1 Sergio De La Torre Curriculum Vitae
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An Online Cultural Mobility Funding Guide for AFRICA
An online cultural mobility funding guide for AFRICA — by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination Third Edition — Suggestions for reading this guide: We recommend that you download the guide and open it using Acrobat Reader. You can then click on the web links and consult the funding schemes and resources. Alterna- tively, you can also copy and paste the web links of the schemes /resources that interest you in your browser’s URL field. This guide being long, we advise you not to print it, especially since all resources are web-based. Thank you! Guide to funding opportunities for the international mobility of artists and culture professionals: AFRICA — An online cultural mobility funding guide for Africa by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination design by Eps51 December 2019 — GUIDE TO FUNDING OPPORTUNITIES FOR THE INTERNATIONAL MOBILITY OF ARTISTS AND CULTURE PROFESSIONALS – AFRICA Guide to funding opportunities for the international This Cultural Mobility Funding Guide presents a mapping of mobility of funding opportunities for interna- tional cultural mobility, focused artists and culture on the African continent. professionals The main objective of this cul- tural mobility funding guide is to AFRICA provide an overview of the fund- ing bodies and programmes that support the international mobility of artists and cultural operators from Africa and travelling to Africa. It also aims to provide input for funders and policy makers on how to fill the existing -
German Films Quarterly 1/2021
GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri butions dealing with internationally controversial topics in the film industry. -
Delegates Guide
Delegates Guide 15–20 March, 2019 Cultural Partners Supported by Friends of Qumra Media Partners Cover: ‘Six Months and One Day’, directed by Yassine Ouahrani 1 QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 13 Qumra Project Delegates 15 Industry Delegates 63 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Aya Al-Blouchi Quay Chu Anthea Devotta Mayar Hamdan Qumra Master Classes Development Qumra Industry Senior Qumra Shorts Coordinator Senior Coordinator Executive Coordinator Development Assistant Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Meriem Mesraoua Qumra Industry Qumra Talks Senior Qumra Pass Senior Grants Senior Coordinator Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Vanessa Paradis Majid Al-Remaihi Nina Rodriguez Alanoud Al Saiari Grants Coordinator Film Programming Qumra Industry Senior Qumra Pass Coordinator Assistant Coordinator Film Workshops & Labs Coordinator Wesam Said Rawda Al-Thani Jana Wehbe Ania Wojtowicz Grants Coordinator Film Programming Qumra Industry Senior Qumra Shorts Coordinator Assistant Coordinator Film Workshops & Labs Senior Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Head of Grants Qumra Industry Industry Advisor Manager Film Training Senior Manager 4 5 Qumra Masters Eugenio Caballero Kiyoshi Kurosawa In 2015 and 2016 he worked on the film ‘A at Cannes in 2003, ‘Doppelganger’ (2002), Monster Calls’, directed by J.A. Bayona, ‘Loft’ (2005), and ‘Retribution’ (2006), which earning him a Goya on his third nomination screened at that year’s Venice Film Festival. -
FILMS CATALOGUE Ermanno Olmi DISTRIBUTION in SPAIN PACO POCH CINEMA an Old Priest and His Church Are About to Be Demolished
IL VILLAGGIO DI CARTONE FILMS CATALOGUE Ermanno Olmi DISTRIBUTION IN SPAIN PACO POCH CINEMA An old priest and his church are about to be demolished. A group of clandestine immigrants seeking protection find refuge in that church. From this moment of crisis and discouragement, there will be the start of a resurrection: together these people will be able to find the real meaning of the word “solidarity” and realize that the church is much more than a place for liturgical ceremonies and golden altars. Nationality: Italy Festivals: Venice (Out of Competition), Year: 2011 Toronto, Pusan International Film Language: Italian Festival (South Korea) Duration: 84 min Release in Spain: 30th November 2012 Technical specifications: 1.85 : 1 Color Materials available in Spain: 35mm vose, Hort de la vila, 38, 1-1 blue-ray vose/vocat, DVD vose/vocat 08017 Barcelona, Spain [email protected] [email protected] +34 93 203 30 25 www.pacopoch.cat/cinema TANGO LIBRE Frédéric Fonteyne JC is a prison guard. He is an ordinary man with an uneventful life. His only extravagance is taking tango classes one night a week. One day, he meets a newcomer, Alice. The next day, surprisingly, he sees her again during prison visiting hours. She has come to see two inmates: one is her husband, the other her lover… Prison regulations prohibit socializing with inmates’ families. For the first time in his life, JC is about to break the rules. Nationality: Belgium - France Festivals: Venice Film Festival (Orizzonti), Year: 2012 BFI London Film Festival, Warsaw Film Language: French Festival (Grand Prix) Duration: 105 Release in Spain: Beginning May 2013 Technical specifications: 2.35 Color Materials available: 35mm, DCP, blue-ray, DVD POSTCARDS Kaneto Shindo Near the end of the second world war, Sadazo Morikawa is one of a group of 100 overaged conscripts for the Japanese navy assigned to cleaning duty. -
Harvard Kennedy School Journal of Hispanic Policy a Harvard Kennedy School Student Publication
Harvard Kennedy School Journal of Hispanic Policy A Harvard Kennedy School Student Publication Volume 30 Staff Kristell Millán Editor-in-Chief Estivaliz Castro Senior Editor Alberto I. Rincon Executive Director Bryan Cortes Senior Editor Leticia Rojas Managing Editor, Print Jazmine Garcia Delgadillo Senior Amanda R. Matos Managing Editor, Editor Digital Daniel Gonzalez Senior Editor Camilo Caballero Director, Jessica Mitchell-McCollough Senior Communications Editor Rocio Tua Director, Alumni & Board Noah Toledo Senior Editor Relations Max Wynn Senior Editor Sara Agate Senior Editor Martha Foley Publisher Elizabeth Castro Senior Editor Richard Parker Faculty Advisor Recognition of Former Editors A special thank you to the former editors Alex Rodriguez, 1995–96 of the Harvard Kennedy School Journal of Irma Muñoz, 1996–97 Hispanic Policy, previously known as the Myrna Pérez, 1996–97 Harvard Journal of Hispanic Policy, whose Eraina Ortega, 1998–99 legacy continues to be a source of inspira- Nereyda Salinas, 1998–99 tion for Latina/o students Harvard-wide. Raúl Ruiz, 1999–2000 Maurilio León, 1999–2000 Henry A.J. Ramos, Founding Editor, Sandra M. Gallardo, 2000–01 1984–86 Luis S. Hernandez Jr., 2000–01 Marlene M. Morales, 1986–87 Karen Hakime Bhatia, 2001–02 Adolph P. Falcón, 1986–87 Héctor G. Bladuell, 2001–02 Kimura Flores, 1987–88 Jimmy Gomez, 2002–03 Luis J. Martinez, 1988–89 Elena Chávez, 2003–04 Genoveva L. Arellano, 1989–90 Adrian J. Rodríguez, 2004–05 David Moguel, 1989–90 Edgar A. Morales, 2005–06 Carlo E. Porcelli, 1990–91 Maria C. Alvarado, 2006–07 Laura F. Sainz, 1990–91 Tomás J. García, 2007–08 Diana Tisnado, 1991–92 Emerita F. -
BFI Statistical Yearbook 2016 1
BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS PUBLISHED JUNE PRELIMS PRELIMS 2016 PUBLISHED APRIL PUBLISHED APRIL PUBLISHED APRIL PUBLISHED APRIL 2016 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS DISTRIBUTION T O P F I L M S O F Image: Jurassic World ©2015 Universal Pictures. Courtesy of Universal Studios Licensing LLC ALL TIME AT THE SCREEN SECTORUK BOX OFFICE SCREEN SECTOR PRODUCTIONSImage: Star Wars: The Force Awakens ©2015 Lucasfilm Ltd. & TM. All Rights Reserved. PRODUCTION CERTIFIED AS T O P F I L M S PUBLISHED JUNE IN 2015 PUBLISHED APRIL PUBLISHED JUNE BRITISH, Image: A United Kingdom courtesy of Pathé UK PUBLISHED JUNE IN 2015 PUBLISHED JUNE Image: Legend courtesy of StudioCanal BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2006-2015 Image: Brooklyn courtesy of Lionsgate Films BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 2016 2016 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS PUBLISHED JUNE EMPLOYMENT PUBLISHED JUNE THE BOX FILM INDUSTRYTHE UK FILM IN THE FILM PUBLISHED JUNE PUBLISHED JUNE STATISTICALPUBLISHED JUNE ECONOMY YEARBOOK 2016 OFFICE 2015COMPANIESImage: The Martian courtesy of Twentieth Century Fox. -
Hubert Bals Fund
International Film Festival Rotterdam Hubert Bals Fund Annual Report 2016-2017 Recent HBF Successes Welcome to the Hubert Bals Fund Alba (2016) by Ana Cristina Barragán; supported by HBF in 2015 for Beauty and the Dogs (2017) by Kaouther Ben Hania; supported by HBF in at Planet IFFR Post-production; 60 festivals, 13 awards 2015 for Script and Project Development; world premiere: Cannes FF (Un Certain Regard) in 2017 The Hubert Bals Fund (HBF) has been a pioneer ever since 1988, when it started providing financial support to remarkable feature films by innovative and talented filmmakers from all over the world – but predominantly from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe. The success of HBF-backed films in Rotterdam and abroad is proof of the synergetic effectiveness of the connections IFFR PRO aims to make between funding (HBF), mentoring (BoostNL), co-production (CineMart) and the festival (IFFR). By the Time It Gets Dark (2016) by Anocha Suwichakornpong; supported La Flor (Parte 1) (2016) by Mariano Llinás; supported by HBF in 2015 for Contents by HBF in 2013 and 2015 for Script and Project Development and Minority Post-production; winner Hubert Bals Fund Audience Award 2017, IFFR Co-production; 35 festivals, 3 awards Recent HBF Successes 2 White Sun by Deepak Rauniyar 16 Welcome to the Hubert Bals Fund Circulation Overview of Films at Planet IFFR 3 Supported by the HBF 17 Brief Overview HBF 2016-2017 5 Statement of Income and Expenditure 22 Activities and Results 6 The Wound by John Trengove 24 I -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
2004 Crossroads in Cultural Studies FIFTH INTERNATIONAL CONFERENCE
2004 Crossroads in Cultural Studies FIFTH INTERNATIONAL CONFERENCE June 25-28, 2004 University of Illinois at Urbana-Champaign www.crossroads2004.org CONFERENCE ORGANIZERS The Fifth International Crossroads in Cultural Studies is organized by the College of Communications, the Institute of Communications Research and the Interdisciplinary Program in Cultural Studies and Interpretive Research at the University of Illinois at Urbana-Champaign in conjunction with the Association for Cultural Studies. CONFERENCE PROGRAM This conference program and abstract book was compiled and produced by the conference organizing committee. The program was printed by the Office of Printing Services at the University of Illinois at Urbana-Champaign. CONFERENCE SPONSORS Asian American Studies · Blackwell Publishers · Center for Advanced Study Center for Democracy in a Multiracial Society · Center for Global Studies College of Communications · Educational Policy Studies · Ford Foundation Gender & Women’s Studies · International Affairs Illinois Program for Research in the Humanities Institute of Communications Research · Kinesiology · Latin American Studies Latino/a Studies · Russian East European Center · Sociology South Asian and Middle Eastern Studies · Speech Communication Sage Publications · Unit for Criticism and Interpretive Theory ii General information Table of Contents Preface from the chair ...................................................... iv Preface from the ACS president ........................................ v Conference organizers..................................................... -
Basic Spanish for the Camino
BASIC SPANISH FOR THE CAMINO A Pilgrim’s Introduction to the Spanish Language and Culture American Pilgrims on the Camino www.americanpilgrims.org Northern California Chapter [email protected] February 1, 2020 Bienvenido peregrino Leaving soon on your Camino and need to learn some Spanish basics? Or perhaps you already know some Spanish and just need a refresher and some practice? In any case, here is a great opportunity to increase your awareness of the Spanish language and to prepare for your Camino and the transition into Spanish culture. Our meetings will focus on the language challenges that, as a pilgrim, you are likely to encounter on the Camino. While we will talk about culture, history, food, wine and many other day-to-day aspects of Spanish life, our objective will be to increase your language skills. Familiarity with the Spanish spoken in Spain will make the cultural transition easier for you and ultimately pay off with more satisfying human interactions along the Camino. Our meetings will be informal, in a comfortable environment and geared to making the review of Spanish an enjoyable experience. Buen Camino Emilio Escudero Northern California Chapter American Pilgrims on the Camino www.americanpilgrims.org TABLE OF CONTENTS Day 1 Agenda . i Day 2 Agenda . ii Day 3 Agenda . iii 01 - The Communities, Provinces and Geography of Spain . 1 02 - Spain - A Brief Introduction . 3 03 - A Brief History of Spain and the Camino de Santiago . 5 04 - Holidays and Observances in Spain 2020 . 11 05 - An Overview of the Spanish Language . 12 06 - Arabic Words Incorporated into Spanish . -
Transcultural Performance Art, Political Intention, and the Aesthetic
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 5-3-2018 Transcultural Performance Art, Political Intention, and the Aesthetic Projects of Guillermo Gómez- Peña, Coco Fusco, Violeta Luna, Roberto Sifuentes, and La Pocha Nostra William R. Stark University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Stark, William R., "Transcultural Performance Art, Political Intention, and the Aesthetic Projects of Guillermo Gómez-Peña, Coco Fusco, Violeta Luna, Roberto Sifuentes, and La Pocha Nostra" (2018). Doctoral Dissertations. 1775. https://opencommons.uconn.edu/dissertations/1775 Transcultural Performance Art, Political Intention, and the Aesthetic Projects of Guillermo Gómez-Peña, Coco Fusco, Violeta Luna, Roberto Sifuentes, and La Pocha Nostra William R. Stark University of Connecticut, 2018 This dissertation analyzes socio-cultural and socio-political concerns that characterize performance art in the United States (U.S.) from the late 1980s to 2015. Of particular interest to my research are performance artists who cross cultural borders and challenge normative cultural paradigms, celebrate cultural hybridity, and challenge the epistemological value of national, cultural, ethnic, and racial borders. My research examines the ways that multimedia performance artists Guillermo Gómez-Peña (1955 – Mexico City, D.F.), Coco Fusco (1960 – New York, NY), Roberto Sifuentes (1967 – Los Angeles, CA), Violeta Luna (Mexico City, D.F., Mexico) and the performance troupe La Pocha Nostra (1993-) articulate aesthetic projects with political intention to establish sociocultural and sociopolitical critiques of hegemonic discourses. I examine the central role of the U.S.-Mexico border and border thinking in texts and performances from the 1980s to 2015. -
Produire Au Sud Workshop
PRODUIRE AU SUD WORKSHOP Professional programme of the Festival of 3 Continents INTERNATIONAL SOURCES OF FUNDINGS (last update jun. 2013) INDEPENDENT SOURCES OF FINANCING INTERNATIONAL WORKHOPS, RESIDENCES & NETWORK PROGRAMMES Produire au Sud workshop – G. Mainguet, C. Lajoumard, P. Avril - 26/06/13 – p. 1 Development Fund for Art,Technique and Film Industry – Algeria (Algérie) Fictions & Documentaries The Algerian Government has long taken an interest in the film industry, with the creation in 1968 of the "Fonds de Développement de l’Art, de la Technique et de l’Industrie Cinématographique" (FDATIC). This Fund is designed to support the production and distribution of Algerian films, to develop video archives and to organise film events. Since its establishment in 1992, the National Reading Committee has reviewed 165 themes or scripts and selected 49 beneficiaries of partial funding from the FDATIC. Who can apply? Only corporate bodies working in television or film production and of ALGERIAN NATIONALITY can receive financial support from the FDATIC. Foreign citizens residing officially in Algeria and who have been working in the film or television field for more than 5 years can be assimilated to Algerian citizens and thus benefit from this support. CO-PRODUCTIONS ARE ALSO ACCEPTED. Conditions and obligations Every applicant to FDATIC financial support must register at the "Conseil national de la cinématographie et de l’aide aux projets audiovisuels" (part of the Ministry of Communication and Culture), at least three months prior to the planned shooting date. Type and amount of support Currently, the basic amount of FDATIC grants allocated is ten million DA (slightly under 100,000 euros) for features films and three million DA (slightly less than 30,000 euros) for short films.