DOCSLIB.ORG

RAL Code Name (EN)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RAL Code Name (EN) RAL gGmbH, Bonn RAL Code Name (EN) 000 15 00 Ink black 000 20 00 Slate black 000 25 00 Onyx black 000 30 00 Medium black 000 35 00 Briquette grey 000 40 00 Dark grey 000 45 00 Architecture grey 000 50 00 Steel grey 000 55 00 Medium grey 000 60 00 Ash grey 000 65 00 Mortar grey 000 70 00 Light grey 000 75 00 Marble grey 000 80 00 Foggy grey 000 85 00 Shadow white 000 90 00 Winter white 010 20 10 Wenge black 010 20 15 Cherry black 010 20 20 Dark mahogany 010 20 25 Rusty red 010 30 10 Wood-black red 010 30 15 Night mauve 010 30 20 Pinkish brown 010 30 25 Chestnut red 010 30 30 Leather red 010 30 35 Anthracite red 010 30 40 Brown magenta 010 30 44 Atlas red 010 40 10 Caput mortuum grey red 010 40 15 Rust brown 010 40 20 Sunset red 010 40 25 Mineral red 010 40 30 Dull magenta 010 40 35 Velvet red 010 40 40 Algae red 010 40 45 Raspberry ice cream red 010 40 50 Fuchsia red 010 40 53 Primal red 010 50 10 Old mahogany 010 50 15 Dull dusky pink 010 50 20 Brickwork red 010 50 25 Matte carmine 010 50 30 Marble red 010 50 35 Geranium red 010 50 40 Slate pink 010 50 45 Tulip red 010 50 50 Vibrant red 010 60 10 Lilac grey 010 60 15 Ice orchid red 010 60 20 Lime pink 010 60 25 Lipstick pink 010 60 30 Japanese coral 010 60 35 Rose red 010 60 40 Strawberry milkshake red 010 60 45 Luminous pink 010 70 10 Pale mauve 010 70 15 Powder rose 010 70 20 Silver rose 010 70 25 Flamingo pink 010 70 30 Cherry blossom pink 010 70 35 Baby pink 010 80 10 Mud pink 010 80 15 Ice hot pink 010 80 20 Pastel pink 010 85 05 Pearl rose 010 85 10 Salmon rose 010 85 15 Milkshake pink 010 85 20 Carnation pink 010 90 05 Rose cream 010 90 10 Light apricot 010 93 05 White-red 020 20 05 Deep brown 020 20 10 Night red 020 20 20 Dark red brown 020 20 29 Burgundy 020 30 05 Rhodonite brown 020 30 10 Budapest brown 020 30 20 Kremlin red 020 30 30 Crystal dark red 020 30 40 Amaranth blossom 020 30 48 Sweet cherry red 020 40 05 Greyish brown 020 40 10 Nut brown 020 40 20 Antique red 020 40 30 Hermosa pink 020 40 40 October red 020 40 50 Bright red 020 50 05 Zircon grey 020 50 10 Sandstone red grey 020 50 20 Red grey 020 50 30 Venetian red 020 50 40 Alsike clover red 020 50 50 Flame red 020 50 58 Lingonberry red 020 60 05 Globe thistle grey rose 020 60 10 Tin pink 020 60 20 Retro pink 020 60 30 Begonia rusty rose 020 60 40 Lotus red 020 70 05 Fashion mauve 020 70 10 Tourmaline mauve 020 70 20 Rosewood apricot 020 70 30 Marker pink 020 80 05 Aurora grey 020 80 10 Quartz rose 020 80 20 Marzipan pink 020 85 05 Almond blossom pink 020 85 10 Salmon cream 020 85 20 Elegant light rose 020 90 05 Mussel white 020 90 10 Peach cream 020 93 05 Blossom white 030 30 10 Laurel nut rusty brown 030 30 20 Autumn leaf red 030 30 30 Macore veneer red 030 30 40 Crimson red 030 30 45 Blood red 030 40 10 Peat red brown 030 40 20 Cranberry red 030 40 30 Brick brown 030 40 40 Spicy red 030 40 50 Hibiscus red 030 40 60 Emperor cherry red 030 50 10 Earth red 030 50 20 Terracotta red brown 030 50 30 Clay red 030 50 40 Vermilion red 030 50 50 Maple red 030 50 60 Holland red 030 60 10 Storm red 030 60 20 Desert red 030 60 30 Antique pink 030 60 40 Light tomato 030 60 50 Calypso red 030 70 10 Florida grey 030 70 20 Dull apricot 030 70 30 Salmon pink red 030 70 40 Flamingo red 030 80 10 Salt pink 030 80 20 Magnolia pink 030 85 05 Almond cream 030 85 10 Soft ice rose 030 85 20 Peach red 030 90 05 Antique white 030 90 10 Wedding pink 030 93 05 Parchment white 040 20 19 Wild brown 040 30 05 Basalt black 040 30 10 Caviar black 040 30 20 Coffee brown 040 30 30 Root brown 040 30 40 Corrosion red 040 40 05 Ash brown 040 40 10 Somali brown 040 40 20 Vandyck brown 040 40 30 Chestnut brown 040 40 40 Brick red 040 40 50 Henna red 040 40 60 Copper red 040 40 67 China red 040 50 05 Nomad grey 040 50 10 Umbra sand 040 50 20 Agate brown 040 50 30 Rust coloured 040 50 40 Ant red 040 50 50 English red 040 50 60 Fox red 040 50 70 Pompeii red 040 60 05 Warm grey 040 60 10 Light caramel 040 60 20 Sienna yellow 040 60 30 Cedar red 040 60 40 Terra orange 040 60 50 Mandarin orange 040 60 60 Coral orange 040 70 05 Passepartout grey 040 70 10 Mohair mauve 040 70 20 Soft sienna 040 70 30 Industrial rose 040 70 40 Apricot red 040 70 50 Fruit red 040 80 05 Natural silk grey 040 80 10 Thulite rose 040 80 20 Madder orange 040 80 30 Nature apricot 040 85 05 Pandora grey 040 85 10 Fine alabaster 040 85 20 Delicate sweet apricot 040 90 05 Sahara light red 040 90 10 Delicate rose 040 93 05 Natural white 050 20 10 Granite brown 050 20 16 Night brown 050 30 10 Obsidian brown 050 30 20 Tropical wood brown 050 30 30 Tobacco brown 050 30 36 Rosewood brown 050 40 10 Mocha black 050 40 20 Florentine brown 050 40 30 Curry brown 050 40 40 Madeira brown 050 40 50 Autumn red 050 50 10 Teakwood brown 050 50 20 Milk coffee brown 050 50 30 Golden brown 050 50 40 Copper-metal red 050 50 50 Gold varnish brown 050 50 60 Titian red 050 50 70 Poppy red 050 50 78 Persian orange 050 60 10 Ecru ochre 050 60 20 Caramel brown 050 60 30 Medium brown 050 60 40 Apricot brown 050 60 50 Orange yellow 050 60 60 Camel red 050 60 70 Carrot orange 050 60 80 Gerbera red 050 70 10 Bamboo beige 050 70 20 Amber grey 050 70 30 Sienna ochre 050 70 40 Light amber orange 050 70 50 Melon red 050 70 60 Mango orange 050 80 10 Pale sienna 050 80 20 Soft orange 050 80 30 Pallid orange 050 85 05 Ocean sand 050 85 10 Pure beige 050 85 20 Biscuit cream 050 90 05 Eggshell white 050 90 10 Light peach rose 050 93 05 Tulle white 060 20 05 Industrial black 060 30 05 Vehicle body grey 060 30 10 Nutria fur brown 060 30 20 Peat brown 060 30 27 Cassiterite brown 060 40 05 Zinc grey 060 40 10 Moor oak grey 060 40 20 Coffee bean brown 060 40 30 Brazilian brown 060 40 40 Plane brown 060 50 05 Chinchilla grey 060 50 10 Sandstone grey 060 50 20 Mushroom brown 060 50 30 Mustard brown 060 50 40 Camel brown 060 50 50 Date fruit brown 060 50 60 Elm brown red 060 50 70 Dry clay 060 60 05 Screed grey 060 60 10 Oak brown 060 60 20 Light topaz ochre 060 60 30 Cognac brown 060 60 40 Maple syrup brown 060 60 50 Turmeric red 060 60 60 Bitter orange 060 60 70 Gold orange 060 60 80 Accent orange 060 70 05 Cement greige 060 70 10 Putty grey 060 70 20 Peanut butter 060 70 30 Peach yellow 060 70 40 Candle yellow 060 70 50 Topaz yellow 060 70 60 Melon orange 060 70 70 Indian yellow 060 80 05 Light chamois beige 060 80 10 Soft greige 060 80 20 Biscuit beige 060 80 30 Mild orange 060 80 40 Apricot orange 060 85 05 Champagne rose 060 85 10 Cornmeal beige 060 85 20 Dough yellow 060 85 30 Light saffron orange 060 90 05 Grain white 060 90 10 Vanilla cream 060 90 15 Apricot cream 060 93 05 Wool white 070 30 10 Mineral brown 070 30 20 Beech brown 070 40 10 Mink brown 070 40 20 Huckleberry brown 070 40 30 Arable brown 070 40 40 Autumn gold 070 50 10 Saruk grey 070 50 20 Ash gold 070 50 30 Lion's mane blonde 070 50 40 Antique gold 070 50 50 Stage gold 070 50 55 Theatre gold 070 60 10 Light mahogany 070 60 20 Dark blond 070 60 30 Light oak brown 070 60 40 Grain brown 070 60 50 Mud yellow 070 60 60 Mustard yellow 070 60 70 Sea buckthorn yellow brown 070 60 75 Autumn leaf orange 070 70 10 Ginger grey yellow 070 70 20 Light ash brown 070 70 30 Golden beige 070 70 40 Dechant pear yellow 070 70 50 Honeycomb yellow 070 70 60 Gorse yellow orange 070 70 70 Naples yellow 070 70 80 Saffron gold 070 80 10 Flax beige 070 80 20 Buttercup yellow 070 80 30 Golden oat coloured 070 80 40 Apricot yellow 070 80 50 Warm apricot 070 80 60 Golden rain yellow 070 85 05 Almond beige 070 85 10 Silver thistle beige 070 85 20 Sandalwood beige 070 85 30 Hair blonde 070 90 05 Off white 070 90 10 Light corn 070 90 20 Chalk yellow 070 93 05 Anemone white 075 40 10 Tree bark brown 075 40 20 Caraway brown 075 40 30 Bark brown 075 40 38 Lizard brown 075 50 10 Rye dough brown 075 50 20 China cinnamon 075 50 30 Grog yellow 075 50 40 Amber brown 075 50 50 Cinnamon brown 075 50 58 Cumin ochre 075 60 10 Putty yellow 075 60 20 Walnut shell brown 075 60 30 Clay ochre 075 60 40 Funchal yellow 075 60 50 Mango brown 075 60 60 Turmeric brown 075 60 70 Bamboo brown 075 70 10 Flax fibre grey 075 70 20 Light pumpkin brown 075 70 30 Golden thistle yellow 075 70 40 Brick yellow 075 70 50 Deep bamboo yellow 075 70 60 Intense yellow 075 70 70 Pumpkin yellow 075 70 80 Autumn yellow 075 80 10 Chalk beige 075 80 20 Light corn yellow 075 80 30 Dark yellow 075 80 40 Ash yellow 075 80 50 Orient yellow 075 80 60 Carriage yellow 075 85 10 Water lily white 075 85 20 Banana ice cream 075 85 30 Maple beige 075 85 40 Goldenrod yellow 075 90 10 Dessert cream 075 90 20 Butter white 075 93 05 Vanilla white 080 20 05 Night brown black 080 20 10 Vanilla bean brown 080 30 05 Earth black 080 30 10 Olive black 080 30 20 Clove yellow brown 080 30 26 Smoked oak brown 080 40 05 Office grey 080 40 10 Stone brown 080 40 20 Pimento grain brown 080 40 30 Ochre green 080 40 40 Autumn leaf brown 080 50 05 Dusk grey 080 50 10 Rye brown 080 50 20 Greyish yellow 080 50 30 Chili green 080 50 40 Dirt yellow 080 50 50 Chamois yellow 080 60 05 Flannel grey 080 60 10 Light khaki 080 60 20 Spelt grain brown 080 60 30 Golden quartz ochre 080 60 40 Bamboo yellow 080 60 50 Brass yellow 080 60 60 Fig mustard yellow 080 60 70 Yellow gold 080 70 05 Garlic beige 080 70 10 Fine greige 080 70 20 Yellow brown 080 70 30 Mustard seed beige 080 70 40 Diamond yellow 080 70 50 Antique brass 080 70 60 Courgette yellow 080 70 70 Grapefruit yellow 080 70 80 Sunflower yellow 080 70 88 Arnica yellow 080 80 05 Micaceous light grey 080 80 10 Pastel sand 080 80 20 Natural rice beige 080 80 30 Yellow beige 080 80 40 Straw yellow 080 80 50
Load more

Recommended publications
  • Ochre Art Supplies 101 White 134 Crimson 169 Caput Mortuum 223 Deep Red 102 Cream 135 Red Violet 170 May Gree
    Ochre Art Supplies www.fluffymilk.com 101 White 134 Crimson 169 Caput Mortuum 223 Deep Red 102 Cream 135 Red Violet 170 May Green 225 Dark Red 103 Ivory 136 Purple Violet 171 Light Green 226 Alizarin Crimson 104 Light Yellow Glaze 137 Blue Violet 172 Earth Green 230 Cold Grey 105 Light Cad Yellow 138 Violet 173 Olive Green Yellowish 231 Cold Grey 106 Light Chrome Yellow 140 Light Ultramarine 174 Chrome Green Opaque 232 Cold Grey 107 Cad Yellow 141 Delft Blue 175 Dark Sepia 233 Cold Grey 1V 108 Dark Cad Yellow 142 Madder 176 VanDyck Brown 234 Cold Grey V 109 Dark Chrome Yellow 143 Cobalt Blue 177 Walnut Brown 235 Cold Grey V 110 Phthalo Blue 144 Cobalt Blue Greenish 178 Nougat 246 Prussian Blue 111 Cadmium Orange 145 Light Phthalo Blue 179 Bistre 247 Indanthrene Blue 112 Leaf Green 146 Sky Blue 180 Raw Umber 249 Mauve 113 Orange Glaze 149 Bluish Turquoise 181 Paynes Grey 250 Gold 115 Dark Cad Orange 151 Helio Blue-Reddish 182 Brown Ochre 251 Silver 117 Light Cad Red 152 Mid Phthalo Blue 183 Light Yellow Ochre 252 Copper 118 Scarlet Red 153 Cobalt Turquoise 184 Dark Naples Ochre 263 Caput Mortuum Violet 119 Light Magenta 154 Light Cobalt Turquoise 185 Naples Yellow 264 Dark Phthalo Green 120 Ultramarine 155 Helio Turquoise 186 Terracotta 266 Perm Green 121 Pale Geranium Lake 156 Cobalt Green 187 Burnt Ochre 267 Pine Green 123 Fuchsia 157 Dark Indigo 188 Sanguine 268 Green Gold 124 Rose Carmine 158 Deep Cobalt Green 189 Cinnamon 270 Warm Grey 125 Mid Purple Pink 159 Hookers Green 190 Venetian Red 271 Warm Grey 126 Perm Carmine 160 Manganese
    [Show full text]
  • Clothing of Kansas Women, 1854-1870
    CLOTHING OF KANSAS WOMEN 1854 - 1870 by BARBARA M. FARGO B. A., Washburn University, 1956 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE Department of Clothing, Textiles and Interior Design KANSAS STATE UNIVERSITY Manhattan, Kansas 1969 )ved by Major Professor ACKNOWLEDGMENTS The author wishes to express sincere appreciation to her adviser, Dr. Jessie A. Warden, for her assistance and guidance during the writing of this thesis. Grateful acknowledgment also is expressed to Dr. Dorothy Harrison and Mrs. Helen Brockman, members of the thesis committee. The author is indebted to the staff of the Kansas State Historical Society for their assistance. TABLE OP CONTENTS PAGE ACKNOWLEDGMENT ii INTRODUCTION AND PROCEDURE 1 REVIEW OF LITERATURE 3 CLOTHING OF KANSAS WOMEN 1854 - 1870 12 Wardrobe planning 17 Fabric used and produced in the pioneer homes 18 Style and fashion 21 Full petticoats 22 Bonnets 25 Innovations in acquisition of clothing 31 Laundry procedures 35 Overcoming obstacles to fashion 40 Fashions from 1856 44 Clothing for special occasions 59 Bridal clothes 66 SUMMARY AND CONCLUSIONS 72 REFERENCES 74 LIST OF PLATES PLATE PAGE 1. Bloomer dress 15 2. Pioneer woman and child's dress 24 3. Slat bonnet 30 4. Interior of a sod house 33 5. Children's clothing 37 6. A fashionable dress of 1858 42 7. Typical dress of the 1860's 47 8. Black silk dress 50 9. Cape and bonnet worn during the 1860's 53 10. Shawls 55 11. Interior of a home of the late 1860's 58 12.
    [Show full text]
  • “Al-Tally” Ascension Journey from an Egyptian Folk Art to International Fashion Trend
    مجمة العمارة والفنون العدد العاشر “Al-tally” ascension journey from an Egyptian folk art to international fashion trend Dr. Noha Fawzy Abdel Wahab Lecturer at fashion department -The Higher Institute of Applied Arts Introduction: Tally is a netting fabric embroidered with metal. The embroidery is done by threading wide needles with flat strips of metal about 1/8” wide. The metal may be nickel silver, copper or brass. The netting is made of cotton or linen. The fabric is also called tulle-bi-telli. The patterns formed by this metal embroidery include geometric figures as well as plants, birds, people and camels. Tally has been made in the Asyut region of Upper Egypt since the late 19th century, although the concept of metal embroidery dates to ancient Egypt, as well as other areas of the Middle East, Asia, India and Europe. A very sheer fabric is shown in Ancient Egyptian tomb paintings. The fabric was first imported to the U.S. for the 1893 Chicago. The geometric motifs were well suited to the Art Deco style of the time. Tally is generally black, white or ecru. It is found most often in the form of a shawl, but also seen in small squares, large pieces used as bed canopies and even traditional Egyptian dresses. Tally shawls were made into garments by purchasers, particularly during the 1920s. ملخص البحث: التمي ىو نوع من انواع االتطريز عمى اقمشة منسوجة ويتم ىذا النوع من التطريز عن طريق لضم ابر عريضة بخيوط معدنية مسطحة بسمك 1/8" تصنع ىذه الخيوط من النيكل او الفضة او النحاس.واﻻقمشة المستخدمة في صناعة التمي تكون مصنوعة اما من القطن او الكتان.
    [Show full text]
  • HP750 Product Bulletin
    ® Avery​ ​Dennison​ ​ ​HP750 High Performance Cut Vinyl Film Series Opaque Permanent Revision: 3 Dated: 01/06/20 Uses: ®​ 3.0 mil (76 microns) high gloss Avery Dennison​ HP750 High Performance films are Face:​ premium quality, flexible, opaque solid color high gloss high performance film vinyl films designed for use in a wide range of sign making applications. This construction provides excellent Adhesive: ​Patented Advanced Acrylic Adhesive Technology (PAAAT) cutting, weeding and transferring characteristics for signage applications. This product is ideal for a variety Liner: 78# Bleached Kraft of intermediate term outdoor projects. ​ Application Flat, Simple Curves Surfaces: Features: ● Patented Advanced Acrylic Adhesive Technology (PAAAT) enhances shelf life and results in best-in-class weeding ● Broadest color palette in the industry for color confidence ● Efficient and precise conversion on commercial and craft plotters ● Outstanding durability and color fastness ● High-gloss finish ● Excellent UV, temperature, humidity and salt spray performance ● Pantone® color reference makes design easy Conversion: ● Thermal Die-Cutting ● Thermal Transfer ● Steel Rule Die-Cut ● Drum Roller Sign-Cut Common Applications: ● Trucks ● Cars & Vans ● Buses ● Trailers ● Trains & Light Rail ● OEM Durable Decals ● Architectural Signage Product Data Sheet Page 1 of 6 ® Avery​ ​Dennison​ ​ ​HP750 High Performance Cut Vinyl Film Series Opaque Permanent Revision: 3 Dated: 01/06/20 HP750-440-O Red 6 HP750-445-O Fire Red 6 HP750-450-O Dark Red 6 HP750-460-O
    [Show full text]
  • Paint Colors for the Hummer-Series Lightweight Models This Is a Work in Progress – Version April 15, 2011
    Paint Colors for the Hummer-series Lightweight Models This is a work in progress – Version April 15, 2011 What colors were the Harley Hummer and related lightweight models painted? One would think this was an easy question to answer. The Club had previously used Harley-Davidson’s General Engineering Standard 30143 as the authority for colors available on these models. H-D provided us a copy of the 1950-1969 sections of this document way back in 1983. Recent examination showed a considerable number of errors in that document. We embarked on an effort to compare all other available factory documentation to produce a consolidated and authoritative list. We compared GES with two other primary documents: The Legend Begins (99403-93), and 1958-1966 Lightweights Parts / Service Colors and Accessories (99444-93), both of which are still available from Harley- Davidson. We also used a number of secondary Harley-Davidson documents. General Engineering Standard 30143 (“GES”) provides a comprehensive list of the “standard” and “special” paint colors used by the Motor Company for each year and model. The format of GES presents some problems - some colors were standard on big twins, but optional on Hummers, and the format does not allow for this distinction. GES is resplendent with typographical errors and other inaccuracies. Notably, it shows the Hummer “B” model in 1953 and 1954, but the B model was not produced until 1955. The Legend Begins (TLB) was a tremendous effort to document the early years of the Motor Company. TLB documents through text descriptions, and Season Order Blanks (SOB) (through 1957), the standard production of each year and model.
    [Show full text]
  • Brochure Colour Chart New Masters Classic Acrylics
    New Master Classic Acryllic Colours NEW MASTERS C L S A I C S S L I C A C R Y Pigment Identification A601 TITANIUM WHITE PW6 B682 INDIGO EXTRA PB15:2 - PR177 - PBL7 B826 IRIDESCENT SILVER MICA - PBL7 - PW6 NEW MASTERS A602 ZINC WHITE PW4 B683 CYAN BLUE PW4 - PB15:2 - PB29 B827 IRIDESCENT PEWTER MICA - PBL7 - PB15:2 - PW6 C A603 TITANIUM WHITE EXTRA OPAQUE PW6 A684 OLD HOLLAND BLUE LIGHT PW6 - PB15:2 B828 IRIDESCENT BRIGHT GOLD MICA - PW6 L S A604 MIXED WHITE PW6-PW4 C685 MANGANESE BLUE EXTRA PB15 - PB35 - PG50 B829 IRIDESCENT ROYAL GOLD MICA - PW6 A C A605 OLD HOLLAND YELLOW LIGHT PW6-PY184 E686 CERULEAN BLUE PB35 B830 IRIDESCENT BRONZE MICA - PW6 S L I A606 TITANIUM BUFF LIGHT PW6-PY42 A687 OLD HOLLAND BLUE MEDIUM PW6 - PB29 - PB15:2 B831 IRIDESCENT LIGHT COPPER MICA - PW6 S Y A607 TITANIUM BUFF DEEP PW6-PY42-PBR7 B688 OLD HOLLAND BLUE-GREY PW6 - PB29 - PBL7 B832 IRIDESCENT DEEP COPPER MICA - PW6 I C C R B608 OLD HOLLAND YELLOW MEDIUM PW6-PY184 F689 CERULEAN BLUE DEEP PB36 A B609 OLD HOLLAND YELLOW DEEP PW6-PY43 B690 PHTHALO BLUE TURQUOISE PB15:6 - PG7 ‘EXTRA’ means: Traditional colour made from lightfast pigment B610 BRILLIANT YELLOW LIGHT PW6-PY53 C691 PHTHALO BLUE GREEN SHADE PB16 B611 BRILLIANT YELLOW PW6-PY53 D692 COBALT BLUE TURQUOISE PB36 Chemical Composition B612 BRILLIANT YELLOW REDDISH PW6-PY53-PR188 E693 COBALT BLUE TURQUOISE LIGHT PG50 B613 NAPLES YELLOW REDDISH EXTRA PW6-PO73-PY53 B694 PHTHALO GREEN TURQUOISE PG7 - PB15:2 PW 4 ZINC OXIDE B614 FLESH TINT PW6-PR122-PR101 B695 PHTHALO GREEN BLUE SHADE PG7 PW 6 TITANIUM DIOXIDE
    [Show full text]
  • Kenyon Collegian College Archives
    Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 5-10-1961 Kenyon Collegian - May 10, 1961 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - May 10, 1961" (1961). The Kenyon Collegian. 2157. https://digital.kenyon.edu/collegian/2157 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. rvn c Ul M Mli i i u vr 4 JOURNAL OF SYNDROMATIC ACADEMIA V- Jr I 7 f j J T- i 7nTyWv 4 f 1 K ITT if yrTTiiHSsp iar SHwi L such MAY 5 CENTS CANADA AND THE CONGO 1200 speech at Kenyon I ment I than 1UU colleges ner of a 1957 Academy Award here IN THE RENOVATOR Letters to the Editor 2 Renovator Cops Award 3 Faculty in Washington 3 HI JjllljWlWrtr The Last Laugh 4 Words of Wisdom 4 Survey Ranks Kenyon First 5 New Books 5 H U A C 6 From the Lunch Box 6 7 Kenyon Goes Co- ed 8 The Best of Hika 8 James Reston Praises Us New Library 9 Rugby Team Replaces Gentlemen Renovation 9 I wish to congratulate you for your marvelous last issue Never Published daily by the Faculty twice a year have I come across such fine re- porting in a collegiate newspaper Your staff is evidently a very smooth- running and well trained organization Letters To The Editor Throughout
    [Show full text]
  • Pastels À L'écu
    5VOLETPastel+GMmis jour011206.qxd 01/12/2006 14:40 Page 5 PASTELS À L’ÉCU TENDRES EXTRA SURFINS SOFT moderne depuis 1887 5VOLETPastel+GMmis jour011206.qxd 01/12/2006 14:39 Page 1 BLEU INTENSE VIOLET DE GARANCE INTENSE BLUE MADDER VIOLET INTENSIVBLAU KRAPPVÏOLETT AZUL INTENSO VIOLETA GRANZA BLU INTENSO VIOLLETTO DI ROBBIA 463464 465 466467 468 470 309 310 311 313 315 BLEU INDIGO VIOLET MAGENTA INDIGO MAGENTA VIOLET INDIGO MAGNETAVIOLETT INDIGO MORADO MAGENTA INDIGO VIOLA MAGENTA 133 134 135 136137 138139 140 940 941942 943 944 945 946 947 BLEU NUIT VIOLET POURPRE NIGHT BLUE PURPLE VIOLET NACHTBLAU PURPUVÏOLETT AZUL NOCHE VIOLETA PURPURA BLU NOTTE VIOLETTO PURPURA 770 771 772773 774 775 323 325 327 329 BLEU DE PRUSSE CARMIN DE GARANCE PRUSSIAN BLUE MADDER CARMINE PREUSSICHBLAU KRAPP KARMIN AZUL DE PRUSIA CARMIN DE GRANZA BLU DI PRUSSIA CARMINO DI GARANZA 287 288 289 290291 292 293 294 296 378 380 383 384 386 387 BLEU DE CERULEUM LAQUE ROSE CERULEAN BLUE PINK LAKE COLÏNBLAU ROSALACK AZUL CERULEO LACA ROSADA CERULEO LACCA ROSA 257 259 260 261 262 263 264 270 272 274 BLEU ACIER ROUGE RUBIS STELL BLUE RUBY RED STAHLBLAU RUBINROT AZUL ACERO ROJO RUBI BLU ACCIAIO ROSSO RUBINO 710 711 712 713 714 715 670 671672 674 676 BLEU DE COBALT VERMILLON DE CHINE COBALT BLUE CHINESE VERMILION KOBALTBLAU CHINESISCHES ZINNOBER AZUL COBALTO BERMELLON DE CHINA BLU DI COBALTO VERMIGLIO CINESE 353 354 355 356 357 358 359 360 790 791792 793 794 795 796 797 BLEU OUTREMER FONCÉ CARMIN ULTRAMARINE DEEP CARMINE ULTRAMARINBLAU KARMIN AZUL ULTRAMAR OSCURO CARMIN BLU OLTREMARE
    [Show full text]
  • Materiallist Cuong Nguyen Pastel Workshop
    MATERIALLIST CUONG NGUYEN PASTEL WORKSHOP 1. Paper • 2x Sennelier La Carte Pastel Card 19”x25” (Recommended color: Dark Gray) • or Clairefontaine Pastelmat Card (Recommended color: Dark Gray or Light Gray) • or Art Spectrum Colourfix Coated Pastel Paper (Recommended color: Rose Gray) 2. Stabilo CarbOthello Pastel Pencils (Required colors) • Recommended to buy the whole set of Stabilo CarbOthello Pastel Pencil (60 colors.) • Or you can also buy the list below: Titanium White (100) Caput Mortuum Violet (640) Ivory (105) Caput Mortuum Violet Light (642) Carmine Red (310) Caput Mortuum Red (645) Magenta (335) Burnt Sienna (670) Violet Deep (385) Dark Flesh Tint (680) Ultramarine Blue Middle (430) Flesh Tint Light (681) Leaf Green Middle (570) Sienna (685) Leaf Green (575) Gray 1 (700) Olive Green (585) Gray 3 (704) Leaf Green Deep (595) Gray 4 (706) Raw Umber (610) Gray 5 (708) Dark Ochre (615) Cold Gray 1 (720) Burnt Ochre (620) Cold Gray 4 (726) Burnt Umber (625) Neutral Black (750) Bister (635) Lamp Black (760) 3. Additional pastels of your choosing: • Some Nupastels and/or soft pastels that you may use for clothing and backgrounds 4. Accessories: • Drawing board (23”x26”) • Artist tape to hold drawing paper in place • Paper towels • Mahl stick (optional) 5. For sharpening pencils: • Utility knife • Or Afmat Pencil Sharpener (electric or manual, designed for 6-8.2mm sketching and drawing pencil) BENJAMIN ECK PROJECTS | M ÜLLERSTRAßE 46A | 80469 MÜNCHEN PLEASE NOTICE: Unfortunately we haven’t got space to store your wet paintings in the gallery. Please bring a transport solution by yourself so you can carry the paintings safely.
    [Show full text]
  • MAKE YOUR OWN SCRUBBIE Create Your Netting Yarn Step 1 Lay Your
    MAKE YOUR OWN SCRUBBIE Create Your Netting Yarn Step 1 Lay your yard of netting (When I was doing craft sales I bought 5 yard lengths.) out on the floor or table (I use my bed or couch and pin it down.). Fold netting to make several layers into a long rectangle, as it came off the bolt. It’s still folded. Try to line up the folded edge as straight as you can. (I put a few pins in to hold the folded piece together.) Step 2 Cut strips 3 to 4 inches in width down the length of the folded rectangle, cutting perpendicular to the end of the fabric to get the longest strips. Cut from the fold out to the opposite edge. Remember it’s folded so the width of the first strip will be double when opened. Therefore cut the first strip narrower(about 1½ inches) . Your first strip (and the last one or two) will be a little irregular when you begin to use it. Your creativity will dictate how to adjust. We are not concerned about perfection here. If you are a perfectionist, buy a machine made scrubbie. If you want a two colored scrubbie cut 1½ to 2 inch strips from both colors and use both strands like one strip. (See the red and white one shown in step 5.) Step 3 Tie the ends of the strips together with a simple knot to form one continuous strip. Wind the strips into a ball if you wish. (I cut the strips as I use them.) Crochet a Simple Scrubbie Step 1 Tie the free end of the strip of nylon net into a slip knot and place the loop over a medium-sized crochet hook, size J or K, and chain four.
    [Show full text]
  • 2017 Design Trends Every Year, Accessa Rounds up Consumer Trends in Coatings and Colors for Homes and Offices from a Range of Sources
    SPECIAL EDITION 2017 Design Trends Every year, Accessa rounds up consumer trends in coatings and colors for homes and offices from a range of sources. When your customers ask for it, you’ll be ready. Bathroom in Poised Taupe, Sherwin-Williams 2017 Color of the Year (PRNewsFoto/Sherwin-Williams) COLORS OF THE YEAR INTRODUCING THE 2017 COLOR OF 2017 KEY COLOR COMBINATIONS FEATURING THE YEAR – POISED TAUPE POISED TAUPE… In addition to the “warming up” of neutrals in general, Poised Taupe creates a cozy lifestyle and brings a 2017 will see several key colors emerge in sense of sanctuary into our homes. It diffuses the combination with taupe. stresses of the world outside our doors — so much • Cornflower Hues: Faded indigo and lighter so that we feel restored and in balance when we walk cornflower hues pair with modern white and across our threshold. Poised Taupe for a charming palette, reminiscent of the French countryside. The Danes have a word to describe this feeling, hygge • Organic Re-Imagined: Vegetal green, citrus green, (pronounced hue-gah), which loosely translates as weathered bronze and mustard yellow pair with cozy, or creating a sense of coziness and warmth. Poised Taupe to create a contemporary organic The soft glow of candle-light, a toasty drink, and the palette — re-imagined for the modern world. company of family and friends is certainly hygge, but this feeling comes from creating the right atmosphere. • Vintage Pastels: Pastels take on a vintage vibe with dusty ink, amber, Poised Taupe, sage and There is a particular beauty to be admired in homes oxidized yellow.
    [Show full text]
  • Textile Society of America Newsletter 27:2 — Fall 2015 Textile Society of America
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2015 Textile Society of America Newsletter 27:2 — Fall 2015 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 27:2 — Fall 2015" (2015). Textile Society of America Newsletters. 71. https://digitalcommons.unl.edu/tsanews/71 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 27. NUMBER 2. FALL, 2015 Cover Image: Collaborative work by Pat Hickman and David Bacharach, Luminaria, 2015, steel, animal membrane, 17” x 23” x 21”, photo by George Potanovic, Jr. page 27 Fall 2015 1 Newsletter Team BOARD OF DIRECTORS Roxane Shaughnessy Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of External Relations) President Designer and Editor: Tali Weinberg (Executive Director) [email protected] Member News Editor: Ellyane Hutchinson (Website Coordinator) International Report: Dominique Cardon (International Advisor to the Board) Vita Plume Vice President/President Elect Editorial Assistance: Roxane Shaughnessy (TSA President) and Vita Plume (Vice President) [email protected] Elena Phipps Our Mission Past President [email protected] The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, Maleyne Syracuse political, social, and technical perspectives.
    [Show full text]