DOCSLIB.ORG

TV Review: Gotham Series 1 Episode 10: 'Lovecraft' | Nouse

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TV Review: Gotham Series 1 Episode 10: 'Lovecraft' | Nouse Nouse Web Archives TV Review: Gotham Series 1 Episode 10: ‘Lovecraft’ Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Film & TV › Features Film Reviews TV Reviews Festivals TV Review: Gotham Series 1 Episode 10: ‘Lovecraft’ Wayne Manor’s under attack in Gotham’s mid-season finale. Niall Whitehead reviews Monday 22 December 2014 Rating: ★★★☆☆ Well, folks, for Gotham’s first half of the season, this is the end of the road! Or, perhaps more appropriately, the end of the seedy-looking alley on the way back from the opera house. It’s been good! It’s been bad! Mostly bad! But the series has shown potential, at least enough of it to merit the existence of the rest of the season. But what about ‘Lovecraft’ itself? The episode begins with Wayne Manor set upon by a gang of ruthless and mysterious assassins (judging by their skills and their focus on only murdering the “deserving”, I’m holding on to my League of Shadows theory), forcing Little Bruce to run for the hills. But it’s not him they’re after – it’s Selina Kyle, the only witness to the murder of his parents, and the corrupt businessman, Lovecraft, that Gordon’s currently trying to bring down… It’s Bruce and Selina’s plot that stands out most, out of all the threads that get tied up this episode. And that’s a sentence I didn’t think I’d end up typing. Most of the stuff given to Bruce this season’s felt somewhat forced, and an episode mostly reliant on two child actors never bodes particularly well, but the two of them carried it off well enough. Slowly, Gotham seems to be moving away from the Villain of the Week format; there’s no new case for Gordon to solve this week. The closest there is is the head assassin, Copperhead, and I must admit, I only found that out when I looked it up later: the Copperhead of the comics is a man in a suit with snake powers, while this one’s a female assassin with a knife and a black suit. Still, I’m not complaining about the update. It keeps things suitably “realistic” (arguably, speech-marks around that word are necessary for any universe where a man will eventually dress like a bat and fight crime. But I digress). She and her crew are suitably awesome, but it’s Alfred who walks away with most of the badass moments this episode. This version’s playing up his past in the Royal Marines for all it’s worth, fighting off assassins hand-to-hand and holding a knife to a thug’s throat for information, which are scenes Michael Caine sadly never got to try out. Like ‘Viper’ before it, this episode’s got some very well-directed fight scenes, alongside a show of parkour from Little Bruce and Selina on their rooftops. In the end, Penguin’s on thin ice, Bruce is back home safe, we’re a little bit closer to finding out who killed http://nouse.co.uk/2014/12/22/tv-review-gotham-series-1-episode-10-lovecraft Archived 11 Dec 2018 09:03:31 Nouse Web Archives TV Review: Gotham Series 1 Episode 10: ‘Lovecraft’ Page 2 of 3 the Waynes, and Gordon’s effectively been exiled to a security-guard position in the newly-opened Arkham Asylum – a setting I’m quite excited to see. And so Gotham draws to its midseason close, giving the tales of mob intrigue and brutal murder a break for Christmas. It’s been an interesting ride – though the show’s never quite achieved “great”, it’s at least remained worth watching, and maybe we’ll see an Agents of SHIELD-style renaissance. Here’s hoping. Most Read Discussed 1. Short Film Sunday: All These Creatures 2. TV Review: Endeavour – Series 3 Episode 2: ‘Arcadia’ 3. TV Review: Vera Series 5 Episode 2: ‘Old Wounds’ 4. Film meets fact – why is historical accuracy important? 5. TV Review: Endeavour – Series 3 Episode 4: ‘Coda’ 6. TV Review: Endeavour Series 2 Episode 2 Write for Nouse Film & TV Get in touch with the editors Join the Facebook group More in Film & TV Short Film Sunday: All These Creatures Interview: Get Ready With Me director Jonatan Etzler Short Film Sunday: Fauve Netflix sued by Satanic Temple Vintage Sundays Review: The Wizard of Oz Review: Manbiki Kazoku (Shoplifters) About Nouse Who’s Nouse Website Credits Contact Us Advertising Archives Student Discounts Print Editions Mini-Sites http://nouse.co.uk/2014/12/22/tv-review-gotham-series-1-episode-10-lovecraft Archived 11 Dec 2018 09:03:31 Nouse Web Archives TV Review: Gotham Series 1 Episode 10: ‘Lovecraft’ Page 3 of 3 Nouse on Twitter Nouse on Facebook Nouse on Google+ © 1964–2018 Nouse Policies | http://nouse.co.uk/2014/12/22/tv-review-gotham-series-1-episode-10-lovecraft Archived 11 Dec 2018 09:03:31.
Load more

Recommended publications
  • Multi-Media Reviews
    Page 84 MULTI­MEDIA REVIEWS Batman: Arkham Reborn Writer: David Hine , Artist: Jeremy Haun (Publisher: DC Comics, 2010) Gotham City is a fitting home for its guardian – Batman lurks in the recesses of its distinctive architecture, camouflaging himself among the gargoyles and grotesques. Gotham’s cityscape is one of the most developed of all fictional locations: for the series No Man’s Land (1999) a detailed map of the city was produced, its rivers, bridges and streets named after DC Comics’ most beloved artists and writers. Undoubtedly, one of the most famous buildings in Gotham is Arkham Asylum – or, to give it its full name, ‘The Elizabeth Arkham Asylum for the Criminally Insane’ – a location introduced to the comics in 1974 to serve as a holding pen for Batman’s rogues gallery. Arkham Reborn is the latest story arc to develop the asylum’s mythos. It begins with the director, Jeremiah Arkham, picking his way through the ruins of the asylum (which was destroyed by the crime lord Black Mask during the events of a previous storyline). Stopping before one particular cell, Jeremiah recalls its former occupant, Humphrey Dumpler (AKA ‘Humpty Dumpty’), a man compelled to take things apart and put them back together – inevitably with disastrous consequences. ‘Poor Humphry,’ he muses. ‘Obsessed, like me, with repairing what was broken.’ This beginning recalls both Dan Slott and Ryan Sook’s Arkham Asylum: Living Hell (2003), the work in which Humpty Dumpty was introduced, and the seminal Arkham text, Grant Morrison and Dave McKean’s Arkham Asylum: A Serious House on Serious Earth (1989), wherein one doctor tells Batman: ‘sometimes you have to break down to rebuild, psychiatry’s like that’.
    [Show full text]
  • Low a Loner’S Kit to Become Their Most Special Rank
    PARTNERS Twist Fate This book was made possible through a partnership between the Connected Learning Alliance, Wattpad, DeviantArt, the National Writing Project, and the Young Adult Library Services Association. About the Partners Connected Learning Alliance The Connected Learning Alliance supports the expansion and influence of a network of educators, experts, and youth-serving organizations, mobilizing new technology in the service of equity, access, and opportunity for all young people. The Alliance is coordinated by the Digital Media and Learning Research Hub at UC Irvine. Learn more at clalliance.org. Wattpad Wattpad, the global multiplatform entertainment company for original stories, transforms how the world discovers, creates, and engages with stories. Since 2006, it has offered a completely social experience in which people everywhere can participate and collaborate on content through comments, messages, and multimedia. Today, Wattpad connects a community of more than 45 million people around the world through serialized stories about the things they love. As home to millions of fresh voices and fans who share culturally relevant stories based on local trends and current events, Wattpad has unique pop culture insights in virtually every market around the world. Wattpad Studios coproduces stories for film, television, digital, and print to radically transform the way the entertainment industry sources and produces content. Wattpad Brand Solutions offers new and integrated ways for brands to build deep engagement with consumers. The company is proudly based in Toronto, Canada. Learn more at wattpad.com/about. PARTNERS DeviantArt Founded in 2000, DeviantArt is an online social network for artists and art enthusiasts and a platform for emerging and established artists to exhibit, promote, and share their works with an enthusiastic, art-centric community.
    [Show full text]
  • 07-12-2021 WIF and the Sundance Institute Financing
    July 12, 2021 Media Contacts: Spencer Alcorn [email protected] Women’s Financing Intensive, from WIF (Women In Film, Los Angeles) & Sundance Institute, Elevates Twelve Feature Projects with Tailored Support Intensive equips filmmakers with financing strategies and introduces them to leading financiers. LOS ANGELES - The Sundance Institute and WIF (Women In Film, Los Angeles) today announce the projects and creators selected for the annual WIF and Sundance Institute Financing Intensive. The Intensive is designed to help women producers—fiction and documentary—build the skills and relationships necessary to advance a feature-length project to the next stage of financing success. On July 14–15, producers and their attached directors participate in small group workshops focused on both pitching and financing strategy, and professional skills development. The Intensive continues the week of July 19 with one-on-one meetings with potential financiers and partners including The Harnisch Foundation, IDA, Impact Partners, Participant, Freeform, Hulu, Gamechanger, Chicken & Egg Pictures, K Period. The Intensive will first kick off with a free public session on July 13 at 2pm – 3:15pm ET, Protecting Producers, that will explore fresh ideas in producer career sustainability. The conversation will take place on Sundance Co//ab and include: Carrie Lozano (Director, Sundance Documentary Film Program and Artist Programs), Yael Melamede (Documentary Producers Alliance), producer Summer Shelton, and Avril Speaks (Producers Union). The Institute and WIF have been working together to address the most challenging obstacles facing women filmmakers at both structural and project-based levels. Accessing capital remains elusive even for seasoned creators, and research by both institutions has shown that women continue to deal with particular gendered biases that make it harder to secure financing.
    [Show full text]
  • Aiken Weiss, SOC - Camera/Steadicam Operator- +1 (310) 874-5717, [email protected]
    Aiken Weiss, SOC - Camera/Steadicam Operator- +1 (310) 874-5717, [email protected] Film & Television Title Director of Photography Director "Evil" Fred Murphy ASC, Tim Guinness Ron Underwood, Peter Sollett "The Naked Singularity" Andrij Parekh ASC Chase Palmer "The Affair" Steve Fierberg ASC, Manuel Billeter Colin Bucksey, Sara Treem "Evil" (P) Fred Murphy ASC Robert King "Star Season 3" Jesse M. Feldman, Jim "Gouch" Gucciardo Scott Peters, Mario van Peebles "The Code" (P) Jimmy Lindsey ASC Marc Webb "Star Season 2" Rodney Taylor ASC, Joachin Sedillo ASC Paul MacCrane, Tamra Davis, etc. "Looming Tower" Jim Denault ASC, Fred Elmes ASC John Dahl, Craig Zisk, etc. "Shelter" (P) Frankie DeMarco Charles McDougall "Gypsy" (D) Bobby Bukowski Coky Giedroyc "Quantico" (D) David Waterston Constantine Makris "Gotham" (D) Crescenzo Notarile Maja Vrvilo "Billions Season 2" Jake Polonsky BSC, Radium Cheung HKSC John Singleton, Ed Bianchi, etc. "Limitless" Jimmy Lindsey ASC, Derick Underschultz Guy Ferland, Peter Werner, etc. "Billions Season 1" Jake Polonsky BSC Neil Burger, Neil LeBute, etc. "Graceland" James L Cater ASC Larry Teng, Scott Peters, etc. "Ballers" Jaime Reynoso AMC Julian Farino, Seith Mann, etc. "Sleepy Hollow" (D) Tod Campbell,Glen Keenan John Leonetti, Doug Aarniokoski, etc. "Manhattan Love Story" Brian Reynolds John Fortenberry, Michael Fresco, etc. "PAPA" Enesto Melara Bob Yari "The Driftless Area" Daniel Voldheim Zachary Sluser "Killer Women" Ed Pei ASC David Grossmann, Colin Bucksey, etc. "Staten Island Summer" Anthony Wolberg Rhys Thomas "Graceland" (D) Bart Tau Russell Fine "Burn Notice 7" Bart Tau Scott Peters, Stephen Surjic, etc. "No Clue" Jan Kiesser ASC CSC Carl Bessai "Revolution" (D) David Moxness, David Stockton Guy Bee, Charles Beeson, etc.
    [Show full text]
  • Looking at the 'Dark Side' of Creativity
    14 December 2011 | voaspecialenglish.com Looking at the 'Dark Side' of Creativity AP An English examination at Dongguan Technology Institute in Guangdong province, China, in 2007. Students were given different test versions in an effort to prevent cheating. (Download an MP3 of this story at voaspecialenglish.com) This is the VOA Special English Health Report. Not all cheaters are creative. But apparently enough creative people cheat to interest researchers like Francesca Gino. Professor Gino is a behavioral economist at the Harvard Business School in Massachusetts. Behavioral economists use ideas from psychology to study how people make economic choices. FRANCESCA GINO: "Interestingly, there are actually a lot of examples in the literature, novels, movies, comic books about this idea of the evil genius, but really no empirical evidence for this relationship." BATMAN (ADAM WEST): "He's terrorized Gotham City, he's baffled the police department and he's held us up to public ridicule." Fans of old TV shows might recognize Batman and Robin, struggling to catch one of those evil geniuses -- the Joker. 2 BATMAN: "Gloating on his own success, he may be planning some super crime and stumble on his own pride." ROBIN (BURT WARD): "And how do we go about stopping him?" BATMAN: "Just go about our normal routine and let the venomous viper trap himself." ROBIN: "And when he does." BATMAN: "Snap!" ROBIN: "Caught in a bat trap!" BATMAN: "Right." Professor Gino was less interested in catching cheaters than understanding them. She tested volunteers to see how creative they were. Then she tested them in situations involving small amounts of money, where they could earn extra by cheating.
    [Show full text]
  • Loki Production Brief
    PRODUCTION BRIEF “I am Loki, and I am burdened with glorious purpose.” —Loki arvel Studios’ “Loki,” an original live-action series created exclusively for Disney+, features the mercurial God of Mischief as he steps out of his brother’s shadow. The series, described as a crime-thriller meets epic-adventure, takes place after the events Mof “Avengers: Endgame.” “‘Loki’ is intriguingly different with a bold creative swing,” says Kevin Feige, President, Marvel Studios and Chief Creative Officer, Marvel. “This series breaks new ground for the Marvel Cinematic Universe before it, and lays the groundwork for things to come.” The starting point of the series is the moment in “Avengers: Endgame” when the 2012 Loki takes the Tesseract—from there Loki lands in the hands of the Time Variance Authority (TVA), which is outside of the timeline, concurrent to the current day Marvel Cinematic Universe. In his cross-timeline journey, Loki finds himself a fish out of water as he tries to navigate—and manipulate—his way through the bureaucratic nightmare that is the Time Variance Authority and its by-the-numbers mentality. This is Loki as you have never seen him. Stripped of his self- proclaimed majesty but with his ego still intact, Loki faces consequences he never thought could happen to such a supreme being as himself. In that, there is a lot of humor as he is taken down a few pegs and struggles to find his footing in the unforgiving bureaucracy of the Time Variance Authority. As the series progresses, we see different sides of Loki as he is drawn into helping to solve a serious crime with an agent 1 of the TVA, Mobius, who needs his “unique Loki perspective” to locate the culprits and mend the timeline.
    [Show full text]
  • Issue 300 May 2021
    May 2021 Issue 300 The only magazine That is long overdue! Read About: Milestone Returns (By Reginald Hudlin and Denys Cowan and co.) [DC Entertainment] And all of the other May 2021 comics, inside! Plus… Slow Death Zero By Many people! [Last Gasp Comix] Welcome back my friends, to the show deposit of $5.00 or 50% of the value of and delivering to us the subscription form, that never ends. Before we have the your order, whichever is greater. Please you agree to pay for and pick up all books judges come out and explain the rules, note that this deposit will be applied to any ordered. By signing the deposit form and we'd like to open with a statement about outstanding amounts you owe us for paying us the deposit, you agree to allow comic books in general. If you use it as a books that you have not picked up within us to use the deposit to cover the price of guideline, you'll never be unhappy... the required time. If the deposit amount is any books you do not pick up! not sufficient, we may require you to pay ONLY BUY COMICS THAT YOU the balance due before accepting any We only have a limited amount of room READ AND ENJOY! other subscription form requests. on the sub form , however we will happily order any item out of the distributor’s We cannot stress that highly enough. 3. If you mark it, you buy it. We base our catalog that you desire. Diamond Comics are an entertainment medium, orders on some items very closely to your Previews lists hundreds of products that and, as such, must provide you with choices, and will hold you to it.
    [Show full text]
  • INDEX to CONSIGNORS Hip Color Year No
    INDEX TO CONSIGNORS Hip Color Year No. Name Sex Foaled Sire Dam AZPURUA STABLES, AGENT I Barn 1 42 ................................. ......ch. c. .............2012 Mineshaft....................Woodland Shadow 397 ................................. ......b. f. ................2012 Afleet Alex ..................Special Situation AZPURUA STABLES, AGENT IV Barn 1 145 ................................. ......dk. b./br. c. ...2012 Afleet Alex ..................First Class Fever AZPURUA STABLES, AGENT V Barn 1 181 ................................. ......b. c................2012 U S Ranger ................Hairdo RANDY BRADSHAW Barn 3 154 ................................. ......ch. c. .............2012 D'wildcat.....................Free to Soar 303 ................................. ......ch. c. .............2012 Tale of the Cat............Now That's Jazz 345 ................................. ......ch. f. ..............2012 More Than Ready......Redaspen 404 ................................. ......dk. b./br. f......2012 Congrats.....................Storm Key NIALL BRENNAN STABLES, AGENT I Barn 8 39 ................................. ......b. c................2012 Blame .........................Winnowing NIALL BRENNAN STABLES, AGENT II Barn 8 95 ................................. ......b. c................2012 Distorted Humor ........Captive Melody NIALL BRENNAN STABLES, AGENT III Barn 8 45 ................................. ......gr/ro. f............2012 Congrats.....................Zee Zee 161 ................................. ......dk. b./br. f......2012
    [Show full text]
  • Mythic Symbols of Batman
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-11-28 Mythic Symbols of Batman John J. Darowski Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Darowski, John J., "Mythic Symbols of Batman" (2007). Theses and Dissertations. 1226. https://scholarsarchive.byu.edu/etd/1226 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Mythic Symbols of Batman by John Jefferson Darowski A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements of the degree of Master of Arts Department of Comparative Studies Brigham Young University December 2007 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL Of a thesis submitted by John J. Darowski This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. _____________________________ ____________________________________ Date Kerry Soper, Chair _____________________________ ____________________________________ Date Carl Sederholm _____________________________ ____________________________________ Date Charlotte Stanford Brigham Young University As chair of the candidate‟s graduate committee, I have read the thesis by John J. Darowski in its final form and have found that (1) its form, citations and bibliographical style are consistent and acceptable to fulfill university and department style requirements; (2) its illustrative materials, including figures, tables and charts are in place; and (3) the final manuscript is satisfactory to the graduate committee and is ready for submission to the university library.
    [Show full text]
  • Self-Management for Actors 4Th Ed
    This is awesome Self-Management for Actors 4th ed. bonus content by Bonnie Gillespie. © 2018, all rights reserved. SMFA Shows Casting in Major Markets Please see page 92 (the chapter on Targeting Buyers) in the 4th edition of Self-Management for Actors: Getting Down to (Show) Business for detailed instructions on how best to utilize this data as you target specific television series to get to your next tier. Remember to take into consideration issues of your work papers in foreign markets, your status as a local hire in other states, and—of course—check out the actors playing characters at your adjacent tier (that means, not the series regulars 'til you're knocking on that door). After this mega list is a collection of resources to help you stay on top of these mainstream small screen series and pilots, so please scroll all the way down. And of course, you can toss out the #SMFAninjas hashtag on social media to get feedback on your targeting strategy. What follows is a list of shows actively casting or on order for 4th quarter 2018. This list is updated regularly at the Self-Management for Actors website and in the SMFA Essentials mini- course on Show Targeting. Enjoy! Show Title Show Type Network 25 pilot CBS #FASHIONVICTIM hour pilot E! 100, THE hour CW 13 REASONS WHY hour Netflix 3 BELOW animated Netflix 50 CENTRAL half-hour A&E 68 WHISKEY hour pilot Paramount Network 9-1-1 hour FOX A GIRL, THE half-hour pilot A MIDNIGHT KISS telefilm Hallmark A MILLION LITTLE THINGS hour ABC ABBY HATCHER, FUZZLY animated Nickelodeon CATCHER ABBY'S half-hour NBC ACT, THE hour Hulu ADAM RUINS EVERYTHING half-hour TruTV ADVENTURES OF VELVET half-hour PROZAC, THE ADVERSARIES hour pilot NBC AFFAIR, THE hour Showtime AFTER AFTER PARTY new media Facebook AFTER LIFE half-hour Netflix AGAIN hour Netflix For updates to this doc, quarterly phone calls, convos at our ninja message boards, and other support, visit smfa4.com.
    [Show full text]
  • The Enlightenment, America's Death Penalty, and the Abolition Movement
    University of Baltimore Law ScholarWorks@University of Baltimore School of Law All Faculty Scholarship Faculty Scholarship Fall 2009 Revisiting Beccaria's Vision: The nliE ghtenment, America's Death Penalty, and the Abolition Movement John Bessler University of Baltimore School of Law, [email protected] Follow this and additional works at: http://scholarworks.law.ubalt.edu/all_fac Part of the Civil Rights and Discrimination Commons, Constitutional Law Commons, Criminal Law Commons, and the Law Enforcement and Corrections Commons Recommended Citation Revisiting Beccaria's Vision: The nlE ightenment, America's Death Penalty, and the Abolition Movement, 4 Nw. J. L. & Soc. Pol'y 196 (2009) This Article is brought to you for free and open access by the Faculty Scholarship at ScholarWorks@University of Baltimore School of Law. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of ScholarWorks@University of Baltimore School of Law. For more information, please contact [email protected]. Copyright 2009 by Northwestern University School of Law Volume 4 (Fall 2009) Northwestern Journal of Law and Social Policy Revisiting Beccaria's Vision: The Enlightenment, America's Death Penalty, and the Abolition Movement John D. Bessler* I am certainly not an advocate for frequent changes in laws and constitutions. But laws and institutions must go hand in hand with the progress of the human mind. As that becomes more developed, more enlightened, as new discoveries are made, new truths discovered and manners and opinions change, with the change of circumstances, institutions must advance also to keep pace with the times. We might as well require a man to wear still the coat which fitted him when a boy as civilized society to remain ever under the regimen of their barbarous ancestors.
    [Show full text]
  • Gotham Episode Guide Episodes 001–100
    Gotham Episode Guide Episodes 001–100 Last episode aired Thursday April 25, 2019 www.fox.com c c 2019 www.tv.com c 2019 www.fox.com The summaries and recaps of all the Gotham episodes were downloaded from http://www.tv.com and http://www. fox.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ! This booklet was LATEXed on May 2, 2019 by footstep11 with create_eps_guide v0.61 Contents Season 1 1 1 Pilot ...............................................3 2 Selina Kyle . .7 3 The Balloonman . 11 4 Arkham . 15 5 Viper............................................... 19 6 Spirit of the Goat . 23 7 Penguin’s Umbrella . 27 8 The Mask . 31 9 Harvey Dent . 35 10 LoveCraft . 39 11 Rogues’ Gallery . 43 12 What the Little Bird Told Him . 47 13 Welcome Back, Jim Gordon . 51 14 The Fearsome Dr. Crane . 55 15 The Scarecrow . 59 16 The Blind Fortune Teller . 63 17 Red Hood . 67 18 Everyone Has a Cobblepot . 71 19 Beasts of Prey . 75 20 Under the Knife . 79 21 The Anvil or the Hammer . 83 22 All Happy Families Are Alike . 87 Season 2 91 1 Rise of the Villains: Damned If You Do... 93 2 Rise of the Villains: Knock, Knock . 97 3 Rise of the Villains: The Last Laugh . 101 4 Rise of the Villains: Strike Force . 105 5 Rise of the Villains: Scarification . 109 6 Rise of the Villains: By Fire . 113 7 Rise of the Villains: Mommy’s Little Monster .
    [Show full text]