2004 Crossroads in Cultural Studies FIFTH INTERNATIONAL CONFERENCE
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An Online Cultural Mobility Funding Guide for AFRICA
An online cultural mobility funding guide for AFRICA — by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination Third Edition — Suggestions for reading this guide: We recommend that you download the guide and open it using Acrobat Reader. You can then click on the web links and consult the funding schemes and resources. Alterna- tively, you can also copy and paste the web links of the schemes /resources that interest you in your browser’s URL field. This guide being long, we advise you not to print it, especially since all resources are web-based. Thank you! Guide to funding opportunities for the international mobility of artists and culture professionals: AFRICA — An online cultural mobility funding guide for Africa by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination design by Eps51 December 2019 — GUIDE TO FUNDING OPPORTUNITIES FOR THE INTERNATIONAL MOBILITY OF ARTISTS AND CULTURE PROFESSIONALS – AFRICA Guide to funding opportunities for the international This Cultural Mobility Funding Guide presents a mapping of mobility of funding opportunities for interna- tional cultural mobility, focused artists and culture on the African continent. professionals The main objective of this cul- tural mobility funding guide is to AFRICA provide an overview of the fund- ing bodies and programmes that support the international mobility of artists and cultural operators from Africa and travelling to Africa. It also aims to provide input for funders and policy makers on how to fill the existing -
German Films Quarterly 1/2021
GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri butions dealing with internationally controversial topics in the film industry. -
Crossroads in Eden: the Development of Fort Lupton, 1835-2000
CROSSROADS IN EDEN: THE DEVELOPMENT OF FORT LUPTON, 1835-2000 A HISTORICAL CONTEXT Submitted to: Historic Preservation Board City of Fort Lupton, Weld County, Colorado Prepared by: Adam Thomas SWCA Environmental Consultants State Historical Fund Project 02-02-075, Deliverable 3: Fort Lupton Historic Survey and Context SWCA Cultural Resource Report 2003-141 October 2003 CROSSROADS IN EDEN: DEVELOPMENT OF FORT LUPTON, 1835-2000 A HISTORICAL CONTEXT Submitted to: Historic Preservation Board City of Fort Lupton, Weld County, Colorado Prepared by: Adam Thomas SWCA Inc. Environmental Consultants 8461 Turnpike Drive Suite 100 Westminster, Colorado 80031 Bill Martin, Project Manager Kevin W. Thompson, Principal Investigator State Historical Fund Project 02-02-075, Deliverable 3: Fort Lupton Historic Survey and Context SWCA Cultural Resource Report 2003-141 October 2003 TABLE OF CONTENTS Introduction: Timeless Connections iv A Note on Sources v Chapter 1: South Platte River Basin Prehistory to 1860 1 European Exploration 2 • Fort Lupton and Early Settlers 6 Chapter 2: A City Develops 12 Commercial and Civic Development 14 • Residential Development 17 • Social Life and Entertainment 20 • Public Services and Utilities 22 • Churches 24 • Schools 26 Chapter 3: The Freighter’s Campground: History of Transportation in Fort Lupton 28 Stage Lines and Toll Roads 28 • Railroads 29 • The Automobile Age 33 Chapter 4: Bounty of the Earth: Agriculture, Food-Processing, and the Oil and Gas Industries 37 Ranching 37 • Farming and Irrigation 39 • Food-Processing Industry 41 • Oil and Gas 46 Chapter 5: A Town of Diversity: Ethnic Heritage of Fort Lupton 48 Germans from Russia 48 • Hispanics 50 • Japanese 55 Conclusion: A Historical Crossroads 58 Notes 59 Bibliography 66 FIGURES, MAPS, AND TABLES Fig. -
Delegates Guide
Delegates Guide 15–20 March, 2019 Cultural Partners Supported by Friends of Qumra Media Partners Cover: ‘Six Months and One Day’, directed by Yassine Ouahrani 1 QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 13 Qumra Project Delegates 15 Industry Delegates 63 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Aya Al-Blouchi Quay Chu Anthea Devotta Mayar Hamdan Qumra Master Classes Development Qumra Industry Senior Qumra Shorts Coordinator Senior Coordinator Executive Coordinator Development Assistant Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Meriem Mesraoua Qumra Industry Qumra Talks Senior Qumra Pass Senior Grants Senior Coordinator Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Vanessa Paradis Majid Al-Remaihi Nina Rodriguez Alanoud Al Saiari Grants Coordinator Film Programming Qumra Industry Senior Qumra Pass Coordinator Assistant Coordinator Film Workshops & Labs Coordinator Wesam Said Rawda Al-Thani Jana Wehbe Ania Wojtowicz Grants Coordinator Film Programming Qumra Industry Senior Qumra Shorts Coordinator Assistant Coordinator Film Workshops & Labs Senior Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Head of Grants Qumra Industry Industry Advisor Manager Film Training Senior Manager 4 5 Qumra Masters Eugenio Caballero Kiyoshi Kurosawa In 2015 and 2016 he worked on the film ‘A at Cannes in 2003, ‘Doppelganger’ (2002), Monster Calls’, directed by J.A. Bayona, ‘Loft’ (2005), and ‘Retribution’ (2006), which earning him a Goya on his third nomination screened at that year’s Venice Film Festival. -
Implementing Screens Within Screens to Create Telepresence in Reality TV
Implementing screens within screens to create telepresence in reality TV Daniel Klug ∗ 1, Axel Schmidt ∗y 2 1 Institute for Media Studies, University of Basel – Suisse 2 Institute for the German Language – Allemagne Following Gumbrecht’s (2004) draft of a theory of presence the notion of presence aims at spatial relations: Something is present if it is tangible or ‘in actual range’ (Sch´’utz/Luckmann 1979). Concerning the social world, Goffman (1971) understands co-presence in a similar way, as the chance to get in direct contact with each other. For this, the possibility of mutually perceiving each other is a precondition and is in turn made possible by a shared location. Goffman’s concept of co-presence is bound to a shared here and now and thus is based on a notion of situation with place as its central dimension. Interaction as a basic mode of human exchange builds on situations and the possibility of mutual perception allowing so called perceived perceptions in particular (Hausendorf 2003) as the main mechanism of focused encounters. Media studies, however, proved that both the notion of situation as place and interaction as co-presence need to be extended as mediated contact creates new forms of situations and interactions. Especially Meyrowitz (1990) shows that the notion of situation has to be detached from the dimension of place and instead be redefined in terms of mediated contact. Therefore, the question ”who can hear me, who can see me?” is the basis for individual orientation and should guide the analysis of (inter)action. Although media enlarges the scope of perception in this way, it is not just a simple extension, but a trans- formation process in which the mediation itself plays a crucial role. -
FILMS CATALOGUE Ermanno Olmi DISTRIBUTION in SPAIN PACO POCH CINEMA an Old Priest and His Church Are About to Be Demolished
IL VILLAGGIO DI CARTONE FILMS CATALOGUE Ermanno Olmi DISTRIBUTION IN SPAIN PACO POCH CINEMA An old priest and his church are about to be demolished. A group of clandestine immigrants seeking protection find refuge in that church. From this moment of crisis and discouragement, there will be the start of a resurrection: together these people will be able to find the real meaning of the word “solidarity” and realize that the church is much more than a place for liturgical ceremonies and golden altars. Nationality: Italy Festivals: Venice (Out of Competition), Year: 2011 Toronto, Pusan International Film Language: Italian Festival (South Korea) Duration: 84 min Release in Spain: 30th November 2012 Technical specifications: 1.85 : 1 Color Materials available in Spain: 35mm vose, Hort de la vila, 38, 1-1 blue-ray vose/vocat, DVD vose/vocat 08017 Barcelona, Spain [email protected] [email protected] +34 93 203 30 25 www.pacopoch.cat/cinema TANGO LIBRE Frédéric Fonteyne JC is a prison guard. He is an ordinary man with an uneventful life. His only extravagance is taking tango classes one night a week. One day, he meets a newcomer, Alice. The next day, surprisingly, he sees her again during prison visiting hours. She has come to see two inmates: one is her husband, the other her lover… Prison regulations prohibit socializing with inmates’ families. For the first time in his life, JC is about to break the rules. Nationality: Belgium - France Festivals: Venice Film Festival (Orizzonti), Year: 2012 BFI London Film Festival, Warsaw Film Language: French Festival (Grand Prix) Duration: 105 Release in Spain: Beginning May 2013 Technical specifications: 2.35 Color Materials available: 35mm, DCP, blue-ray, DVD POSTCARDS Kaneto Shindo Near the end of the second world war, Sadazo Morikawa is one of a group of 100 overaged conscripts for the Japanese navy assigned to cleaning duty. -
Ryan Dempsey SAG AFTRA Eligible (203)-233-0758
Ryan Dempsey SAG AFTRA Eligible (203)-233-0758 Height: 5’10 Weight: 190 Hair: Red Eyes: Hazel FILM: Party Boat Supporting SONY Pictures Studios/Mesquite Prod. /Dir: Dylan Kidd Summer Madness Supporting FIFTEEN Studios/Dir: Justin Poage Atomic Brain Invasion Supporting Scorpio Film Releasing/Dir: Richard Griffin TELEVISION / WEB SERIES: Homicide Hunter Guest-Star Jupiter Entertainment / Dir: Greg Francis Killer Couples Guest-Star Jupiter Entertainment / Dir: Brian Peery Office Secrets Co-Star Taylormade Film Company/ Dir: Tony F. Charles Mixed Emotions Co-Star E-Tre Productions/ Dir: Ernestine Johnson Room Raiders 2.0 Guest-Star MTV/Dir: Trip Swanhaus COMMERCIAL: Yard Force Principal Yard Force 3200 PSI Pressure Washer/ Dir: Nathan Shinholt Jay Morrison Academy Principal EZ Funding / Dir: Ernestine Johnson Marriott Featured Through The Madness TRAINING: Bill Walton Acting for the Camera Connecticut Eric E. Tonner Acting 1: Character Study Connecticut Eric E. Tonner Voice and Diction Connecticut Sal S. Trapani Acting 3: Period styles Connecticut Pamela D. McDaniel Acting 2: Scene Study Connecticut Pamela D. McDaniel Performance Technique Connecticut Louisa C. Burns Bisogno Screenwriting Workshop Connecticut Alessandro Folchitto/Gary Watson Tactical weapons training for film Georgia Gary Monroe Tactical Parkour for film Georgia Capt. Dale Dye Military Training for film Louisiana College Classes Western Connecticut State University, Connecticut SPECIAL SKILLS: Dialects (Irish, British, Southern, Boston), Tactical weapons training for film, Parkour with weapons, Stunt driving, Stand-Up Comedy, Improv, Bartending, Cooking, Good with Kids, Good with animals, Hand Gun experience, Assualt Rifle Experience, Shotgun Experience, Football, Baseball, Volleyball, Long-distance Runner, Belch on command, Wiggle Ears, Vibrate Eyeballs, Drivers License, Passport . -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
MARISSA JOY DAVIS Sage Height: 5’5” Weight: 115 Hair: Blonde Eyes: Blue
MARISSA JOY DAVIS SAGe Height: 5’5” Weight: 115 Hair: Blonde Eyes: Blue Film Bigfoot Wars Amy Taylor Dir: Brian Jaynes Slaughter Creek Lead, Alyssa My Own Worst Enemy, Dir: Brian Skiba Temple Grandin Day Player HBO, Dir: Mick Jackson Patient Zero Day Player Dir: Brian Jaynes Television Betty Crocker Cooking Show Co-Host Betty Crocker The Jewelry Channel Host The Jewelry Channel Channel 7 News, Tyler Cooking Host NBC Room Raiders Co-Star MTV Commercial List available upon request Print Inside cover of national magazines (ask for more detail) Theater Strip Cult Samantha Hyde Out, Perish, Dir: Michael Z. Guys and Dolls Adelaide Mineola Theater, Dir: Shannon Seaton Last Night of Ballyhoo Sunny Mineola Theater, Dir: Shannon Seaton Over the River and Through the Woods Alice Mineola Theater, Dir: Shannon Seaton Assassins Emma Goldman Mineola Theater, Dir: Larry Wisdom Annie Orphan Mineola Theater, Dir: Larry Wisdom Radio 90.5 The Kat Classic Rock Disc Jockey 90.5 The Kat Sports Broadcasting Training Austin Acting Workshop Dan Fauci Austin Actors Studio, Austin, TX Abyss Dan Fauci Austin Actors Studio, Austin, TX Leadership Dan Fauci Austin Actors Studio, Austin, TX Mastery Van Brooks 2 Chairs Studio, Austin, TX Advanced Film Acting Van Brooks Austin Actors Studio, Austin, TX Private Voice Michael McKelvey St. Edwards University KD Studios Dallas, TX Musical Summer Theater Workshop University of North Texas Radio and Television Studies Sam Houston State University BA Theater/ Music Minor St. Edwards University Special Skills Voice: E below mid C to high C, Belt up to a C Athletics: Skydiving, Yoga, Swimming, Volleyball, Rollerblading, Basketball, Cheerleading, Golfing, Horseback Riding (Western and English), Softball, Firearms, Hip Hop, Ballet, Tap Dialects: Southern U.S., English, New York Instruments: Piano, Guitar Pageants: Miss Mineola, Most Photogenic Other: Valid Passport, Great with children and animals . -
Spr in G 20 19
SPRING 2019 SPRING JOURNAL OF ACADEMIC RESEARCH & WRITING | Kapi‘olani Community College Board of Student Publications Kapi‘olani Community College 4303 Diamond Head Road Honolulu, HI 96816 1| Ka Hue Anahā Journal of Academic Research & Writing | 2 SPRING 2019 SPRING JOURNAL OF ACADEMIC RESEARCH & WRITING Board of Student Publications | Kapi‘olani Community College 4303 DIAMOND HEAD ROAD HONOLULU, HI 96816 Acknowledgments Works selected for publication were chosen TO FUTURE AUTHORS to reflect the ideas and quality of writing The KCC Board of Student Publications looks across a wide range of courses here at the forward to reading your work in subsequent College. The Faculty Writing Coordinator editions of Ka Hue Anahā Journal of Academic and the Review and Editing Staff would & Research Writing. It is your efforts that keep like to congratulate the authors whose this publication going, and your support and papers were selected for the Spring enthusiasm are sincerely appreciated. 2018 edition of Ka Hue Anahā Journal of Academic & Research Writing, and to Remember to follow the College’s News and acknowledge and encourage all students Events (https://news.kapiolani.hawaii.edu/) who submitted papers. We regret not for information and calls for submissions. being able to publish all of the fine work You can also submit work anytime online submitted this semester. We hope that (http://go.hawaii.edu/ehj) or by contacting you will continue to write, and to engage the Board of Student Publications with the Board of Student Publications by at [email protected]. submitting more work in the future. Furthermore, and with much appreciation, TO FACULTY we would like to extend a sincere thank Please encourage your students to read and you to the faculty, staff and administrators, critically analyse works published in Ka Hue without whose support these student voices Anahā, and to submit their own work for would not be heard. -
Between Rebellion and Coalition Building Lynne Segal
1 TODAY, YESTERDAY & TOMORROW: between rebellion and coalition building Lynne Segal Times change, and with them accounts of what is more likely to be seen as politically achievable, or perhaps ridiculous. There is near consensus that Britain at present is facing an ever-deepening recession, with economists such as Will Hutton disclosing that the UK is suffering the worst economic performance since the nineteenth century, while its recovery from the height of the banking crisis has been amongst the slowest in the world. Even the IMF warns that the extent of government’s spending cuts and refusal to invest in the public sector is forestalling growth and risking permanent damage to the economy.1 Moreover, there is widespread awareness of the distressing effects of public sector cuts on the most vulnerable people in the UK, with women hit hardest by job cuts in the welfare system, and half a million people marching against the cuts in March 2011. Yet in the UK there is nowadays less political cohesion, hope, or anything like an agreed alternative vision between the different forms of resistance to this Tory-led coalition than there was when Margaret Thatcher was elected at the close of the 1970s. With the ethos of market forces so comprehensively triumphant over the last thirty years, fear eats the soul of the British left. Even the once widely approved word, ‘socialism’, to describe the goal of the radically egalitarian, democratic society many of us hoped to build back in the 1970s, has largely fallen into disuse. Back 2 then, it was the Women’s Liberation Movement that exerted the strongest influence on my life, and feminism generally has ever since remained a part of every political move I make. -
Songs to Keep You in the Caribbean Cruising Mood!
Songs to keep you in the Caribbean cruising mood! Best Buds’ Favorites (in bold) plus others suggested by Cruisecritic members Title Artist Genre 50 First Dates Album 50 First Dates sndtrk Movie A Beautiful Morning Young Rascals Rock A Lalala Long Inner Circle Reggae A Place in the Sun Pablo Cruise Rock A Salty Dog Procol Harum Rock Action Buju Banton Reggae Adios Mexico Texas Tornadoes Country Ain’t It Good to Know Beres Hammond & Buju Banton Reggae Ain’t No Mountain High Enough Diana Ross & The Supremes Rock Ain’t No Mountain High Enough Marvin Gaye & Tammi Terrel Rock Ali Baba Riddim Dub John Holt, King Tubby & Augustus Pablo Reggae All I Wanna Do Sheryl Crowe Rock All Nighter Elan Atias with Gwen Stefani Romance Almost Paradise Footloose soundtrack Ballad Always Look on the Bright Side of Life Hans Zimmer America the Beautiful Ray Charles Inspire American Pie Don Mclean Rock Anchors Aweigh/Marine Corps Hymn US Naval Academy Glee Club Inspire And Be Loved Damian Marley (Blue Crush sndtrk) Reggae And the Tide Rushes In Moody Blues Ballad Answer Riddim John Holt Reggae Aventura Mi Puerto Rico Dance Baby Blue Echoes Baby Come Back UB40 & Peabo Bryson Baby I Love Your Ways UB40 Back to the Island Baha Men Calypso Barbados Poco Ballad Barbados Goombay Dance Band Barbados Typically Tropical Calypso Barnacle Bill the Sailor Louis Prima Classic Be Young, Be Foolish, Be Happy Tams Rock Beach Baby First Class Rock Beautiful Barbados The Merrymen Island Beautiful Day U2 Rock Better Together Jack Johnson Ballad Between Us Two Ghetto Flex & Michele