DOCSLIB.ORG

Produire Au Sud Workshop

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Produire Au Sud Workshop PRODUIRE AU SUD WORKSHOP Professional programme of the Festival of 3 Continents INTERNATIONAL SOURCES OF FUNDINGS (last update jun. 2013) INDEPENDENT SOURCES OF FINANCING INTERNATIONAL WORKHOPS, RESIDENCES & NETWORK PROGRAMMES Produire au Sud workshop – G. Mainguet, C. Lajoumard, P. Avril - 26/06/13 – p. 1 Development Fund for Art,Technique and Film Industry – Algeria (Algérie) Fictions & Documentaries The Algerian Government has long taken an interest in the film industry, with the creation in 1968 of the "Fonds de Développement de l’Art, de la Technique et de l’Industrie Cinématographique" (FDATIC). This Fund is designed to support the production and distribution of Algerian films, to develop video archives and to organise film events. Since its establishment in 1992, the National Reading Committee has reviewed 165 themes or scripts and selected 49 beneficiaries of partial funding from the FDATIC. Who can apply? Only corporate bodies working in television or film production and of ALGERIAN NATIONALITY can receive financial support from the FDATIC. Foreign citizens residing officially in Algeria and who have been working in the film or television field for more than 5 years can be assimilated to Algerian citizens and thus benefit from this support. CO-PRODUCTIONS ARE ALSO ACCEPTED. Conditions and obligations Every applicant to FDATIC financial support must register at the "Conseil national de la cinématographie et de l’aide aux projets audiovisuels" (part of the Ministry of Communication and Culture), at least three months prior to the planned shooting date. Type and amount of support Currently, the basic amount of FDATIC grants allocated is ten million DA (slightly under 100,000 euros) for features films and three million DA (slightly less than 30,000 euros) for short films. The support may be given as a loan or a grant. The conditions and details of each loan are determined by agreement between the "Conseil national de l’audiovisuel" (National Audiovisual Council) and the legal representative of the producer making the request. In the case of grants, once the approval is received, the payment is made in three parts: 40% upon signature of the agreement, to help the beneficiary start producing his/her film, 30% when shooting starts and 30% at the end of shooting. CONTACT Fonds de Développement de l’Art, de la Technique et de l’Industrie Cinématographique (FDATIC) Palais de la Culture Plateau des Annassers BP 100 – Alger Algeria Tel: +213 0 21 29 10 10 [email protected] www.m-culture.gov.dz Produire au Sud workshop – G. Mainguet, C. Lajoumard, P. Avril - 26/06/13 – p. 2 BUENOS AIRES LAB (BAFICI) – Argentina (Argentine) Fictions & Documentaries The BAL aims at supporting the development and production of Latin American cinema. It coordinates activities targeted at filmmakers of the region to foster the bond between professionals and the search for funding. The activities include the participation of professionals of the international industry (producers, sellers, distributors, TV networks, and funds) who are interested in Latin American cinematography. The activities aim at the contact and exchange between both spheres. BAL was a pioneer of its kind: ten years ago, when its journey in BAFICI began, the BAL was the first lab and co- production market in Latin America. And today, it is still a forerunner: it is the first market of its kind that seeks to make a radical transformation. CONTACT Bafici Av. Roque Saenz Peña 832 – piso 6º C1035AAQ - Ciudad de Buenos Aires T 0800-333-7848 [email protected] http://www.bafici.gob.ar/home/web/es/index.html Produire au Sud workshop – G. Mainguet, C. Lajoumard, P. Avril - 26/06/13 – p. 3 EP2C Postproduction Workshop – Belgium (Belgique) Fictions & Documentaries Presentation EP2C (European Post Production Connection) is a post-production management course for producers and professionals involved in post-production. The objective of this one-week workshop is to show how to get the best out of the post- production stage when working on an international coproduction. During the workshop, participants are introduced to the main artistic, technical and financial challenges entailed in post- production. EP2C puts at disposal in depth knowledge of image and sound workflows, post-production management methods as well as connections with financers and industry partners of regions hosting the workshop. It acts as a platform where European professionals can share their experience in their own countries with international experts. Who can apply ? EP2C workshop is mainly designed for producers with experience in their own countries and who desire to expand their horizons to co-produce at the European level. 22 places are avalaibles (14 producers and 8 post-production supervisors). Non European participants are also welcome with a maximum of 6 participants. Note that participants coming from the below stated countries have priority over the other candidates : Romania, Slovenia, Hungary, Czech Republic, Estonia, Poland, Bulgaria, Latvia, Lithuania, Cyprus, Malta, Croatie, as well as if participants come from countries with no support mechanisms. Modalities and counterparts Participation Fees: - European participants: 850 € This amount covers all costs related to the training course, including accommodation and food costs and the online follow-up. Grants covering participation fees, including accommodation, food costs, are available for European participants. - Non-European participants: Automatic complete scholarship Since 2011, thanks to the support of Media MUNDUS, we have the opportunity to welcome 6 non-European participants to the workshop with an automatic full scholarship including participation fees (training course, accommodation and food costs) and half of the travel costs. The language of seminar is the English. Type and amount of assistance The EP2C workshop lasts one week and provides practical financial & technical information and management tips in the main areas of post-production supervision - Image workflow (traditional vs digital), and special effects: impact of choices on planning and budget - Sound workflow: impact of choices on schedule and budget - Financing your post-production - Monitoring schedule and resources - Legal issues related to the post-production stage - Promotion and deliveries These main focuses are completed by visits to post-production facilities in the region hosting our workshop, meetings with local professionals, one-on-one meetings with decision makers as well as the setting up of a collaborative Internet platform. CONTACT EP2C Training Programme 28, rue de l’Amblève, 1160 Auderghem – Brussels, Belgium T +32 (0) 2 736 48 13 / F +32 (0) 2 732 33 83 [email protected] EP2C Programme Management : Michi Noro M: +32 475 73 66 16 [email protected] http://www.ep2c.com/ Produire au Sud workshop – G. Mainguet, C. Lajoumard, P. Avril - 26/06/13 – p. 4 Film Selection Commission – Belgium (Belgique-Fédération Wallonie-Bruxelles) Fictions & Documentaries The support is granted by the Film Selection Commission, in cooperation with the Ministry of the French Community of Belgium and the Centre of Cinema & Audiovisual. It is specifically dedicated to foreign countries. Who can apply? The project must be submitted by an independent producer with a registered head office or a permanent agency LOCATED IN BELGIUM. Conditions and obligations Requests for production support to a fiction, documentary or animation feature film may in some cases require the previously confirmed financing of 30% of the total project budget. The confirmed funding commitment will be verified when reviewing the application. The aid granted by the French Community Ministry is a presale loan refundable from the initial proceeds from the film exhibition. The applicant must provide proof that 100% of the aid granted will be spent in Belgium or for the benefit of physical or legal entities fiscally domiciled in Belgium. Type and amount of support The contribution from the French Community Ministry is calculated proportionately to its share in the overall film costs. The loan repayment amounts to 200% of the French Community’s initial contribution, according to the following terms: - 50% of the French Community’s share until 100% of its contribution is repaid, - Beyond 100%: 25% of the share up to a ceiling of 200%. The support granted is capped at €150,000. CONTACTS Ministère de la Communauté française Service général de l’Audiovisuel et des Multimédias Boulevard Léopold II, 44 B - 1080 Bruxelles Belgique Tél : +32 2 413 35 02 Fax : 32 2 413 20 68 - 32 2 413 30 50 [email protected] Secretariat of Film Selection Commission Véronique Pacco Tel : +32 2 413 33 42 [email protected] Feature films Adeline Wautelet [email protected] Short films Eve-Laure Avigdor Documentaries Stéphanie Leempoels www.audiovisuel.cfwb.be Produire au Sud workshop – G. Mainguet, C. Lajoumard, P. Avril - 26/06/13 – p. 5 Flanders Audiovisual Fund – Belgium (Belgique) Fictions & Documentaries The Flanders Audiovisual Fund (VAF) supports audiovisual production in, as well as international co-productions with Flanders. The Fund was set up by the Flanders government in 2002 and is headquartered in Brussels. The aims of the Flanders Audiovisual Fund are threefold: to develop a sustainable audiovisual industry, to encourage and support upcoming audiovisual talent and to promote a vibrant audiovisual culture in Flanders. VAF accomplishes four main tasks. It provides financial support for audiovisual productions and promotes
Load more

Recommended publications
  • An Online Cultural Mobility Funding Guide for AFRICA
    An online cultural mobility funding guide for AFRICA — by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination Third Edition — Suggestions for reading this guide: We recommend that you download the guide and open it using Acrobat Reader. You can then click on the web links and consult the funding schemes and resources. Alterna- tively, you can also copy and paste the web links of the schemes /resources that interest you in your browser’s URL field. This guide being long, we advise you not to print it, especially since all resources are web-based. Thank you! Guide to funding opportunities for the international mobility of artists and culture professionals: AFRICA — An online cultural mobility funding guide for Africa by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination design by Eps51 December 2019 — GUIDE TO FUNDING OPPORTUNITIES FOR THE INTERNATIONAL MOBILITY OF ARTISTS AND CULTURE PROFESSIONALS – AFRICA Guide to funding opportunities for the international This Cultural Mobility Funding Guide presents a mapping of mobility of funding opportunities for interna- tional cultural mobility, focused artists and culture on the African continent. professionals The main objective of this cul- tural mobility funding guide is to AFRICA provide an overview of the fund- ing bodies and programmes that support the international mobility of artists and cultural operators from Africa and travelling to Africa. It also aims to provide input for funders and policy makers on how to fill the existing
    [Show full text]
  • German Films Quarterly 1/2021
    GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some­ thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri­ butions dealing with internationally controversial topics in the film industry.
    [Show full text]
  • Delegates Guide
    Delegates Guide 15–20 March, 2019 Cultural Partners Supported by Friends of Qumra Media Partners Cover: ‘Six Months and One Day’, directed by Yassine Ouahrani 1 QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 13 Qumra Project Delegates 15 Industry Delegates 63 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Aya Al-Blouchi Quay Chu Anthea Devotta Mayar Hamdan Qumra Master Classes Development Qumra Industry Senior Qumra Shorts Coordinator Senior Coordinator Executive Coordinator Development Assistant Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Meriem Mesraoua Qumra Industry Qumra Talks Senior Qumra Pass Senior Grants Senior Coordinator Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Vanessa Paradis Majid Al-Remaihi Nina Rodriguez Alanoud Al Saiari Grants Coordinator Film Programming Qumra Industry Senior Qumra Pass Coordinator Assistant Coordinator Film Workshops & Labs Coordinator Wesam Said Rawda Al-Thani Jana Wehbe Ania Wojtowicz Grants Coordinator Film Programming Qumra Industry Senior Qumra Shorts Coordinator Assistant Coordinator Film Workshops & Labs Senior Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Head of Grants Qumra Industry Industry Advisor Manager Film Training Senior Manager 4 5 Qumra Masters Eugenio Caballero Kiyoshi Kurosawa In 2015 and 2016 he worked on the film ‘A at Cannes in 2003, ‘Doppelganger’ (2002), Monster Calls’, directed by J.A. Bayona, ‘Loft’ (2005), and ‘Retribution’ (2006), which earning him a Goya on his third nomination screened at that year’s Venice Film Festival.
    [Show full text]
  • FILMS CATALOGUE Ermanno Olmi DISTRIBUTION in SPAIN PACO POCH CINEMA an Old Priest and His Church Are About to Be Demolished
    IL VILLAGGIO DI CARTONE FILMS CATALOGUE Ermanno Olmi DISTRIBUTION IN SPAIN PACO POCH CINEMA An old priest and his church are about to be demolished. A group of clandestine immigrants seeking protection find refuge in that church. From this moment of crisis and discouragement, there will be the start of a resurrection: together these people will be able to find the real meaning of the word “solidarity” and realize that the church is much more than a place for liturgical ceremonies and golden altars. Nationality: Italy Festivals: Venice (Out of Competition), Year: 2011 Toronto, Pusan International Film Language: Italian Festival (South Korea) Duration: 84 min Release in Spain: 30th November 2012 Technical specifications: 1.85 : 1 Color Materials available in Spain: 35mm vose, Hort de la vila, 38, 1-1 blue-ray vose/vocat, DVD vose/vocat 08017 Barcelona, Spain [email protected] [email protected] +34 93 203 30 25 www.pacopoch.cat/cinema TANGO LIBRE Frédéric Fonteyne JC is a prison guard. He is an ordinary man with an uneventful life. His only extravagance is taking tango classes one night a week. One day, he meets a newcomer, Alice. The next day, surprisingly, he sees her again during prison visiting hours. She has come to see two inmates: one is her husband, the other her lover… Prison regulations prohibit socializing with inmates’ families. For the first time in his life, JC is about to break the rules. Nationality: Belgium - France Festivals: Venice Film Festival (Orizzonti), Year: 2012 BFI London Film Festival, Warsaw Film Language: French Festival (Grand Prix) Duration: 105 Release in Spain: Beginning May 2013 Technical specifications: 2.35 Color Materials available: 35mm, DCP, blue-ray, DVD POSTCARDS Kaneto Shindo Near the end of the second world war, Sadazo Morikawa is one of a group of 100 overaged conscripts for the Japanese navy assigned to cleaning duty.
    [Show full text]
  • The European Development Programme for Limited Budget
    20 17 with the support of in partnership with in partnership The European development programme for limited created by created budget feature films created by Le Groupe Ouest, European Film Lab was founded on the coast of western Brittany (France) in 2006. Over 500 filmmakers have received residential coaching since work started, making Le Groupe Ouest the acknowledged leader in this field. In 2016, after founding the Cross Channel Film Lab and on the back of its experience as TorinoFilmLab’s longstanding French associate, Le Groupe Ouest launched LIM, following an initial pilot year with Romanian partner Control N. Le Groupe Ouest is LIM’s managing partner and coordinator. with the support of in partnership with Founded in 2009 by The Flanders Audiovisual two screenwriters and Fund (VAF) is the a director, Control N cultural public funding is a cultural association, body of Belgium’s whose projects center Flemish Community. around training workshops, VAF aims to stimulate and film courses and seminars, support the independent most of them dedicated audiovisual creation to amateurs. Although in Flanders through its projects touch different an integrated approach. areas of culture (theatre, VAF also offers the dance, photography), Flemish professional Control N’s main focus sector the necessary is screenwriting, script framework, along with development and film a wide range of related events. Its declared accompanying activities purpose is to discover and support measures and promote young in the area of Talent talented film enthusiasts Development, Research, and to push for cinema Film Activities and with the support of education in Romania. Sustainability - the latter known as ‘e-Mission’.
    [Show full text]
  • World Cinema Amsterd Am 2
    WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival.
    [Show full text]
  • Paris, Sustainable Sets Eu, Trip Gets the Green Light
    News from European Film Commission Network ers have decided to extend the shoot in Croatia, adding locations in FRANCE and around Split to Season 4. According to Embassy Films, filming in Croatia will take place between the months of August and September. PARIS, SUSTAINABLE SETS On June 27th, Bruno Julliard, Deputy Mayor in charge of culture, and Christian Vivès, Director of Paris ERDF, signed the charter for filming CZECH REPUBLIC in Paris according to which the use of temporary electric connections is encouraged and made easier. This permits film crews to restrict the PRAGUE/INTERNATIONAL SETS use of generators, thus reducing sound and environmental disturbance. The Ridley Scott-produced Child 44, directed by Daniel Espinosa and TheCity of Paris and ERDF thus aim to facilitate the reception of film produced by Scott Free Productions, Prague’s Stillking Films, Sum- crews and preserve the quality of life of Parisians, while reducing the mit Entertainment and Worldview Entertainment, started its 75-day city’s environmental footprint. shoot in June. Featuring a stellar cast including Tom Hardy, Gary Old- ERDF, a public service company in charge of supplying electricity to man, and Noomi Rapace, the story is set in the Soviet Union during the 95% of the French metropolitan territory, has teamed up with the City Stalin era, where a disgraced Soviet military police officer investigates for the success of the Climate Plan. a series of child murders. Paris, capital of cinema, hosts more 950 film shoots in 6,000 different Another important international production starting in June in Prague locations every year.
    [Show full text]
  • Development for Feature Film Projects, Next to You
    NEXT Development for feature film projects, next to you First session: 11-15 May 2020 Second session: 28-29 May 2020 The world is rapidly and profoundly TFL NEXT changing. New challenges have emerged on a global scale, which film and TV industries have the ability and the duty to answer. This conviction is deeply rooted in TorinoFilmLab’s DNA. It resonates in our mission: to bring together people, cultures and ideas to develop original and unique stories that can impact the future. This new branch of TorinoFilmLab has an innovative teaching approach, a fully online based experience. It aims at empowering a new generation of agile- thinking and innovative filmmakers, who are ready to immerse themselves in a truly global experience, sharing with international experts and peers, travelling across live barriers. Everyone has something unique to express. Together, we form a global community, ready to make an impact in the world. We invite you to join us in this new adventure. SUPPORTED BY PROMOTED BY 2 TFL NEXT – FILM DEVELOPMENT • 11-29 MAY 2020 TUTORS Isabelle created Initiative Film in 1993, a company dedicated to film development. She works as a script consultant and gives lectures at forefront international events and many film schools. She also Isabelle Fauvel facilitates book adaptations through book scouting Story Editor • France and initiatives such as Shoot the Book!, and scouts writers and directors for several producers and labs. Răzvan Rădulescu is a scriptwriter, novelist and film director. He studied Philology at the University of Bucharest and Opera Directing at the National Music Academy of Bucharest.
    [Show full text]
  • BFI Statistical Yearbook 2016 1
    BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS PUBLISHED JUNE PRELIMS PRELIMS 2016 PUBLISHED APRIL PUBLISHED APRIL PUBLISHED APRIL PUBLISHED APRIL 2016 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS DISTRIBUTION T O P F I L M S O F Image: Jurassic World ©2015 Universal Pictures. Courtesy of Universal Studios Licensing LLC ALL TIME AT THE SCREEN SECTORUK BOX OFFICE SCREEN SECTOR PRODUCTIONSImage: Star Wars: The Force Awakens ©2015 Lucasfilm Ltd. & TM. All Rights Reserved. PRODUCTION CERTIFIED AS T O P F I L M S PUBLISHED JUNE IN 2015 PUBLISHED APRIL PUBLISHED JUNE BRITISH, Image: A United Kingdom courtesy of Pathé UK PUBLISHED JUNE IN 2015 PUBLISHED JUNE Image: Legend courtesy of StudioCanal BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2006-2015 Image: Brooklyn courtesy of Lionsgate Films BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 2016 2016 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS PUBLISHED JUNE EMPLOYMENT PUBLISHED JUNE THE BOX FILM INDUSTRYTHE UK FILM IN THE FILM PUBLISHED JUNE PUBLISHED JUNE STATISTICALPUBLISHED JUNE ECONOMY YEARBOOK 2016 OFFICE 2015COMPANIESImage: The Martian courtesy of Twentieth Century Fox.
    [Show full text]
  • Research for CULT Committee
    Creative Europe: Towards the Next Programme Generation ____________________________________________________________________________________________ CONTENTS LIST OF ABBREVIATIONS 5 EXECUTIVE SUMMARY 7 1. CURRENT POLICY CONTEXT 11 2. CREATIVE EUROPE ORGANISATION AND MANAGEMENT 17 3. IMPACT OF CREATIVE EUROPE ON CULTURAL DIVERSITY 21 3.1. Improving the circulation of European cultural and audiovisual works 22 3.2. Supporting audience development 34 4. IMPACT ON CAPACITY BUILDING 41 4.1. Impact on skills and knowledge development 41 4.2. Impact on internationalisation and international networking 46 4.3. Impact on access to finance 48 4.4. Improving statistics on the CCS 51 5. CONTRIBUTION OF CREATIVE EUROPE TO EXTERNAL RELATIONS 55 6. ACCESSIBILITY OF THE PROGRAMME 59 6.1. Co-funding 61 6.2. The application process 62 6.3. Sector representation 62 7. DECISION MAKING PROCESS WITHIN CREATIVE EUROPE 67 7.1. The delegation of supplementing the list of indicators 68 7.2. Implementation of the programme: evolution of the annual work programmes and new priorities 68 8. INCREASING SYNERGIES WITH OTHER EU PROGRAMMES 73 8.1. Cohesion Policy and structural funds: culture and regional development 74 8.2. COSME programme and Horizon 2020 75 8.3. Skills development for the CCS through ERASMUS+ 75 9. COMMENTS ON THE MID-TERM REVIEW OF THE CREATIVE EUROPE PROGRAMME 77 10. POLICY RECOMMENDATIONS AND FINAL REMARKS 81 10.1. Recommendations 81 10.2. Concluding remarks 85 3 Policy Department for Structural and Cohesion Policies ____________________________________________________________________________________________ ANNEXES 87 Annex 1. Creative Europe objectives and structure 87 Annex 2. Brief overview of the EU decision-making system 91 Annex 3.
    [Show full text]
  • Hubert Bals Fund
    International Film Festival Rotterdam Hubert Bals Fund Annual Report 2016-2017 Recent HBF Successes Welcome to the Hubert Bals Fund Alba (2016) by Ana Cristina Barragán; supported by HBF in 2015 for Beauty and the Dogs (2017) by Kaouther Ben Hania; supported by HBF in at Planet IFFR Post-production; 60 festivals, 13 awards 2015 for Script and Project Development; world premiere: Cannes FF (Un Certain Regard) in 2017 The Hubert Bals Fund (HBF) has been a pioneer ever since 1988, when it started providing financial support to remarkable feature films by innovative and talented filmmakers from all over the world – but predominantly from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe. The success of HBF-backed films in Rotterdam and abroad is proof of the synergetic effectiveness of the connections IFFR PRO aims to make between funding (HBF), mentoring (BoostNL), co-production (CineMart) and the festival (IFFR). By the Time It Gets Dark (2016) by Anocha Suwichakornpong; supported La Flor (Parte 1) (2016) by Mariano Llinás; supported by HBF in 2015 for Contents by HBF in 2013 and 2015 for Script and Project Development and Minority Post-production; winner Hubert Bals Fund Audience Award 2017, IFFR Co-production; 35 festivals, 3 awards Recent HBF Successes 2 White Sun by Deepak Rauniyar 16 Welcome to the Hubert Bals Fund Circulation Overview of Films at Planet IFFR 3 Supported by the HBF 17 Brief Overview HBF 2016-2017 5 Statement of Income and Expenditure 22 Activities and Results 6 The Wound by John Trengove 24 I
    [Show full text]
  • Tabla 1:Festivales Y Premios Cinematográficos
    Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International
    [Show full text]