Connecticut College Alumnae News, December 1954
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The Fellows of the American Bar Foundation
THE FELLOWS OF THE AMERICAN BAR FOUNDATION 2015-2016 2015-2016 Fellows Officers: Chair Hon. Cara Lee T. Neville (Ret.) Chair – Elect Michael H. Byowitz Secretary Rew R. Goodenow Immediate Past Chair Kathleen J. Hopkins The Fellows is an honorary organization of attorneys, judges and law professors whose pro- fessional, public and private careers have demonstrated outstanding dedication to the welfare of their communities and to the highest principles of the legal profession. Established in 1955, The Fellows encourage and support the research program of the American Bar Foundation. The American Bar Foundation works to advance justice through ground-breaking, independ- ent research on law, legal institutions, and legal processes. Current research covers meaning- ful topics including legal needs of ordinary Americans and how justice gaps can be filled; the changing nature of legal careers and opportunities for more diversity within the profession; social and political costs of mass incarceration; how juries actually decide cases; the ability of China’s criminal defense lawyers to protect basic legal freedoms; and, how to better prepare for end of life decision-making. With the generous support of those listed on the pages that follow, the American Bar Founda- tion is able to truly impact the very foundation of democracy and the future of our global soci- ety. The Fellows of the American Bar Foundation 750 N. Lake Shore Drive, 4th Floor Chicago, IL 60611-4403 (800) 292-5065 Fax: (312) 564-8910 [email protected] www.americanbarfoundation.org/fellows OFFICERS AND DIRECTORS OF THE Rew R. Goodenow, Secretary AMERICAN BAR FOUNDATION Parsons Behle & Latimer David A. -
Indiana University at Bloomington Official Lists of Graduates And
Indiana University at Bloomington Official Lists of Graduates and Honors Recipients 2018 - 2019 Dates Degrees Conferred June 30, 2018 July 27, 2018 August 18, 2018 August 31, 2018 September 30, 2018 October 31, 2018 November 8, 2018 November 30, 2018 December 15, 2018 January 31, 2019 February 14, 2019 February 28, 2019 March 31, 2019 April 30, 2019 May 3, 2019 May 4, 2019 May 9, 2019 1 ** DEGREE LISTINGS FOR STUDENTS WITH COMPLETE RESTRICTIONS ARE EXCLUDED FROM THE RELEASED OFFICIAL LIST OF GRADUATES ** 2 June Business June Business June Business B. S. in Business B. S. in Business B. S. in Business Aisen, Ari Nathaniel Eckhart, John C., Jr. Kuster, Samuel Marketing Finance Finance Accounting BEPP: Economic Consulting Armstrong, Kayla Nicole Business Analytics Accounting Levens, Julia Anne Technology Management Folsom, Anna Accounting Finance Finance Barco, Clark Tobias, Jr. Accounting With High Distinction Accounting With Honors in Business International Business Lifvendahl, Axel Thomas With High Distinction Foster, James Dean Marketing Accounting Borders, Ryan Harrison Information Systems Lin, Bonnie Professional Sales Accounting Marketing Fu, Weiying Finance Accounting Burton, La'Shira Aretha Technology Management Lisanti, Annabelle Leigh Accounting BEPP: Economic Consulting Ganas, Nicholas Apostolos International Business Bush, Quinn Andrew Finance Accounting International Business Liu, Jiawei Finance With High Distinction Accounting International Business With Honors in Business Technology Management Cheng, Hung Kit George, Mikaela -
Lava Thomas [email protected] B
Lava Thomas www.lavathomas.com [email protected] b. Los Angeles, CA Selected Solo Exhibitions 2018 Mugshot Portraits: Women of the Montgomery Bus Boycott, Rena Bransten Gallery, San Francisco, CA 2015 Looking Back and Seeing Now, Berkeley Art Center, Berkeley, CA 2014 Lava Thomas: Beyond, Museum of the African Diaspora, San Francisco, CA Selected Group Exhibitions 2020 New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum & Pacific Film Archive, Berkeley, CA The Black Index, Leubsdorf Gallery, Hunter College, New York City, NY UNTITLED, ART, Rena Bransten Gallery, San Francisco, CA 2019 UNTITLED, ART, Rena Bransten Gallery, Miami, FL To Reflect Us, Rena Bransten Gallery, San Francisco, CA Adjust Yo’ Eyes For This Darkness, Ashara Ekundayo Gallery, Oakland, CA The Outwin 2019: American Portraiture Today, National Portrait Gallery, Washington, DC Women to Watch 2020 Nominee, Surfacing Histories, Sculpting Memories, Hubble Galleries, California College of the Arts, San Francisco, CA Plumb Line: Charles White and the Contemporary, California African American Museum, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Las Cruces Museum of Art, NM Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Gallery 360, Northeastern University, Boston, MA Spring Auction Exhibition, Kala Art Institute, Berkeley, CA 2018 PULSE Miami Beach, Rena Bransten Gallery, Miami, FL My Silences Had Not Protected Me, For Freedoms and Fort Gansevoort, New York, NY EXPO Chicago, Rena Bransten Gallery, Chicago, IL Pretty Big Things, Walter Maciel Gallery, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Krasl Art Center, St. -
Handcrafted in Australia. Since 1969
2019-2020 Handcrafted in Australia. Since 1969. From golden coastlines and endless JACARU HATS sun-baked horizons, dense tropical rainforests and rugged bushland, 4 Kangaroo red deserts and vast sweeping New Premium Range plains, Australia is a country of 8 Western unparalleled uniqueness Our two most iconic hats are now also available in a new premium version - a country like no other. 10 Exotic in addition to our standard models. Available in brown and black. Since its beginning in 1969, the Jacaru brand has reflected this 14 Breeze Australian landscape, its unique lifestyle and the spirit that is 16 Traditional Australia - wild, untameable, strong and courageous. 18 Australian Wool 50 years on, Jacaru has established Ladies itself as one of Australia’s finest 20 accessories brands, selling in over contents 50 countries worldwide. Today, 24 Kid’s we are prouder than ever to be Australian. 26 Summer Lovin’ We believe in Australian made 34 Safety and Workwear products, handcrafted from the finest Australian materials. 37 Wallets & Purses We are proud that our products are 38 Leather Belts designed and made with dedication in the hands of our craftspeople located in Burleigh on the iconic 40 Fur Accessories Gold Coast of Queensland, Australia. 41 Keyrings We are proud of our heritage and 42 Oilskin Waxed Products will continue to work passionately to bring you quality products that 44 Hat Accessories are quintessentially Australian. 45 Scarves Established in 1969, the Jacaru brand reflects the spirit that is 46 Product Care Australia - wild, untameable, strong and courageous. 47 Size Chart Jacaru - Handcrafted in Australia. -
MINUTES of PUBLIC MEETING Thursday, June 16, 2016 9:00 A.M. to 4:30 P.M
MINUTES OF PUBLIC MEETING Thursday, June 16, 2016 9:00 a.m. to 4:30 p.m. East Bay Center for the Performing Arts 339 11th St. Richmond, CA 94801 (510) 234-5624 PRESENT: Council Members Donn K. Harris, Chair Nashormeh Lindo, Vice Chair Phoebe Beasley Christopher Coppola Juan Devis Kathleen Gallegos Jaime Galli Louise McGuinness Steve Oliver Council members absent: Larry Baza, Rosalind Wyman Arts Council Staff Craig Watson, Director Ayanna Kiburi, Deputy Director Shelly Gilbride, Programs Officer Kristin Margolis, Legislative Director Caitlin Fitzwater, Communications Director Mary Beth Barber, Special Projects and Initiatives Associate Josy Miller, Arts Program Specialist John Seto, Arts Program Specialist Jaren Bonillo, Arts Program Specialist Invited Attendees Diane Golling, novelist Denise Pate, City of Oakland, Cultural Arts Steven Dilley, Veterans Art Project Ben Frandzel, Stanford Live Minutes: 2 June 16, 2016 Miko Lee, Youth in Arts Other Attendees / Members of the Public Laurie Brooks, William James Association Roger Renn, Arts and Culture Commission of Contra Costa County Amana Harris, Attitudinal Healing Connection Ada Chan, SoMa Pilipinas Thomas Simpson, AfroSolo Theatre Company Silvia Ledezma, Richmond Arts & Culture Commission Mildred Howard, independent artist Robbin Henderson, artist Debbie Hill-Houston Bill Golling Leslie Fay Marks, Oakland Symphony Brandi Brandes, Ashkenzz Music and Dance Community Center Eliza Tudor, Yuba Sutter Arts Council David Read, Yuba Sutter Arts Council MINUTES I. Call to Order, Roll Call and Establishment of a Quorum The Chair called the meeting to order at 9:00 a.m. Barber took the roll at 9:01 a.m. and a quorum is established. (Lindo arrives at 9:30 a.m.) II. -
International Research and Exchanges Board Records
International Research and Exchanges Board Records A Finding Aid to the Collection in the Library of Congress Prepared by Karen Linn Femia, Michael McElderry, and Karen Stuart with the assistance of Jeffery Bryson, Brian McGuire, Jewel McPherson, and Chanté Wilson-Flowers Manuscript Division Library of Congress Washington, D.C. 2011 International Research and Exchanges Board Records Page ii Collection Summary Title: International Research and Exchanges Board Records Span Dates: 1947-1991 (bulk 1956-1983) ID No: MSS80702 Creator: International Research and Exchanges Board Creator: Inter-University Committee on Travel Grants Extent: 331,000 items; 331 cartons; 397.2 linear feet Language: Collection material in English and Russian Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: American service organization sponsoring scholarly exchange programs with the Soviet Union and Eastern Europe in the Cold War era. Correspondence, case files, subject files, reports, financial records, printed matter, and other records documenting participants’ personal experiences and research projects as well as the administrative operations, selection process, and collaborative projects of one of America’s principal academic exchange programs. International Research and Exchanges Board Records Page iii Contents Collection Summary .......................................................... ii Administrative Information ......................................................1 Organizational History..........................................................2 -
United States National Museum
SMITHSONIAN INSTITUTION UNITED STATES NATIONAL MUSEUM BULLETIN 2 30 WASHINGTON, D.C. 1964 MUSEUM OF HISTORY AND TECHNOLOGY The Bark Canoes and Skin Boats of North America Edwin Tappan Adney and Howard I. Chapelle Curator of Transportation SMITHSONIAN INSTITUTION, WASHINGTON, D.C. 1964 — Publications of the United States National Aiuseum The scholarly and scientific publications of the United States National Museum include two series, Proceedings of the United States National Museum and United States National Museum Bulletin. In these series the Museum publishes original articles and monographs dealing with the collections and work of its constituent museums—The Museum of Natural History and the Museum of History and Technology setting forth newly acquired facts in the fields of Anthropology, Biology, History, Geology, and Technology. Copies of each publication are distributed to libraries, to cultural and scientific organizations, and to specialists and others interested in the different subjects. The Proceedings, begun in 1878, are intended for the publication, in separate form, of shorter papers from the Museum of Natural History. These are gathered in volumes, octavo in size, with the publication date of each paper recorded in the table of contents of the volume. In the Bulletin series, the first of which was issued in 1875, appear longer, separate publications consisting of monographs (occasionally in several parts) and volumes in which are collected works on related subjects. Bulletins are either octavo or quarto in size, depending on the needs of the presentation. Since 1902 papers relating to the botanical collections of the Museum of Natural History have been published in the Bulletin series under the heading Contributions Jrom the United States National Herbarium, and since 1959, in Bulletins titled "Contributions from the Museum of History and Technology," have been gathered shorter papers relating to the collections and research of that Museum. -
Motor Cycle Wear
THE AUSTRALIAN COAT COMPANY PTY LTD 100% Australian Made & Owned MOTORCYCLE WEAR All of our clothing range can be custom made to fit any size – just contact us! FULL-LENGTH OILSKIN MOTORCYCLE RIDING COAT Designed for motor cycle riders to keep out the wind and the wet : Zip up front covered by a storm flap which fastens with Velcro : Collar can be turned up and fastened around neck with Velcro : Sleeves have adjustable velcro tab to seal against wet and wind : 2 large pockets close securely with velcro fastened pocket flap : Shoulder cape which provides an extra layer of protection against the weather is sewn down so it does not flap. It also directs water away from running down sleeves onto hands : Fantail at back where you sit on bike : Leg straps to attach coat to your legs : Front and back of coat can be joined together with Velcro to form 2 “legs” when riding in windy and wet conditions : Large internal pockets : warmer lining available $190.00 OILSKIN MOTORCYCLE JACKET Designed for motor cycle riders to keep out the wind and the wet : Zip up front covered by a storm flap which fastens with Velcro : Collar can be turned up and fastened around neck with Velcro : Sleeves have adjustable velcro tab to seal against wet and wind : 2 large pockets close securely with velcro fastened pocket flap : Shoulder cape which provides an extra layer of protection against the weather is sewn down so it does not flap. It also directs water away from running down sleeves onto hands : Action split at back : Jacket is long enough to sit on : Large internal pocket : Removable belt around waist to minimize air flow to inside of jacket : $177.00 warmer lining available AUSSIE OILSKIN JEANS – MENS Specifically developed for motor cycle riders, they look great, feel great, can be worn to keep you dry in wet weather. -
Surname Index to Schenectady Births 1940-1953
Grems-Doolittle Library Schenectady County Historical Society 32 Washington Ave. Schenectady, NY 12305 Surname Index to Schenectady Births 1940-1953 Abare Abele Ackley Abba Abele Ackroyd Abbale Abeles Ackroyd Abbale Abeles Ackroyd Abbale Abell (probably Abeel) Ackroyd Abbatiello Abelone (probably Acord Abbatiello Abelove) Acree Abbatiello Abelove Acree (probably Abbatiello Aberbach or Aberback Aeree) Abbato Aberback Acton Abbato Abercrombie Acton Abbato Aboudara Acucena Abbe Abraham Adack Abbott Abrahamson (not - Adack or Adach Abbott nson) Adair Abbott Abrams Adair Abbott Abrams Adair Abbott Abramson Adair Abbott Abrofsky Adair Abbott Abt Adair Abbott Aceto Adam Abbott Aceto Adamczak Abbott Aceto Adamec Abbott Aceto Adamec Abbott Acken Adamec Abbott Acker Adamec Abbott Acker Adamek Abbott Acker Adamek Abbzle = ? spelling Acker Adamkiewicz unclear Acker Adamkiewicz Abeel Ackerle Adams Abeel Ackerman Adams Abeel Ackerman Adams Abeel Ackerman Adams Abeel Ackerman Adams Abel Ackley Adams Grems-Doolittle Library Schenectady County Historical Society 32 Washington Ave. Schenectady, NY 12305 Surname Index to Schenectady Births 1940-1953 Adams Adamson Ahl Adams Adanti Ahles Adams Addis Ahman Adams Ademec or Adamec Ahnert Adams Adinolfi Ahren Adams Adinolfi Ahren Adams Adinolfi Ahrendtsen Adams Adinolfi Ahrendtsen Adams Adkins Ahrens Adams Adkins Ahrens Adams Adriance Ahrens Adams Adsit Aiken Adams Aeree Aiken Adams Aernecke Ailes = ? Adams Agans Ainsworth Adams Agans Aker (or Aeher = ?) Adams Aganz (Agans ?) Akers Adams Agare or Abare = ? Akerson Adams Agat Akin Adams Agat Akins Adams Agen Akins Adams Aggen Akland Adams Aggen Albanese Adams Aggen Alberding Adams Aggen Albert Adams Agnew Albert Adams Agnew Albert or Alberti Adams Agnew Alberti Adams Agostara Alberti Adams Agostara (not Agostra) Alberts Adamski Agree Albig Adamski Ahave ? = totally Albig Adamson unclear Albohm Adamson Ahern Albohm Adamson Ahl Albohm (not Albolm) Adamson Ahl Albrezzi Grems-Doolittle Library Schenectady County Historical Society 32 Washington Ave. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Oilskin Bucket
4359 Oilskin Bucket Highly resistant to wind Oilskin Fabric & rain while remaining breathable UPF rating 50+ Meets NZ Padded sweatband “Excellent Protection” standards AS/NZS 4399 OILSKIN The oilskin fabric is made of 100% tightly woven cotton that is impregnated with a solution of special oils and waxes to ensure maximum rain, snow and wind protection. Another common term used for this fabric is waxed cotton. This makes the oilskin a highly durable and long-lasting product. Unlike synthetic and nylon products, the oilskin has a natural feel and colourways because it is a natural product, it provides excellent breathability. Product Care Instructions Garments made from wax impregnated oilskin Dark brown cloth, are almost carefree, and will last for many years to come. To clean your oilskin hat simply wipe down with tepid water. Allow to drip dry in a cool, well ventilated area. www.legendlife.co.nz Version A – 23-5-11 4372 4359 • ••••••••••••• Bucket Oilskin Bucket Specications: MATERIAL: 0JMTLJOGBCSJD SIZES: S/M, L/XL Highly resistant to wind DECORATION TYPES: Embroidery, Transfer, Screenprint,Oilskin Fabric & rain while remaining breathable DECORATION AREAS: Embroidery areas Centre Front: 50mm h x 170mm w Back: 50mm h x 170mm w Print/Transfer areas Centre Front: 40mm h x 100mm w Back: 40mm h x 100mm w DESCRIPTION: t 0JMTLJO'BCSJD t $PUUPO5XJMMMJOJOH t 1BEEFE cotton sweatband t 61'SBUJOH &YDFMMFOU1SPUFDUJPO PACKAGING: 25 pieces packed into one poly bag per inner CARTON QUANTITY: 100 units (4 inners) CARTON MEASUREMENTS: 52.5cm x 32cm x 51cm CARTON WEIGHT: 8.6kg UPF rating 50+ Meets NZ Padded sweatband “Excellent Protection” standards AS/NZS 4399 OILSKIN The oilskin fabric is made of 100% tightly woven cotton that is impregnated with a solution of special oils and waxes to ensure maximum rain, snow and wind protection. -
Parrasch Heijnen Gallery, Los Angeles, CA 2019 Mildred Howard, Fred Jones Jr
parrasch heijnen Mildred Howard b. 1945, San Francisco, CA Lives and works in Oakland, CA Education 1985 MFA, Fiberworks Center for the Textile Arts, John F. Kennedy University, Berkeley, CA 1977 Associates of Arts Degree & Certificate in Fashion Art, College of Alameda, Alameda, CA Solo Exhibitions 2021 In the Line of Fire, Shirley Fitterman Art Center, Borough of Manhattan Community College, CUNY New York, NY 2020 The House That Will Not Pass for Any Color Than Its Own, Battery Park City, NYC, NY (until 2022) Mildred Howard: A Survey, 1978 - 2020, Parrasch Heijnen Gallery, Los Angeles, CA 2019 Mildred Howard, Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, OK 2018 Mildred Howard, Roll Up Project, Oakland, CA 2016 Mildred Howard: Parenthetically Speaking, Anglim Gilbert Gallery, San Francisco, CA 2015 Mildred Howard: Spirit and Matter, Richmond Art Center, Richmond, CA 2014 Mildred Howard: Collective Memory, Fresno Art Museum, Fresno, CA 2011-12 Parenthetically Speaking: It’s Only a Figure of Speech, Museum of Glass, Tacoma, WA 2010 New Work, Gallery Paule Anglim San Francisco, CA Moeller Fine Art, Berlin, Germany 2008 Mildred Howard: That Was Then and Here Was Now, Nevada Museum of Art, NV, Reno Nielsen Gallery, Boston, MA To Honor Teaching, Solano Community College, Fairfield, CA 2007 New Works 2007, Gallery Paule Anglim, San Francisco, CA Drawings: Visions, Surfaces, and Beyond, Triton Museum of Art, Santa Clara, CA 2006 In the Line of Fire/Crossings, University of Texas, San Marcos, TX Nielsen Gallery, Boston, MA Santa