DOCSLIB.ORG

Paint Colors for the Hummer-Series Lightweight Models This Is a Work in Progress – Version April 15, 2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Paint Colors for the Hummer-Series Lightweight Models This Is a Work in Progress – Version April 15, 2011 Paint Colors for the Hummer-series Lightweight Models This is a work in progress – Version April 15, 2011 What colors were the Harley Hummer and related lightweight models painted? One would think this was an easy question to answer. The Club had previously used Harley-Davidson’s General Engineering Standard 30143 as the authority for colors available on these models. H-D provided us a copy of the 1950-1969 sections of this document way back in 1983. Recent examination showed a considerable number of errors in that document. We embarked on an effort to compare all other available factory documentation to produce a consolidated and authoritative list. We compared GES with two other primary documents: The Legend Begins (99403-93), and 1958-1966 Lightweights Parts / Service Colors and Accessories (99444-93), both of which are still available from Harley- Davidson. We also used a number of secondary Harley-Davidson documents. General Engineering Standard 30143 (“GES”) provides a comprehensive list of the “standard” and “special” paint colors used by the Motor Company for each year and model. The format of GES presents some problems - some colors were standard on big twins, but optional on Hummers, and the format does not allow for this distinction. GES is resplendent with typographical errors and other inaccuracies. Notably, it shows the Hummer “B” model in 1953 and 1954, but the B model was not produced until 1955. The Legend Begins (TLB) was a tremendous effort to document the early years of the Motor Company. TLB documents through text descriptions, and Season Order Blanks (SOB) (through 1957), the standard production of each year and model. Mid-year changes, particularly “Spring Specials”, do not appear. 1958-1966 Lightweight Parts / Service, Colors and Accessories (LPS) focuses on the Hummer-series and Topper scooters, and does document, often with handwritten additions, many mid-year changes. Ostensibly, much effort was put into the LPS to make it as correct as possible. We now consider LPS to be the best single primary source. Factory-to-dealer notices (FTD), and Dealer Order Blanks (DOB) announce “spring specials” and other mid- year changes. Unfortunately, there is no compendium of these, and some may exist which are not available to us at this time. Here is a list of document types used. Some of these auxiliary documents appear on our website. GES - General Engineering Standard 30143 TLB - The Legend Begins (text description) SOB - Season Order Blank (from TLB through 1957) LOB - “Lightweight” Order Blank – Hummer & Model 165 – 1956-1957 (from TLB) LPS - 1958-1966 Lightweight Parts / Service, Colors and Accessories DOB - Dealer Order Blank – mid year specials ENT - Enthusiast, new model year announcement (typically September issue) FTD - Factory To Dealer letters ADV - Factory Advertising The “Opinion of The Harley Hummer Club” presents our opinion of the correct paint colors for each year and model, based on our research of the information available to us. We present the information provided by the various factory documents. We discuss any discrepancies found between the factory documents. For mid-year changes, we present the date when the change occurred - when that is available. We do leave one or two questions unanswered. The Harley Hummer Club, Inc. would appreciate any documentation which is not currently available to us. 1948 – 1957 Lightweights - General These bikes had the gas tank, fenders, and front fork panel painted a “main” color. The frame, front fork, chainguard, headlight shell, battery box, wheel hubs, and other small parts were painted black. Wheel rims and handlebars, if not chrome, were also painted black. 1948 Model 125 Opinion of The Harley Hummer Club Standard Colors: Brilliant Black Optional Colors: None Factory Documents TLB (std): Brilliant Black TLB (opt): None SOB: Does not show Model 125 GES: Not available ENT: Not specified Discussion The 1948 Model 125 was released mid-year, and was not included on the SOB. TLB references the 1949 documentation. ENT – April 1948, “Presenting the Model 125” 1949 Model 125 Opinion of The Harley Hummer Club Standard Colors: Brilliant Black Optional Colors: None Optional Colors (May 6, 1949 - later): Flight Red, Azure Blue Factory Documents TLB (std): Brilliant Black TLB (opt): none SOB (std): “Black Only” GES: Not available FTD: Spring Special: Flight Red, Azure Blue, extra charge Discussion The FTD “Spring Special” was announced May 6, 1949. 1950 Model 125 Opinion of The Harley Hummer Club Standard Colors: Brilliant Black, Flight Red, Riviera Blue, Sportsman’s Yellow Optional Colors: None Factory Documents TLB (std): Brilliant Black, Flight Red, Riviera Blue, Sportsman’s Yellow TLB (opt): none SOB (st): Brilliant Black, Flight Red, Riviera Blue, Sportsman’s Yellow SOB (sp): Metallic Green, Flight Red, Azure Blue, White GES (st): Riviera Blue, Sportman Yellow GES (sp): Azure Blue, Flight Red, Metallic Green ADV: Dealer handouts, magazine ads: Brilliant Black, Flight Red, Riviera Blue, Sportsman’s Yellow Discussion SOB: shows the standard Model 125 colors in a separate section. SOB: shows Metallic Green, Flight Red, Azure Blue, White in other models section, but there is no corroboration for availability on Model 125, except GES for Azure Blue. GES shows Azure Blue as special for Model 125. No corroboration except SOB other models section. GES does not show Brilliant Black or Black. We consider this to be in error. GES shows Flight Red as special. It was special on big twins, but standard on Model 125. Question: Azure Blue was a “Spring Special” color for Model 125 in 1949. GES shows it as “special” for Model 125 in 1950. However, absent other corroborative documentation, we consider GES to be in error. 1951 Model 125 Opinion of The Harley Hummer Club Standard Colors: Persian Red, Rio Blue, Sportman’s Yellow Optional Colors: Metallic Green, Metallic Blue Factory Documents TLB (std): Persian Red, Rio Blue, Sportman’s Yellow TLB (opt): Metallic Green, Metallic Blue SOB (std): Persian Red, Rio Blue, Sportman’s Yellow SOB (opt): Metallic Green, Metallic Blue GES (st): Persian Red, Red, Rio Blue GES (sp): Metallic Blue, Metallic Green Discussion GES: Both Persian Red and “Red” are shown. We consider “Red” to be in error. 1952 Model 125 Opinion of The Harley Hummer Club Standard Colors: Persian Red, Rio Blue, Tropical Green Optional Colors: [Metallic] Marine Blue Factory Documents TLB (std): Persian Red, Rio Blue, Tropical Green TLB (opt): Metallic Marine Blue SOB (std): Persian Red, Rio Blue, Tropical Green SOB (opt): Marine Blue Metallic GES (st): Persian Red, Rio Blue, Tropical Green GES (sp): Bronco Bronze, Marine Blue [Metallic], White ADV (std): Persian Red, Rio Blue, Tropical Green ADV (opt): Marine Blue Discussion SOB has a separate section for Model 125. SOB shows Bronco Bronze as optional for K, OHV, G-GA, but not Model 125. GES shows Bronco Bronze for Model 125. No corroboration. We consider this to be in error. GES shows White for Model 125. No corroboration. We consider this to be in error. ADV – “For Your Riding Pleasure” (F-R1) 1953 Model 165 Opinion of The Harley Hummer Club Standard Colors: Forest Green, Glacier Blue, Pepper Red Optional Colors: Glamour Green Factory Documents TLB (std): Forest Green, Glacier Blue, Pepper Red TLB (opt): Glamour Green SOB (std): Forest Green, Glacier Blue, Pepper Red SOB (opt): Glamour Green GES (st): Forest Green, Glacier Blue, Pepper Red GES (sp): Glamour Green Discussion SOB has a separate section for Model 125 standard and optional colors. GES shows “B” (for Hummer) instead of “S” for Model 125. We consider this to be in error. 1954 Model 165 Opinion of The Harley Hummer Club Standard Colors: Anniversary Yellow, Daytona Ivory, Forest Green, Glacier Blue, Pepper Red Optional Colors: None Factory Documents TLB (std): Anniversary Yellow, Daytona Ivory, Forest Green, Glacier Blue, Pepper Red TLB (opt): none SOB (std): Anniversary Yellow, Black, Daytona Ivory, Forest Green, Glacier Blue, Pepper Red SOB (opt): Forest Green tanks / Daytona Ivory fenders Glacier Blue tanks / Daytona Ivory fenders Pepper Red tanks / Daytona Ivory fenders Daytona Ivory tanks / Forest Green fenders Daytona Ivory tanks / Glacier Blue fenders Daytona Ivory tanks / Pepper Red fenders GES (st): Anniversary Yellow, Black, Daytona Ivory, Forest Green, Glacier Blue, Olive Green, Pepper Red GES (sp): none ENT (std): All models - Anniversary Yellow, Daytona Ivory, Forest Green, Glacier Blue, Pepper Red ENT (opt): KH/74 OHV/Servi-Car only – tanks one color and the fenders another (See SOB above) Discussion ENT – September 1953 – “Presenting the 1954 Golden Anniversary Harley-Davidsons” TLB shows two-tone combinations for KH/74 OHV/Servi-Car only ENT shows two-tone combinations for KH/74 OHV/Servi-Car only SOB has a single consolidated color section. GES shows both “B” and “S”. We consider the “B” (1955-later Hummer) designation to be in error. GES shows Black for “B” and “S” in 1954 and 1955. No corroboration. We consider this to be in error. GES shows Olive Green for “B” and “S” in 1954 and 1955. No corroboration. We consider this to be in error. ADV shows Anniversary Yellow, Daytona Ivory, Forest Green, Glacier Blue, Pepper Red Question: “Two-tone” paint schemes were available for other models. However, there is no indication that the “two-tone” option was available for Model 165. Absent corroborative documentation, we consider SOB two-tone schemes were not available on Model 165. 1955 Model 165 Opinion of The Harley Hummer Club Standard Colors: Anniversary Yellow, Atomic Blue, Aztec Brown, Black, Pepper Red Optional Colors: Hollywood Green Factory Documents TLB: "Written description for all models but Hummer not available”. SOB (std): Anniversary Yellow, Atomic Blue, Aztec Brown, Black, Pepper Red SOB (opt): “All Models” - Hollywood Green SOB (opt): Any combination of tanks in one color and fenders in another using our standard colors except Hollywood Green, will be supplied at no extra charge.
Load more

Recommended publications
  • Pastels À L'écu
    5VOLETPastel+GMmis jour011206.qxd 01/12/2006 14:40 Page 5 PASTELS À L’ÉCU TENDRES EXTRA SURFINS SOFT moderne depuis 1887 5VOLETPastel+GMmis jour011206.qxd 01/12/2006 14:39 Page 1 BLEU INTENSE VIOLET DE GARANCE INTENSE BLUE MADDER VIOLET INTENSIVBLAU KRAPPVÏOLETT AZUL INTENSO VIOLETA GRANZA BLU INTENSO VIOLLETTO DI ROBBIA 463464 465 466467 468 470 309 310 311 313 315 BLEU INDIGO VIOLET MAGENTA INDIGO MAGENTA VIOLET INDIGO MAGNETAVIOLETT INDIGO MORADO MAGENTA INDIGO VIOLA MAGENTA 133 134 135 136137 138139 140 940 941942 943 944 945 946 947 BLEU NUIT VIOLET POURPRE NIGHT BLUE PURPLE VIOLET NACHTBLAU PURPUVÏOLETT AZUL NOCHE VIOLETA PURPURA BLU NOTTE VIOLETTO PURPURA 770 771 772773 774 775 323 325 327 329 BLEU DE PRUSSE CARMIN DE GARANCE PRUSSIAN BLUE MADDER CARMINE PREUSSICHBLAU KRAPP KARMIN AZUL DE PRUSIA CARMIN DE GRANZA BLU DI PRUSSIA CARMINO DI GARANZA 287 288 289 290291 292 293 294 296 378 380 383 384 386 387 BLEU DE CERULEUM LAQUE ROSE CERULEAN BLUE PINK LAKE COLÏNBLAU ROSALACK AZUL CERULEO LACA ROSADA CERULEO LACCA ROSA 257 259 260 261 262 263 264 270 272 274 BLEU ACIER ROUGE RUBIS STELL BLUE RUBY RED STAHLBLAU RUBINROT AZUL ACERO ROJO RUBI BLU ACCIAIO ROSSO RUBINO 710 711 712 713 714 715 670 671672 674 676 BLEU DE COBALT VERMILLON DE CHINE COBALT BLUE CHINESE VERMILION KOBALTBLAU CHINESISCHES ZINNOBER AZUL COBALTO BERMELLON DE CHINA BLU DI COBALTO VERMIGLIO CINESE 353 354 355 356 357 358 359 360 790 791792 793 794 795 796 797 BLEU OUTREMER FONCÉ CARMIN ULTRAMARINE DEEP CARMINE ULTRAMARINBLAU KARMIN AZUL ULTRAMAR OSCURO CARMIN BLU OLTREMARE
    [Show full text]
  • Domo Wall Booth
    DOMO WALL BOOTH Hear yourself think® DOMO WALL BOOTH COLORS STANDARD OPTIONS Blazer cuz28 silverdale cuz30 silcoates cuz33 latymer cuz1e surrey cuz1w newcastle cuz1n cardif Dox 50 black 51 dark grey 52 middle grey 53 light grey Salsa 30 light grey 31 blue 32 dark middle grey 33 yellow 34 dark yellow 35 green 36 middle grey 39 pink 40 dark blue 54 light pink 55 green 56 brown 57 beige Lead times are contingent on color/finish availablity Product may vary in color due to the nature of the media Please refer to website for current color range + larger sample swatch DOMO WALL BOOTH COLORS STANDARD OPTIONS Event 60000 crisp white 60002 steel 60004 gravel 60021 anchor 60999 onyx 61008 flax 61011 saddle 62048 light olive 62093 pebble sand 62095 honey dijon 62096 sunflower 63012 rust brown 64029 rhubarb red 64119 persian red 64146 pink berry 64183 rose crepe 65112 lavender 66006 feeling royal dream 66030 blue pansy 66031 powder blue 66188 deep 67015 pale 67017 soft azure 67042 teal ocean lavender turquoise Lead times are contingent on color/finish availablity Product may vary in color due to the nature of the media Please refer to website for current color range + larger sample swatch DOMO WALL BOOTH COLORS NON-STANDARD OPTIONS Blazer cuz1J cuz3b cuz02 cuz3d cuz2s cuz35 cuz53 cuz1k cuz2q aberlour abertay aston barlborough barnard bromsgrove bryanston camphill dartmouth cuz58 cuz90 cuz1y cuz2w cuz47 cuz1m cuz62 cuz39 cuz63 dunhurst edge hill edinburgh eynesbury fairfield glasgow glenalmond goldsmith handcross cuz2t cuz1p cuz67 cuz26 cuz21 cuz1v
    [Show full text]
  • Les Couleurs Du Nuancier Se Rapprochent Le Plus Possible Des Couleurs Réelles
    BLEU INTENSE VIOLET DE GARANCE INTENSE BLUE MADDER VIOLET INTENSIVBLAU KRAPPVÏOLETT AZUL INTENSO VIOLETA GRANZA BLU INTENSO VIOLLETTO DI ROBBIA 463464 465 467468 470 309 310 311 313 315 BLEU INDIGO VIOLET MAGENTA INDIGO MAGENTA VIOLET INDIGO MAGNETAVIOLETT INDIGO MORADO MAGENTA INDIGO VIOLA MAGENTA 133 134 135 136137 138 139 140 940 941942 943 944 945 946 947 BLEU NUIT VIOLET POURPRE NIGHT BLUE PURPLE VIOLET NACHTBLAU PURPUVÏOLETT AZUL NOCHE VIOLETA PURPURA BLU NOTTE VIOLETTO PURPURA 770 771 772773 774 775 323 325 327 329 BLEU DE PRUSSE CARMIN DE GARANCE PRUSSIAN BLUE MADDER CARMINE PREUSSICHBLAU KRAPP KARMIN AZUL DE PRUSIA CARMIN DE GRANZA BLU DI PRUSSIA CARMINO DI GARANZA 287 288 289 290 291 292 293 294 296 378 380 383 384 386 387 BLEU DE CERULEUM LAQUE ROSE CERULEAN BLUE PINK LAKE COLÏNBLAU ROSALACK AZUL CERULEO LACA ROSADA CERULEO LACCA ROSA 257 258 259 260 261 262 263 264 270 272 274 BLEU ACIER ROUGE RUBIS STELL BLUE RUBY RED STAHLBLAU RUBINROT AZUL ACERO ROJO RUBI BLU ACCIAIO ROSSO RUBINO 710 711 712 713 714 715 670 671672 674 676 BLEU DE COBALT VERMILLON DE CHINE COBALT BLUE CHINESE VERMILION KOBALTBLAU CHINESISCHES ZINNOBER AZUL COBALTO BERMELLON DE CHINA BLU DI COBALTO VERMIGLIO CINESE 353 354 355 356 357 358 359 360 790 791792 793 794 795 796 797 BLEU OUTREMER FONCÉ CARMIN ULTRAMARINE DEEP CARMINE ULTRAMARINBLAU KARMIN AZUL ULTRAMAR OSCURO CARMIN BLU OLTREMARE CARMINO 388 389 390 391 392 393 394 395 48 49 50 52 54 56 BLEU SAPHIR ROUGE HELIOS SAPHIRE BLUE HELIOS RED SAPHIRBLAU HELIOSROT AZUL ZAFIRO ROJO HELIOS BLU ZAFIRO ROSSO
    [Show full text]
  • Air Force Blue (Raf) {\Color{Airforceblueraf}\#5D8aa8
    Air Force Blue (Raf) {\color{airforceblueraf}\#5d8aa8} #5d8aa8 Air Force Blue (Usaf) {\color{airforceblueusaf}\#00308f} #00308f Air Superiority Blue {\color{airsuperiorityblue}\#72a0c1} #72a0c1 Alabama Crimson {\color{alabamacrimson}\#a32638} #a32638 Alice Blue {\color{aliceblue}\#f0f8ff} #f0f8ff Alizarin Crimson {\color{alizarincrimson}\#e32636} #e32636 Alloy Orange {\color{alloyorange}\#c46210} #c46210 Almond {\color{almond}\#efdecd} #efdecd Amaranth {\color{amaranth}\#e52b50} #e52b50 Amber {\color{amber}\#ffbf00} #ffbf00 Amber (Sae/Ece) {\color{ambersaeece}\#ff7e00} #ff7e00 American Rose {\color{americanrose}\#ff033e} #ff033e Amethyst {\color{amethyst}\#9966cc} #9966cc Android Green {\color{androidgreen}\#a4c639} #a4c639 Anti-Flash White {\color{antiflashwhite}\#f2f3f4} #f2f3f4 Antique Brass {\color{antiquebrass}\#cd9575} #cd9575 Antique Fuchsia {\color{antiquefuchsia}\#915c83} #915c83 Antique Ruby {\color{antiqueruby}\#841b2d} #841b2d Antique White {\color{antiquewhite}\#faebd7} #faebd7 Ao (English) {\color{aoenglish}\#008000} #008000 Apple Green {\color{applegreen}\#8db600} #8db600 Apricot {\color{apricot}\#fbceb1} #fbceb1 Aqua {\color{aqua}\#00ffff} #00ffff Aquamarine {\color{aquamarine}\#7fffd4} #7fffd4 Army Green {\color{armygreen}\#4b5320} #4b5320 Arsenic {\color{arsenic}\#3b444b} #3b444b Arylide Yellow {\color{arylideyellow}\#e9d66b} #e9d66b Ash Grey {\color{ashgrey}\#b2beb5} #b2beb5 Asparagus {\color{asparagus}\#87a96b} #87a96b Atomic Tangerine {\color{atomictangerine}\#ff9966} #ff9966 Auburn {\color{auburn}\#a52a2a} #a52a2a Aureolin
    [Show full text]
  • WILLOUGHBY's CHINA PAINTS One Dram Vial
    WILLOUGHBY'S CHINA PAINTS One Dram Vial 001 Poppy Red 4.50 045 Pink Brown 7.95 089 Blue violet 9.95 002 Calif. Poppy 4.50 046 Banding Blue 4.50 090 Water Blue 4.95 003 Orange 4.50 047 Sevres Blue 4.75 091 Water Green 4.25 004 Deep Yellow 5.25 048 Delphinium Blue 4.65 092 Chartreuse 4.50 005 Golden Yellow 4.95 049 Baby Blue 4.95 093 Persian Red 6.25 006 Mixing Yellow 4.25 050 Grey Blue 4.50 094 Royal Blue 4.95 007 Albert Yellow 4.95 051 Forget-Me-Not 4.95 095 Golden Green 5.35 008 Lemon Yellow 4.95 052 Black Grape 15.95 096 Old Gold 4.50 009 Trenton Ivory 4.50 053 Darkest Grape 15.95 097 Cool Shadow 4.65 010 Violet of Iron 4.25 054 Royal Violet 15.95 098 Pecan 4.25 011 Maroon 4.95 055 Flower Grey 4.65 099 Paste for Raised Gold 5.95 012 Lt. Pompadour 5.50 056 Flesh Grey 4.95 300 Tan 4.25 013 Pompadour Brown 6.75 057 Pearl Grey 5.25 301 Light Ivory 4.95 014 Pompadour 6.50 058 Peacock Blue 5.35 302 Pale Pink 5.50 015 Flesh Pink 5.25 059 Deep Blue Green 5.35 303 Mulberry 12.95 016 Yellow Red 4.75 060 Blue Green 4.50 304 Rich Yellow Brown 5.25 017 Santa Red 4.95 061 Turquoise 4.50 305 Golden Walnut 4.50 018 Fire Engine Red 4.95 062 Navy 4.65 306 Antique Green 4.25 019 Black Brown 6.25 063 Copenhagen Blue 4.95 307 Amber 4.75 020 Rich Brown 7.50 064 Brown Green 4.95 308 Salmon 5.95 021 Finishing Brn.
    [Show full text]
  • Philip Ball the Invention of Colour
    Philip Ball: The Invention of Colour 1 Philip Ball The Invention of Colour The 2011 Van Gogh exhibition at the Royal Academy in London was widely praised for revising our view of the Dutch artist. Its central focus was a selection of Van Gogh’s correspondence with his brother Theo, and these letters show that he did not work in a crazed frenzy, as the romantic legend might have us believe, but was methodical and thoughtful about his technique. The letters, which are of course long familiar to art historians, reveal a man passionate not so much about love and death as about art, and in particular about its techniques and materials. One great source of inspiration for Van Gogh was colours, especially the new colours that during his lifetime had only recently become available to artists. He wrote to Theo that: I have got new ideas and I have new means of expressing what I want, because better brushes will help me, and I am crazy about those two colours, carmine and cobalt. Cobalt is a divine colour, and there is nothing so beautiful for putting atmosphere around things. Carmine is the red of wine, and it is warm and lively like wine. The same with emerald-green. It is bad economy not to use these colours, the same with cadmium.1 This focus on materials is not unusual among artists. Van Gogh’s friend Paul Gauguin was preoccupied on Tahiti not with metaphysical questions – where we are from, where we are going – nor about his sexual relations with the local women, as again legend might encourage us to believe, but about the very prosaic difficulty of getting the pigments he needed.
    [Show full text]
  • Swatch Name HLS RGB HEX Absolute Zero 217° 36% 100% 0 72
    Swatch Name HLS RGB HEX Absolute Zero 217° 36% 100% 0 72 186 #0048BA Acid green 65° 43% 76% 176 191 26 #B0BF1A Aero 206° 70% 70% 124 185 232 #7CB9E8 Aero blue 151° 89% 100% 201 255 229 #C9FFE5 African violet 288° 63% 31% 178 132 190 #B284BE Air superiority blue 205° 60% 39% 114 160 193 #72A0C1 Alabaster 46° 90% 27% 237 234 224 #EDEAE0 Alice blue 208° 97% 100% 240 248 255 #F0F8FF Alloy orange 27° 42% 85% 196 98 16 #C46210 Almond 30° 87% 52% 239 222 205 #EFDECD Amaranth 348° 53% 78% 229 43 80 #E52B50 Amaranth (M&P) 328° 40% 57% 159 43 104 #9F2B68 Amaranth pink 338° 78% 75% 241 156 187 #F19CBB Amaranth purple 342° 41% 63% 171 39 79 #AB274F Amaranth red 356° 48% 73% 211 33 45 #D3212D Amazon 147° 35% 35% 59 122 87 #3B7A57 Amber 45° 50% 100% 255 191 0 #FFBF00 Amber (SAE/ECE) 30° 50% 100% 255 126 0 #FF7E00 Amethyst 270° 60% 50% 153 102 204 #9966CC Android green 74° 50% 55% 164 198 57 #A4C639 Antique brass 22° 63% 47% 205 149 117 #CD9575 Antique bronze 52° 26% 55% 102 93 30 #665D1E Antique fuchsia 316° 46% 22% 145 92 131 #915C83 Antique ruby 350° 31% 66% 132 27 45 #841B2D Antique white 34° 91% 78% 250 235 215 #FAEBD7 Ao (English) 120° 25% 100% 0 128 0 #008000 Apple green 74° 36% 100% 141 182 0 #8DB600 Apricot 24° 84% 90% 251 206 177 #FBCEB1 Aqua 180° 50% 100% 0 255 255 #00FFFF Aquamarine 160° 75% 100% 127 255 212 #7FFFD4 Swatch Name HLS RGB HEX Arctic lime 72° 54% 100% 208 255 20 #D0FF14 Army green 69° 23% 44% 75 83 32 #4B5320 Artichoke 76° 53% 13% 143 151 121 #8F9779 Arylide yellow 51° 67% 74% 233 214 107 #E9D66B Ash gray 135° 72% 8% 178 190
    [Show full text]
  • Color Formula Guide COPYRIGHT © 2005 - 2018 NAKOMA PRODUCTS LLC
    Color Formula Guide COPYRIGHT © 2005 - 2018 NAKOMA PRODUCTS LLC. ALL RIGHTS RESERVED. Table of Contents Welcome! Our All-Purpose and DyeMore shades are only the 03 — Dye Tips beginning. This guide features 500+ formulas that we 07 — Yellow have developed so that you can mix our dyes to create 00 — Yellow Orange Peach so many more colors. 00 — Orange 00 — Warm Red The first few pages of this guide highlight how to use 00 — Cool Red and scale our formulas. Each page after that features a 00 — Purple complete palette of shades in each color group. 00 — Red Violet 00 — Pink 00 — Blue Violet 00 — Blue 00 — Blue Green 00 — Green 00 — Yellow Green 00 — Brown 00 — Neutral 00 — Fall Fashion 00 — Fall Home Decor TABLE OF Contents — 2 COLORIT FORMULA GUIDE Tips for Dyeing Dye Type Dye Method Use Rit All-Purpose Dye if you are working with cotton, linen, • Use the sink or bucket method for general projects. silk, wool, rayon, ramie or nylon. • Use the stovetop method if you are trying to achieve as Use Rit DyeMore Synthetic Fiber Dye if you are working with bold of a color as possible or working with Rit DyeMore fabric that contains more than 35% polyester, acrylic or acetate. Synthetic Fiber Dye. • Use the washing machine method if you are dyeing Color large items. The colors shown in this guide are based on the following standards: Tip: The sink or bucket and stovetop methods are the best for mixing colors, letting you easily tweak dye • Rit All-Purpose Dye: White 100% cotton dyed at 140° F for amounts to get just the right color.
    [Show full text]
  • Chart Colours May Vary Slightly from Paint Colours Due to the Limitations of the Printing Process
    Clay Pigeon DB224-32 Heart’s Content H701-32 Little Heart’s Ease H803-21 Ferryland Downs H204-12 Red Cliffe H204-22 Bonne Bay H401-42 Loyal A222-24 Carnelian DB224-12 Plumboy H805-42 Dark Tickle H805-52 Emerald Green 263 Chrome Green 231 White Gold P210-00 Brushed Cotton C117-10 Misky Rain H803-40 Logy Beige H201-10 Whiteway H803-50 Mauzy H805-20 Iceberg Alley P208-10 Moon Pond DB117-10 Bobby-Rooter H203-22 Genuine White P206-00 Signal Red 706 American Red 242 American Red 242 Oak Brown 209 Medium Grey 137 Persian Red 2015 Dory Buff 1302 Buff 203 Sea Spray Green 1316 Aqua 216 Chrome Green 231 Tahitian Blue 2014 Colonial Ivory 212 White Memories of Mollyfodge H806-22 Bakeapple Jam H705-52 Heaven’s Gate C202-32 Blasty Bough H204-32 Red Island H703-22 Christmas Syrup DA223-33 May Bush Blue C108-41 Burnt Islands B221-22 Scrunchions H802-10 Point Amour H806-32 Rising Sun B223-12 Brazil Street B222-42 Egyptian Cotton C128-10 Sheilagh’s Brush H203-30 Crushed Linen C117-31 Bubbly Squall H204-40 Chalker Grey H705-20 Charmer DB118-10 Glitter Storm P222-00 Like the Swallow C118-31 Lassie Buns H805-11 Sugar Cube P223-00 Sleepwalker C202-22 Milky Tea C118-42 Indian Red 277 Sable 2017 Bright Red 1309 Red Ochre Black Old Ivory 805 Robin Egg Blue 45 Emerald Green 263 Royal Blue 208 Grey 141 Silver Grey 221 Charcoal 2012 Moldow H206-12 Duntara H705-12 Duckish C128-41 Mussels in the Corner H104-42 Harbour Deep H104-52 Bristol’s Hope H206-42 Belgian Chocolate C228-22 Cupids H802-32 Hard Tack H702-50 Snow Dwigh H101-10 Foggy Dew P224-00 Beachy Cove P113-20 Doughboy H802-20 Nanny-Goat C126-20 Haystack H103-30 Tea Bun H502-50 Bark 280 Signal Red 706 Cherry Pink 1525 Acorn Brown 104 Colonial Ivory 212 Maise 2011 Turquoise 116 Bright Green 244 yellow 717 orange 720 orchid aqua 723 vernon 1656 red 702 please note: chart colours may vary slightly from paint colours due to the limitations of the printing process historic.indd 1 17/05/07 18:22:31 isitors to Newfoundland and Labrador often remark on the brilliantly painted chre is a substance composed houses and outbuildings.
    [Show full text]
  • Colours of Newfoundland White, with Trimwork Picked out in One of a Very Few Colours
    isitors to Newfoundland and Labrador often remark on the brilliantly painted chre is a substance composed houses and outbuildings. Traditionally, however, the colour palette in use in of powdered hematite, or iron the province was very limited. In outport communities, most houses were ore. The word “ochre” comes colours of newfoundland white, with trimwork picked out in one of a very few colours. Stages, stores and netlofts were from the Greek meaning “pale yellow,” and painted with homemade ochre paint, with trim usually painted white. By the early twentieth century, it can range in colour from orange to yellow, commercially-made paints became available, particularly with the establishment of the Standard and from brown to red. Deposits of ochre are Manufacturing Limited’s paint division in 1907. found throughout Newfoundland, notably near Fortune Harbour and at Ochre Pit Cove. While Standard Manufacturing Ltd. of St. John’s was established by Marmaduke Winter in 1902. Originally earliest settlers may have used locally collected startedV as a soap factory, Standard stopped making soap in 1938. In 1949, Newfoundland’s entry ochre,O people were later able to purchase pre- into Confederation brought a drop in local sales, due to the dropping of import restrictions, but the ground ochre through local merchants. Much of this ochre was probably imported from outside of company also expanded into mainland markets. In 1957 Standard established a distribution base in Newfoundland and Labrador. Dartmouth, Nova Scotia. The dry ochre was mixed with fish oil, seal oil, or sometimes linseed oil to make paint; the smell of Colour choices, however, remained limited, and paint schemes remained fairly simple.
    [Show full text]
  • Color : Universal Language and Dictionary of Names
    cam U.S. DEPARTMENT OF COMMERCE Universal Language and National Bureau of Standards Dictionary of Names NBS SPECIAL PUBLICATION 440 A111D3 D&77&H '^milSmif & TECH RI.C. A1 1 1 03087784 / 1 Standaras National Bureau of ^87? ftPR 19 C COLOR Q_ Universal Language and Dictionary of Names Kenneth L. Kelly and Deane B. Judd* Sensorv' Environment Section Center for Building Technology National Bureau of Standards Supersedes and Combines THE ISCC-NBS METHOD OF DESIGNATING COLORS AND A DICTIONARY OF COLOR NAMES, by Kenneth L. Kelly and Deane B. Judd, NBS Circular 553, Nov. 1, 1955 and A UNIVERSAL COLOR LANGUAGE, by Kenneth L. Kelly, Color Engineering 3, 16 (March-April 1965) Deceased U.S. DEPARTMENT OF COMMERCE, Elliot L. Richardson, Secretary Edward O. Vetter, Under Secretary Dr. Betsy Anker-Johnson, Assistant Secretary for Science and Technology J .National Bureau of Standards, Ernest Ambler, Acting Director DECEMBER 1976 Library of Congress Catalog Card Number: 76-600071 COVER PICTURE: Color solid representing the three-dimensional arrangement of colors. See also page A-2. Nat. Bur. Stand. (U.S.), Spec. Publ. 440, 184 pages (December 1976). For sale by the Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402 (Order by SD Catalog No. C13. 10 : 440) Price $3.25 Stock Number 003-003-01705-1 A-ii " NATIONAL BUREAU OF STANDARDS The National Bureau of Standards' was established by an act of Congress March 3, 1901. The Bureau's overall goal is to strengthen and advance the Nation's science and technology and facilitate their effective application for public benefit.
    [Show full text]
  • Pigments and New Opportunities for Working Techniques
    Spring News from the Color-Mill April 2017 www.kremer-pigmente.com In 2017 we present our choice of new product high- lights! Be inspired by our spring news and immerse yourself in the world of colorful pigments and new opportunities for working techniques. The entire variety of our product range can be found in the main catalog or in the online shop at www.kremer-pigmente.com which also contain further information, like product specific recipes, safety data sheets or instructions for use. Always up-to-date with the Kremer Pigmente Face- book Community! You will receive information on publications, dates for courses and workshops as well as everything about art. You also have the opportunity to receive our monthly newsletter from the Color-Mill. Simply register at [email protected]. Colorful greetings from the Color-Mill Dr. Georg Kremer & David Kremer Pigments 11312 Thulit, skin-colored finer 63 µ Very lightfast pigment and stable in binding agent. Thulit is a pink-red Zoisit specialty from Norway. The shade is suitable for incarnate for skin illustration together with Kremer White. 20 g 100 g 1 kg 7,50 32,00 310,00 17020 Persian Yellow Hormuz Iron Oxide Yellow, natural 100 g 1 kg 10 kg 25 kg 3,00 11,80 109,00 223,00 17280 Persian Red Hormuz Iron Oxide Red, natural 3,00 11,80 109,00 223,00 23380 Pigment Yellow 83 Beautiful, warm yellow. Very lightfast, for all aqueous painting techniques. 20 g 100 g/T 100 g/D 1 kg 4,00 9,80 12,00 68,00 23403 Novoperm Carmine Red Novoperm Carmine Red is a blue shade benzimidazolone pigment.
    [Show full text]