DOCSLIB.ORG

Lou/IOS/21 (To Be Filled up by the Candidate by Blue/Black Ball-Point Pen)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lou/IOS/21 (To Be Filled up by the Candidate by Blue/Black Ball-Point Pen) lOU/IOS/21 (To be filled up by the candidate by blue/black ball-point pen) Roll No. LI_..-L_..-L_..-L_..-L_...l.._...l.._-'-_.J Roll No. (Write the digits in words) ................................................................................................ Serial No. of Answer Sheet ............................................. Day and Date .........................................•.......................... ( Signature of Invigilator ) INSTRUCTIONS TO CANDIDATES (Use only hlueJblack bill/-point pen in the space above and on both sides of the Answer Sheet) I. Within 10 minutes of the isslle of the Question Booklet, cheek the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring it to the notice of the Superintendentllnvigilators immediately 10 obtain a fresh Question Booklet. 2. Do not bring any loose paper, written or blank, inside the Examination llall except the Admit Card without its envelope. 3. A separate Answer Sheet is given. It should not be folded or mutilated. A second Answer Sheet shall not he provided. Only the Answer Sheet will be eva/uated. 4. Write your Roll Number and Serial Number ofthe Answer Sheet by pen in the space prvided above. s. On the front page ofthe Answer Sheet, write hy pen your Roll Number in the space provided at the top and by darkening the circles at the hottom. Also, wherever applicable, write the Question Booklet Number and the Set Number in appropriate places. 6. No overwriting is allowed in the entries of Roll No., Question Booklet no. and Set no. (if any) on OMR sheet and Roll No. and OMR sheet no. on the Queston Booklet 7. Any change in the aforesaid entries is to be verified by the inv;gilator, otherwise it will be taken as unfairmeans. 8. Each question in this Booklet is followed by four alternative answers. For each question, you are to record the correct option on the Answer Sheet by darkening the appropriate circle in the corresponding row of the Answer Sheet, by pen as mentioned in the guidelines given on the fin.t page of the Answer Sheet. 9. For each question, darken only one circle on the Answer Sheet. If you darken more than one circle or darken a circle partially, the answer will be treated as incorrect. 10. Note thai the answer once filled in ink cannot be changed. If you do not wish to attempt a question. leave all the circles in the corresponding row blank (such question will be awarded zero marks). 11. For rough work, use the inner back page of the title cover and the blank page at the end of this Booklet. 12. Deposit both the Question Booklet and the Answer Sheet at the cnd of the Test. 13. You are not pennitted to leave the Examination Hall until the end of the Test. 14. Ifa candidate attempts to usc any form of unfair means, he/she shall be liable to such punishment as the University may detennine and impose on him/her. Total No. of Printed Pages :28 1OU/108/21 No. of Questions: 100 ~ <lit m..rr : 100 Tim.es : 2 HOURS Full Marks : 300 W1'T: 2 tk:r '!!'$:: 300 Note: (1) Attempt as many questions as you can. Each question carries 3 (Three) marks. One mark will be deducted for each incorrect answer. Zero mark will be awarded for each unattempted question. 31f~_ Wfit qi\ 6<f m "" "If'ff! 'lftl j/rilq; fIR" 3 (ifI'f ) 3fq; q;r tl j/rilih 71ffif TTrr ~ ~ ~ 3fq; ~ ;;"iI'IIl ~ ,"juRd 1!v-l "" III '<I i'" 'If'! 1WlTI (2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one. 'lft; ll:<li1f- ~",r<"1'" "'" ~ "'" ij, f'rq;;o milu m, cit A"'''d~ ~ ·ow ~I OL Author of 'Natya Shastra' is : ( I) Bharat (2) Narad (3) Matang (4 ) Lochan '!lOI - 'IiR'! ij, ~ "" 1T'I t : (I) 'Iffi! (2) '!R"<; (3) "IlWT (4) ~ 02. Full name of Sharangdeva is : (I) Muni Sharangdeva (2) Shri Sharangadcva (3) Nihshank Sharangdeva (4 ) Sharangadcvaji P.T.O. lOU/I08/21 ~1I{'I~q "" ~ "'JTl1 ~: (1) :f! ~1I{'I~q (2) m~1I{'I~q (3) R:'Ifq; ~1I{'I~q (4) ~1I{'I~q"ll 03. What is the father's name of Smt Hirabai Barodekar ? (1) U stad Abdul Karim Khan (2) Mane Barodeker (3) Matang (4) Lochan ffiT ~ iiI:it ~iji { ~ furr "" "'JTl1 %: (1) ~ ~'!>wng] (2) l1f.t iiI?l~iji{ (3) li<fTl (4) ~ 04. The son of Ustad Abdul Karim Khan is : (1) Rashid Khan (2) Yunus Khan (3) Aman Ali Khan (4) Suresh Babu Mane ~ ~q;Wl<9i~:p!~: (1) ~ <9i (3) 31'R ~ <9i 05. On 15 august 1947, the singer of 'Vande Mataram' from Lal Qiula is: (1) Pt. Jasraj (2) PI. Bhimsen Joshi (3) Hirabai Barodekar (4) Lata Mangeshkar 15 3Jlm! 1947 qi) <.1f(1 ~ it '-,R: llT<f1:1\ ' ~ B'R it Q \iln:d S31T : (1) '10 "I\i(l"1 (2) ljo ~ ~ 2 10U/l08/21 06. Number of Vibhagas in Jhaptala : $1 qdl<1 -il fl!'lJlil 'li\ ~ t: (1) 4 (2) 5 (3) 6 (4) 7 07. How many 'Bharat Ratnas' in music ? (I) 5 (2) 6 (3) 7 (4) 8 08. Who is the "Bharat Ratna" is Music? (1) Pt. Bitju Maharaj (2) Pt. Bhim Sen Joshi (3) Pt. Jasraj (4) Pt. Nikhil Banatji WffiI-il <fiR 'lmI - «'! t ? (1) -qo ~ 4~Ri"1 (2) -qa '!ft4~1 ~ (3) -qa "1*l{l"t (4) -qa f.lfui<1 'R"ff 09. How many swaras are shuddha ? '?J'lHR f'noH ? (1) 4 (2) 5 (3) 6 (4) 7 10. Tivra Madhyam swar is : (1) Tivra Vikrit (2) Vikrit (3) Komal Vikrit (4) Shuddha Vikirit <fut lj.2f1H·,d : (1) <fut ~ (2) ~ (3) ~~ (4) ~~ 10U/I08/21 11. Pancham is : (1) Chal Swar (2) Achal Swar (3) Vadi Swar (4) Kan Swar 1f<fq t : ( 1) "if('! "" (2) 3l'I<'I "" (3) ~ "" (4) q;ur "" 12. Number of Saptakas are: Ii! '<I"" <ii1 ~ t : (1) 3 (2) 4 (3) 5 (4) 6 13. Number of Swaras in Audaw Jati are : (1) 5 (2) 6 (3) 7 (4) 8 14. How many Shruties are for Shadaj, Madhyam & Pancham? 'IS"[, 11>zm aiR 1f<fq <ii1 ~ 'ilfi!'iI t ? (1) 1 (2) 2 (3) 3 (4) 4 15. Tala of Dhamar Gayan is : (1) Ektaal (2) Dhamar (3) Dadra (4) Jat 'l11R 1lPR 'liT <Il<'f t : ( 1 ) lI,'Ii ~ 1<1 (2) 'l11R (3) <;J<;U (4) ""l 16. Whose pen-name is 'Chatur Piya'? (1) Pl. I3hatkhande (2) Pt. Jasraj (3) Ustad Amir Khan (4) Narad 4 10U/108/21 '''l!' fir<lT' r"',","1 dlll"'1'" ~? (1) <io 'lldIllU~ (2) <io "HHI"I (3) ~ wm: -IlIi (4) 'IRG 17. TaaJ in the frame of 5-2-3-4 : (1) Roopak (2) Dadra (3) Jhaptal (4) Dhamar 5-2-3-4 l1I'ITaiI i\; fll'Wl 'liT OR'! ~ : (1) ~ (2) ~ (3) i;lqdl<1 (4) 'fllR 18. Pt. Siyaram Tiwary was related to : (I) Jaipur Gharana (2) Banaras Gharana (3) Delhi Gharana (4) Darbhanga Gharana <io rfl~I(I~ fucIril w<r.& ~ : ( 1 ) "f'l:l< '!<Rl (2) ~11Hl '!<Rl (3) KR'il '!<Rl (4) G1:'fllT '!<Rl 19. Who is 'Bhav - Rang' ? (1) Pt. Paluskar (2) Pt. Balwant Rai Bhatt (3) Lochan (4) Jyotirishwar ''1'T'WT' q;R ~ ? (1) <io q\1<4>( (2) <io ~<1<id <f'1 ~ (3) ~ (4) <><iI fi!(l 'lR 20. Flute is : (I) Ghan Vadya (2) Tat Vadya (3) Sushir Vadya (4) Awanaddha Vadya 5 P.T.O. 10U/108/21 (2) ~ <m.T (3) Wr< <m.T (4) 3T<ffil <m.T 21. Pakhawaj is used with: (1) Dhrupad (2) Thumri (3) Kheyal (4) Tarana q@'NI '!iT m 1iffir t : (1) 'iJ;'R ~ m"l (2) ~ ~ m"l 22. Who is associated with Dance? (1 ) Durgalal (2) Girija Devi (3) Meera Bai (4) N. Rajam q;'\-;j "'f"I "i\ ~ t : ( 1) 5' 11<.'11 i"1 (2) fTrft;n ~ (3) '1l""1~ (4) 1l;Io ~ 23. Who is not associated with classical Vocal? (1) Dr. Ritwik Sanyal (2) Kishori Amonkar (3) Uday Shankar (4) Shobha Gurtu q;'\-;j ~"eil~ ljf'R "i\ ~ ~ t ? (1) <;To 'ilif,q,!> *i1"11i"1 (2) f<h'lfl,1 31m'!'!>( (3) ~~ (4) "IiI'll ~ 24. Who is the director of lTC, Kolkata? (1) Sapan Chakraworty (2) Pt. Vidyadhar Vyas (3) Tapan Bose (4) Buddhadev Das Gupta ~o ito .ITo, <f>1i"1'!>1<11 ~ f.li{~I'!> q;'\-;j t? (1) WR ",,,,,,<if (2) -qo flmTm 01ffil (3) O'R oirn (4) ~O!i~ " Gm :J'<IT 6 lOU/I08/21 25. Who is 'Harrang' ? (I) Pt. Bhatkhande (2) Bharat (3) Hridaya Narayan (4 ) Pt. Vishnu Digambar Paluskar 'QWT' ~~ 7 (1 ) -qo 'lldlSlug (2) 'WI (3) ~ 11'(14 0 1 (4) -qo ~ P;'lkH qi(!{<fi{ 26. 'Prayag Sangeet Smiti' is established in : (I) Gujarat (2) Maharashtra (3) U. P. (4) Bihar WWI Wila W!fu f'qINd ~ : (I) 2"1{1(I if (2) 'Hlf{le if (3) ~ m if (4) f,m1: if 27. The Sangeet Sansthan in Chandigarh is : (I) Indira Kala Sangit Vishwa Vidyalaya (2) Prachin Kala Kendra (3) Prayag Sangeet Samiti (4) Bhatkhande Sangeet Sansthan "4ui51'1~ if Wila fjf'qH ~ : (I) ~ q;ffi Wila fo!-¥lfqlUli"1~ (2) >n<iR q;ffi ~ (3) WWI Wila W!fu 28. Dhamar Gayan Shaily is related to : (I) Dance (2) Instrument (3) Classical Vocal (4) Folk music 7 P.T.O. 10U/108/21 (I) 1"! (2) '1m (3) ~1I«i1~ 'l1'R (4) ~ wmr 29.
Load more

Recommended publications
  • Indian Council for Cultural Relations (ICD Section) Indian Cultural Programmes 2012 April-March 2013 S.No. Name of the Programme
    Indian Council for Cultural Relations (ICD Section) Indian Cultural Programmes 2012 April-March 2013 S.No. Name of the Programmes Style Date of Performance 1. Ms. Sonam Kalra Sufi Singer 12th April, 2012 2. Ms. Swaswati Sen Kathak 12th April, 2012 3. Dr. Ileana Citaristi Odissi (H) 13th April, 2012 4. Ms. Nibedita Mohapatra Odissi (Lec-dem) 17th April, 2012 5. Mr. Manish Sharma Jal Tarang (H) 20th April, 2012 6. Mr. Ustad Mazhar Ali Vocal 21st April, 2012 Khan,Ustad Jawaad Ali Khan & Hans Raj Hans 7. Matrix Creative group Bollywood Dhamaka 23rd April, 2012 8. Mr. Rajat Kapoor Theater 26th April, 2012 9. Ms. Aruna Vasude Buddist (H) 27th April, 2012 10. Ms. Pragati Sood Kathak Lec-dem 2nd May, 2012 11. Mr. Sudip Kr. Flute recital (H) 4th May, 2012 Chattopadayay, Kolkata 12. Ms. Sangeeta Sharma Theatre (H) 11th May, 2012 13. Ms. Kavita Divedi Lec dem 13th May, 2012 14. Ms. Sohaila Kapur Dance Theatre (H) 18th May, 2012 15. Ms. Anjana Jha Kathak (H) 25th May, 2012 16. Ms. Ashvari Majumdar Kathak (Lec. Dem) 30th May, 2012 17. Prof. Lovely Sharma Sitar Recital (H) Agra 1st June, 2012 18. Mr. Anil Bhatt Puppet Show (H) 8th June, 2012 19. Mrs. Rina Jana Odissi Dance (H) 15th June, 2012 Kolkata 20. Mr. Neel Ranjan Mukherjee Hawaiian Guitar (H) 22nd June, 2012 21. Dr. Janaki Rangarajan Bharatanatyam (H) 29th June, 2012 Chennai 22. Mr. Shekhar Sen from “Kabeer” Play 2nd July, 2012 Mumbai 23. Malhaar Festival-2012 1. Meeta Pandit Hindustani Vocal 8th July, 2012 2. Rama Vaidyanathan Bharatanatyam 8th July, 2012 3.
    [Show full text]
  • Sept17 Cal Box.Cdr
    Dear Member, September arrives with tremendous promise marked by standalone Quality Street Sat Bhashe Raidas initiatives designed to transform your urban experience! (English/60mins) (Hindi/95mins) Habitat Film Club Notably, IHC, in collaboration with the Ministry of Youth Affairs & Dir. Rasika Agashe Presents A solo directed & performed Sports, begins the Khelo India Series, a quarterly lecture series Writ. Rajesh Kumar A Festival of Iranian Cinema featuring sports icons who will discuss their vision and share life by Maya Krishna Rao Prod. Being Association Collab. Iran Culture House, New Delhi based on a short story by experiences. A platform that aims to nurture sports culture in the 3 Sept 7:00pm|Bodyguard (Persian/2016/95mins) Dir. Ebrahim country and generate valuable insights on sports policy, infrastructure Chimamanda Adichie Hatamikia and opportunities, the maiden lecture on 4 Sept will be delivered by 4 Sept 7:00pm | Sweet Taste of Imagination (Persian/2014/90mins) 22 Sept | 7:00pm Pullela Gopichand, Chief National Coach of the Indian Badminton 9 Sept | 7:30pm Dir. Kamal Tabrezi The Amphitheatre, IHC Team. It is only apt that his lecture falls on the eve of Teacher's Day The Stein Auditorium 5 Sept 7:00pm | Crazy Castle (Persian/2015/115mins) Dir. Abdolhasan Davoodi celebrated across the country in honour of the enduring interventions of For 10 years & above the teaching community. Tickets at Rs.500, Rs.350 & Rs.200 11 Sept 7:00pm | Where are My Shoes (Persian/2016/90mins) Tickets at Rs.300 from 1 Sept. for IHC members Dir. Kioumars Pourahmad available at the Programmes Desk IHC will collaborate with Research and Information System for & open to all from 4 Sept.
    [Show full text]
  • INDIA INTERNATIONAL CENTRE Volume XXVIII
    diary Price Re.1/- INDIA INTERNATIONAL CENTRE volume XXVIII. No. 2 March – April 2014 composed Carnatic music in Hindustani ragas as well as Same Difference NottuSvarams inspired by British band music; in recent MUSIC APPRECIATION PROMOTION: The North–South years, Carnatic ragas such as Hamsadhwani and Convergence in Carnatic and Hindustani Music Charukeshi have been adopted enthusiastically by the Panelists: Subhadra Desai, Saraswati Rajagopalan north; Maharashtrian abhangs have become staples at and Suanshu Khurana Chair: Vidya Shah, March 21 Carnatic concerts; Indian classical music has shown a PERFORMANCE: A Celebration of Carnatic and willingness to naturalise Western imports such as the Hindustani Music violin, guitar, saxophone, mandolin and even the organ. Carnatic Vocal Recital by Sudha Raghunathan So what this really means is that you have two distinct Hindustani Vocal Recital by Meeta Pandit systems, with often disparate ideas about what constitutes Collaboration: Spirit of India, March 22 good music production, but tantalisingly similar lexicons and grammatical constructs that occasionally become the This was a thought-provoking discussion-demonstration basis for some interesting conversations. on the convergence between Carnatic and Hindustani music, two systems divided by a putatively common These insights kept coming to mind the next evening, musical language. The audience certainly converged; as to when the clamour of birdsong at the picturesque Rose the systems, it was largely a revelation of their divergences, Garden heralded performances by Meeta Pandit of the though a very interesting, and at times even amusing one. Gwalior gharana and then Sudha Raghunathan, the Madras Music Academy’s Sangeeta Kalanidhi for this Carnatic training begins with the raga Mayamalavagaula, year.
    [Show full text]
  • KARTIK FINE ARTS (Regd.) Rajalakshmi
    DATE : 18-11-2012 KARTIK FINE ARTS (Regd.) ‘Bhargavi’, Flat No. F1, First Floor, New No. 16, (Old No. 39), Bheemanna Mudali Garden St., Chennai - 600 018. Ph. : 2499 7788, 2495 2695, 90948 29675 e-mail : [email protected] Web : www.kartikfinearts.com in association with KARTIK ART FESTIVAL TRUST Sri P. OBUL REDDY and P. GNANAMBAL TRUST (Sponsored by Shri P. Vijayakumar Reddy & Smt. Preetha Reddy) Rajalakshmi Institutions & 39th YEAR ART FESTIVAL From 1-12-2013 To 04-01-2014 NARADA GANA SABHA MAIN HALL (Phone : 2498 3201) 01.12.13 10.30 am Inauguration followed by "SRI" a Bharathanatyam Sunday recital by Ms. Krithika Subrahmanian 04.00 pm ‘Isai Peroli’ Malladi Brothers(Sriram Prasad & Ravikumar) – Embar S. Kannan – Neyveli Narayanan – B.S. Purushotham 06.45 pm Sridevi Nrithyalaya presents “Janani Jagath Karani”- Dance drama. Choreography : Sheela Unnikrishnan Sri L. SABARETNAM Sri. RAJAGOPAL SEKAR & Chairman Sri . R. VENKATASUBRAMANIAN Secretaries Sri A.V.S. RAJA Sri . S. CHANDRASEKARAN President Treasurer Sri R. RAJAGOPAL, Managing Trustee, Kartik Art Festival Trust. 1 DATE : 18-11-2012 NARADA GANA SABHA MINI HALL (Phone-24983201) 02.12.13 10.00 am Mandolin Sisters (Sreesha & Sreeusha) – Monday Delhi Sairam – B. Subba Rao 12.15 pm R. Rajiv – R. Rajesh – Ammangudi Ramanarayanan 02.00 pm Jayakrishnan – C.N. Srinivasamurthy – V.S. Raghavan NARADA GANA SABHA MAIN HALL (Phone- 24983201) 04.30 pm S. Saketha Raman – Nagai Sriram – Umayalpuram Dr. K. Sivaraman – Giridhar Udupa 06.45 pm Hindustani Classical Recital by renowned Vocalist from Delhi MEETA PANDIT NARADA GANA SABHA MINI HALL (Phone-24983201) 03.12.13 10.00 am N.
    [Show full text]
  • Napier 85-108
    J. NAPIER: ’HETEROPHONY’ IN NORTH INDIA, IRASM 37 (2006) 1, 85-108 85 A ’FAILED’ UNISON OR CONSCIOUS DIFFERENTIATION: THE NOTION OF ’HETEROPHONY’ IN NORTH INDIAN VOCAL PERFORMANCE JOHN NAPIER UDC: 78.021(540) Original Scientific Paper School of Music and Music Education Izvorni znanstveni rad Received: July 29, 2005 University of New South Wales Primljeno: 29. srpnja 2005. SYDNEY 2052, Australia Accepted: November 7, 2005 E-mail: [email protected] PrihvaÊeno: 7. studenog 2005. Abstract — Résumé This paper is inspired in part by the ne- phony as a term of translation lies in its insist- cessity for examination of the cross-cultural ap- ent multivalence, its imprecision. I emphasise the plication of musical terminology, and suggests importance of understanding both musical proc- that such examination is illuminating of both our esses and the aesthetic and socio-musical factors understanding and of our own interpretative as- that help to determine and are represented sumptions. I examine the term flheterophony«, therein. both in general and in how it is used to describe Key words: Heterophony; North Indian melodic accompaniment, or sangat, in North In- music; Hindustani music; Terminology dian music. I argue that the value of hetero- The language of a translation can — in fact must — let itself go, so that it gives voice to the intentio of the original not as reproduction but as harmony, as its own kind of intentio. (BENJAMIN 1969: 79).1 In writing ethnomusicology, the use and limits of western terminology in nam- ing and describing the musical procedures of other cultural contexts always should be contentious.
    [Show full text]
  • Sample of Mcqs Question Bank
    University of Mumbai Department of Music MCQ Demo Paper for B.Mus. III and M. Mus. II Paper/Subject Code --------- Paper Name - ------------- Total Marks - 50 Students Seat No. -------- Instructions Section I and Section II are Compulsory. All questions carries equal marks. Section I Choose the correct alternative 1. Which of the following Artists is not a 'Santoor Player'? A - Pt.Bhajan Sopori B - Pt.Tarun Bhattacharya C - Ustad Ali Akbar Khan D - Pt.Shivkumar Sharma 2.Which Instrument did 'Ustad Vilayat khansahab' play? A - Tabla B - Sarod C - Santoor D - Sitar 3. Who plays the instrument 'Mohanveena'? A - Ganesh Mohan B - Krishnamohan Bhatt C - Vishwamohan Bhatt D - Mohan Ratan Sharma 4. The Famous vocalist 'Kaushiki Chakravarty' belongs to which Gharana? A - Patiayala gharana B - Gwalior gharana C - Rampur gharana D - Agra gharana 5. Which Indian Classical vocalist has sung the Famous song 'Ab ke Saawan'? A - Meeta Pandit B - Shubha Mudgal C - Neela Bhagwat D - Shubha Joshi 6. Which Artist has been awarded the 'Bharat Ratna' by the Govt of India? A - Pt.Hariprasad Chaurasia B - Ustad Bismillah khan C - Ustad Amjad ali khan D - Begum Parveen Sultana 7. What is the name of Sitar players Niladri Kumar's Guru? A - Pt.Ajay Kumar B - Pt.Suresh Kumar C - Pt.Himalay kumar D - Pt.Kartick kumar 8. 'Sawai Gandharva Sangeet Sammelan' is organised in which City? A - Mumbai B - Pune C - Delhi D - Banaras 9. Which Vocalist is famous by the Pen name 'Pran Piya'? A - Ustad Vilayat Hussain Khan B - Ustad Imrat hussain khan C - Ustad Faiyaz khan D - Ustad Vajahat hussain Khan 10.
    [Show full text]
  • Bible Inde New 5 Bible Inde 14/09/10 14:24 Page1
    Bible Inde new 5_Bible Inde 14/09/10 14:24 Page1 Baithak Un salon pour la musique classique de l’Inde Meeta Pandit, Kamal Sabri, Vijay Venkat, O. S. Arun MAISON DE L’ARCHITECTURE 24 SEPTEMBRE AU 5 OCTOBRE 2010 © Avinash Pasricha Bible Inde new 5_Bible Inde 14/09/10 14:24 Page3 Cette 39e édition est dédiée à la mémoire d’Alain Crombecque Baithak Un salon pour la musique classique de l’Inde Avec le soutien de la Fondation d’entreprise Hermès Remerciements à Michel Crozemarie et ses équipes, maison Hermès Avec l’aide de Reitzel France et Airel Dans le cadre de Namaste France Avec le concours de CulturesFrance et de l’Indian Council for Cultural Relations 3 © Rajeev Rastogi Bible Inde new 5_Bible Inde 14/09/10 14:24 Page5 Baithak n raconte que les sept notes de la musique classique indienne dont Un salon pour la musique classique de l’Inde les principes figurent dans les Veda (les écrits fondateurs – Sama OVeda) ont pour origine les chants d’oiseaux et les cris d’animaux – paon, grenouille, éléphant, cheval, cataka l’oiseau mythique –, Sa, Re, Ga, Musique hindustani Ma, Pa, Dha, Ni. La musique hindustani est caractéristique de l’Inde du Nord, elle s’est deve- 24 et 25 septembre 20h, loppée sous l’influence des Moghols et de la culture arabe et perse, tandis que la musique carnatique, née au XIVe siècle, appartient à la culture de 26 septembre 18h l’Inde du Sud. Elle prend son nom de la province du Karnataka. Les deux Meeta Pandit, chant hindustani styles ont en commun le système des modes (raga) et des rythmes (tala).
    [Show full text]
  • June 2012 NL
    Dr. Annie Besant Road, Worli, Mumbai - 400 018. Phone : 2496 4676 Fax : 2497 3827 Newsletter Gram : NEHRUCENTR Vol. 13 Issue 6 JUNE 2012 E-Mail: [email protected] Website: www.nehru-centre.org Price Rs. 10/- Per Copy Annual Subscription Rs. 100 Events At a Glance... Constitutionalism, Democracy and Secularism in South Asia Nehru Planetarium A two-days National Seminar on projection of Sinhalese/Tamils as two “Constitutionalism, Democracy and antagonistic entities at war with one Transit of Venus Secularism in South Asia” was another for several centuries by Nehru Planetarium has made organised on February 27-28, 2012. Sinhalese/Tamil chauvinist writers is e l a b o r a t e a r r a n g e m e n t s f o r observation of the Transit of Venus on Dr. V. Suryanarayan, Senior Professor an illustration of the well known 6th June 2012. Please check our website and Director (Retd.) Centre for South axiom that truth and objectivity are for more details. and Southeast Asian Studies, the first casualities in times of conflict. University of Madras presented a As Eric Hobsbawm has pointed out, Cultural Wing paper on Sri Lanka as an expert. “history is the raw material for n a t i o n a l i s t o r e t h n i c o r Azad Ka Khuab The first part of his presentation was fundamentalist ideologies, as poppies (Hindustani Ki Azadi) covered in the monthly Newsletter of are the raw material for heroin May 2012. The second and final part is A play titled AZAD KA KHUAB addiction”.
    [Show full text]
  • English Version
    Prasar Bharati 2nd Floor,Floor, PTI Building, Parliament Street, New Delhi 110110 001 Doordarshan Directorate General, Doordarshan Bhawan, Copernicus Marg, New Delhi 111010 001 All India Radio Directorate General, Akashvani Bhawan Parliament Street, New Delhi 110110 001 PRASAR BHARATI ANNUAL REPORT-2010-11 Smt. Mrinal Pande Sh. B.S. Lalli Shri A.K. Jain Shri V. Shivakumar Chairperson CEO Member (Finance) Member (Personnel) Sh. Uday Kumar Varma Sh. Rajiv Takru Sh. Arvind Kumar Dr. George Varghese Special Secretary, MIB Add. Secretary, MIB Joint Secretary, MIB Part-time Member Sh. Muzaffar Ali Dr. Sunil Kapoor Lt. Gen.(Retd), Sh. Suman Dubey Part-time Member Part-time Member Sh. Utpal Bhattacharya Part-time Member Part-time Member Ms. Aruna Sharma Sh. L.D. Mandloi Ms. Noreen Naqvi DG, Doordarshan DG, Doordarshan DG, All India Radio Ex-officio Member Ex-officio Member Ex-officio Member 3 CHAPTER-1 PRASAR BHARATI – THE CORPORATION 05-10 CHAPTER-2 PRASAR BHARATI – PUBLIC SERVICE BROADCASTER 11-12 CHAPTER-3 THE YEAR AT A GLANCE 13-58 CHAPTER-4 CHANNELS AND PROGRAMMES 59-158 CHAPTER-5 PRASAR BHARATI – FINANCE & ACCOUNT 159-196 PRASAR BHARATI ANNUAL REPORT-2010-11 CHAPTER I PRASAR BHARATI – THE CORPORATION 1.1. Introduction: Prasar Bharati (Broadcasting Corporation of India) is India’s Public Service Broadcaster with the largest reach. It is an autonomous body set up by an Act of Parliament and comprise Doordarshan (Television network) and All India Radio (Radio Network) which were earlier under the Ministry of Information and Broadcasting. Prasar Bharati was established in 1997 by an act of Parliament with a mandate to organize and conduct public service to inform, educate and entertain the public and to ensure a balanced development of broadcasting in the country.
    [Show full text]
  • English Books
    NEW ADDITIONS TO PARLIAMENT LIBRARY English Books 000 GENERALITIES 1. Burney, Z.A., ed. National bibliography of Indian literature / edited by Z. A. Burney; compiler and bibliographer M. Sankara Reddy; foreword by Vishwanath Prasad Tiwari. - New Delhi: Sahitya Akademi , 2015. xii, 804p.; 26cm. (Second series : 1954-2000 ; Vol. XIII Telugu). ISBN : 978-81-260-4954-7. 011.294827 BUR-n B211895 Price : RS. ***600.00 020 LIBRARY & INFORMATION SCIENCES 2. Mathew, Mammen, ed. Manorama yearbook 2016 / edited by Mammen Mathew. - New Delhi: Malayala Manorama , 2016. 1039p.: plates: tables: maps; 20cm. R 030 MAT-m B212575 Price : RS. ***300.00 080 GENERAL COLLECTIONS 3. Sahai, Geeta Beyond music : maestros in conversation / Interview and text by Geeta Sahai and Shrinkhla Sahai; foreword by Meeta Pandit. - New Delhi: Niyogi Books , 2015. 324p.: plates ; 23 cm. ISBN : 978-93-83098-98-9. 080 GEE-b B211643 Price : RS. ***595.00 4. Presidential addresses to parliament / edited by Anoop Mishra. - New Delhi: Lok Sabha Secretariat , 2015. xxvii,736p. : plates ; 25cm. 080 PRE C76993;(1-2) Price : RS. **1800.00 2 300 SOCIAL SCIENCES, SOCIOLOGY & ANTHROPOLOGY 5. Architecture of an inclusive society: Eighth Indira Gandhi Conference. - New Delhi: Mudrit Publishers , 2003. xvii, 495p.; 22cm. Includes bibliographical references. ISBN : 81-87129-00-X. 301.0954 P3 C76558 Price : RS. ***600.00 6. Rehman, Mujibur, ed. Communalism in postcolonial India : changing contours / edited by Mujibur Rehman. - New Delhi: Routledge , 2016. xiii, 275p.; 23cm. Includes bibliographical references. ISBN : 978-1-138-63983-6. 302.14 Q6 B211911 Price : RS. ***895.00 7. Udupa, Sahana Making news in global India : media, publics, politics / Sahana Udupa.
    [Show full text]
  • INDIAN CULTURAL PROGRAMME 2010 April- February 2011
    INDIAN COUNCIL FOR CULTURAL RELATIONS (ICD SECTION) INDIAN CULTURAL PROGRAMME 2010 April- February 2011 S.No. Name of the Style Date of Programmes/Style performance 1. Ms. Deepinder Kaur Hindustani 1 April, 2010 Vocal(H) 2. Shri Zameer Ahmed Ghazal(H) 9 April, 2010 3. Ms. Sangeeta Sharma Contemporary 9 April, 2010 Dance 4. Ms. Anupriya Deotale Violon 10 April, 2010 5. Shri Shukhvinder Singh Bhangra/Giddah 16 April, 2010 (H) 6. Shri Satish Babbar Ghazal(H) 23 April, 2010 7. Ms. Ranjana Guahar Odissi(H) 30 April, 2010 8. Ms. Rama Vaidyanathan Bharatanatyam 1 May, 2010 9. Ms. Munisha Nayak Kathak(lec-dum) 4 May, 2010 10. Dr. Neeta Singh Hindustani Vocal 7 May, 2010 Bhajan(H) 11. Ms. Sangeeta Sharma Contemporary 14 May, 2010 Dance (H) 12. Qadar Niazi Haider & Qawwali (H) 21 May, 2010 Hasan Nizami 13. Shri Ashok Sharma & his Brij Lok Nritya (H) 28 May, 2010 group 14. Ms. Gulabo Sapera Folk Rajasthani 3 June, 2010 15. Shri Kanwarpreet Singh & Bhangra (H) 4 June, 2010 group 16. Shri Vijay Siddha & group Kharawa-Fusion of 11 June, 2010 from Jaipur Percussion (H) 17. Ms. Suman Devgan Evening of Light 18 June, 2010 music (H) 18. Shri Pushkar Lele of Pune Evening of Light 25 June, 2010 music (H) 19. Ms. Vidha Lal Kathak (Lec-dum) 1 July. 2010 20. Mr. Shubhindra Rao Sitar 2 July, 2010 21. Haji Idris and Mohd. Ilyas Evening of 2 July, 2010 Qawwali (H) 22. Shri Nourang Lal Puppet show (H) 9 July, 2010 23. Ms. Aswari Pawar Kathak dance (H) 16 July, 2010 24.
    [Show full text]
  • Banasthali Vidyapith
    BANASTHALI VIDYAPITH Master of Arts - Music (Vocal/Instrumental – Guitar, Sarod, Sitar, Violin) Curriculum Structure First Semester Examination, December, 2019 Second Semester Examination, April/May, 2020 Third Semester Examination, December, 2020 Fourth Semester Examination, April/May, 2021 BANASTHALI VIDYAPITH P.O. BANASTHALI VIDYAPITH (Rajasthan)-304022 July, 2019 84 2 No. F. 9-6/81-U.3 Government of India Ministry of Education and Culture (Department of Education) New Delhi, the 25th October, 1983 N O T I F I C A T I O N In exercise of the powers conferred by Section 3 of the University Grants Commission Act, 1956 (3 of 1956) the Central Government, on the advice of the Commission, hereby declare that Banasthali Vidyapith, P. O. Banasthali Vidyapith, (Rajasthan) shall be deemed to be a University for the purpose of the aforesaid Act. Sd/- (M. R. Kolhatkar) Joint Secretary of the Government of India N O T I C E Changes in Bye-laws/Syllabi and Books may from time to time be made by amendment or remaking, and a Candidate shall, except in so far as the Vidyapith determines otherwise, comply with any change that applies to years she has not completed at the time of change. © BANASTHALI VIDYAPITH 3 Sl. No. Contents Page No. 1 Programme Educational Objectives 4 2 Programme Outcomes 5 3 Curriculum Structure 7 4 Evaluation Scheme and Grading System 10 5 Syllabus 12 4 Programme Educational Objectives The Master of Arts (M.A.) degree program in music emphasizes on composition, musicology, or performance and practice, and integrates studies in performance, composition/analysis and research.
    [Show full text]