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BEETHOVEN 340 Pages of Facsimile and 29 Pages of Commentary (Eng/Ger), Half-Leather Binding, Hardback Sonatas for Pianoforte and Violoncello String Quartets Op

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BEETHOVEN 340 Pages of Facsimile and 29 Pages of Commentary (Eng/Ger), Half-Leather Binding, Hardback Sonatas for Pianoforte and Violoncello String Quartets Op BÄRENREITER FACSIMILES VIOLONCELLO & PIANO CHAMBER MUSIC VOCAL WORKS THE NINE SYMPHONIES Missa solemnis op. 123 Works for Pianoforte and Violoncello The String Quartets The Masses The Nine Symphonies URTEXT / Ed. Jonathan Del Mar URTEXT / Ed. Jonathan Del Mar URTEXT / Ed. Barry Cooper URTEXT / Ed. Jonathan Del Mar Facsimile of the autograph score BEETHOVEN 340 pages of facsimile and 29 pages of commentary (Eng/Ger), half-leather binding, hardback Sonatas for Pianoforte and Violoncello String Quartets op. 18, 1–6 Mass in C maj op. 86 No. 1 in C maj op. 21 No. 8 in F maj op. 93 THE BÄRENREITER CATALOGUE ISBN 978-3-7618-2395-8 op. 5, Nos. 1 and 2, BA 9016 Parts in slipcover BA 9039 BA 9001 BA 9008 op. 69, op. 102, Nos. 1 and 2 TP 916 Study score Awarded with the German Music Edition Prize “Best Edition 2005” Missa solemnis op. 123 No. 2 in D maj op. 36 No. 9 in D min op. 125 Symphony No. 9 in D min op. 125 BA 9012 Score with part String Quartets op. 59, 1–3 BA 9038 BA 9002 BA 9009 BA 9017 Parts in slipcover Facsimile of the autograph score TP 917 Study score No. 3 in E-flat maj op. 55 “Eroica” Nine Conducting Scores 422+11 pages of facsimile and 40 pages introduction (Eng/Ger/Jap), Symphony No. 9 in D min op. 125 BA 9003 BA 9000 in a boxed set half-leather binding, hardback String Quartets op. 74 and op. 95 URTEXT / Ed. Jonathan Del Mar ISBN 978-3-7618-2471-9 BA 9018 Parts in slipcover No. 4 in B-flat maj op. 60 Nine Study Scores TP 918 Study score BA 9004 TP 900 in a boxed set “… five huge sonatas, important “Cellists, pianists, and Beethoven- Finale “Ode to Joy” String Quartet in B-flat maj op. 130, works, thoroughly researched, lovers everywhere have been eagerly String Quartet in E-flat maj op. 127 BA 9009-90 Vocal score impeccably edited, re-explored and awaiting an authoritative version No. 5 in C min op. 67 Linen-bound full score of re-examined by Jonathan Del Mar, of these sonatas for far too long; BA 9029 Parts in slipcover BA 9005 Symphony No. 9 in D min op. 125 Große Fuge op. 133 and beautifully printed with even now we will have an edition that TP 929 Study score A Pronunciation Guide for Japanese Singers Includes an introduction by Barry the page turns taken account of…” promises to remain THE standard With an introduction on the work’s reception by Eizaburo Tsuchida No. 6 in F maj op. 68 “Pastoral” Cooper and the complete Critical Facsimile of the autograph scores (Piano, GB) text for the foreseeable future.” String Quartet in B-flat maj op. 130 Text booklet in Japanese BA 9006 Commentary (Eng) ISBN 978-3-7618-2464-1 (Steven Isserlis) BA 9030 Parts in slipcover BA 9009-14 BA 9009-01 Publication date: Fall 2019 TP 930 Study score No. 7 in A maj op. 92 A Pronunciation Guide for Choral Singers BA 9007 Your Music Dealer: String Quartet op. 133 Große Fuge Video available on the Bärenreiter website and on YouTube BA 9033 Parts in slipcover TP 933 Study score Song Cycle Variations for Pianoforte and Violoncello Publication date: Fall 2019 WoO 45, op. 66, WoO 46 An die ferne Geliebte op. 98 BA 9028 Score with part “To sum up this edition in two words: magnificent and mandatory.” (Arco) URTEXT / Ed. Barry Cooper for high voice and piano BA 9000 Beethoven’s three sets of cello variations comprise the “Twelve Variations on String Quartet in C-sharp min op. 131 BA 7862 a Theme from Handel’s Oratorio Judas Maccabaeus” (WoO 45), the “Twelve BA 9031 Parts in slipcover Publication date: Spring 2020 Variations on the theme Ein Mädchen oder Weibchen” (op. 66) from Mozart’s TP 931 Study score For Beethoven use Bärenreiter Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG • Heinrich-Schütz-Allee 35–37 • 34131 Kassel • Germany opera The Magic Flute and the “Seven Variations on the duet Bei Männern, www.baerenreiter.com • [email protected] • Printed in Germany 1/1902/28 • SPA 513 welche Liebe fühlen” (WoO 46), also from The Magic Flute. Publication date: 2020 THE PIANO SONATAS – SETTING THE NEW STANDARD THE PIANO CONCERTOS THE SOLO CONCERTOS THE VIOLIN SONATAS The Complete Sonatas for Pianoforte The Concertos for Pianoforte and Orchestra Sextet Arrangement of Piano Concerto No. 4 Works for Solo Instruments and Orchestra Complete Sonatas for Pianoforte and Violin URTEXT / Ed. Jonathan Del Mar URTEXT / Ed. Jonathan Del Mar URTEXT / Ed. Clive Brown in three volumes This anonymous sextet arrangement of Beethoven’s Piano Concerto No. 4 URTEXT / Ed. Jonathan Del Mar The piano reductions to Beethoven’s piano concertos appear in a new format: was highly popular in Vienna during the composer’s lifetime. Concerto in D maj for Violin and Orchestra op. 61 Volume 1 As customary in the 19th century there are separate solo piano parts containing BA 9019 BA 9014 Score with parts tutti passages and cues. This affords the soloist sensible page turns and offers Concerto No. 4 in G maj op. 58 Vol. I: WoO 47 – op. 14 (12 Sonatas) BA 11841 TP 919 Study score Vol. II: op. 22 – op. 53 (12 Sonatas) BA 11842 the possibility to lead the ensemble from the piano. arranged for pianoforte and string quintet BA 9034 Score and six parts Volume 2 Vol. III: op. 54 – op. 111 (11 Sonatas) BA 11843 Each piano reduction also includes the orchestral reduction as well as the solo Cadenzas to Beethoven’s Violin Concerto op. 61 BA 9015 Score with parts Special Set Price for all 3 Volumes BA 11840 piano part above it in small print. Ed. Martin Wulfhorst Critical Commentary to all 35 Sonatas BA 11840-40 BA 9020 Sonata for Pianoforte and Violin op. 24 “Spring Sonata” BA 10937 Score with parts Beethoven. Figurations and Exercises for Piano Concerto No. 1 in C maj op. 15 Concerto No. 3 in C min op. 37 Publication date: August 2019 Beethoven on Piano Playing BA 9021 BA 9023 This compilation contains cadenzas found in various publications such as those by Auer and Joachim, but goes much further providing violinists with Sonata for Pianoforte and Violin op. 47 “Kreutzer Sonata” Ed. Siân Derry BA 10938 Score with parts Text booklet on every aspect of performing Beethoven’s piano music Concerto No. 2 in B-flat maj op. 19 Concerto No. 4 in G maj op. 58 cadenzas by Ferdinand David (the first known cadenza to op. 61), Louis Spohr, All 35 Sonatas are also available in separate editions. Eugène Ysaÿe, Camille Saint-Saëns, Ferrucio Busoni, Henri Vieuxtemps, Jakob based exclusively on musical samples notated by Beethoven (Eng/Ger) BA 9022 BA 9024 Dont and, for the first time, a cadenza by Henryk Wieniawski. Performance Practices in Viennese Chamber Music BA 11800 Concerto No. 5 in E-flat maj op. 73 “Emperor” from Haydn to Schubert BA 9025 Text booklet (Eng/Ger) 33 Variations on a Waltz by A. Diabelli op. 120 and Variations on a Given Romances in F maj and G maj for Violin and Orchestra op. 40 and op. 50 BA 10970 Theme Composed by Vienna’s Most Excellent Composers and Virtuosos BA 9026 “Diabelli Variations” The Five Piano Concertos Publication date: Fall 2019 Concerto in C maj for Pianoforte, Violin, Violoncello and URTEXT / Ed. Mario Aschauer Orchestra op. 56 “Triple Concerto” The new Bärenreiter edition of Beethoven’s Violin Sonatas takes Urtext a BA 9656 Five study scores in a boxed set TP 920 BA 9027 step further. The five study scores are Nineteenth-century composers viewed notation quite differently from 20th 33 Variations on a Waltz by A. Diabelli op. 120 also available separately. and 21st-century musicians. Much more was expected to be implicit in the “Diabelli Variations” 511 sul D e G notation, on the basis of well-understood performance conventions, than URTEXT / Ed. Mario Aschauer # is the case today. Sometimes, Beethoven used notational conventions that & # œ œ œ œ ˙ ˙ œ œ œ œ œ ˙ ˙ œ œ œ dolceœ œ œ œ œ ˙ œ œ BA 9657 Concerto in D maj after the Violin Concerto op. 61 pizz. ˙ are no longer familiar and were ignored in later editions, including the most # Piano reduction with an Urtext solo piano part # Œ Ó Œ Ó Œ Ó Œ Ó Œ Ó Œ Œ recent Urtexts. Complete Bagatelles Für Elise and an additional piano part with fingering by Yuriko Murikami & œ œ œ œ œ œ œ œ œ œœ œ This edition provides guidance as to the performance implications of pœ œ œ œ œ œ œ œ œ œ œ URTEXT / Ed. Mario Aschauer URTEXT / Ed. Mario Aschauer BA 9013 Beethoven’s notation, both in the musical text, through editorial markings ?# Œ Ó Œ BA 9649 BA 11839 # œŒÓ œŒÓ œ œ œ œ œ œŒÓ œŒÓ œ Œ œ and the Critical Commentary, and also in a text booklet on performance Of great importance and interest are Beethoven’s original cadenzas as no pizz. practice. original cadenzas exist for the earlier version of op. 61 for violin and orchestra. 518 œ œ œ ˙ ˙ ˙ Excerpt from:3 Concerto in D maj for Violin and Orchestraœ œop.œ 61, piano reduction˙ Publication date: Winter 2019/2020 # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ # œ œ œ 3 {& œ œ œ œ œ œ 3 œ 3 dimin.
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