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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
LOUDQUIETLOUD the PIXIES Großbritannien 2006
Kieler Beiträge zur Filmmusikforschung, 5.1, 2010 // 148 LOUDQUIETLOUD aka: LOUDQUIETLOUD: A FILM ABOUT THE PIXIES Großbritannien 2006 R: Steven Cantor, Matthew Galkin. P: Steven Cantor. K: Jonathan Furmanski, Paul Dokuchitz. S: Trevor Ristow. Beteiligte Personen: Charles Thompson, Kim Deal, Joey Santiago, David Lovering, Kelley Deal, Ann Deal, Ed Deal, Gabriel Wrye, Linda Mallari, Ed Horrox, Jon Tiven, Austin Scaggs V: Plexi Limited, Stick Figure Productions. UA: 7.11.2006; Neuausg: 6.2.2009. 85 min; 1,78:1, Dolby Surround 5.1. Vier eigensinnige Alleingänger als Mitglieder einer Rockband mit mäßigem Erfolg; dass diese Kombination eine denkbar schlechte ist, zeigte die Trennung der US-Gruppe Pixies im Jahre 1992. Vier eigensinnige Alleingänger als Mitglieder einer Rockband mit großem Erfolg; dass auch diese Kombination eine denkbar schlechte ist, das zeigt der Film LOUDQUIETLOUD – A FILM ABOUT THE PIXIES nach deren Wiedervereinigung im Jahre 2004. Die fast zwölf Jahre dazwischen, in denen Musiker wie David Bowie oder Placebo Pixies- Songs neu auflegten und Hollywood den Pixies-Sound für die Filmmusik entdeckte, haben die Band zwar zu einer einflussreichen Indierock-Bands gemacht, ihre vier Mitglieder aber nur kurzzeitig reicher und – jetzt filmisch belegt – keinesfalls reifer werden lassen. Für ihr Werk über die Pixies haben die Filmemacher Steven Cantor und Matthew Galkin die Band um den Sänger Charles Thompson (bekannter unter seinem Künstlernamen Black Francis und später auch als Frank Black), den Bassistin Kim Deal, den Gitarristen Joey Santiago und den Schlagzeuger David Lovering die ersten zehn Monate nach deren Wiedervereinigung begleitet und von den ersten Proben über Warm-Up-Gigs bis zur anschließenden Tour durch Europa und Nordamerika hunderte Stunden Filmmaterial gesammelt. -
Dee Quits Four Month
11EWS shed press officer Annie Branson, prom- otion man Paul Sargent and regional£40,000 TV Deals Dee quits promotion chief Trish Connolly. Dee was said tbe leaving to concentrate onspend for Polly Brown's Nia net a erhis ownaoctiviies. Meanwhile Lynne Peacock, who hasLeo Sayer LP belated token four monthS been with Magnet for some time, has been promoted, and her new areas ofCHRYSALIS RECORDS is mounting DAVE DEE has left Magnet Recordsresponsibility have been extended toa £40,000 test TV campaign in the after just four months as head of presscover national promotion, marketingGranada area next week to promote Leo and promotion. and press, working with a team report-Sayer's World Radio album - first His departure coincides with a rash ofing directly to her from each of thesereleased in mid -May. redundancies at the label, which has alsoareas. The campaign breaks on July 28 and runs for three weeks. There will be a mix of 60, 20 and ten second spots making a total of 21 spots altogether. If success- Secondary boost for Digance ful, the push will then roll into the INDEPENDENT COAST Records hasa joint promotion with the eating houseCentral TV area. moved into the secondary merchandis-chain running. A 50 -off voucher is Display packs for the album are ing field with a Richard Digance cassetteincluded with the package entitling theavailable from PolyGram free of charge.GOOD LUCK token: Polly Brown designed to be sold through the chain ofpurchaser to a discount on mail -order-Order number is DPLS5. receives a belated silver disc from the roadside Happy Eater cafes, called Mr.ing Backwater. -
SLAP Supporting Local Arts & Performers
Issue 42 SLAP Supporting Local Arts & Performers Welcome to the November issue of SLAP Magazine and another packed issue it is too. If you thought for one minute things might start to go quiet around these parts then think again! We’ve spent some time burning the midnight oil to bring you all the latest goings on from the local arts community including our feature on long established local artist Chris Bourke, as well as amongst others, our very own Katie Foulkes and her debut photography exhibition. Nov 2014 With loads of Theatre news, CD and gig reviews, interviews and previews to the many exciting shows coming up in your area, there’s something within these pages for everyone. We also meet local singer/song writer Tom Forbes, strongly SLAP MAGAZINE tipped for greater things, who also provides our colourful front Unit 3a, Lowesmoor Wharf, cover imagery ahead of his latest release ‘Wallflower’. Worcester WR1 2RS I have to mention two sad losses to the music world which Telephone: 01905 26660 certainly took the shine off deadlining on another issue of [email protected] SLAP this October. Former Cream bass player and solo artist For advertising enquiries, please contact: Jack Bruce who was a big influence to many died from Liver [email protected] Failure at the age of 71. And Alvin Stardust who lost his fight EDITORIAL Mark Hogan against Prostrate Cancer at the age of 72. Only last week Alvin Kate Cox - Arts editor was entertaining fans at the Regal Cinema in Evesham. CONTRIBUTORS Andy O’Hare On a more positive note Wilko Johnson declared himself Chris Bennion cured of pancreatic cancer at the Q Awards following surgery Mel Hall earlier this year. -
Välkommen Till Pixies Nya Album "Beneath the Eyrie"!
2019-09-13 09:30 CEST Intuitivt, musikaliskt & filmiskt - välkommen till Pixies nya album "Beneath the Eyrie"! Intuitivt, musikaliskt, filmiskt, verklighetsfrånvänt - och ändå underligt bekant och nästan obehagligt oroande. Välkommen till Pixies nya studioalbum, “Beneath the Eyrie”, där sagor om häxor, Daniel Boone, missanpassade och andra karaktärer passar perfekt in i bandets medfödda dysfunktionalitet. Skivan innehåller 12 låtar och släpps – både digitalt och fysiskt - idag via Pixies nya label Infectious/BMG. Lyssna på albumet HÄR! Vi har redan fått två smakprov från plattan. Först kom ”On Graveyard Hill”, en klassisk Pixies-berättelse om omedelbar och överhängande undergång, skriven av Black Francis och Paz Lenchantin. För några veckor sedan släpptes “Catfish Kate”, som är en djupdykning i bandets frontman, Black Francis, mentala fantasivärld. ”Beneath The Eyrie” är inspelat i Dreamland Recordings nära Woodstock, NY. Producent är Grammy-nominerade Tom Dalgety (Ghost, Royal Blood, Pixies). Albumet fick sitt namn när David Lovering tog en paus utanför studion (som från början är en kyrka, St Johns Church, byggd i slutet av 1800-talet). Plötsligt upptäckte han ett örnbo, eller ”eyrie”, i ett träd i närheten - och skivans titel var ett faktum. Samtidigt med inspelningarna av albumet valde Pixies att dokumentera varje del av processen och berätta om vad som ägde rum i studion. Detta sammanställdes sen till en podcast i tolv delar som har fått titeln ”It’s A Pixies Podcast”. I podden får vi en unik inblick i hur alla spåren på skivan kom till; från början till slutförandet. HÄR kan du lyssna på podcasten! Under 2019 och 2020 åker Pixies ut på en världsturne med premiär på Daydream Festival i Pasadena, USA den 31 augusti. -
Wk 44 – 1973 Nov 3 – UK Top 50
Wk 44 – 1973 Nov 3 – UK Top 50 1 1 4 DAYDREAMER / PUPPY SONG David Cassidy 2 2 10 EYE LEVEL Simon Park Orchestra 3 4 3 SORROW David Bowie 4 32 2 LET ME IN Osmonds 5 5 9 CAROLINE Status Quo 6 6 6 GOODBYE YELLOW BRICK ROAD Elton John 7 11 6 GHETTO CHILD Spinners 8 3 5 MY FRIEND STAN Slade 9 19 3 TOP OF THE WORLD Carpenters 10 7 11 FOR THE GOOD TIMES Perry Como 11 8 8 LAUGHING GNOME David Bowie 12 16 5 SHOWDOWN Electric Light Orchestra 13 10 6 A HARD RAIN'S GONNA FALL Bryan Ferry 14 17 5 KNOCKIN' ON HEAVEN'S DOOR Bob Dylan 15 20 4 THIS FLIGHT TONIGHT Nazareth 16 9 9 NUTBUSH CITY LIMITS Ike And Tina Turner 17 18 5 DECK OF CARDS Max Bygraves 18 15 6 LET THERE BE PEACE ON EARTH Michael Ward 19 28 2 WON'T SOMEBODY DANCE WITH ME Lynsey De Paul 20 34 2 DYNAMITE Mud 21 13 10 MONSTER MASH Bobby Pickett & Crypt-Kickers 22 21 4 5:15 Who 23 14 7 THAT LADY Isley Brothers 24 26 2 PHOTOGRAPH Ringo Starr 25 12 7 BALLROOM BLITZ Sweet 26 24 4 THE DAY THAT CURLY BILLY SHOT DOWN CRAZY SAM MCGEE Hollies 27 22 18 SPANISH EYES Al Martino 28 45 2 DAYTONA DEMON Suzi Quatro 29 23 35 TIE A YELLOW RIBBON ROUND THE OLE OAK TREE Dawn 30 37 32 DECK OF CARDS Wink Martindale 31 - 1 DO YOU WANNA DANCE Barry Blue 32 35 3 DREAMBOAT Limmie And The Family Cookin' 33 - 1 HELEN WHEELS Paul McCartney And Wings 34 29 4 HIGHER GROUND Stevie Wonder 35 42 3 MILLY MOLLY MANDY Glyn Poole 36 - 1 KEEP ON TRUCKIN' Eddie Kendricks 37 39 29 AND I LOVE YOU SO Perry Como 38 27 9 JOYBRINGER Manfred Mann's Earth Band 39 47 7 LET'S GET IT ON Marvin Gaye 40 38 4 THE OLD FASHIONED WAY Charles Aznavour 41 25 14 SAY HAS ANYBODY SEEN MY SWEET GYPSY ROSE Dawn 42 44 24 WELCOME HOME Peters and Lee 43 30 12 I'VE BEEN HURT Guy Darrell 44 49 3 LOVE IS ALL Engelbert Humperdinck 45 33 10 ANGEL FINGERS Wizzard 46 46 15 DANCING ON A SATURDAY NIGHT Barry Blue 47 - 1 BY YOUR SIDE Peters and Lee 48 40 10 ANGIE Rolling Stones 49 36 9 OH NO NOT MY BABY Rod Stewart 50 - 1 MY COO-CA-CHOO Alvin Stardust . -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
What Questions Should Historians Be Asking About UK Popular Music in the 1970S? John Mullen
What questions should historians be asking about UK popular music in the 1970s? John Mullen To cite this version: John Mullen. What questions should historians be asking about UK popular music in the 1970s?. Bernard Cros; Cornelius Crowley; Thierry Labica. Community in the UK 1970-79, Presses universi- taires de Paris Nanterre, 2017, 978-2-84016-287-2. hal-01817312 HAL Id: hal-01817312 https://hal-normandie-univ.archives-ouvertes.fr/hal-01817312 Submitted on 17 Jun 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. What questions should historians be asking about UK popular music in the 1970s? John Mullen, Université de Rouen Normandie, Equipe ERIAC One of the most important jobs of the historian is to find useful and interesting questions about the past, and the debate about the 1970s has partly been a question of deciding which questions are important. The questions, of course, are not neutral, which is why those numerous commentators for whom the key question is “Did the British people become ungovernable in the 1970s?” might do well to balance this interrogation with other equally non-neutral questions, such as, perhaps, “Did the British elites become unbearable in the 1970s?” My reflection shows, it is true, a preoccupation with “history from below”, but this is the approach most suited to the study of popular music history. -
Association for Consumer Research
ASSOCIATION FOR CONSUMER RESEARCH Labovitz School of Business & Economics, University of Minnesota Duluth, 11 E. Superior Street, Suite 210, Duluth, MN 55802 Orchestrating Pet Influencers: Rhetorical and Visual Strategies in Creating Mediated Platform Content Ghalia Shamayleh, Concordia University, Canada Zeynep Arsel, Concordia University, Canada Despite the prevalence of pet influencers, there is a paucity of studies on the subject matter. Our paper utilizes a mix of interviews and Netnography to understand how people orchestrate their pet companions on social platforms. We provide a typology of performative storytelling and discuss implications to theory and firms. [to cite]: Ghalia Shamayleh and Zeynep Arsel (2020) ,"Orchestrating Pet Influencers: Rhetorical and Visual Strategies in Creating Mediated Platform Content", in NA - Advances in Consumer Research Volume 48, eds. Jennifer Argo, Tina M. Lowrey, and Hope Jensen Schau, Duluth, MN : Association for Consumer Research, Pages: 874-879. [url]: http://www.acrwebsite.org/volumes/2659790/volumes/v48/NA-48 [copyright notice]: This work is copyrighted by The Association for Consumer Research. For permission to copy or use this work in whole or in part, please contact the Copyright Clearance Center at http://www.copyright.com/. Monetizing the Megaphone: How Consumers and Firms Use Platforms to Conquer the Attention Economy Chair: Zeynep Arsel, Concordia University, USA Discussant: Ashlee Humphreys, Northwestern University, USA Paper #1: Problematizing the Megaphone: The Very Difficult The final paper explores how platform content is shaped by Journey to Becoming an Influencer memes that are also controlled and seeded by firms. The authors Thanh Nguyen, Concordia University, Canada show how memes are actively initiated, surveilled, and leveraged by Pierre-Yann Dolbec, Concordia University, Canada firms. -
Why Doesn't Anybody Write Anything About Glam Rock?
WHY DOESN'T ANYBODY WRITE ANYTHING ABOUT GLAM ROCK? Jon Stratton In discussions of post-war British youth cultures glam rock gets very little attention. For example, in their seminal work on British youth cultural forms, Hall et al (1976:54), make only one passing reference to this subculture. In a list of subcultural possessions and objects they refer to: '... the glitter costumes of the Bowrieites ... .' Similarly, Brake (l980:80) in his outlines of British post-war youth cultures gives the culture half a page while skinheads get two pages and rockers one page. Hebdige, (1979) in Subculture: the meaning of style, does spend about two and a half pages looking at glam rock but most of this space is taken up with an analysis of the images of David Bowie. Hebdige writes of Bowie that: Certainly Bowie's position was devoid of any obvious political or counter-cultural significance ... (l979:6l). And Bowie's meta-message was escape — from class, from sex, from obvious commitment — into a fantasy past ... or a science-fiction future (1979:61). What is confusing for Hebdige about glam rock soon becomes clear: In glam-rock, at least amongst those artists placed, like Bowie and Roxy Music, at the more sophisticated end of the glitter spectrum, the subversive emphasis was shifted away from class and youth onto sexuality and gender-typing (1979:61-2). On the one hand, Hebdige can write so much about Bowie because glam rock's presentation of image as image lends itself to Hebdige's dominant semiotic method of analyzing cultural texts. -
Rassegna Del 07/12/2019
Rassegna del 07/12/2019 EVIDENZA 07/12/19 Messaggero Cronaca di 50 Moccia e l'amore per superare le delusioni Carbone Barbara 2 Roma 07/12/19 Messaggero Cronaca di 52 Protagonisti. Capossela, ballate per uomini e bestie ... 3 Roma 07/12/19 Repubblica Robinson 38 Nella valigia di Haber Di Gianmarco Rodolfo 4 CLASSICA ED ENTI LIRICI 07/12/19 Corriere della Sera 2 Social e code alle casse: è Tosca mania - Tosca diffusa in musei e Landi Stefano 7 Milano stazioni Sicurezza, 600 agenti in piazza 07/12/19 Repubblica Milano 4 C'è anche Matterella per la Tosca più attesa - La Tosca dei record p.z. 10 con Mattarella 07/12/19 Stampa 24 Tosca in tv dalla A alla Z Sarà la Prima più social di sempre - Mattioli Alberto 12 Tosca in tv dalla A alla Z Sarà la Prima più social di sempre Va in scena anche un tocco pulp COMUNE DI ROMA 07/12/19 Corriere della Sera 31 Lettera. Risponde Aldo Cazzullo. Torino, Napoli, Roma, Firenze? Cazzullo Aldo - Prandi 15 Ipotesi sulla capitale ideale Alessandro 07/12/19 Corriere della Sera 1 Una città durissima da vivere Segantini Edoardo 16 Roma 07/12/19 Repubblica Roma 5 Sindaci contro sindaca I 5S "No alla discarica Raggi ricorra al Tar" de Ghantuz Cubbe 17 - La rivolta dei territori arriva in Campidoglio "No ai vostri rifiuti" Marina 07/12/19 Messaggero Cronaca di 41 Emergenza rifiuti, ecco i siti militari per i camion Ama - Da Castel De Cicco Lorenzo - 19 Roma Romano a Bracciano zone militari per i mezzi Ama Pacifico Francesco 07/12/19 Libero Quotidiano 17 Il derby degli alberi di Natale Meglio Spelacchio o Ferracchio? Tedoldi Giordano 21 WEB 06/12/19 GRAZIA.IT 1 Cosa fare a Roma nel weekend dell’Immacolata - Grazia.it .. -
First News 19-25 February 2021
THE UK’S AANTNT CHILDREN’S IINSIDE!NSIDE! YYOUROUR AANDND DDECEC NEWSPAPER WWORLDORLD BBOOKOOK DDAYAY AARERE BBACKACK WITH MORE THAN DDAVIDAVID WWALLIAMSALLIAMS 2.6 MILLION* TTOKEN!OKEN! PP2424 PP1515 READERS! OONN TTOUROUR PP1414 Issue 766 £2.25 19 – 25 February 2021 HHELPINGELPING TTHEHE UUKK GGROWROW NEWS I SPORTS I ENTERTAINMENT I INTERVIEWS I PUZZLES I COMPETITIONS CCHILDREN’SHILDREN’S OH, VVACCINEACCINE TTRIALRIAL WOW! BBEGINSEGINS byb Shelley Moulden A SCIENTIST has worked oout the total volume of theth new coronavirus in ƚŚĞǁŽƌůĚʹĂŶĚŝƚĮƚƐƚŚ insidein a drink can (with lotslo of room to spare)! Senior lecturer in ŵĂƚŚĞŵĂƟĐĂůďŝŽůŽŐLJĂƚŵ ƚŚĞhŶŝǀĞƌƐŝƚLJŽĨĂƚŚ͕ƚŚ <ŝƚzĂƚĞƐ͕ǁĂƐƚĂƐŬĞĚǁŝƚŚ<ŝ ĮŶĚŝŶŐŽƵƚŚŽǁŵĂŶLJĮŶ ^Z^ͲŽsͲϮ;ĐŽƌŽŶĂǀŝƌƵƐͿ^ ƉĂƌƟĐůĞƐƚŚĞƌĞĂƌĞŝŶƚŚĞƉĂ ǁŽƌůĚďLJZĂĚŝŽϰ͘,Ğǁ OXFORD University has launched a new study to test the calculatedca that there are COVID-19 vaccine on children. ƌŽƵŐŚůLJϮϬϬŵŝůůŝŽŶďŝůůŝŽŶƌŽ dŚĞƵŶŝǀĞƌƐŝƚLJƐĂLJƐŝƚŝƐƚĞƐƟŶŐƚŚĞƐĂĨĞƚLJŽĨƚŚĞǀĂĐĐŝŶĞŝƚŵĂĚĞ ǀŝƌƵƐƉĂƌƟĐůĞƐŝŶƚŚĞǁŽƌůĚǀŝ ǁŝƚŚƐƚƌĂĞŶĞĐĂŽŶƐŝdžƚŽϭϳͲLJĞĂƌͲŽůĚƐ͕ĂŶĂŐĞŐƌŽƵƉŚŝƚŚĂƌĚďLJ ĂƚĂŶLJŽŶĞƟŵĞ͘/ƚ͛ƐĂŚƵŐĞĂƚ school closures. ŶƵŵďĞƌʹĂŶĚŝƐƌŽƵŐŚůLJŶƵ Turn to p12-13͕ǁŚĞƌĞĂŶKdžĨŽƌĚhŶŝǀĞƌƐŝƚLJƐĐŝĞŶƟƐƚŝŶǀŽůǀĞĚ theth same as the number ŝŶƚŚĞƚƌŝĂůƐĂŶƐǁĞƌƐƋƵĞƐƟŽŶƐĨƌŽŵĐŚŝůĚƌĞŶĂďŽƵƚƚŚĞǀĂĐĐŝŶĞ͕ ŽĨŐƌĂŝŶƐŽĨƐĂŶĚŽŶƚŚĞŽĨ ŝŶĐůƵĚŝŶŐƚŚĞŽŶĞƐďĞůŽǁ͘ planet.pl ,ŽǁĞǀĞƌ͕ƚŚĞĐŽƌŽŶĂǀŝƌƵƐ Why might children need to be vaccinated ƉĂƌƟĐůĞƐĂƌĞƌĞĂůůLJ͕ƌĞĂůůLJ͕ƉĂ if they don’t get very sick from COVID-19? ƌĞĂůůLJƐŵĂůů͘^ŽƐŵĂůů͕ŝŶƌĞ ĨĂĐƚ͕ƚŚĂƚƚŚĞƚŽƚĂůŐĂƚŚĞƌĞĚĨĂ For kids, would it be a How many children ǀŽůƵŵĞŽĨĐŽƌŽŶĂǀŝƌƵƐǀŽ jab