Godspell’ Opens Oct

Total Page：16

File Type：pdf, Size：1020Kb

FOR IMMEDIATE RELEASE October , 12 2017 CONTACT: Tianna Conway, Ensemble and Events Manager [email protected] 262-‐551-‐5215 ‘Godspell’ opens Oct. 27 at Carthage KENOSHA, Wis. – The Carthage College Theatre Music Workshop will present “Godspell”, with music by Stephen Schwartz and direction by Magdalene Spanuello. The show opens at 7:30 p.m. Friday, Oct. 27, in the Visual and Performing Arts Lab, located behind the H. F. Johnson Gallery of Art at Carthage, 2001 Alford Park Drive. Additional shows will be at 7:30 p.m. Saturday, Oct. 28, and 3 p.m. Sunday, Oct. 29. Written by Schwartz, -‐ a Tony nominated composer, “Godspell” covers the teachings of Jesus Christ and his eventual death, as told he mainly through t Gospel of Matthew. The company joins Jesus in presenting -‐ well known biblical readings, including the parable of Lazarus, the parable of the Prodigal Son, and the Beatitudes. The company invites audiences to join its journey toward compassion, utilizing a score of jubilant music and whimsy that maintains the feeling of love even throughout its darker moments. Under Jesus’ guidance, those in the ragtag and unorganized ensemble learn to work together and love one another to create something for that will last eternity. Spanuello’s production takes a modern approach to the award-‐winning Broadway staple. The production begins with an ensemble of characters disconnected from one another, glued to their smartphones, laptops, and tablets. They ments start petty argu over social media and find themselves tormented by the addiction to their devices. John the Baptist then awakens the characters and invites them to experience the teachings of Jesus. John the Baptist, as well as Judas, is played by Jessica Cepolski ’18. By casting her, Spanuello defies gender norms and expectations of who the characters are and explores the dynamic between Jesus and Judas, his most problematic disciple. -‐ From its high energy numbers to its sentimental ballads, “Godspell” will leave audiences wanting to sing along. Tickets are $7, and they can be www.carthage.edu/tickets purchased online at or at the box office. Contact the box oee@cartha office at ge.edu or 262-‐551-‐6661 for more information. # # # About Carthage: Carthage College combines an environment of reflection and self-‐discovery with a culture of high expectation so our students uncover and ignite their true potential. A four-‐year, private beral li arts college with roots in the Lutheran Carthage tradition, has a prime location in Kenosha, Wisconsin. The campus, an -‐ 80 acre arboretum on the shore of Lake Michigan, is home to 150 scholars, 2,600 full-‐time students, and 400 part-‐time students. .

Copy Link

Recommended publications

Second Chances Holy Spirit Touch My Lips, Open Our Hearts, And
Sermon for Date Church of the Holy Comforter Joseph Klenzmann Second Chances Holy Spirit Touch My Lips, Open Our Hearts, And Transform Our Lives. Amen Well it is a new season, a new year in the life of the church. Advent, a season that is worshiped in a more solemn, quiet, less festive manor than other seasons in the church. There is no joyous Christmas music during the four weeks of advent. Advent is a time where Christians around the world commemorate the first coming of the messiah and our ardent anticipation of Christ’s second coming as Judge. Actually, the word Advent comes from the Latin word adventus which means “coming” or “Arrival”. Advent is a time to prepare for his coming. A time to look at our lives, a second chance to be the kind of person the lord knows we can be. The bible stories of John the Baptist are stories of preparation and transition. John has come to “Make Straight The Path”. To quote one of my favorite songs from the play Godspell “Prepare Ye The Way Of The Lord”. That is actually Mark chapter 1 verse 3, but I really liked Godspell. John the Baptist is a transition from the PROMISE of the Old Testament to the New Testament REALITY of Christ in the flesh. In Advent each year, we remember that reality and the new promise of his second coming. In Jeremiah, we heard God tell Jeremiah: “I Will Fulfill The Promise I Made To The House Of Israel And The House Of Judah” we also heard that god will have “A Righteous Branch Spring Up From David” This is the Messianic message told throughout the Old Testament, told by the Patriarchs and the Profits.
[Show full text]
Scenic Design for the Musical Godspell
Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear.
[Show full text]
Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind.
[Show full text]
The Celluloid Christ: Godspell Church of the Saviour Lenten Study - 2011 (Leader: Lejf E
9 VIEWING GUIDE: Godspell (1973 D. Greene) The Celluloid Christ: Godspell Church of the Saviour Lenten Study - 2011 (leader: Lejf E. Knutson) 9 “The characters in Godspell can be looked at in two ways, and both are inspired. On one hand, these people could literally be Jesus, John, and the disciples, in a story updated to modern day New York. With this approach, their colorful outfits, face-painting, and childish antics truly puts into perspective how bizarre and radical Jesus’ actions must have been in first century Israel, and yet these people are filled with so much joy and happiness that, much like in The Apostle, we find their lifestyle contagious. On the other hand, I choose to view this film not as a literal update of Christ’s life, but as a group of radicals living in New York embracing the teachings of Christ as a lifestyle. As a result, they are simply playing the life of Christ out to get a better understanding of his ideas. Either way, the message is the same: Be yourself, be radical, push the envelope, and love one another. Godspell is a film breathing with life and joy.”1 “In anything remotely resembling something that could begin to be called a religious sense, Godspell is a zero; it’s Age-of Aquarius Love fed through a quasi-gospel funnel, with a few light-hearted supernatural touches. ”2 “Turn On, Tune In, Drop Out – Find God” – David Greene’s Godspell (1973) I concluded my discussion of The Gospel According to St. Matthew with a deliberately (or hopefully) provocative statement: “What would a Jesus film look like if it tried to present Jesus preaching his revolutionary, world-upsetting ethos of the kingdom in the here and now, in the heart of the modern city?” – and then suggested that Godspell would be an answer to that question.
[Show full text]
Mel Gibson's the Passion of the Christ
Journal of Religion & Society Supplement Series 1 The Kripke Center 2004 Mel Gibson’s The Passion of the Christ Edited by Ronald A. Simkins and William L. Blizek Passion-ate Moments in the Jesus Film Genre Adele Reinhartz, Wilfrid Laurier University Introduction [1] From the very first known Jesus movie, called The Passion Play at Oberammergau (1898; cf. Kinnard and Davis: 20), to the upcoming Mel Gibson release, the events of Jesus’ passion – his betrayal, trials, condemnation and death – have been brought to life on the silver screen. This focus was a natural extension of the venerable Passion Play tradition, the dramatization of Jesus’ last days that was once a keystone of popular Christianity in Europe, and persists to this very day (Shapiro). The impulse to act out the life, and, especially, the death of Jesus likely goes back even further than the medieval Passion Play tradition to the earliest period of Christianity. The Gospels lend themselves to dramatic rendition; indeed, it is likely that the Gospels were written to be proclaimed aloud, from start to finish, to an appreciative audience, not to be savored silently or sampled selectively (Kelber). Indeed, some have argued that the Gospels themselves are extended and detailed scripts that provide not only words but also stage directions for full-fledged theatre productions (Brant). [2] The Passion has all the elements of classical tragedy: powerful characters, and a powerful plot filled with suspense and tension. But the centrality of the Passion to the Jesus film genre reflects not only the dramatic power of Jesus’ Passion but also its importance within the first-century Gospel traditions themselves.
[Show full text]
Palm/Passion Sunday March 28, 2021
When Jesus Shows Up, Hosannas Resound (for a Time) Palm/Passion Sunday March 28, 2021 10:00 a.m. Morning Worship at 10:00 a.m. When Jesus Shows Up, Hosannas Resound (for a Time) Gathering: Preparing To Hear The Word In Preparation for Worship “Like splendid palm branches, we are strewn in the Lord’s path.” —Latin Antiphon Sharing the Life of Westminster Rev. Laurie Hartzell Processional “Prepare Ye the Way of the Lord” (from Godspell Jr.) Harper Davis, Tristan Gerville-Réache, Maren Gregg, Henny Maher, Nadia Schoon, Proclamation of the Entrance into Jerusalem John 12:12-16 ++Opening Hymn 196 “All Glory, Laud, and Honor” Valet will ich dir geben Refrain All glory, laud, and honor to thee, Redeemer, King, to whom the lips of children made sweet hosannas ring! Thou art the King of Israel, thou David’s royal Son, who in the Lord’s name comest, the King and blessed One. Refrain The people of the Hebrews with palms before thee went; our praise and prayers and anthems before thee we present. Refrain To thee, before thy passion, they sang their hymns of praise; to thee, now high exalted, our melody we raise. Refrain Prayer of Confession (Trusting that God is love, we express our lament, our brokenness, and our failings to God.) Lord Jesus Christ, you show up in unexpected ways. You entered Jerusalem in humility, a servant king, riding on a donkey. But the people saw only what they wanted—a warrior king. We, too, often see in you only what we want to see, and forget who you really are.
[Show full text]
Christian Moral Life: the Beatitudes and the Ten Commandments
CHAPTER 9 Christian Moral Life: The Beatitudes and the Ten Commandments Parish Religious Education Adaptation Student Preparation • Students were asked to read Chapter 9: Christian Moral Life: The Beatitudes and the Ten Commandments (pages 214–241) in preparation for this session. • Students were requested to complete the third “Applying What You Have Learned” activity on page 213 and to be ready to share their findings. Warm-up (10–15 minutes) • Begin the session by having the students share their analyses of TV and radio advertisements aimed at teens (from the third “Applying What You Have Learned” activity on page 213). Encourage the teens to evaluate the sort of messages these media are selling about/to teens and whether they enhance human worth and dignity. • Go on to ask the students to spend a few minutes counting their blessings. Have the students think of the many ways they have been blessed and then write them on a sheet of paper. If you wish, list the following ideas on the board to help the students along. • Count your blessings resulting from: a personal talent; being a member of your family; living where you do; being baptized in the Catholic faith; the troubles you’ve gone through; the friendships you have; the activities in which you’re involved; your pets. • When the teens finish writing, make sure they all have a solid list of blessings. Help those students who don’t see themselves as blessed by pointing out blessings you know they possess. Conclude by helping the teens appreciate just how well-blessed they truly are.
[Show full text]
Godspell’ Disheartened Students, Directors Plan to Bounce Times Memorizing Songs in Prepara- Tion
Which Read about Christmas Christmas the music character are from you most like? Find out other on page 4. )) cultures Echo ) on page 6. Illiana Christian High School Volume 72 Issue 4 December 22, 2017 Lansing, Illinois School board cancels ‘Godspell’ Disheartened students, directors plan to bounce times memorizing songs in prepara- tion. “I spent a lot of time preparing back with musical revue of past productions like everyone else interested in [the Beth Boonstra problems with other presentations of musical], I’m sure.” Co-Editor in Chief this play by other people that were not Fabrizius wasn’t thrilled at what all God honoring. In particular, I think sounded like a boring musical at first, Maddie Holesinger the emphasis was based on ‘Can you but his opinion quickly changed. Co-Editor in Chief give us permission to do this play rec- “This musical has developed my faith ognizing that we would do it in a God very much. I am moved by the great Illiana’s musical for this coming honoring way?’” message it has to offer and I believe spring has gone through a myriad of Aware of the musical and the that message shouldn’t be shut down changes, forcing the drama depart- potential for controversy, the board for a very small amount of people. One ment and its students to ride a roller- approved “Godspell.” Since then, of the main conflicts was unity. “God- coaster of emotions. On Tuesday, Dec. directors Jim Kamphuis, Kathy Sliek- spell” is all about community. We 12, the school board, after already hav- ers, and Lagerwey have been working are disciples of God, and “Godspell” ing approved the musical “Godspell” hard to make this musical possible.
[Show full text]
The Peformative Grotesquerie of the Crucifixion of Jesus
THE GROTESQUE CROSS: THE PERFORMATIVE GROTESQUERIE OF THE CRUCIFIXION OF JESUS Hephzibah Darshni Dutt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2015 Committee: Jonathan Chambers, Advisor Charles Kanwischer Graduate Faculty Representative Eileen Cherry Chandler Marcus Sherrell © 2015 Hephzibah Dutt All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor In this study I argue that the crucifixion of Jesus is a performative event and this event is an exemplar of the Grotesque. To this end, I first conduct a dramatistic analysis of the crucifixion of Jesus, working to explicate its performativity. Viewing this performative event through the lens of the Grotesque, I then discuss its various grotesqueries, to propose the concept of the Grotesque Cross. As such, the term “Grotesque Cross” functions as shorthand for the performative event of the crucifixion of Jesus, as it is characterized by various aspects of the Grotesque. I develop the concept of the Grotesque Cross thematically through focused studies of representations of the crucifixion: the film, Jesus of Montreal (Arcand, 1989), Philip Turner’s play, Christ in the Concrete City, and an autoethnographic examination of Cross-wearing as performance. I examine each representation through the lens of the Grotesque to define various facets of the Grotesque Cross. iv For Drs. Chetty and Rukhsana Dutt, beloved holy monsters & Hannah, Abhishek, and Esther, my fellow aliens v ACKNOWLEDGMENTS St. Cyril of Jerusalem, in instructing catechumens, wrote, “The dragon sits by the side of the road, watching those who pass.
[Show full text]
Godspell – Stephen Schwartz Answers Performer's Questions
Godspell – Stephen Schwartz Answers Performer’s Questions This PDF includes SECTION 1 – Jesus SECTION 2 – John the Baptist/Judas SECTION 3 – Music and Lyrics SECTION 4 – Auditioning and Performing The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] SECTION 1 - Jesus Godspell: The Role of Jesus Question missing. Answer from Stephen Schwartz: The main thing to remember is that the story of the show is that Jesus comes into a group of disparate and desperate individuals and leads them into becoming a community. The word "leads" is important -- he is the driving force in the show; therefore he needs to have the most energy, the most humor, and the most will- power of all the characters. He starts the games, he teaches the lessons, he motivates the action. When the show goes wrong it is usually because Jesus is played too reverently, standing off to the sidelines and watching beatifically as the rest of the cast clowns around. The exact opposite is what is needed. Stephen Schwartz Godspell: Casting Jesus as a Female Question: hi everyone, i have a quick subject I felt i have to bring up for discussion. Our local community theater is doing Godspell this year...and during auditions our best performers were females...well the cast list has been posted and low and behold.....JESUS IS A BLACK FEMALE!! The director changed the role to Stephanie.
[Show full text]
Performances
Directed by By Stephen Peter Dayson Schwartz PERFORMANCES A UNIQUE MUSICAL BASED ON THE GOSPEL ACCORDING TO SAINT MATTHEW West End, Original 1971 BROADWAY Conception/Direction JOHN-MICHAEL TEBELAK May 19th 2:00 p.m. Originally produced on the New York ‘ Stage by Edgar Lansbury, Stuard Duncan and Joseph Beruh Music for “By Your Side” was written by Peggy Gordon, and the lyrics by Jay Hamberger For Ticket Info Contact: 1-740-753-1924 w w w. h o c k i n g .edu/godspell GIVING THANKS We would like to welcome you to the premiere of our cross-college production of Godspell. We have managed to procure the talents of students from both our colleges, Havering College of Further and Higher Education UK and Hocking College USA, together with staff and students who have given their love and support for this unique adventure. GODSPELL HISTORY Godspell was written in the 1970’s by award-winning composer Stephen Schwartz. It is based on the Gospel according to St. Matthew and tells the story of the life of Jesus. Set in a playground in a New Hampshire, New England style, the actors will tell the story of the parables from the early beginnings of the baptism through the crucifixion and resurrection. THE SONGS With great numbers like “Day By Day” and “Oh Bless the Lord My Soul” to the haunting lyrics of “By My Side” and “On the Willows,” Godspell is a musical event that will stay with you the rest of your life. It’s unique in musical theatre as indeed is this synergistic exercise of creativity.
[Show full text]
Jesus Christ Superstar Is an We Are So Excited That You Have Joined Us Excellent Opening to This Exploration
PATIOBILL Directed by Deborah Zimmer + Produced by Brenda Townsend 116 S. Kalmia Street, Escondido www.patioplayhouse.com ph. 760-746-6669 ~ Welcome ~ It is my unmistakable honor as Artistic and all of North County for over 50 years, Manager to welcome you to the 52nd and we continue to grow each year. Our season of Patio Playhouse and Patio youth program has long provided a Plays in the Park. nurturing environment for kids and teens to explore the theater arts, free of This season we are bringing you shows charge. that explore family and finding where you belong. Jesus Christ Superstar is an We are so excited that you have joined us excellent opening to this exploration. The today and we entreat you to continue to last days of Jesus, told from the join us for the rest of the year. We follow perspective of Judas Iscariot, this Jesus Christ Superstar with Annie and In musical examines the relationships the Heights at Kit Carson Amphitheater. between Jesus and his disciples and If you wish to join the Patio Family and Mary Magdalene as they delve into become involved with Patio Playhouse, whether there was any other way the please speak to any of our ushers or visit story could end. How inevitable was our website at Judas’ betrayal and how does that affect www.patioplayhouse.com. Jesus’ relationships with Judas and Thank you so much for your patronage! everyone else? Matt FitzGerald Patio Playhouse has been providing Artistic Manager affordable theater and performance opportunities to the people of Escondido ~ Director’s Note ~ Thank you for attending this evening's drowned out! One of the songs that is not performance of Jesus Christ Superstar on my original album states exactly how I and sharing one of my most precious feel today: 'Could We Start Again theatrical dreams! I fell in love with this Please?' I point this out in the hope that rock musical in 1970, when I purchased when you leave the theater tonight, you the first released recording on vinyl LP.
[Show full text]