MILDRED HOWARD SOLO EXHIBITIONS 2016 Parenthetically Speaking
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Acquisitions
Acquisitions as of June 30, 2009 African and David Soltker and Irving Dobkin Feldstein Endowment Fund for endowments (2008.206). Decorative Arts (2008.558). Amerindian Art North American Furniture African Mexico Artist unknown, Tea Table, Bwa, Dossi, Burkina Faso, Teotihuacan, Figurine, c. 1750/90, mahogany: Roger and Butterfly Mask, early/mid-20th a.d. 400, greenstone: gift of J. Peter McCormick endow- cen., wood and pigment: Charles Ethel F. and Julian R. Goldsmith ments; restricted gift of Jamee J. H. and Mary F. S. Worcester (2008.675). Tlatilco, Female and Marshall Field, and Carol Collection Fund (2008.190). Edo, Figurines, c. 500 b.c., ceramic W. Wardlaw (2009.58); Stand, Benin City, Nigeria, Container and pigment: gift of Ethel F. and 1790/1810, birch: gift of Jamee J. in the Form of a Leopard Head, Julian R. Goldsmith (2008.676–78). and Marshall Field (2008.679). early 21st cen., brass: gift of Omo Vladimir Kagan, Occasional N’Oba N’Edo Uku Akpolokpolo, United States Table, c. 1952, walnut and brass: Oba of Benin (2008.674). The Orbit Fund (2009.232). Navajo, northern Arizona or Mahdiyya State, Sudan, Tunic Walter von Nessen, manufactured New Mexico, Concho Belt, (Jibbeh), 1885/99, cotton: African by Nessen Studio, Inc., Occa- 1880/95, silver and leather: and Amerindian Curator’s Discre- sional Table, c. 1931, aluminum, Auxiliary Board of the Art tionary, Holly and David Ross, Bakelite, and iron: Quinn E. Institute of Chicago (2009.572); Arnold H. Crane, African and Delaney Fund (2009.156). Bow Guards (Ketoh), 1900/20, Amerindian Art Purchase, and silver, leather, turquoise, and O. -
Lava Thomas [email protected] B
Lava Thomas www.lavathomas.com [email protected] b. Los Angeles, CA Selected Solo Exhibitions 2018 Mugshot Portraits: Women of the Montgomery Bus Boycott, Rena Bransten Gallery, San Francisco, CA 2015 Looking Back and Seeing Now, Berkeley Art Center, Berkeley, CA 2014 Lava Thomas: Beyond, Museum of the African Diaspora, San Francisco, CA Selected Group Exhibitions 2020 New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum & Pacific Film Archive, Berkeley, CA The Black Index, Leubsdorf Gallery, Hunter College, New York City, NY UNTITLED, ART, Rena Bransten Gallery, San Francisco, CA 2019 UNTITLED, ART, Rena Bransten Gallery, Miami, FL To Reflect Us, Rena Bransten Gallery, San Francisco, CA Adjust Yo’ Eyes For This Darkness, Ashara Ekundayo Gallery, Oakland, CA The Outwin 2019: American Portraiture Today, National Portrait Gallery, Washington, DC Women to Watch 2020 Nominee, Surfacing Histories, Sculpting Memories, Hubble Galleries, California College of the Arts, San Francisco, CA Plumb Line: Charles White and the Contemporary, California African American Museum, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Las Cruces Museum of Art, NM Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Gallery 360, Northeastern University, Boston, MA Spring Auction Exhibition, Kala Art Institute, Berkeley, CA 2018 PULSE Miami Beach, Rena Bransten Gallery, Miami, FL My Silences Had Not Protected Me, For Freedoms and Fort Gansevoort, New York, NY EXPO Chicago, Rena Bransten Gallery, Chicago, IL Pretty Big Things, Walter Maciel Gallery, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Krasl Art Center, St. -
MINUTES of PUBLIC MEETING Thursday, June 16, 2016 9:00 A.M. to 4:30 P.M
MINUTES OF PUBLIC MEETING Thursday, June 16, 2016 9:00 a.m. to 4:30 p.m. East Bay Center for the Performing Arts 339 11th St. Richmond, CA 94801 (510) 234-5624 PRESENT: Council Members Donn K. Harris, Chair Nashormeh Lindo, Vice Chair Phoebe Beasley Christopher Coppola Juan Devis Kathleen Gallegos Jaime Galli Louise McGuinness Steve Oliver Council members absent: Larry Baza, Rosalind Wyman Arts Council Staff Craig Watson, Director Ayanna Kiburi, Deputy Director Shelly Gilbride, Programs Officer Kristin Margolis, Legislative Director Caitlin Fitzwater, Communications Director Mary Beth Barber, Special Projects and Initiatives Associate Josy Miller, Arts Program Specialist John Seto, Arts Program Specialist Jaren Bonillo, Arts Program Specialist Invited Attendees Diane Golling, novelist Denise Pate, City of Oakland, Cultural Arts Steven Dilley, Veterans Art Project Ben Frandzel, Stanford Live Minutes: 2 June 16, 2016 Miko Lee, Youth in Arts Other Attendees / Members of the Public Laurie Brooks, William James Association Roger Renn, Arts and Culture Commission of Contra Costa County Amana Harris, Attitudinal Healing Connection Ada Chan, SoMa Pilipinas Thomas Simpson, AfroSolo Theatre Company Silvia Ledezma, Richmond Arts & Culture Commission Mildred Howard, independent artist Robbin Henderson, artist Debbie Hill-Houston Bill Golling Leslie Fay Marks, Oakland Symphony Brandi Brandes, Ashkenzz Music and Dance Community Center Eliza Tudor, Yuba Sutter Arts Council David Read, Yuba Sutter Arts Council MINUTES I. Call to Order, Roll Call and Establishment of a Quorum The Chair called the meeting to order at 9:00 a.m. Barber took the roll at 9:01 a.m. and a quorum is established. (Lindo arrives at 9:30 a.m.) II. -
A Finding Aid to the Adolf Dehn Papers, 1912-1987, in the Archives of American Art
A Finding Aid to the Adolf Dehn Papers, 1912-1987, in the Archives of American Art Kathleen Brown Funding for the processing of this collection was provided by the Terra Foundation for American Art January 21, 2009 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, circa 1920-1968..................................................... 6 Series 2: Correspondence, circa 1919-1982............................................................ 7 Series 3: Writings, circa 1920-1971...................................................................... -
Parrasch Heijnen Gallery, Los Angeles, CA 2019 Mildred Howard, Fred Jones Jr
parrasch heijnen Mildred Howard b. 1945, San Francisco, CA Lives and works in Oakland, CA Education 1985 MFA, Fiberworks Center for the Textile Arts, John F. Kennedy University, Berkeley, CA 1977 Associates of Arts Degree & Certificate in Fashion Art, College of Alameda, Alameda, CA Solo Exhibitions 2021 In the Line of Fire, Shirley Fitterman Art Center, Borough of Manhattan Community College, CUNY New York, NY 2020 The House That Will Not Pass for Any Color Than Its Own, Battery Park City, NYC, NY (until 2022) Mildred Howard: A Survey, 1978 - 2020, Parrasch Heijnen Gallery, Los Angeles, CA 2019 Mildred Howard, Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, OK 2018 Mildred Howard, Roll Up Project, Oakland, CA 2016 Mildred Howard: Parenthetically Speaking, Anglim Gilbert Gallery, San Francisco, CA 2015 Mildred Howard: Spirit and Matter, Richmond Art Center, Richmond, CA 2014 Mildred Howard: Collective Memory, Fresno Art Museum, Fresno, CA 2011-12 Parenthetically Speaking: It’s Only a Figure of Speech, Museum of Glass, Tacoma, WA 2010 New Work, Gallery Paule Anglim San Francisco, CA Moeller Fine Art, Berlin, Germany 2008 Mildred Howard: That Was Then and Here Was Now, Nevada Museum of Art, NV, Reno Nielsen Gallery, Boston, MA To Honor Teaching, Solano Community College, Fairfield, CA 2007 New Works 2007, Gallery Paule Anglim, San Francisco, CA Drawings: Visions, Surfaces, and Beyond, Triton Museum of Art, Santa Clara, CA 2006 In the Line of Fire/Crossings, University of Texas, San Marcos, TX Nielsen Gallery, Boston, MA Santa -
FALL 2016 JORDAN SCHNITZER MUSEUM of ART Robert Rauschenberg (American, 1925– SCRIMMAGE: 2008)
FALL 2016 JORDAN SCHNITZER MUSEUM OF ART Robert Rauschenberg (American, 1925– SCRIMMAGE: 2008). Junction, 1963. Oil and silkscreen on canvas and metal, 45 1/2 x 61 1/2 inches. Football in American Art from the Civil War to the Present Collection of Christopher Rauschenberg. Art © Robert Rauschenberg Foundation/ Licensed by VAGA, New York, NY. Barker Gallery | Through December 31 What do Winslow Homer, George Bellows, at the youth and high school levels) in which the Laura Gilpin, John Steuart Curry, Andy Warhol, artist, serving as the “matador,” is surrounded by Wayne Thiebaud, Catherine Opie, and Diego a revolving circle of semi-pro players who charge Romero all have in common? They, and nearly without warning from all sides. Leonardo experienced fifty other artists whose works are on view in this the drill as a football player at Bowdoin College in the special exhibition, have depicted football and the late 1990s, and in a 2008 interview at his alma mater he explained that “my intention is to perform an public culture surrounding the sport. Scrimmage— Curator’s Gallery Tour Native American Studies, in issues of brain trauma, he organized by Linny Frickman, director of the Gregory aesthetically scripted yet actual Bull in the Ring with Wednesday, September 14, Native American Student turned his attention to the Allicar Museum of Art at Colorado State University, an undetermined outcome [where] I, as the center 5:30 p.m. Union, and Native American history of images and how and Danielle Knapp, McCosh Associate Curator at participant, will either affirm my virility or fail; in Danielle Knapp, McCosh Law Student Association. -
Brave: Reimagining Teen Arts Education
BRAVE REIMAGINING TEEN ARTS EDUCATION REIMAGINING TEEN ARTS EDUCATION BRAVE BRAVE REIMAGINING TEEN ARTS EDUCATION Jill Medvedow & Monica Garza CONTENTS COVER 60 KEVIN GARCIA LUNA ESCOS 13 62 FOREWORD JASON MORAN 15 69 JILL MEDVEDOW OKWUI OKPOKWASILI Lead support for Teen Programs provided by Wagner Foundation. 18 74 PAT FRAZIER JOSEPH REUBEN QUINTO 20 ELIZABETH ALEXANDER 78 MATTHEW RITCHIE Teen Programs are made possible in part by the Institute of Museum and Library Services, 26 Award Number MA-10-17-0447-17. DONOVAN BIRCH, JR. 86 Additional support is provided by the Surdna Foundation; the Rowland Foundation, Inc.; JACLYN ROESSEL The Corkin Family; John Hancock; the Mabel Louise Riley Foundation; the Diversifying 33 Art Museum Leadership Initiative, funded by the Walton Family Foundation and the Ford Foundation; The Angell Foundation; the William E. Schrafft and Bertha E. Schrafft Charitable TURAHN DORSEY 93 Trust; Vertex; The Willow Tree Fund; the Nathaniel Saltonstall Arts Fund; the Mass Cultural STEVE SEIDEL Council; the Robert Lehman Foundation; the Deborah Munroe Noonan Memorial Fund, Bank of 42 America, N.A., Trustee; MFS Investment Management; the Plymouth Rock Foundation; the Jean Gaulin Foundation; the Thomas Anthony Pappas Charitable Foundation, Inc.; and Santander. KIMBERLY DREW 98 AKIR STUART 50 KAISHA GERHARDT 102 The views, findings, conclusions or recommendations expressed in this publication do DENISE MONTGOMERY not necessarily represent those of the Institute of Museum and Library Services. 55 SANDRA 106 Download this publication at icaboston.org/brave JACKSON-DUMONT AJ HOWELL Cover: Kevin Garcia, Untitled, 2019. / 6 SYDNEY ENAHJAH BOBB BROWN is a Black, queer, femme poet is a recent alum of the Teen Arts from Dorchester, Massachusetts. -
Mildred Howard Ned Smyth
MILDRED HOWARD INTERIN THE LINE OF FIRE NED SMYTH VENMOMENTS OF MATTER AND LIFE TIONS SHIRLEY FITERMAN ART CENTER BOROUGH OF MANHATTAN COMMUNITY COLLEGE, CUNY INTER VEN TIONS INTERVENTIONS JUNE 3 – SEPTEMBER 25, 2021 MILDRED HOWARD IN THE LINE OF FIRE NED SMYTH MOMENTS OF MATTER AND LIFE Mildred Howard, In the Line of Fire, 1996, (installation view, 2021, Shirley Fiterman Art Center). © Mildred Howard. Photo Jason Mandella. James Holl, Elizabeth Diller, Kaylynn Sullivan, Civic Plots 2, Art on the Beach 5, 1983, presented by Creative Time. Courtesy of Creative Time. Photo by Thomas Griesel. INTERVENTIONS is a project organized in partnership with Battery Park City Authority that focuses on parallel exhibitions of the work of Mildred Howard and Ned Smyth. Both are noted artists who have created distinguished bodies of work and have extensive histories of creating public art works, and each currently have works on view in the public parks and open spaces of Battery Park City. The role of public art in New York City has evolved dramatically from early state- sanctioned monuments. The 1960s and 70s saw a fundamental rethinking of the role of public art as New York began to adopt its use as a way to reshape urban spaces. John Lindsay (who became mayor of New York City in 1966) and members of his administration played a critical role as proponents of public art, embracing the free and democratic exhibition of artworks throughout the city’s parks and civic spaces. They felt that sculpture played a crucial role in revitalizing streets and plazas and promoting public spaces as inviting and safe. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. -
OLLI @Berkeley OLLI @Berkeley Is an Educational Program Community Has Grown to More Than 600 Members
F a l l 2 0 0 8 OLLI Berkeleyuniversity of california Osher Lifelong Learning Institute October 1 – November 18 Classes olli.berkeley.edu Lecture Series An educational program for older adults Learning Community who are learning for the joy of it. Director’s Greeting Who We Are We are delighted that in just one year, the OLLI @Berkeley OLLI @Berkeley is an educational program community has grown to more than 600 members. We are for lifelong learners age 50 and up who are even prouder of the fact that many of you take more than one eager to explore traditional and new areas class per session — a powerful tribute to our goal of making of knowledge — without exams or grades. learning a way of life. Distinguished Berkeley faculty members and other Bay Area teachers enjoy sharing their expertise with members whose life Nearly half of this session’s faculty — including David Presti, William Drummond, experience and intelligence enrich the and Harry Kreisler — teach at UC Berkeley and are eager to share their exchange of ideas. knowledge with you. We are also offering an array of experimental courses. Membership in OLLI @Berkeley is required Celebrated writer Susan Griffin will teach a course on remembering and creating to participate in the full range of offerings. history. The two driving forces behind the San Francisco Mime Troupe, Joan Joining OLLI @Berkeley means discovering Holden and R. G. Davis, will trace the company’s long and colorful history. new friends, new knowledge, and new ways to bring meaning and enjoyment to our lives. -
Newsletter/Fall 2015 the DAS
newsletter/fall 2015 Volume 23, Number 2 Decorative Arts Society The DAS The Decorative Arts Society, Inc. founded in 1990 for the encouragement of interest in, the appreciation of and the exchange of information about the decorative arts. (DAS) To pursue is a not-for-profit its purposes, New the DASYork sponsors corporation meetings, programs, seminars, tours and a newsletter on the decorative arts. Its supporters include museum curators, academics, collectors and dealers. Please send change-of-address information by e-mail to [email protected]. DAS Board of Directors President Robert C. Smith Award Committee Newsletter David L. Barquist Jeannine Falino, Chair H. Richard Dietrich, Jr., Curator Independent Curator, Museum Consultant The DAS Newsletter is a publication of American Decorative Arts Adjunct curator, Museum of Arts and of the Decorative Arts Society, Inc. The Philadelphia Museum of Art Design purpose of the DAS Newsletter is to serve as Philadelphia, PA New York, NY a forum for communication about research, exhibitions, publications, conferences and Vice President Suzanne Findlen Hood other activities pertinent to the serious Nicholas Vincent Associate Curator, Ceramics and Glass study of international and American deco- Manager of Collections Planning Colonial Williamsburg Foundation rative arts. Listings are selected from press Metropolitan Museum of Art Williamsburg, VA releases and notices posted or received New York, NY from institutions, and from notices submit- Dennis Carr ted by individuals. We reserve the right Treasurer Carolyn and Peter Lynch Curator of to reject material and to edit material for Stewart G. Rosenblum, Esq. American Decorative Arts and length or clarity. Sculpture We do not cover commercial galleries.