out of Cologne“,ICA Gallery Notes, 2006 “Masters and Servants or Lovers”, Jan Verwoert, 2006

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BORTOLAMI

“Verträumter Kringel und clowneske Fratzen“, Heiko Klaas, Art-Das Kunstmagazin, No. 6, June 2006, p. 90 2005 “Heart of Noise”, Texte zur Kunst, Jutta Koether, Issue 60, December 2005, p. 144f “Extreme harsh, extrem Haus“, Lokale Kultur, July 1, 2005, p. 23 “Die 80er Jahre sind unter uns/The 80ies are in our midst. Roundtable Gespräch/Discussion with John M. Armleder, Benjamin H.D. Buchloh, Werner Büttner, Isabelle Graw, Kasper König, Jutta Koether and Thomas Ruff, moderated by Philipp Kaiser”, exh. cat. “Flashback”, Kunstmuseum Basel, 2005, p. 21 - 93 Rita Vitorelli in conversation with Jutta Koether, Spike, issue 5, Autumn 2005, p. 72 - 78 “Arbeiten von Jutta Koether bei Werz”, Schwäbisches Tagesblatt, August 9, 2005, p. 19 “Jutta Koether. Interview 1994“, in: “Mike Kelley: Interviews, Conversations and Chit-Chat (1986-2004)”, Welchmann, John C. (editor), Zürich, 2005, p. 94 - 117 “Jutta Koether: Very Lost Highway”, Stadt Revue, September 2005, p. 87 di Blasi, Johanna, “Alles verfließt mit allem”, Kölner Stadt-Anzeiger, issue 210, September 9, 2005, p. 29 “Kollektive Erhebung. Über das Projekt Orchard in New York”, Melanie Gilligan, Texte zur Kunst, Issue 59, September 2005, p. 76 - 85 “When bands turn into the art of noise”, Christian Egger, Spike Art Quarterly, Issue 4, Summer 2005, p. 110 -114 “Jutta Koether, Thomas Erben Gallery”, Jan Avgikos, Artforum, Summer 2005, p. 327f “Jutta Koether at Thomas Erben”, Edward Leffingwell, Art in America, June/July 2005, p. 185 “Jutta Koether, Thomas Erben Gallery”, Roberta Smith, The New York Times, April 15, 2005 “Ich Ist War Weg. Jutta Koether in der Thomas Erben Gallery, New York”, Melanie Gilligan,Texte zur Kunst, June 2005, p. 192 - 195 “Dark Star”, Jutta Koether and Bob Nickas, Artforum, Issue 7, March 2005, p.59 “Trading Post!”, Jutta Koether and Kim Gordon, in exh. cat., “Trade - The W.C. # 1”, exh. cat., February 4 - March 12, 2005 “I Am Woman, Hear Me Roar”, Jam Avgikos, in exh. cat. “Her Noise”, South London Gallery, 2005, p. 28 - 29 “Kim Gordon Interview by Jutta Koether”, in exh. cat. “Her Noise”, South London Gallery, 2005, p. 30 - 34 2004 “Sondersphärig! Zwanzig Minuten vor der Marc-Jacobs-Show”, Jutta Koether, Texte zur Kunst, December 2004, p. 96 - 101 “Alles in Allem. Ein Interview mit Karl Lagerfeld von Jutta Koether”, Jutta Koether, Texte zur Kunst, December 2004, p. 32 - 43 “Inteview mit Jutta Koether”, Christian Egger, Löhfelm, Issue 7, November 2004, p. 30 - 40 “Ana Da Silvia”, Tim Stüttgen, Spex, December 2004, p. 97 “Shirly”, Jutta Koether, exh. brochure “Born to be a star”, Künstlerhaus Wien, p. 4f 2003 “& c“, Jutta Koether, Helvetica, Wien, issue 4, September 2003, p. 19 - 25 “Roundtable: Barney im Abspann. Eine Gesprächsrunde mit Tom Holert, Gertrud Koch, Jutta Koether, Sebastian Schipper und Tom Tykwer“, Texte zur Kunst,Issue 51, September 2003, p. 104 - 117 “All alone (1957). Fautrier in den Vereinigten Staaten”, Jutta Koether, Texte zur Kunst, Issue 50, June 2003, p. 54 - 61 “How to write about ... Jutta Koether”, Bob Nickas, Afterall, July 2003, p. 42 - 51 “Unfinished Sympathies: On Jutta Koether’s art”, Thomas Groetz, Afterall, July 2003, p. 52 – 55 “Peripher im Zentrum - Jutta Koether”, Isabelle Graw, in “Die bessere Hälfte. Künstlerinnen des 20. und 21. Jahrhunderts”, Köln 2003, p. 143 – 154

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BORTOLAMI

“‘Girls Gone Wild’. Bronwyn Keenan Gallery“, Roberta Smith, The New York Times, July 4, 2003 “Galleries-SoHo. ‘Girls Gone Wild’“, The New Yorker, June 30, 2003 “Deutschemalereizweitausenddrei”, Nicolaus Schafhausen (ed.), exh. cat., Frankfurter Kunstverein, Frankfurt/Main 2003, p. 60f 2002 “Jutta Koether”, Lyrik-Ecke, Texte zur Kunst, Issue 48, December 2002, p. 104f. “The Heavenly Tree Grows Downward”, Holland Cotter, The New York Times, September 20, 2002 “Illustration - avocation – illustration”, Jutta Koether, ecstatic peace, poetry journal, Issue 5, July 2002 “Found artist N.Y.”, Jutta Koether, Starship, issue 5, Spring 2002, p. 17 - 21 “Gogogo”, Jutta Koether, ecstatic peace, poetry journal, Issue 4, Summer 2002 2001 “Teaser’s trail”, Jutta Koether, ecstatic peace, poetry journal, issue 3, Winter 2001/2002 “Mali thep”, Jutta Koether, ecstatic peace, poetry journal, issue 3, Winter 2001/2002 “Nur dass nicht. Bruchstücke einer Performance von Jutta Koether”, Jutta Koether, in: Carl Hegemann (editor), ‘Erniedrigung geniessen. Kapitalismus und Depression III’, Berlin 2001, p. 142 - 156 “No Trouble No Energy No Energy No Life. Jutta Koether spielt, spricht und hämmert zu ihren Bildern”, Aram Lintzel, in: ebd., p. 157ff (Nachdruck in Frankfurter Allgemeinen Zeitung February 3/4, 2001) “The life they make me lead”, Jutta Koether, ecstatic peace, poetry journal, Issue 1, Spring 2001 “Wenn der Hammer ins Meer sinkt”, Aram Lintzel, Frankfurter Allgemeine Zeitung, Berliner Seiten, January 3, 2001 “Jutta Koether im roten Salon”, Harald Fricke, Tageszeitung, February 1, 2001 2000 “Jutta Koether”, Anja Dorn, Metropolis M, Issue 3, June/July 2000, p. 30f 1999 “Lichtecht (= sunfast)”, Jutta Koether, A.N.Y.P., Issue 9, 1999, p. 8 “Free time – Ein Gespräch mit Rita Ackermann und Jutta Koether”, Carina Plath, Kunst- Bulletin, Issue 1/2, January/February 1999, p. 15 – 19 “I love New York – Gespräche mit Künstlern”, Heinz-Norbert Jocks, Free Time: “Freiraum Zum Malen”, Kunstforum International, Issue 143, January/February 1999, p. 316f “Free Time: Rita Ackermann, Kim Gordon, Jutta Koether”, Claudia Funke, I love New York. Crossover der aktuellen Kunst, Museum Ludwig, Köln 1999, p. 52 “Snacks. New York (ausgeleuchtet)”, Jutta Koether, ebd., p. 56 - 60 1998 “Prozeß-Expressionismus”, John Miller, Texte zur Kunst, Issue 29, March 1998, p. 121ff “Interview mit Jutta Koether”, Ulrike Gross and Markus Müller, in: “Make it Funky – Crossover zwischen Musik, “Pop, Avantgarde und Kunst”, Jahresring 45, Bernhard Loeffelholz and Brigitte Oetker (editors), Köln 1998, p. 277 – 284 “Freundesbriefe. Jutta Koether sammelt Gratulationen, poetische Notizen und persönliche Nachrichten”, Jürgen Raap, Kölner Illustrierte, August 1998, p. 67 1997 Jerry Salz, Time-Out, New York, issue 108, 1997, p. 46 “Art in Review: Jutta Koether”, Holland Cotter, The New York Times, October 4, 1997 “Gallery Go Round: Jutta Koether”, Victoria Pedersen, Paper Magazine, Issue 10, 1997 “Voice Choices: Galleries: Jutta Koether”, Kim Levin, The Village Voice, September 30, 1997 1996 “Transidentity Express 2. Versuch über die Schnittstellen von Kunst und Musik”, Jutta Koether, Kunstforum International, issue 135, October 1996, p. 188ff

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BORTOLAMI

“Echte Massen werden zur Tapete, das ist ihr Schicksal. Ein Gespräch mit Jutta Koether über Archäologie, Kopfbedeckungen, Künstlertum, Malerei und die Massen als Opfer”, Diedrich Diedrichsen, Kunstforum International, Issue 135, 1996, p.170 ff “Jutta Koether: ‘100 % Malerei’ oder Wie aus Musik Malerei wird und umgekehrt”, Mike Kelley, Kunstforum, Issue 134, May-September 1996, p. 242-248 “Art in Review: Jutta Koether”, Sarah Schmerler, Time Out, New York, March 6, 1996 “Jutta Koether: aftershows”, Holland Cotter, The New York Times, February 1996 1995 “Jutta Koether at Pat Hearn” Jeanne Siegel, ARTIS, March/April 1995, p. 227f “Choices: Jutta Koether” Kim Levin, The Village Voice, February 28, 1995 “Jutta Koether”, Roberta Smith, The New York Times, February 24, 1995 “Deliratio III So frei”, Jutta Koether, Spex, October 1995, p. 60 – 63 1994 “Weiterspielen: Ein Symposium führt zum nächsten Symposium”, Jutta Kother, in: Elisabeth Fiedler (editor), Spielverderber, Forum Stadtpark Grz, steirischer Herbst, 1994, p. 240 - 246 1993 “Jutta Koether“, Jutta Koether, Programmheft, 1993 “Choices: Jutta Koether”, Kim Levin, The Village Voice, June 29, 1993 “Goings On About Town”, The New Yorker, June 21, 1993 “Jutta Koether”, Roberta Smith, The New York Times, June 4, 1993 “German Art Still Breathes the Air of Ideas”, Roberta Smith, The New York Times, April 23, 1993 “Punishment and Decoration: Art in an Age of Militant Superficiality”, Michael Corris, ARTFORUM, April 1993 “Achtung Baby: Pressing the Flesh. Jutta Koether and Diedrich Diederichsen on News from Germany”, Jutta Koether, Diedrich Diederichsen, ARTFORUM, April 1993 “Jutta Koether - Laurent Joubert”, Olivier Zahm, ARTFORUM, February 1993 “Achtung Baby. Diedrich Diederichsen and Jutta Koether on Springtime for Hitler”, Jutta Koether, Diedrich Diederichsen, ARTFORUM, January 1993 1990 “‘Halal’; Hans Nieswandt: ‘The Halal File”, Jutta Koether, Texte zur gleichnamigen CD, Standard Graphik, Köln1990 1988 “Michael Krebber/ Jutta Koether”, Walter Titz, Artscribe, January/February 1988 1986 “Jutta Koether”, Diedrich Diedrichsen, Steirischer Herbst 86/ Forum Stadtpark Graz 1985 “Smell of Female”, Jutta Koether, in: exh. cat. “Trockel, Semmer, Koether”, La Grande Serre, Rouen 1985 “Road to Cairo”, Jutta Koether, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld 1985

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