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TOI TOI TOI Guidelines
TOI TOI TOI Guidelines PARTNERS Danube-University Krems Rainer Schabereiter E-mail: [email protected] URL: www.donau-uni.ac.at Sociedade Portuguesa de Inovação Tiago Marques E-mail: [email protected] URL: www.spi.pt Forschungsinstitut Betriebliche Bildung Lena Schmitz E-mail: [email protected] URL: www.f-bb.de Széchenyi István University Györ Boglárka Eisngerné Balassa E-mail: [email protected] URL: http://uni.sze.hu Goce Delcev University – Stip Nikola Smilkov E-mail: [email protected] URL: http://www.ugd.edu.mk/ Brainplus Wolfgang Schabereiter E-mail: [email protected] URL: http://www.brainplus.at TOI TOI TOI Guidelines Rainer Schabereiter [Ed.] Danube University Krems Department for Continuing Education Research and Educational Management Krems, August 2016 The European Commission support for the production of this publication does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. TOI TOI TOI Guidelines TOI TOI TOI Guidelines Contents INTRODUCTION ..................................................................................................................................... 8 1. THE PROJECT .................................................................................................................................. 10 1.1 Facts ............................................................................................................................................................ -
Reader's Theater Script- the Magic Flute
THE MAGIC FLUTE Wolfgang Amadeus Mozart and Emanuel Schikaneder Adapted for young readers by Joshua Borths A Reader’s Theater Script for Young Audiences! 1 Cast of Characters (in order of appearance) Narrators (1-3) They guide the audience on the journey Sarastro (za-RA-stro) The wise ruler of the Sun Prince Tamino (tah-ME-no) A foreign Prince, the hero Dragon Ladies (1-3) The Queen’s handmaidens, Each lady is different Papageno (pa-pa-GEH-no) The Queen’s birdcatcher, fun loving and funny The Queen of the Night An ultimately evil Queen, but she doesn’t let people see it Monostatos (moe-NAST-tah-toes) Sarastro’s guard, who wants to marry Pamina Pamina (pah-ME-na) The virtuous daughter of the Queen Ensemble Guards, animals, voices, attendants A quick note about Reader’s Theater… Welcome to the Arizona Opera Reader’s Theater version of Mozart’s The Magic Flute! This script takes about 10-15 minutes to perform and guides the readers and audience through the first act of the opera. This script was created with 3rd— 6th grade in mind. This script helps develop reading fluency, comprehension, and imagination as both readers and audience members alike are guided through the story of the opera. We encourage double casting (students reading more than one role) when appropriate. However, make sure everyone gets a chance to read out loud! 2 Props List (in order of appearance) Mouth Lock (For Papageno) Picture Frame (The picture of Pamina for Tamino) Magic Flute (For Tamino) Magic Bells (For Papageno) A note about performance… Putting together The Magic Flute should be a fun and educational experience for your students. -
P6champions Were P20 Organise a Honoured in a Ceremony Career Seminar Featuring Commonwealth for Pakistani Water Polo Player Students in Eleanor Thomson
Community Community Doha College’s Expat forum 2016 sporting Sohni Dharti P6champions were P20 organise a honoured in a ceremony career seminar featuring Commonwealth for Pakistani water polo player students in Eleanor Thomson. Al Khor. Wednesday, June 8, 2016 Ramadan 3, 1437 AH DOHA 33°C—44°C TODAY LIFESTYLE/HOROSCOPE 13 PUZZLES 14 & 15 AAccessibilityccessibility Website, mobile app to give COVER accessibility info beforehand STORY on locations in Qatar to the physically-challenged. P4-5 LAUNCH: The Accessible Qatar launch at the Katara Hall. 2 GULF TIMES Wednesday, June 8, 2016 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.14am Shorooq (sunrise) 4.43am Zuhr (noon) 11.33am Asr (afternoon) 2.56pm Maghreb (sunset) 6.26pm Isha (night) 7.56pm USEFUL NUMBERS Iraivi told from the standpoint of men, associated with the women GENRE: Drama, Comedy in the spotlight. While SJ Surya plays a failed director, who CAST: Vijay Sethupathi, Surya S J, Bobby Simha fi nds solace in liquor, Bobby Simha tries hard to make a Emergency 999 DIRECTION: Karthik Subbaraj widow, played by Pooja, fall for him. Vijay Sethupathi, on the Worldwide Emergency Number 112 SYNOPSIS: Three women become liberated after other hand, wanders in search of love, choosing to ignore the Kahramaa – Electricity and Water 991 unfortunate circumstances drive their husbands to a life of same when off ered by his wife, played by Anjali. Local Directory 180 crime. As the title suggests, Iraivi narrates the episodes that International Calls Enquires 150 unfold in the lives of a few women. Interestingly, -
Trump Unveils Sweeping Tax Reforms, Stirs Deficit Concerns
www.theindianpanorama.news VOL 11 ISSUE 39 ● NEW YORK/DALLAS ● SEPTEMBER 29 - OCTOBER 05, 2017 ● ENQUIRIES: 646-247-9458 WE WISH OUR READERS A HAPPY DURGA PUJA Trump's son-in-law to 'vote as a woman' Trump unveils sweeping tax reforms, stirs deficit concerns Proposes to reduce seven tax brackets to just three, double standard deductions Republicans welcome; Democrats oppose NEW YORK (TIP): According to media reports, WASHINGTON (TIP): US President Donald Trump has Donald Trump's son-in-law unveiled sweeping tax reforms which if passed by the and top aide, Jared Kushner, Congress would bring down the business tax rate to 15 per has been registered to vote as cent, introduce territorial tax system that would offer level a woman for eight playing field to American companies. years.Voter information However, it immediately prompted criticism that the plan records held by New York favors business and the rich and could add trillions of dollars contd on Pae 32 to the deficit. The proposal drew a swift, skeptical response contd on page 32 Over 130,000 flee President Donald Trump waves before speaking about tax fearing volcano reform in Indianapolis. Photo / courtesy PTI eruption on Bali tourist island Indian American Couple Donates $250,000 Indian American Couple Makes $200 Million BALI (TIP): More than to Houston Mayor's Harvey Relief Fund Donation to Nova Southeastern University 130,000 people have fled the region around the Mount HOUSTON (TIP): An TAMPA, FL (TIP): Nova Agung volcano on the Indian American couple Southeastern University (NSU) Indonesian tourist island of donated USD 250,000 to in Florida announced the largest Bali, fearing it will soon Houston Mayor's Hurricane philanthropic gift in its history erupt, according to an Harvey Relief Fund at a from Tampa-area cardiologist Dr. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Aam Aadmi 12 Dr
MORPARIA’S PAGE E-mail: [email protected] Contents FEBRUARY 2014 VOL.17/7 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ THEME: Morparia’s page 2 The Comman Man The Common Man Speaks 5 V Gangadhar The Common Man is surging 6 Managing editor Prof. Yogesh Atal Mrs. Sucharita R. Hegde The ubiquitous ‘Common Man’ of India 8 P. Radhakrishnan Editor R.K Laxman: An Uncommon Common Man 10 Anuradha Dhareshwar V. Gangadhar The rise of the Aam Aadmi 12 Dr. Bhalchandra K. Kango Sub editor Right to Information – path to Swaraj 14 Sonam Saigal Shailesh Gandhi Aam Aadmi crusaders Design 6 Baba Amte 16 H. V. Shiv Shankar Adv. Varsha Deshpande 18 Rajendra Singh 19 Marketing Dr. Anil Joshi 20 Mahesh Kanojia Adv. M. C. Mehta 21 Anna Hazare 22 OIOP Clubs Know India Better Vaibhav Palkar How Beautiful is My Valley 23 Gustasp and Jeroo Irani Face to face: Shashi Deshpande 36 Subscription Features Nagesh Bangera Youth Voice - Urvish Mehta 40 Will Aam Aadmi Party survive as a National Party? 41 Prof. P M Kamath Advisory board 23 M V Kamath Khobragade episode triggers a much needed Sucharita Hegde correction 43 Justice S Radhakrishnan Dr. B. Ramesh Babu Venkat R Chary A memorable day 46 Lt. General Vijay Oberoi Printed & Published by Cultural Kaleidoscope 48 Mrs. Sucharita R. Hegde for Navigation in ancient India and social taboo One India One People Foundation, against overseas travel 50 Mahalaxmi Chambers, 4th floor, B.M.N. Murthy 22, Bhulabhai Desai Road, Columns 52 Mumbai - 400 026 Nature watch : Bittu Sahgal Tel: 022-2353 4400 Infocus : C. V. Aravind Fax: 022-2351 7544 36 Young India 54 e-mail: [email protected] / Shashi Deshpande Great Indians 56 [email protected] Printed at: Graphtone (India) Pvt. -
Lisa Reihana: Emis Saries New Zealand a T Venice 2017 a Uckland Ar Tg Aller
LISA REIHANA: EMISSARIES LISA NEW ZEALAND AT VENICE 2017 AUCKLAND ART GALLERY TOI O TĀMAKI TOI GALLERY ART VENICE 2017 AUCKLAND NEW ZEALAND AT LISA REIHANA EMISSARIES 1 LISA REIHANA EMISSARIES EMISSARIES.indd 1 8/02/17 10:59 am 2 LISA REIHANA EMISSARIES 3 EMISSARIES.indd 2-3 8/02/17 10:59 am 4 LISA REIHANA EMISSARIES 5 ALASTAIR CARRUTHERS PLATES COMMISSIONER’S FOREWORD 6 PORTRAITS IN PURSUIT OF VENUS [INFECTED] VIDEO STILLS 90 WITI IHIMAERA MIHI 8 VIVIENNE WEBB LES SAUVAGES DE LA MER PACIFIQUE: A DECORATIVE COMPOSITION IN WALLPAPER 116 RHANA DEVENPORT PREFACE 10 ANDREW CLIFFORD UNMUTING HISTORY: A POLYPHONIC TABLEAU 124 RHANA DEVENPORT EMISSARIES: A NEW PACIFIC OF THE PAST FOR TOMORROW 14 KEITH MOORE TEARDROPS, TIME AND MARINERS 130 NIKOS PAPASTERGIADIS ARCADIA AND THE IMAGINED MEMORIES 30 MEGAN TAMATI-QUENNELL ARTIST BIOGRAPHY 134 ANNE SALMOND VOYAGING WORLDS 42 SELECTED EXHIBITIONS AND PUBLICATIONS 136 JENS HOFFMANN REANIMATION 66 CONTRIBUTORS 140 CAST AND CREW 141 BROOK ANDREW & LISA REIHANA IN CONVERSATION 74 ACKNOWLEDGEMENTS 143 EMISSARIES.indd 4-5 8/02/17 10:59 am 6 ALASTAIR CARRUTHERS COMMISSIONER’S FOREWORD LISA REIHANA EMISSARIES 7 Lisa Reihana: Emissaries is the most ambitious project in Lisa Reihana’s Special thanks must also go to the exhibition catalogue contributors: Witi Ihimaera, longstanding digital practice. Much like Captain James Cook’s three epic and world- Rhana Devenport, Anne Salmond, Nikos Papastergiadis, Lisa Reihana, Brook changing Pacific voyages, each iteration of its centrepiece – the video in Pursuit of Andrew, Jens Hoffmann, Vivienne Webb, Keith Moore, Andrew Clifford, and Megan Venus [infected], 2015–17 – became more ambitious in scale, required more resources Tamati-Quennell. -
Apresentação Do Número 12
Apresentação iii Apresentação O presente número da revista, como de praxe, é composto pelas seções de literatura/cultura, lingüística e tradução e resenhas, num total de 11 trabalhos e 220 páginas. Dentre os diversos ensaios apresentados, percebe-se um eixo em torno do qual se organizam as diferentes abordagens, a saber, o enfoque dialógico entre culturas e campos do saber. A literatura dialoga com a ética, o cinema, a lingüística e a imagologia. De forma paralela, os trabalhos no campo da lingüística, tradução e resenhas privilegiam o aspecto contrastivo e cognitivo com a implícita preocupação e relação com a cultura. Goethe, no ano em que se comemoram os 200 anos de publicação do Fausto I, é tema de dois trabalhos na seção de literatura/cultura. O artigo de Gilberto PINHEIRO PASSOS, ao elaborar um estudo intercultural, explora a recorrência do tema faústico em romances de Machado de Assis. Seu enfoque não se restringe a fazer um inventário das ocorrências da personagem ou das menções da obra de Goethe no autor brasileiro, mas aponta em que medida a procura incessante do protagonista goethiano é transfigurada por Machado para representar um Brasil em transformação. Nesse sentido, é especialmente interessante a análise feita sobre a relação do Fausto com o último romance de Machado, Memorial de Aires. Já o trabalho de Eloá HEISE, também dedicado a Goethe, elabora uma análise comparativa intracultural, ou seja, compara o “Prólogo no céu” do Fausto I de Goethe e o prólogo da peça de Brecht, A boa alma de Sezuan. Como resultado dessa contraposição, a autora afirma que Brecht produz uma paródia do texto goethiano e lança mão de um dos artifícios característicos da literatura do século XX. -
JANUARY 2017 .Com/Civilsocietyonline `50
VOL. 14 NO. 3 JANUARY 2017 www.civilsocietyonline.com .com/civilsocietyonline `50 Anupam Mishra 1947-2016 WATER GURU IS NO MORE A CADRE FOR MIDWIVES? INTERVIEW TEACH TEACHERS BETTER Pages 10-11 ‘noTE BAN HAS PUT Pages 25-26 THE JACKFRUIT FAMILY DIGITAL INCLUSION ECONOMICS IS POLITICS Page 12 ON FAST Forward’ Page 27 MFIS COPE WITH NOTE BAN R. CHANDRASHEKHAR Adoor’s new film Pages 22-23 Pages 6-8 Pages 29-30 CONTENTS R E A D U S. W E R E A D Y O U. A troubled yearend HERE has been little to celebrate in the way the year has gone out. If demonitisation at first seemed like a bold effort to deal with black money, there is now little certainty about what it will achieve. Of Tgrave concern is the growing arbitrariness in politics and governance. It is all around and so it makes little sense to point in any one direction. It is as though politicians, the so-called reformers like AAP included, inhabit a zone of their own and the rest of us are left to cope with a different reality. Putting together the January issue of Civil Society in such circumstances, COVER STORY you will recognise, has been challenging. It would be boring to dabble in the obvious and yet it won’t do to ignore developments around us. So, in search Water guru is no more of some kind of silver lining, we have picked our way through chaos (read Anupam Mishra, India's foremost authority on traditional water that as the mess in Parliament, stresses in the banking system and runaway harvesting systems passed away on 19 December after a brief but air pollution) to bring you an issue which makes some sense of our situation devastating encounter with cancer. -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE EXPLORING THE CREATIVE PROCESS OF CHOREOGRAPHING OPERA PRIOR TO AND AMIDST THE COVID-19 GLOBAL PANDEMIC: OPPORTUNITIES, CHALLENGES, AND COMPLEXITIES A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF FINE ARTS IN DANCE By CHRISTA ST. JOHN Norman, Oklahoma 2021 EXPLORING THE CREATIVE PROCESS OF CHOREOGRAPHING OPERA PRIOR TO AND AMIDST THE COVID-19 GLOBAL PANDEMIC: OPPORTUNITIES, CHALLENGES, AND COMPLEXITIES A THESIS APPROVED FOR THE SCHOOL OF DANCE BY THE COMMITTEE CONSISTING OF Mary Margaret Holt, Chair Michael Bearden William Ferrara © Copyright by CHRISTA ST. JOHN 2021 All Rights Reserved. Acknowledgments The culmination of this research is a product of the support, guidance, and collaboration of a great number of persons without whom this work would not have been possible. First, I thank my committee chair, Dean of OU’s Weitzenhoffer Family College of Fine Arts, Nichols Chair, Presidential Professor, and Regents’ Professor of Dance, Mary Margaret Holt, for her choreographic and academic mentorship throughout this process. One of the most valuable things a person can give another is their time. Dean Holt generously gave her time and the mentorship she provided is of inestimable value and is the model from which I endeavor to mentor my future students. Thank you to committee members Director of the School of Dance, Michael Bearden, for his choreographic mentorship and continued support, and OU Opera Theatre Stage Director and Professor, William Ferrara, for his flexibility and creative problem-solving abilities as we navigated unprecedented circumstances throughout our collaborations together. -
Cultural Awareness and Language Immersion Handbook for Military and Expeditionary Applications Based on and Including
Cultural Awareness and Language Immersion Handbook for Military and Expeditionary Applications based on and including: Visual Dictionary for Military Applications English & French & German Dictionnaire Visuel pour Applications Militaires Anglais & Français & Allemand Bildwörterbuch für Militärische Anwendungen Englisch & Französisch & Deutsch Quick Reference Guide – Manuel de Référence Rapide – Kurzes Nachschlagewerk by H. R. Stonehedge I First Edition published 2015 Copyright © Intellectus Publishing LLC & Global Strategies Global Solutions Inc. 2015 www.globesgs.com All rights reserved. No part of this publication may be reproduced in any form or by any means without the prior written permission of the author and publisher. Except where permitted by law. ISBN-13: 978-0-9898414-7-4 For sales, questions, comments, suggestion send an email to: [email protected] Disclaimer: Although the author and publisher have made every effort to ensure that the information in this book was correct at press time, the author and publisher do not assume and hereby disclaim any liability to any party for any loss, damage, harm or disruption caused by errors or omissions, whether such errors or omissions result from negligence, accident, or any other cause. III Table of Contents Section Page Culture VII Central European Gesture and Etiquette XXIII Language XLIX (English, French, and German) V CULTURE VII “Culture is the intersection of people and life itself. It’s how we deal with life, love, death, birth, disappointment…all of that is expressed in culture.” – Wendell Pierce Throughout the world, the proper application of knowledge, skills, and awareness can mean not only influence, but survival as well. Still, cultural competency is one of the most challenging aspects of operating globally. -
History of Indian Cinema.Pdf
CHAPTER – 2 A BRIEF HISTORY OF INDIAN CINEMA Indian films are unquestionably the most –seen movies in the world. Not just talking about the billion- strong audiences in India itself, where 12 million people are said to go to the cinema every day, but of large audiences well beyond the Indian subcontinent and the Diaspora, in such unlikely places as Russia, China, the Middle East, the Far East Egypt, Turkey and Africa. People from very different cultural and social worlds have a great love for Indian popular cinema, and many have been Hindi Films fans for over fifty years. Indian cinema is world – famous for the staggering amount of films it produces: the number is constantly on the increase, and recent sources estimate that a total output of some 800 films a year are made in different cities including Madrass , Bangalore , Calcutta and Hyderabad . Of this astonishing number, those films made in Bombay, in a seamless blend of Hindi and Urdu, have the widest distribution within India and Internationally. The two sister languages are spoken in six northern states and understood by over 500 million people on the Indian sub – continent alone – reason enough for Hindi and Urdu to be chosen above the fourteen official Indian languages to become the languages of Indian Popular cinema when sound came to the Indian Silver screen in 1931 . Silent Era – The cinematographe (from where we have the name cinema) invented by the Lumiere brothers functioned better the Kinetoscope of Edison and Dickson. The Lumiere brothers who invented the cinematographe started projection of short (very short, one to two minutes long) films for the Parsian public on November 28, 1895.