FALL 2016 JORDAN SCHNITZER MUSEUM OF ART Robert Rauschenberg (American, 1925– SCRIMMAGE: 2008). Junction, 1963. Oil and silkscreen on canvas and metal, 45 1/2 x 61 1/2 inches. Football in American Art from the Civil War to the Present Collection of Christopher Rauschenberg. Art © Robert Rauschenberg Foundation/ Licensed by VAGA, New York, NY. Barker Gallery | Through December 31

What do Winslow Homer, George Bellows, at the youth and high school levels) in which the Laura Gilpin, John Steuart Curry, Andy Warhol, artist, serving as the “matador,” is surrounded by Wayne Thiebaud, Catherine Opie, and Diego a revolving circle of semi-pro players who charge Romero all have in common? They, and nearly without warning from all sides. Leonardo experienced fifty other artists whose works are on view in this the drill as a football player at Bowdoin College in the special exhibition, have depicted football and the late 1990s, and in a 2008 interview at his alma mater he explained that “my intention is to perform an public culture surrounding the sport. Scrimmage— Curator’s Gallery Tour Native American Studies, in issues of brain trauma, he organized by Linny Frickman, director of the Gregory aesthetically scripted yet actual Bull in the Ring with Wednesday, September 14, Native American Student turned his attention to the Allicar Museum of Art at Colorado State University, an undetermined outcome [where] I, as the center 5:30 p.m. Union, and Native American history of images and how and Danielle Knapp, McCosh Associate Curator at participant, will either affirm my virility or fail; in Danielle Knapp, McCosh Law Student Association. they give us insights into Associate Curator these important issues. the JSMA—presents the work of prominent American essence, demonstrating a very intense depiction of Gendered Games: artists who explore what images of football reveal my experience with the vulnerabilities of projecting Patron Circle Reception Reflections on Masculini- In Football We Trust about American life. Thematic groupings of works masculinity.” Thursday, September 29, ty, Art, and Football Thursday, November 3, 5:30–7:30 p.m. Saturday, October 22, 2 p.m. 4 p.m. address such topics as athleticism, violence, celebrity A series of public programs will address these Lecture by Linny Frickman, Harrington Auditorium, The culture and the media, and issues of class, gender, timely topics in greater depth. We invite our visitors Members/Public John E. Jaqua Academic Reception Director of the Gregory race, and ethnicity. The exhibition showcases a to engage in a dialogue—with works of important Allicar Museum of Art at Center for Student Athletes Friday, September 30, wide variety of media, from an early oil painting American artists as a springboard—about sports, art, Colorado State University Film screening and discussion Members: 5–6 p.m. with Chris Young, Academic by Frederic Remington to a video installation by and their roles in our history and culture. Following Public: 6–8 p.m. and co-curator of the exhibition Advisor and former Ducks contemporary photographer William Wylie. its presentation at the JSMA, Scrimmage will travel to Football player Native American Mascots Frickman examines how The exhibition also asks how football, which began the Figge Art Museum in Davenport, IA, and to the in Sports—Challenging the gendered nature of Artist’s Lecture by William as a private extracurricular activity for a small group Canton Museum of Art, in Canton, OH. the Persistence and Rein- sport, specifically football— Wylie: Site as Archive forcement of Stereotypes of young white men at Ivy League colleges, became Scrimmage: Football in American Art from as well as gendered Thursday, November 17, Monday, October 10, perceptions about art, 6 p.m. the public spectacle and mass-cultural, multi-ethnic, the Civil War to the Present is supported by RBC 4:30 p.m. artists, and culture—interact Lawrence Hall, Room 117 and multi-racial phenomenon we know today. The Wealth Management; the Coeta and Donald Barker Reception, 3–4 p.m. and are reflected in the Co-sponsored by UO Many Nations Longhouse rise of football as an American sport is directly Changing Exhibitions Endowment; the Oregon exhibition. Department of Art Visiting tied to media coverage, beginning with the work of Arts Commission and the National Endowment for Panel discussion about the Artist Lecture Series appropriation and misuse of Gladiators: Reading the Wylie, whose single channel major American artists who were commissioned the Arts, a federal agency; the University of Oregon Native American names and Concussion Crisis and video work Prairie is on view Office of Advancement; the FUNd Endowment mascots in sports with guest to document it for the popular press. Prints by Football’s Future through in the exhibition, speaks speakers Jacqueline Keeler Bellows, Homer, Remington, and Norman Rockwell at Colorado State University; the Lilla B. Morgan the Visual Arts on his artistic practice and (Navajo, Yankton Dakota), Memorial Fund; City of Fort Collins Fort Fund and Wednesday, October 26, current body of work. were published and widely distributed to American founder of Eradicating 5:30 p.m. audiences. On view are major periodicals from Cultural Resources Board; and JSMA members. Offensive Native Mascotry, From the Stadium to the the late nineteenth and early twentieth centuries, The accompanying catalog, made possible by the and Se-ah-dom Edmo Lecture by Dr. Michael Street: Documentary Oriard, Distinguished Profes- including Harper’s Weekly, Collier’s, and The Saturday Elizabeth Firestone Graham Foundation and the (Shoshone Bannock, Nez Photography in the 1970s Perce, Yakama), from the sor of American Literature Wednesday, November 30, Evening Post, that demonstrate how the sport of Harold and Arlene Schnitzer CARE Foundation, Indigenous Ways of Knowing and Culture (Emeritus), 5:30p.m. football became a household topic among American features essays by curators Frickman and Knapp Program, Lewis and Clark Oregon State University Thom Sempere, executive families decades before its debut on television. and contributing writers Dr. Albert Bimper and Dr. College; moderated by Jason Oriard walked on as a de- director of PhotoAlliance in Younker, Assistant Vice Current discussions about long-term football Robert Gudmestad from Colorado State University fensive end at the University San Francisco, discusses the President and Advisor to the of Notre Dame and earned influences and contributions injuries and the concussion crisis suggest that health and Dr. Michael Oriard from Oregon State University. President on Sovereignty a spot as a starting center. of documentary and street Top: Ernie Barnes (American, 1938–2009). Fumble in the Line, 1990. Acrylic on canvas, 48 x 60 in. concerns are new. Yet, as these works attest, health Artist biographies were researched and written by and Government-to- He left Notre Dame with a photographers in the 1970s, © Ernie Barnes Family Trust risks were depicted by artists early in the sport’s three recent M.A. History of Art and Architecture Government Relations. graduate fellowship to study including Tod Papageorge, Frederic Remington (American, 1861–1909). Touchdown, Yale vs. Princeton, Thanksgiving Day, Nov. Made possible with support literature as well as a position Geoff Winningham, and Gary history. Contemporary artist Shaun Leonardo’s graduates: Lindsay M. Keast ’14, Stephanie Dunn ’15, from the Museum of Natural 27, 1890, Yale 32, Princeton 0, 1890. Oil on canvas, 22 x 32 9/16 in. Yale University Art Gallery, Whitney with the Kansas City Chiefs. Winogrand, whose sports performance of Bull in the Ring (single channel and Christie Hajela ’15. and Cultural History in Collections of Sporting Art, given in memory of Harry Payne Whitney (B.A. 1894) and Payne Whitney After receiving his Ph.D. from photographs are on view in partnership with the Many the exhibition. (B.A. 1898) by Francis P. Garvan (B.A. 1897); M.A. (Hon) 1922. video, 2008) recreates a practice drill (now banned Stanford, Oriard joined the Nations Longhouse, UO [ 2 ] OSU faculty. Long interested [ 3 ] FROM THE DIRECTOR Between the World and Me African American Artists Respond to Ta-Nehisi Coates

Focus Gallery | September 3, 2016 – March 5, 2017 This academic year, the University of Oregon has asked freshmen to participate What does it mean in the “Common Reading” of Ta-Nehisi Coates’s book Between the World and to be American? Me. The timeliness of Coates’s subject That question, of course, goes to matter and the power and poignancy of his our core values and our country’s writing inspired the JSMA to organize a place in the world. Today, in this companion exhibition—a “Common Seeing.” election season, the answers are Both explore what it means to be Black in contested daily. Our personal AMERICAN IDENTITY EVENTS the United States. The autobiographical responses usually align with our nature of Coates’s book parallels the visual experiences and backgrounds, SCRIMMAGE narratives created by contemporary Post- our ethics instilled by family, schools, friends, and Panel: Native American Mascots in Sports—Challenging the Black artists featured in the exhibition: Persistence and Reinforcement of Stereotypes Marc Bradford, Theaster Gates, Mildred communities of which we are a part. Monday, October 10, 4:30 p.m. | Many Nations Longhouse Ta-Nehisi Coates, in his book Between the Howard, Chris Johnson, Rashid Johnson, Gendered Games: Reflections on Masculinity, Art, and Football Glenn Ligon, Hank Willis Thomas, Kara World and Me, argues that the American Dream is Lecture by Linny Frickman | Saturday, October 22, 2 p.m. anything but a positive, aspirational goal. He makes Walker,and Kehinde Wiley (on view outside Glenn Ligon (b. 1960). Self Portrait at Eleven Years Old, 7/20, 2004. Gladiators: Reading the Concussion Crisis and Football’s Future a compelling case for its contribution to institutional our APS Gallery). In addition, Between the Cotton base sheet with stenciled pulp painting, 30 x 30 in. Jordan through the Visual Arts World and Me examines the legacy of the Schnitzer Family Foundation. racism and asks us to examine and acknowledge our Lecture by Dr. Michael Oriard | Wednesday, October 26, 5:30 p.m. © Glenn Ligon; Courtesy of the complicity and commit ourselves to social justice. Civil Rights Movement, a moment in history artist, Luhring Augustine, New Film Screening and Discussion: In Football We Trust reflected in Robert Colescott’s work Homage York, Regen Projects, Los Angeles, This year’s freshmen, who are asked to read Coates’s Thursday, November 3, 4 p.m. and Thomas Dane Gallery, London to Delacroix: Liberty Leading the People, CONTINUING book as a “Common Reading” are also invited to Harrington Auditorium, The John E. Jaqua Academic Center for (Left) Mildred Howard consider the JSMA’s “Common Seeing,” a special Student Athletes 1976. Like Coates, the artists and artworks chosen for this presentation reconsider (b. 1945). Millennials & XYZ #XII, EXHIBITIONS exhibition featuring work by African American the complexity of the Black experience in America. We are deeply grateful to the 2014. Monoprint/digital on The Faces of War: BETWEEN THE WORLD AND ME many lenders to this exhibition for sharing these powerful works with our visitors. collaged found papers, artists who address America’s fraught history of civil 20 1/2 x 15 in. Collection of Gabor Peterdi and Artist’s Talk: Mildred Howard Co-curated by Jill Hartz, executive director, and Amelia Anderson, a second year Jordan D. Schnitzer (HIPM) his Contemporaries rights and race relations. Saturday, October 1, 2:30 pm Using Coates as a starting point, the JSMA MA graduate student in art history, the exhibition is made possible with a JSMA Through October 9, 2016 Chris Johnson: Reflections on the Origins and Meanings asks you to explore what it means to be American. Academic Support Grant. of Question Bridge: Black Males The Great Proletarian Scrimmage goes beyond affirming the UO’s football Saturday, November 5, 2 p.m. Cultural Revolution: prowess to examining our sports culture and the ways Schnitzer Cinema: Jamel Shabazz Street Photographer Gallery Talk: Mildred Rockefeller Fellowships, a about class and genera- Chris Johnson is a Chinese Propaganda it supports masculinity, militarism, corporate wealth, Wednesday, November 9, 7 p.m. Howard Joan Mitchell Award, and an tional divisions within San photographic and video NEA Fellowship in Sculpture, from the Turbulent and racism, and what new findings about concussions Saturday, October 1, Diego’s African American artist, curator, and writer. A Gallery Talk by Amelia Anderson (co-curator) 2:30 p.m. and in 2011, was honored by community. A decade later, full professor of photography Decade, 1966–1976 and other health concerns mean to young athletes. November 12, 2 p.m. A resident of Berkeley and Berkeley’s mayor, Tom Bates, Hank Willis Thomas (also at the California College of Through August 16, 2017 who declared March 29, 2011, the Arts, Johnson studied Cuba Ocho and our spring Latin American 2017 Ruhl Lecture: Ta-Nehisi Coates raised by politically active featured in this exhibition) “Mildred Howard Day.” A photography with Ansel exhibition ask whether being American includes our February 3 (time and place tba) parents, Mildred Howard approached Johnson about From Past to Present: (b.1945) became a mem- year later she received San collaborating to establish a Adams, Imogen Cunningham, Selected Masterworks neighbors to the south, what our commonalities and Francisco’s SPUR Award, and Wynn Bullock. He is the ber of SNCC and CORE similar project focused on of Korean Art differences may be, and how we negotiate borders SANDOW BIRK: AMERICAN QUR’AN recognizing her prominent and joined youth protests Black men. Question Bridge: author of The Practical Zone civic work. She has shown System: for Film and Digital Through spring 2017 and immigration. With Sandow Birk: American Oregon Humanities Center Lecture by Resa Aslan against segregation in Berke- Black Males critically explores her work throughout the U.S. Photography, currently in its Qur’an, which opens in mid-January, we expand our October 18, 7:30 p.m., 156 Straub Hall ley schools. She received an challenging issues within and Europe. 6th edition. His photographic Note: Aslan wrote the preface to the accompaning book. Associate of Arts Degree and the Black male community conversation to include religion and tolerance, and artwork has been exhibited in Certificate in Fashion Arts by instigating a transmedia Artist’s Talk: Sandow Birk Reflections on the gallery and museum shows, ask what does the rest of the world think of us. from the College of Alameda conversation among Black March 9, 6 p.m., Lawrence Hall Origins and Meanings including the Smithsonian We look forward to taking this journey with you. in 1977 and an MFA in 1985 men across the geographic, of Question Bridge: and the Oakland Museum of from the Fiberworks Center Black Males economic, generational, CUBA OCHO California. His video projects from the Textile Arts at Artist’s Presentation by educational, and social strata Curators Gallery Tour have been installed in Chris Johnson of American society. Question Saturday, November 9, 5:30 p.m. John F. Kennedy Univer- numerous museums and art sity in Orinda, California. Saturday, November 5, Bridge provides a safe setting institutions. Howard began her artistic 2 p.m. for necessary, honest expres- DÍA DE LOS MUERTOS life as a dancer and in the In 1996, Chris Johnson started sion and healing dialogue Co-Curator Gallery Talk October 29, 30, November 1, 2, 6–9 p.m. 1980s turned to installation Question Bridge as a way to on themes that divide, unite, Tour the exhibition with and mixed media collage. use media art to generate and puzzle Black males in the Amelia Anderson PAIK Nam June (1932–2006). FAMILY DAY She is the recipient of two meaningful conversations United States. Saturday, November 12, 2 p.m. December 3, 12–3 p.m. Lilliputian, 2000. Mixed media, [ 4 ] LCD, single-channel video [ 5 ] To Paint Big, Start Small: Lucinda Parker’s Studies for A Glade of Many Ages

Gay Outlaw: Mutable Object Artist Project Space | September 28, 2016 – January 22, 2017 Schnitzer Gallery | September 17, 2016 – February 19, 2017 Lucinda Parker: Artist’s Talk San Francisco-based artist Gay Outlaw is recognized for her rigorous and Wednesday, October 5, unexpected explorations of material—from printmaking and photography to 5:30 p.m. sculpture made of wood, glass, caramelized sugar, and bronze. For this exhibition, Parker discusses her exploratory studies on view she employs a range of materials to create a dialogue between shape, color, surface, and the process of preparing and interiority. Outlaw’s keen observation of the everyday world is evidenced in her major mural A Glade of her photographs. Images and ideas from these are collated and translated into Many Ages. sculpture, lending the viewer a fresh and insightful perspective on our environment and the objects that surround us. New to her practice are a group of photo Lucinda Parker (American, b. 1942). Distant Music, 2010. assemblages—a direct combination of her original photographs with sculptural Gouache on paper, 16 x 22 1/2 elements that the artist calls “puddles” of glass. Also featured are free-standing in. Photo courtesy the artist sculptures, which spring from Outlaw’s dialogue with photography and again and Laura Russo Gallery, connect to both the material and structures of her earlier work. Working intuitively, Portland. Outlaw regularly circles back to her photographs as well as her previous sculptures, mining their content and forms for new strategies and insights. Born in 1959 in Mobile, Alabama, Gay Outlaw received her BA in 1981 from Portland-based artist Lucinda Parker, one of Oregon’s and visitors over the past five years. Early designs for this the University of Virginia. She attended the École de Cuisine La Varenne, Paris, finest painters, has established her reputation for important mural varied from snowy mountain imagery France (1981–82) and took courses at the International Center of Photography vividly colored, highly abstract representations of to rigidly geometric landscapes influenced by the artist’s (1987–88). Her glass work, in particular, benefits from two Pilchuck residencies, in nature and the biological and geographic diversity of long-held interest in Cubism. The JSMA is pleased to Seattle, in 2007 and 2014, and a Tacoma Museum of Glass residency in 2009. She is Gay Outlaw. Abyss, 2014. this region. In 2010, Parker was selected for a major present Parker’s exploratory studies in gouache alongside represented by Anglim Gilbert Gallery in San Francisco. Steel, glass, epoxy, plywood, Percent for Art commission for the Ford Alumni her preparatory sketches and other source materials. 20 1/2 x 20 x 12 in. Collection Artist’s Gallery Talk | Saturday, October 1, 2 p.m. of the artist Center’s Giustina Ballroom. Her resulting 9 x 18 McCosh Associate Curator Danielle Knapp was assisted foot mural, A Glade of Many Ages, has been enjoyed by curatorial intern Madeleine Kern in organizing the by thousands of university faculty, staff, students, exhibition. Cuba Ocho Schnitzer Gallery | September 17, 2016 – February 19, 2017

The eight artists featured in this exhibition—Miguel Couret, Alejandro Gonzalez, Aimeé Garcia Marrero, Ibrahim Miranda, Cirenaica Moreira, Elsa Mora, René Peña, and an anonymous creator of a cut–and-paste book from the Cuban Revolution — reinterpret Cuban history through their provocative and politically charged works. All began their careers during the “Special Period,” an era marked by the economic and cultural crisis following the departure of the Soviet Union as Cuba’s primary trade and military partner in the early 1990s. The consequent challenges of living in a land of great potential but little opportunity inspired these artists to conflate the portrayal of their own identities with that of their nation’s history. Humor, pathos, and irony are all present, often simultaneously, in their expressions of an erratic and surreal Cuban reality. Most of these artists were trained at the island’s fine arts academies, which are Japanese Art of the Edo Period (1615–1868) and Beyond among the finest in the world. Their technical expertise, command of materials, Preble/Murphy Galleries | Through July 2017 thorough knowledge of Western art history, and participation in vibrant artist communities have given rise to some of the most provocative and compelling art This rotation focuses on Japanese woodblock prints, twentieth-century propaganda textiles, a Japanese HAMANISHI Katsunori (b. paintings, calligraphy, sculpture, ceramics, textiles, Friendship Doll, and cutting-edge contemporary art. 1949). Japanese; Heisei created in the world today. Most of these works were acquired by JSMA executive period, 2015. Japanese director Jill Hartz during her fourth visit to Cuba, during the 2015 Havana lacquers, and netsuke, dating primarily from the Edo This installation provides visual source material for Classic Calendar.Mezzotint Biennial. Cuba Ocho was organized by Amelia Anderson, a second-year MA period (1615–1868), a time of peace and great artistic 2016–17 art history courses, including one taught in four panels; ink and light diversity. Historic examples are juxtaposed with collaboratively by Professor Akiko Walley and JSMA color on paper, edition graduate student in art history, and Jill Hartz. 13/70. 23 1/4 x 58 in. Gift of Aimée Garcia Marrero (b. 1972). Enigma, 2004. Dye transfer selected earlier and later Japanese objects, ranging curator Anne Rose Kitagawa in which students will the Artist print, 31 x 24 1/2 in. Museum purchase. Curators Tour | Wednesday, November 9, 5:30 p.m. from Heian-period (794–1185) calligraphy to early help to plan a future special exhibition. [ 6 ] [ 7 ] ACQUISITIONS NEW Splendor & Light Photographs by Weegee MASTERWORKS w ON LOAN Highlights of Russian Art The JSMA recently received a gift of 86 gelatin silver prints by the renowned photographer and McKenzie Gallery | Ongoing photojournalist Weegee (American, born Austria, 1899– V Gertrude Bass Warner, the founder of our museum, 1968) from the collection of Alan (UO MFA ’69) and This year mark’s the fifth anniversary of the Art of the Athlete (AofA) acquired an impressive group of Russian Orthodox Ellen Newberg. Born Ascher Fellig in what was then the program at the JSMA. AofA offers UO student athletes opportunities to create icons as part of the Murray Warner Memorial Austro-Hungarian Empire, he immigrated to New York art as a vehicle for self-expression and, through the exhibition of their works, Collection of Oriental Art. She continued to add at the age of eleven and began working as a photographer a way to connect with JSMA visitors. “One of the most powerful ways these to the collection after she gifted it to the University at age fourteen, first for a studio, before getting work at student athletes are finding engagement with the campus and community of Oregon, and other donors have augmented this various newspapers around the city. In 1935, he went is through the museum,” says Lisa Abia-Smith, director of education. “Once legacy with additional gifts. This rotation includes freelance, and three years later, he obtained permission they become familiar with the museum and what we do, many come back to highlights from the collection of icons from the 17th to install a police radio in his car. This direct access to support our Art Heals and World of Work programs.” through 19th centuries, as well as examples of cast real-time law enforcement reports meant that he could This past summer, seventeen UO student athletes from football, women’s metal crosses and icons. Selections from a recent gift of move quickly to get to the scene of a crime. Fellig’s volleyball, women’s golf, and acro tumbling participated in an intensive AofA lacquer boxes made in the 1970s and ’80s demonstrate speedy arrivals—sometimes in advance of the police— workshop during Summer Session #1, held at both the John E. Jaqua Center the connections between the sacred and secular arts. led to his nickname, “Weegee,” a variation on the name for Student Athletes and the JSMA. Abia-Smith, who also serves as a senior The exhibition was organized by Johanna G. Seasonwein, Ph.D., Senior Curator of the popular Ouija “spirit board.” instructor with the AAD program in the School of Architecture and Allied of Western Art, with the assistance of Anastasia Savenko-Moore, a 2015 Master’s The Newbergs obtained these prints directly from HA Chong-Hyun (born 1935). Korean; Republic of Korea, 2015. Conjunction 15-02. Oil on hemp cloth, 47 3/8 x 70 7/8 in. Arts, led the class with guest artist Katie Gillard. Former AofA artists— graduate of the Department of Russian, East European, and Eurasian Studies, and Weegee’s studio after his death through Ellen’s mother, Private Collection Ayele Forde (football), Kira Wagoner (soccer), and Jordyn Fox (acro and Heghine Hakobyan, Slavic Librarian. who worked as the photographer’s studio assistant. tumbling)—served as mentors. Weegee’s photographic oeuvre is immense and During the summer, AofA students drew inspiration from works on view Unknown Russian artist, Novgorod School. Archangel Michael, 16th century. Egg tempera on Ha Chong-Hyun is a major proponent of catalogues life in New York from the 1930s through the limewood panel, 27 1/2 x 11 in. Murray Warner Collection of Oriental Art. Dansaekhwa, the Korean monochrome aesthetic in the JSMA’s Masterworks on Loan program. Works by Robert Colescott, ’60s. Included in this collection are some of his most movement, which began in the early 1970s as painters Glenn Ligon, Hank Willis Thomas, and Kehinde Wiley, among others, were iconic images: murder victims, life in the Lower East struggled to produce art that could be identified as examined, as students studied how themes of identity, race, gender, and Side tenements, bathers at Coney Island, children in both Korean and modern. After the devastation of representation are depicted. In response, students considered lyrics, proverbs, Harlem, and transvestites being arrested—as well as the Korean War (1950–53), the coup d’etat of 1961, and words that might illustrate their identity and then created self-portraits prints from his “Distortion” series, in which Weegee and the twenty-year presidency of PARK Chung- integrating the written and the visual to create their “faces.” would place a piece of textured or curved glass between David McCosh and hee (1917–1979), many artists coped with adversity Art of the Athlete and Art Heals the enlarger lens and the photographic paper. The by avoiding explicit content. They focusedinstead Another component of this year’s program builds upon the special the Midwest Regional museum is grateful to the Newbergs for this significant on artistic materials and process, creating works relationships formed with Julie Woodworth, one of the survivors of the UCC Lithograph Tradition addition to our collections. characterized by subdued colors and diverse shooting last October. AofA students, including UO offensive lineman Tyrell experimental techniques. In his Conjunction series Morris Graves Gallery Weegee (Arthur Fellig). Behind the Circus Ring, 1944. Gelatin Crosby, visited Julie over many weeks, creating—and helping her to create— (1972–present), Ha began using hemp as a painting October 15, 2016– silver print. Gift of Alan and Ellen Newberg art as part of her recovery. The exhibition this year features works by some of ground through which he pushed pigment from the February 12, 2017 the AofA athletes for Julie that document their journey with her. reverse and then manipulated the resulting accretions Over the past five years, the Art of the Athlete program has garnered local Drawn from the JSMA’s permanent on the canvas surface. and national media attention. Most recently, it was featured as a four-minute collection and the McCosh Memorial Dansaekhwa was formalized in 1975 and story, I am More than an Athlete, on CBS Sports’s Inside College; if you missed Collection, this exhibition includes celebrated in Korea, Japan, and France through it, you’ll find the piece on the CBS Sports website. prints by David McCosh, Thomas the 1980s, after which it fell out of favor. Recently, Hart Benton, and Grant Wood that however, the art world has begun to reevaluate the Art of the Athlete Exhibition highlight common themes and movement, prompting Ha to remark: Education Corridors | September 17, 2016–January 29, 2017 techniques in regional lithography Art of the Athlete V Public Reception during the 1930s and ’40s. McCosh It was not possible to make a living making this kind Associate Curator Danielle Knapp Wednesday, October 12, 6:30–8:30 p.m. of work in Korea…. I am unbelievably happy. I am Meet our student athlete-artists at a special reception sponsored was assisted by curatorial interns eighty-one years old. . . . But to have this happen in by Bank of America/Merrill Lynch. Madeleine Kern and Claire Sabitt in David McCosh (American, b. 1903). Parade, 1933. my lifetime, I can’t be more thankful.* Lithograph, 12 x 10 in. Gift of Anne Kutka McCosh. organizing the exhibition. Art of the Athlete at Autzen October 29, 3 hours before kickoff of Ducks vs Arizona State University *Quoted from Natasha Degen and Kibum Kim, “The Location: North Corner of the Moshofsky Center, Autzen Stadium Book Release and Lecture by Author Roger Saydack Koreans at the Top of the Art World” (The New Yorker, Join Art of the Athlete artists past and present for art activities and a pop-up art exhibition David McCosh: Learning to Paint is Learning to See September 30, 2015). celebrating Art of the Athlete V. (The McCosh Exhibitions, 2005 – 2014) [Wednesday, 8 ] November 16; reception begins at 5:30 p.m., lecture begins at 6 p.m. [ 9 ] Member Spotlight: Meet Jacob Armas New Publications Available in Fall 2016 NEWS

David McCosh: Learning to Paint is Learning What do you consider the best benefit of student to See (The McCosh Exhibitions, 2005—2014) membership? Beginning in 2005, McCosh Advisory Committee member I got to come to two show openings early because I and independent curator Roger Saydack started curating was a student member, but so far the best benefit of a series of exhibitions of works from the collection of the From left: Cheryl Hartup, Lisa Montgomery, and Karri Pargeter membership for me was that it served as a conduit David John and Anne Kutka McCosh Memorial Museum for me to meet people with similar interests. As a Endowment, which were presented at the Karin Clarke result of some of the people I met in the museum, I Gallery and the Schrager & Clarke Gallery in Eugene. This Meet Our New Staff Members joined JSMAC and found out about a curating class illustrated compilation of essays documents the past ten “I am thrilled to be part of the curatorial team and that I otherwise would have never heard of. That class years of exhibitions and includes full-color reproductions of paintings, drawings, and to be working closely with professors and students. has been one of the most enjoyable in my college prints by both of these remarkable artists and new writings by Saydack. Made possible experience thus far. My passion for the art of Latin America started by the McCosh Memorial Endowment. in Oregon, thirty years ago, and I am happy to be DEVELOPMENT When and why did you join the JSMA Student back in my hometown state. Before coming to the Our new bilingual English/Korean catalogue, From Past Advocacy Council? to Present: Masterworks of Korean Art from JSMA, I was based in Ponce, Puerto Rico, where I joined JSMAC after asking if there was any way I I worked with art and artists in the Caribbean. the Jordan Schnitzer Museum of Art, University could become more involved in the museum, when My experiences at the Museum of Contemporary of Oregon / 과거에서 현재까지: 오리건대학교 I was volunteering at one of the show openings. Hispanic Art in New York City, the Dallas Museum 조던슈니처미술관 소장 한국문화재 걸작선, made Being a part of JSMAC has helped kindle my interest of Art, Miami Art Museum, and Museo de Arte in working in museums. I’ve also been able to talk possible with the generous support of the National Museum de Ponce have shaped my thinking. This is my first with museum staff through JSMAC. It’s difficult of Korea, features 40+ ceramics, metalwork, paintings, curatorial position at an academic institution, and Jacob Armas is a JSMA Student Member and to imagine a scenario in which that would have calligraphy, textiles, lacquers, manuscripts, photographs, I look forward to supporting faculty teaching and an active member of the JSMA Student Member happened, if JSMAC didn’t exist. and new media works, ranging in date from the fifth to student research and building engagement among Advocacy Council (JSMAC). He is a Pre-International the twenty-first century. Our current Korean gallery installation includes many of the Latino constituents on and off campus.” Studies student, expecting to graduate in 2019. How do you engage with the museum? objects discussed in the publication, including an important Buddhist painting recently —Cheryl Hartup, Associate Curator of Academic One of the most memorable visits I’ve had was with a conserved with support from Korea’s National Research Institute of Cultural Heritage and What was your first impression of the JSMA? Programs and Latin American Art class of students who, for the most part, either didn’t exciting new acquisitions by PAIK Nam June (1932–2006) and KIM Hanna (born 1981). I was initially blown away by both the size of the know we had an art museum on campus or that it was collection and the range of artists represented. I know “Prior to starting at the JSMA, I worked at the UO of such high a caliber. Being around these students Voces de Mis Antepasados: Papel Picado de the museum is mainly known for its Asian collection, Foundation for ten years as the Director of Finance while they discovered the collections for the first time Catalina Delgado Trunk/Voices of My Ancestors: but I still think about the show of post-war Japanese and enjoyed the world of fundraising. Beginning reminded me of how excited I was after my first visit. The Papercuts of Catalina Delgado Trunk prints that was on display the first time I came in. in 2000, I started at Academic Extension as the That, along with how frequently there is something That is one of the most enjoyable collections I’ve seen This bilingual publication documents the 2015 JSMA Director of Fiscal Services, where I worked for new to see, will always keep me coming back for to this day. exhibition of Delgado Trunk’s work, held in conjunction with fifteen years. I received my BS in business with a quick visits after class or to attend presentations on our Day of the Dead programs, and features essays by June concentration in accounting from the other college the weekends. Black, former associate curator of Latin American art, and in Oregon (OSU) and one time, following an Oregon Chyna Bounds, a recent MA art history graduate, as well as an How does the museum impact your education? loss at the Civil War game, my co-workers locked me artist’s statement, a foreword by JSMA executive director Jill The biggest role the museum has had on my studies out of my office. I look forward to helping support Beyond the Frame: Hartz, an artist’s CV, and selected images. Made possible by is to introduce the idea of pursuing a career in the the great mission and people of the JSMA. I have Dr. Elizabeth Moyer and Dr. Michael Powanda. 9 Upgrade Your Membership Now! museum world. In that respect, it’s guided me to three children, and my oldest will graduate from the pursue the new BA in Arts Management as a double Members at the $250+ level are invited to attend the annual Beyond the Frame UO next summer.” major with International Studies. I view the museum event on October 16, which presents attendees with a behind-the-scenes look at Thank you, Diane! —Karri Pargeter, Business Manager as a collection of ideas and meanings waiting to be the museum and its collections. This exclusive event is one you don’t want to miss! This winter we say goodbye to Diane Nelson, discovered, and it’s this same belief that draws me Invitations will arrive in September. our wonderfully talented graphic designer, for “I started with the UO Foundation in 1998 as an reading and studying in the first place: the thrill of Beyond the Frame is just one of the many benefits upper-level JSMA members the past six years. If you’ve admired our many Administrative Assistant and moved to Academic coming across something new and the challenge of enjoy. JSMA’s membership program offers several tiers of engagement and exhibition catalogs, annual reports, exhibition Extension as an Accounting Technician in 2001. I understanding it, especially in the context of what I’ve benefits, from our individual and family memberships at $45 and $55, to the graphics, banners, announcements, this took a break from my professional work in fall of seen or heard before. Associate $100 level, Supporter $250 level, Contributor $500 level, Benefactor magazine, and more—you know how much she’s 2007 to care for my aging parents and just returned $1,000 level, and Patron Circle level of $1,500 and more. To learn more about becoming a student member or appreciated and how much she’ll be missed. We to work at Academic Extension in 2015. I have eight Interested in attending Beyond the Frame or learning more about upper-level joining JSMAC, go to http://jsma.uoregon.edu/student- hope that we can pull her out of retirement now grandchildren that I love dearly. I feel very warmly membership benefits at the JSMA? Contact Esther Harclerode at 541.346.0974 or membership or http://jsma.uoregon.edu/JSMAC again for a special project, but we also hope she welcomed to the JSMA, and I look forward to getting [email protected], or go to http://jsma.uoregon.edu/membership to make or contact Esther Harclerode 541.346.0974; enjoys gardening and music, and having time to to know everyone better.” your membership gift today! [email protected]). pursue her other joys and desires. —Lisa Montgomery, Accounting Technician [ 11 ] SCHNITZER Calendar CINEMA Leadership Council News OF EVENTS Día de los Muertos Co-sponsored by UO and activities for K–12 Leonardo, students will In the Street Celebration Department of Art Visiting children with special needs; explore how images can This year’s programs revolve Artist Lecture Series instructed by an OHSU illustrate significant events. Thank you to Council members who completed their two terms October 29, October 30, around the theme “In the Artist’s Talk: Lucinda occupational therapist and Using Copic markers and of service: Keith Achepohl, Jeff Hanes, and Rick Williams—all of ONGOING November 1, November 2, Street” and ranges from street Parker Be Our Guest – museum educators. Free, but mixed-media, students will EVENTS 6–9 p.m. photography to street art to whom will continue their involvement as members of our Collections, Wednesday, October 5, Thanksgiving Weekend reservations are requested. create their own sports- This popular annual event is programs about Wall Street and Program Support, and Long-range Planning Committees. 5:30 p.m. Open House RSVP at https://jsma. related products, such as Free First Friday filled with music, poetry, art, the Occupy protests. The six Friday, November 25– uoregon.edu/VSArsvp or running shoes and helmets. We also thank Phllip Piele for steering the Leadership Council as September 2, October 7, dialogue and a traditional monthly screenings run from Panel Conversation: Sunday, November 27, 11 contact Nori Rice at norikor@ November 4, December 2 ofrenda. Co-sponsored October through May and a president for the past two years. His advice, advocacy, and support have Native American Mascots a.m.–5 p.m. uoregon.edu or 541.346.6410 Enjoy the JSMA with free by Oak Hill School in Icon Elements with gallery exhibition opens in May. strengthened our work on and off campus, and especially in the field of in Sports The JSMA invites you and to register. Funding for this admission the first Friday of conjunction with MEChA de Olga Volchkova The Schnitzer Cinema series Monday, October 10, 4:30 p.m. your family to enjoy free program has been provided rural education, one of his and Sandra’s major interests. every month. UO, Adelante Sí, el Instituto Saturday, November 12: is programmed by Richard Many Nations Longhouse admission in honor of the by the John F. Kennedy At our June Leadership Council meeting we welcomed new de Cultura de Guanajuato, Icon Trees and Flowers Herskowitz, curator of media Reception, 3–4 p.m. long Thanksgiving Weekend. Center for the Performing Go Ducks! Free and el Instituto Estatal de Saturday, January 28: arts. All programs are free, with members Ellen Tykeson and Lauren McHolm and returning member Admission Weekend Migrante Guanajuatense y Arts. Art of the Athlete V From the Stadium to the Icon Landscape and Water popcorn and refreshments. Lee Michels and congratulated Jim Walker, our new president. September 3–4, September sus familias. Public Reception Street: Documentary Club de Arte para Mamás Features 10–11, September 24–25, Wednesday, October 12, Photography in the 1970s Saturday, February 18: Everybody Street and Skype October 8–9, October In Football We Trust Sábados, 3 de septiembre, 8 Lauren McHolm is Assistant Director for Finance 6:30–8:30 p.m. Icon Architecture with director Cheryl Dunn 29–30, November 12–13 Thursday, November 3, 4 p.m. Wednesday, November 30, de octubre, 5 de noviembre, Meet our student athlete- 5:30p.m. y 17 de diciembre, de 2 a Saturday, March 18: Wednesday, October 19, 7 p.m. and Administration, Prevention Science Institute at The JSMA and the Museum Location: Harrington artists at a special reception 3:30 p.m. Costumes and Fabric (USA, 2013, 86 min.) the UO and a first-year MBA student, specializing in of Natural and Cultural Auditorium, The John E. Thom Sempere, Executive sponsored by Bank of Director, PhotoAlliance Lunes,12 de septiembre, Saturday, May 20: Everybody Street illuminates the innovation and entrepreneurship. After graduation, History welcome Duck fans Jaqua Academic Center for America/Merrill Lynch. Student Athletes 17 de octubre, 14 de How to Paint with Gold and lives and work of New York’s with free admission on home Gilding Techniques she plans to focus on developing and implementing Film Screening and Q&A Hidden Histories of noviembre, y 12 de iconic street photographers football game weekends. The Hidden Histories of entrepreneurial initiatives within higher education with Chris Young, academic Art: Craggy Peaks and diciembre, de 9 a 10:30 a.m. 1–4 p.m. and the incomparable city that Art: Sights and Sounds of First Saturday Public Tour advisor and former Ducks Temples in the Clouds: El Club de Arte para Mamás $50 ($20 for Student has inspired them for decades. to support a common language between university a Medieval Sensorium Travels to Kŭmgangsan in September 3, October 1, football player proporciona talleres gra- Members) per session; Featured photographers Friday, October 21, 12 p.m. Late Chosŏn Korea administrators and researchers. Prior to moving to the November 5, December 3, tuitos y cuidado de niños, scholarships are available include Bruce Davidson, Mary northwest, Lauren worked in New York City where she Reflections on the Origins Thursday, December 1, 12 p.m. sin necesidad de inscribirse Or $225 for all five sessions Ellen Mark, Elliot Erwitt, Ricky 1 p.m. Gendered Games: and Meanings of Question Maya Stiller, University of for the public. Powell, and Jamel Shabazz, pursued her passion for photography by taking art classes and working Enjoy a 45-minute tour Reflections on Masculinity, previamente, para mamás Bridge: Black Males Kansas que hablan el inglés como With inspiration from the among otehrs. Hannah Giles in for commercial photographers. She continues to pursue photography of highlights from the Art, and Football museum’s collection and Saturday, November 5, 2 p.m. segundo idioma. Este exhibition Splendor and The London Film Review writes: Saturday, October 22, 2 p.m. Family Day: Celebrations and design as a personal interest. current exhibitions with a Artist’s Presentation by Chris proyecto es patrocinado por Light: Russian Art from the “Dunn (herself a renowned Lecture by Linny Frickman, Around the World docent. Free with museum Johnson una beca de la Oregon Com- Collection, Olga Volchkova photographer) . . . obviously has director of the Gregory Allicar Saturday, December 3, a close affinity for her subject, Ellen Tykeson is a life-long resident of Oregon. admission. munity Foundation. Para will lead participants in Museum of Art, Colorado Curators Tour: Cuba Ocho 12–3 p.m. mayor información, favor de traditional icon painting which makes Everybody Street a She was born in Portland and received a State University, and co- Wednesday, November 9, Explore multiple artistic contactar a Arthurina Fears, techniques. All materials are must-see for anyone interested Masters of Fine Art in Sculpture from the EVENTS curator of Scrimmage 5:30 p.m. styles and multicultural [email protected] o al provided. in photography, New York, or Curator’s Gallery Tour: traditions during this free the challenges of documenting University of Oregon in 1994, studying under Gladiators: Reading the Learn more about 541.346.6443. Scrimmage: Football in family day of art activities Maki-e Gold Leaf real life.” Concussion Crisis and contemporary Cuban art Paul Buckner. She has taught figure sculpture American Art from the and learning experiences. Tracing Memories Decoration Football’s Future through with Executive Director Jill and drawing at Lane Community College for Civil War to the Present Co-sponsored by Imagination Drop-In Studio Instructor: Mami Takahashi the Visual Arts Hartz and Amelia Anderson, Jamel Shabazz Street Wednesday, September 14, a second-year MA graduate International, the Center for Saturdays, September 17 Saturday, November 19, Photographer the past fourteen years and recently was guest Wednesday, October 26, 5:30 p.m. student in art history. Asian and Pacific Studies, and October 22, 2–3:30 p.m. 1–4 p.m. Wednesday, November 9, instructor at Oregon State University. Ellen’s 5:30 p.m. Danielle Knapp, McCosh Confucius Institute, and Sponsored by Imagination $40 ($20 for Student 7 p.m. Lecture by Dr. Michael Oriard, metal sculpture emphasizes storytelling. She is Associate Curator Gallery Talk: the Center for Multicultural International, Tracing Members); Scholarships are (USA, 2013, 81 min.) Distinguished Professor of adept in all phases of additive and constructive Between the World and Me Academic Excellence. Memories promotes available for students American Literature and For over thirty years, Jamel Celebrate the Season and November 12, 2 p.m. relaxation and stress Discover the beauty of sculpture, including bas-relief. Recently, she was Culture (Emeritus),Oregon Shabazz has documented New our Fall Exhibitions Tour the exhibition with * WE ARE CLOSED reduction through coloring Maki-e decoration, which State University, and the York street life, most famously selected for inclusion in the National Sculpture Society’s annual show Patron Circle Reception Amelia Anderson November 24, December line art of photographs. Use started in Japan in the 8th author of four cultural studies in his legendary photographs at Brookgreen Gardens in South Carolina. She has had many public Thursday, September 29, 23–26, January 1–8 this studio session to learn century. This technique of the early hip hop scene, of football and a memoir. Book Release and Lecture commissions, and her work is displayed in several Northwest galleries. 5:30–7:30 p.m. The JSMA will close at 4 p.m. more about the program, is recognized worldwide collected in his book Back in the by Author Roger Saydack on September 29 and 30 and ask questions, and watch for its delicate usage of Days. Director Charlie Ahearn’s Members/Public Art of the Athlete at David McCosh: Learning at 5 p.m. on November 23. demonstrations. gold and silver leaf and lively documentary gives voice Reception Autzen A resident of Eugene since 1977 and a retired to Paint is Learning to See the commitment it takes and context to the evocative Friday, September 30, October 29, 3 hours before After-School Art Class: radiologist, Lee Michels is a major collector of (The McCosh Exhibitions, to master this craft. This images created by Shabazz. The Members: 5–6 p.m. kickoff of Ducks vs Arizona STUDIO Sports, Art, and Product 2005–2014) workshop includes a special film traces his life from his army Japanese prints. He holds two degrees from the Public: 6–8 p.m. State University Design Wednesday, November 16; PROGRAMS presentation and hands-on service days and his time as a University of Washington, served in the Navy as a Location: North Corner of the Wednesdays, October 5– reception begins at 5:30 p.m., session to learn how to use corrections officer to his work Artist’s Gallery Talk: Moshofsky Center, Autzen ArtAccess VSA Workshops December 7, 3:30–5 p.m. general medical officer, and is a published writer and lecture begins at 6 p.m. unique bamboo tools to pick as a groundbreaking photog- Gay Outlaw Stadium for K–12 Children with (no class on November 2 up sheets of gold leaf and rapher, capturing the pioneers presenter. Lee and his wife, Mary Jean, enjoy collecting Saturday, October 1, 2 p.m. Join Art of the Athlete artists Artist’s Talk by William Special Needs and November 23) how to sprinkle gold leaf of a revolutionary music and Japanese prints and ceramics and travel often to New past and present for art Wylie: Site as Archive Saturdays, September 17, Grades 1–5, $90 on rice paper. Participants style. With interviews from Artist’s Gallery Talk: activities and a pop-up art October 22, November 19, York City and San Francisco. Lee’s passion for Asian Thursday, November 17, $81 for JSMA Members) will create works with Shabazz legendary rapper Mildred Howard exhibition celebrating Art of December 17 6 p.m. Inspired by the different colors of gold leaf KRS-One, and more, the film is art and advocacy in community arts education provide Saturday, October 1, the Athlete V. 11:15 a.m.–12:15 p.m. Location: Lawrence Hall exhibition Scrimmage on a sumi ink (charcoal ink) a vibrant portrait of the origins a natural link with the museum’s collection and 2:30 p.m. Drop-in studio sessions Room 177 and contemporary artists background. of the worldwide phenomenon feature accessible art lessons academic goals. Catherine Opie and Shaun known as Hip Hop. [ 12 ] SCRIMMAGE kicked off with a festive evening of art, games, and art activities. JSMA Member From left: Juwaan Williams, Paul Godin blends UO defensive back and in with the Urs Guide by Cell commentator, Fischer on view in with Scrimmage co-curator, our Masterworks Danielle Knapp; Jay Jones on Loan gallery. and his sons Cooper and CJ play tailgate games; Madeleine Kern, Curatorial Academic museum Assistant to Knapp, brought and gallery directors her parents to the event. Barbara Rothermel, Jill Hartz, and John Wetenhall enjoyed a  Patron Circle Opening for ALIENS, MONSTERS AND MADMEN: THE ART OF EC visit to Turino, Italy, COMICS. From left: JSMA Leadership Council President Jim Walker; John and Hilary during the ICOM/ FAMILY DAY: COMIC CREATIONS. More than 1000 Darland (owners of Imaginational International, Inc., one of the JSMA’s major partners UMAC (international families participated in our free Family Day sponsored in education and health care programs); Barbara Walker and David Hilton with Johanna museums) conference by Kendall Auto Group. Kids made superhero masks Seasonwein, Senior Curator of Western Art; Ian Coleman and Anne Rose Kitagawa, in Milan in July. on Artie the Art Bus, created comics, and enjoyed Chief Curator. performances by Ballet Fantastique.  Leadership Council members Sue Keene and Hope Pressman. A few years ago, Hope received our Gertrude Bass Warner Award, which recognizes a volunteer for exceptional service; Sue became our most recent awardee during our Members Season Preview on August 14.

Summer interns Esther Weng and Glyn Wilson- Charles surveying Chinese propaganda posters. Opening Reception for ALIENS, MONSTERS AND MADMEN: THE ART OF  Lisa Abia-Smith, JSMA Director of Education, EC COMICS. Hundreds gathered to see and Hilary Darland, Director of Philanthropy at the largest exhibition of original artwork Imagination International, Inc., accepted the from Entertaining Comics displayed in an ABAE Partnership Award from John Barry, ABAE academic museum, including collectors Managing Director. from the EC Fan Club (left) and University of Oregon students Charlie Craft as the  During The Art of EC Imagination International, Crypt Keeper, Becca Schoenfelder as the Inc. and Copic Markers sponsored our first Drink Old Witch, and Taylor Howat as the Vault and Draw, led by artist Matt Brundage. Keeper recreated iconic EC characters (right) for the event.

Director James Ivory talks with JSMA media arts curator Art by Ian Coleman. Digital Richard Herskowitz at an invitational screening held in colorization by Laura Allred. New York’s Metrograph Theatre of The Olive Trees of Justice © 2016. on June 11 by UO alumnus filmmaker James Blue, The event was cohosted by the James Blue Alliance and the JSMA. [ 14 ] Nonprofit Organization U.S. Postage Jordan Schnitzer Museum of Art PAID 1223 University of Oregon Eugene, OR Eugene, OR 97403–1223 Permit No. 63

Medieval Art from the Met The Jordan Schnitzer Museum of Art on view in John and Ethel gratefully acknowledges the sponsor MacKinnon Gallery of of our Members Magazine. European Art The Metropolitan Museum of Art is home to one of the largest and most impressive collections of medieval European art in the world. This fall, the JSMA is pleased to welcome five objects from the Met—a reliquary, a censer, a diptych, a statuette, Mailing address: Street address: and a limestone sculpture of the Virgin Mary 1223 University of Oregon 1430 Johnson Lane and Jesus—on a two-year, renewable loan. We Eugene, OR 97403–1223 Eugene, OR 97403 anticipate that the works will be on view by the end In the heart of the University of Oregon Campus of September. These works, which reflect the diverse Phone: 541.346.3027 arts of Christian devotion and liturgy in Europe Fax: 541.346.0976 from the 14th through 16th centuries, are part of the Website: http://jsma.uoregon.edu JSMA’s ongoing efforts to present the full range of European art to its visitors and to support the UO’s The JSMA continues to provide educational access to University and K–12 groups on Mondays and academic program. Support was provided by a JSMA Tuesdays by appointment. Academic Support Grant, the Department of the History of Art and Architecture, the Office of the Public Hours Dean of the School of Architecture and Allied Arts, Wednesday 11 a.m. – 8 p.m. Thursday through Sunday 11 a.m. – 5 p.m. Virgin and Child, French, 14th the Oregon Humanities Center, the Medieval Studies The museum is closed on major holidays. century. Limestone with traces Program, the Giustina Professorship of Italian of polychromy. 26 x 9 5/16 x 7 1/16 Cover: Warrington Colescott (American, b. 1921. Sunday Service in. Metropolitan Museum of Art, Languages and Literatures, and the Department of from the Wisconsin Sesquicentennial Portfolio, 2001. Hard- Mr. and Mrs. Isaac D. Fletcher Romance Languages. ground, soft-ground and aquatint on paper, 22 1/2 x 31 1/8 in. Collection, Bequest of Isaac D. Smithsonian American Art Museum, Gift of Janet Ann Bond Fletcher Sutter and Thomas Henry Sutter The Hidden Histories of Art: Sights and Sounds of a Medieval Sensorium Friday, October 21, 12 p.m. | Ford Lecture Hall MARCHÉ CAFÉ In the Middle Ages, religious paintings, sculptures, and liturgical and devotional objects rarely existed in isolation. Instead, they were situated in a multi-media environment, with other sights, smells, and sounds. In particular, sacred music was a ubiquitous element of the soundscape against which the religious arts were experienced. This concert features medieval musical works commonly heard when images and objects such as these were either displayed or brought to the fore during a communal service, or, in the case of personal moments of spiritual reflection, An equal-opportunity, affirmative-action institution committed to cultural diversity were used as objects for meditation and rumination. Performers include faculty members and and compliance with the Americans with Disabilities Act. This publication will be graduate students in the School of Music and Dance, in collaboration with Lori Kruckenberg, made available in accessible formats upon request. Accommodations for people Associate Professor of Musicology. with disabilities will be provided if requested in advance by calling 541.346.3213.