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Bibliography BIBLIOGRAPHY Afra, Kia. “PG-13, Ratings Creep, and the Legacy of Screen Violence: The MPAA Responds to the FTC’s ‘Marketing Violent Entertainment to Children.’” Cinema Journal 55, no. 3 (2016): 40–64. Agamben, Giorgio. The Open: Man and Animal. Translated by Kevin Attell. Stanford: Stanford University Press, 2004. Alaniz, José. Death, Disability, and the Superhero: The Silver Age and Beyond. Jackson: University Press of Mississippi, 2014. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univer- sity of Texas Press, 1994. Arnett, Robert P. “Casino Royale and Franchise Remix: James Bond as Superhero.” Film Criticism 33, no. 3 (2009): 1–16. Arnaudo, Marco. The Myth of the Superhero. Translated by Jamie Richards. Baltimore: Johns Hopkins University Press, 2013. Bainbridge, Jason. “‘Worlds Within Worlds’: The Role of Superheroes in the Marvel and DC Universes.” In The Contemporary Comic Book Superhero, 64–85. Edited by Angela Ndalianis. New York: Routledge, 2009. Barad, Karen. “Posthumanist Performativity: Toward an Understanding of How Mat- ter Comes to Matter.” Signs: Journal of Women in Culture and Society 28, no. 3 (2003): 801–31. ———. “Tranmaterialities: Trans/Matter/Realities and Queer Political Imaginings.” GLQ: A Journal of Lesbian and Gay Studies 21, no. 2–3 (2015): 387–422. Beaty, Bart. “The Fighting Civil Servant: Making Sense of the Canadian Superhero.” American Review of Canadian Studies 36, no. 3 (2006): 427–39. Benjamin, Walter. “On Some Motifs in Baudelaire.” Translated by Harry Zohn. In Illuminations: Essays and Refections, 155–200. Edited by Hannah Arendt. New York: Schocken Books, 1968. ———. “The Work of Art in the Age of Mechanical Reproduction.” Translated by Harry Zohn. In Illuminations: Essays and Refections, 217–51. Edited by Hannah Arendt. New York: Schocken Books, 1968. Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010. © The Editor(s) (if applicable) and The Author(s) 2017 301 L. Dudenhoeffer, Anatomy of the Superhero Film, DOI 10.1007/978-3-319-57922-1 302 BIBLIOGRAPHY Bevin, Phillip. “Batman Versus Superman: A Conversation.” In Many More Lives of the Batman, 123–33. Edited by Roberta Pearson, William Uricchio, and Will Brooker. London: British Film Institute, 2015. Bobel, Chris. New Blood: Third-Wave Feminism and the Politics of Menstruation. New Brunswick: Rutgers University Press, 2012. Bogost, Ian. Alien Phenomenology, or What It’s Like to Be a Thing. Minneapolis: Uni- versity of Minnesota Press, 2012. ———. How to Do Things with Videogames. Minneapolis: University of Minnesota Press, 2011. Boney, Alex. “Superheroes and the Modern(ist) Age.” In What Is a Superhero?, 42–49. Edited by Robin S. Rosenberg and Peter Coogan. New York: Oxford Uni- versity Press, 2013. Braudy, Leo. The World in a Frame: What We See in Films. Chicago: University of Chi- cago Press, 1976. Brooker, Will. Batman Unmasked: Analyzing a Cultural Icon. New York: Continuum, 2005. ———. Hunting the Dark Knight: Twenty-First Century Batman. New York: I. B. Tauris, 2012. ———. “We Could Be Heroes.” In What Is a Superhero?, 11–17. Edited by Robin S. Rosenberg and Peter Coogan. New York: Oxford University Press, 2013. Brown, Jeffrey A. Black Superheroes, Milestone Comics, and Their Fans. Jackson: Uni- versity Press of Mississippi, 2001. ———. The Modern Superhero in Film and Television: Popular Genre and American Culture. New York: Routledge, 2017. Bryant, Levi R. The Democracy of Objects. Ann Arbor: Open Humanities Press, 2011. Bukatman, Scott. Hellboy’s World: Comics and Monsters on the Margins. Oakland: Uni- versity of California Press, 2016. ———. Matters of Gravity: Special Effects and Supermen in the 20th Century. Durham: Duke University Press, 2003. ———.“Why I Hate Superhero Movies.” Cinema Journal 50, no. 3 (2011): 118–22. Burke, Liam. The Comic Book Film Adaptation. Jackson: University Press of Missis- sippi, 2015. Burt, Jonathan. Animals in Film. London: Reaktion Books, 2002. Capitanio, Adam. “‘The Jekyll and Hyde of the Atomic Age’: The Incredible Hulk as the Ambiguous Embodiment of Nuclear Power.” Journal of Popular Culture 43, no. 2 (2010): 249–70. Carey, Bjorn. “Stanford Biologist Explains Science of Origin Stories of Captain Amer- ica and the Incredible Hulk.” Stanford News. August 12, 2014, http://news.stan- ford.edu/news/2014/august/marvel-heroes-alvarado-081214.html. Carpenter, Stanford W. “Superheroes Need Superior Villains.” In What Is a Super- hero?, 89–93. Edited by Robin S. Rosenberg and Peter Coogan. New York: Oxford University Press, 2013. Castoriadis, Cornelius. Figures of the Thinkable. Translated by Helen Arnold. Stanford: Stanford University Press, 2007. Cates, Isaac. “On the Literary Use of Superheroes; Or, Batman and Superman Fist- fght in Heaven.” American Literature 84, no. 4 (2011): 831–57. Chaloner, Penny. Organic Chemistry: A Mechanistic Approach. Boca Raton: CRC Press, 2015. BIBLIOGRAPHY 303 Collins, Jim. “Batman: The Movie, Narrative—The Hyperconsciousness.” In Many More Lives of the Batman, 153–70. Edited by Roberta Pearson, William Uricchio, and Will Brooker. London: British Film Institute, 2015. Coogan, Peter. “The Hero Defnes the Genre, the Genre Defnes the Hero.” In What Is a Superhero? 3–10. Edited by Robin S. Rosenberg and Peter Coogan. New York: Oxford University Press, 2013. ———. Superhero: The Secret Origin of a Genre. Austin: MonkeyBrain Books, 2006. Corrigan, Timothy. “Still Speed: Cinematic Acceleration, Value, and Execution.” Cin- ema Journal 55, no. 2 (2016): 119–25. Costello, Matthew J. Secret Identity Crisis: Comic Books and the Unmasking of Cold War America. New York: Continuum, 2009. Crary, Jonathan. 24/7. New York: Verso, 2014. Creed, Barbara. Media Matrix: Sexing the New Reality. Crows Nest: Allen & Unwin, 2003. Dargis, Manohla. “Moral Confict Plus a Hot Bod: What More Does a Girl Need?” The New York Times. January, 14, 2005, http://www.nytimes.com/2005/01/14/ movies/moral-confict-plus-a-hot-bod-what-more-does-a-girl-need.html?_r 0. = Davis, Blair. Movie Comics: Page to Screen/Screen to Page. New Brunswick: Rutgers University Press, 2017. Dean, Jodi. Publicity’s Secret: How Technoculture Capitalizes on Democracy. Ithaca: Cornell University Press, 2002. Delaney, Janice, Mary Jane Lupton, and Emily Roth. The Curse: A Cultural History of Menstruation. Champaign: University of Illinois Press, 1988. Deshaye, Joel. “The Metaphor of Celebrity, Three Superheroes, and One Persona or Another.” Journal of Popular Culture 47, no. 3 (2014): 571–90. DiPaolo, Marc. War, Politics and Superheroes: Ethics and Propaganda in Comics and Film. Jefferson: McFarland, 2011. Dilley, Whitney Crothers. The Cinema of Ang Lee: The Other Side of the Screen. New York: Wallfower Press, 2007. Dittmer, Jason. “Captain America’s Empire: Refections on Identity, Popular Culture, and Post 9/11 Geopolitics.” Annals of the Association of American Geographers 95, no. 3 (2005): 626–43. Dixon, Wheeler Winston. “Introduction: Movies in the 1940s.” In American Cinema of the 1940s, 1–21. Edited Wheeler Winston Dixon. New Brunswick: Rutgers Uni- versity Press, 2006. Dixon, Wheeler Winston, and Richard Graham. A Brief History of Comic Book Movies. New York: Palgrave Macmillan, 2017. Dudenhoeffer, Larrie. Embodiment and Horror Cinema. New York: Palgrave Macmil- lan, 2014. Dunn, Stephane. “Baad Bitches” & Sassy Supermamas: Black Power Action Films. Urbana: University of Illinois Press, 2008. Ebert, Roger. “Hulk.” RogerEbert.com. June 20, 2003. http://www.rogerebert.com/ reviews/hulk-2003. Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Texts. Bloom- ington: Indiana University Press, 1979. Edelstein, David. “The Dark Knight Rises Closes Out the Most Ambitious Superhero Movie Cycle Ever,” New York Magazine. July 30, 2012, http://www.vulture. com/2012/07/movie-review-david-edelstein-on-the-dark-knight-rises.html. 304 BIBLIOGRAPHY Elsaesser, Thomas. Metropolis. London: British Film Institute, 2000. Fawaz, Ramzi. The New Mutants: Superheroes and the Radical Imagination of Ameri- can Comics. New York: New York University Press, 2015. Fernandez, Charmaine. “Déjà New in Joss Whedon's Marvel’s The Avengers.” Limina 18, no. 2 (2013): 1–15. Fisher, Mark. “Batman’s Political Right Turn,” The Guardian. July 22, 2012, https://www.theguardian.com/commentisfree/2012/jul/22/batman-political- right-turn. Flanagan, Martin. “‘Get Ready for Rush Hour’: The Chronotope in Action.” In Action and Adventure Cinema, 103–18. Edited by Yvonne Tasker. New York: Routledge, 2004. Foucault, Michel. Abnormal: Lectures at the Collège de France 1975–1975. Translated by Graham Burchell. New York: Picador, 2003. Fowkes, Katherine A. The Fantasy Film. Malden: Wiley-Blackwell, 2010. Fradley, Martin. “What Do You Believe In?’: Film Scholarship and the Cultural Poli- tics of the Dark Knight Franchise.” Film Quarterly 66, no. 3 (2013): 15–27. Freeman, Matthew. “Up, Up and Across: Superman, the Second World War and the Historical Development of Transmedia Storytelling.” Historical Journal of Film, Radio & Television 35, no. 2 (2015): 215–39. French, Philip. Westerns. Manchester: Carcanet Press, 2005. Gallagher, Mark. “Batman in East Asia.” In Many More Lives of the Batman, 88–106. Edited by Roberta Pearson, William Uricchio, and Will Brooker. London: British Film Institute, 2015. Garrard, Greg. Ecocriticism. New York: Routledge, 2012. Gavaler, Chris. “The Well-Born Superhero.” The Journal of American Culture. 37, no. 2 (2014): 182–97. Gayles, Jonathan. “Black Macho and
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